{"id":17063,"date":"2025-04-15T16:36:22","date_gmt":"2025-04-15T13:36:22","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=17063"},"modified":"2025-04-15T16:36:22","modified_gmt":"2025-04-15T13:36:22","slug":"prancuzijoje-zinomas-menininkas-francois-chaignaud-muzika-ir-sokis-dalykai-kuriu-negali-atimti-jokie-pasaulio-lyderiai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/04\/15\/prancuzijoje-zinomas-menininkas-francois-chaignaud-muzika-ir-sokis-dalykai-kuriu-negali-atimti-jokie-pasaulio-lyderiai\/","title":{"rendered":"Pranc\u016bzijoje \u017einomas menininkas Fran\u00e7ois Chaignaud: \u201eMuzika ir \u0161okis \u2013 dalykai, kuri\u0173 negali atimti jokie pasaulio lyderiai\u201c"},"content":{"rendered":"

Vienas k\u016brybi\u0161kiausi\u0173 ir dr\u0105siausi\u0173 tarptautinio \u0161iuolaikinio \u0161okio festivalio NEW BALTIC DANCE programos darb\u0173 \u2013 Pranc\u016bzijos meninink\u0173 <\/b>Aymeric Hainaux ir Fran\u00e7ois Chaignaud spektaklis\u00a0 MIRLITONS. Teatro scenoje dvikovai susitinka du vyrai <\/b>\u2013<\/b> muzikantas ir \u0161ok\u0117jas, kurie naudodami tik savo k\u016bnus, be dideli\u0173 papildom\u0173 priemoni\u0173 sukuria griausming\u0105 garso ir judesio pasirodym\u0105. Susitikimas tampa ritualu, perpildytu ne tik garso, bet ir<\/b> tylos akimirk\u0173.<\/b> Menininkai kiekvien\u0105 kart\u0105 leid\u017eiasi \u012f netik\u0117tum\u0173 kupin\u0105 spektaklio k\u016brybos proces\u0105.<\/b><\/p>\n

\"\"<\/a>
Fran\u00e7ois Chaignaud (kair\u0117je) ir Aymeric Hainaux (de\u0161in\u0117je), Martin Argyroglo nuotr.<\/em><\/figcaption><\/figure>\n

Su k\u016br\u0117jais kalb\u0117josi Aist\u0117 Audickait\u0117.<\/span><\/p>\n

Kaip j\u016bs susipa\u017einote ir kod\u0117l nusprend\u0117te kartu sukurti spektakl\u012f?\u00a0<\/b><\/p>\n

Fran\u00e7ois Chaignaud:\u00a0 <\/b>I\u0161 tikr\u0173j\u0173 mes susipa\u017einome gana seniai. Pirm\u0105 kart\u0105 Aymeric\u2018\u0105 pama\u010diau apie 2010 metus \u2013 tuomet jis sureng\u0117 solo pasirodym\u0105, kuriame derino beatboks\u0105 ir judes\u012f. Tai man paliko stipr\u0173 \u012fsp\u016bd\u012f. Po to mes palaik\u0117me ry\u0161\u012f i\u0161 tolo ir susitikdavome retkar\u010diais. Galiausiai susiklos\u010dius COVID-19 aplinkyb\u0117ms, atsirado proga kartu leistis k\u016brybiniu keliu.<\/span><\/p>\n

Kokia buvo ta k\u016brybin\u0117 prad\u017eia?\u00a0<\/b><\/p>\n

Aymeric Hainaux: <\/b>Manau, viskas prasid\u0117jo dar 2010-\u0173j\u0173 pabaigoje, kai pirm\u0105 kart\u0105 susitikome. Per tuos de\u0161imt met\u0173 kiekvienas atskirai tarsi k\u016br\u0117me \u201eMirlitons\u201c. Kai galiausiai susitikome fizi\u0161kai ir prad\u0117jome dirbti kartu, daug kas dar buvo miglota \u2013 i\u0161skyrus vien\u0105 dalyk\u0105: septyni\u0173 skaitmen\u0173 ritm\u0105, kuris tapo spektaklio pagrindu.<\/span><\/p>\n

Papasakokite, apie k\u0105 yra \u201eMirlitons\u201c?<\/b><\/p>\n

Fran\u00e7ois Chaignaud:\u00a0 <\/b>Manau, galima sakyti, kad tai \u2013 mudviej\u0173, dviej\u0173 meninink\u0173, dirban\u010di\u0173 su skirtingomis medijomis, susitikimas. Nors Aymeric\u2018as labiau primena muzikant\u0105, o a\u0161 \u2013 \u0161ok\u0117j\u0105, nuo pat prad\u017ei\u0173 siek\u0117me, kad tai b\u016bt\u0173 dviej\u0173 atlik\u0117j\u0173 duetas, tyrin\u0117jantis ritmo ir judesio garso k\u016brimo fizi\u0161kum\u0105. Mums buvo svarbu, kad m\u016bs\u0173 k\u016bnai b\u016bt\u0173 vienodai \u012fsitrauk\u0119 ir abu vienodai kurt\u0173 gars\u0105. \u0160is k\u016brinys taip pat kalba apie tai, k\u0105 k\u016bnas gali padaryti netur\u0117damas nieko \u2013 tik pats save. Vienintel\u0117s priemon\u0117s, kurias naudojame scenoje, yra batai, med\u017eio gabalas ir mikrofonas. Viskas kyla i\u0161 klausimo: k\u0105 gali padaryti du k\u016bnai su lazda ir mikrofonu? Tai labai paprasta, gruboka, tarsi nei\u0161baigta \u2013 bet tikiuosi, kad b\u016btent tame paprastume gimsta stipriausios emocijos.<\/span><\/p>\n

Aymeric Hainaux: <\/b>Skurdus priemoni\u0173 naudojimas scenoje paliko mus beveik nuogus \u2013 tai i\u0161ved\u0117 mus i\u0161 komforto zonos ir privert\u0117 atsisakyti vis\u0173 gudrybi\u0173 ar asmenini\u0173 triuk\u0173, kuriuos mokame atmintinai. Scenoje atrodome tarsi keisti viduram\u017ei\u0173 riteriai ar \u016bkininkai, \u012fsitrauk\u0119 \u012f ypating\u0105 paie\u0161k\u0105, nors patys iki galo ne\u017einome \u2013 koki\u0105. Manau, kad mes ie\u0161kome tiesos ar gro\u017eio per savo rankas, kelius, p\u0117das. Ir kuo ma\u017eiau turime \u2013 tuo labiau veikia tas principas, kad ma\u017eiau yra daugiau.\u00a0<\/span><\/p>\n

\"\"<\/a>
Fran\u00e7ois Chaignaud ir Aymeric Hainaux Martin Argyroglo nuotr.<\/em><\/figcaption><\/figure>\n

Spektaklyje j\u016bs ir dainuojate. Kok\u012f vaidmen\u012f dainavimas atlieka k\u016brinyje?<\/b><\/p>\n

Fran\u00e7ois Chaignaud:\u00a0 <\/b>Naudodami beatboks\u0105 ir treps\u0117jim\u0105 \u012f grindis suk\u016br\u0117me savoti\u0161k\u0105 muzik\u0105 \u2013 labai garsi\u0105, agresyvi\u0105, primenan\u010di\u0105 perkusij\u0105. Nieko pana\u0161aus anks\u010diau nebuvau gird\u0117j\u0119s. Bet nor\u0117jome tur\u0117ti ir kit\u0105 pus\u0119 \u2013 \u0161velnesn\u0119 ir lengvesn\u0119. Tad prad\u0117jome improvizuoti balsu, tiesiog nor\u0117dami atsip\u016bsti nuo varginan\u010di\u0173 fizini\u0173 u\u017esi\u0117mim\u0173. \u0160iek tiek tos improvizacijos i\u0161liko ir k\u016brinyje, bet v\u0117liau Aymeric\u2018as pasi\u016bl\u0117 konkretesn\u012f k\u016brin\u012f.<\/span><\/p>\n

Aymeric Hainaux: <\/b>Did\u017eioji \u201eMirlitons\u201c dalis \u2013 tai ka\u017ekas labai neapdoroto ir garsaus. Tod\u0117l mums abiem buvo svarbu \u012ftraukti kelet\u0105 tyros tylos akimirk\u0173 \u2013 ka\u017ek\u0105 itin subtilaus ir akusti\u0161kai \u0161velnaus. Mums abiem patinka viduram\u017ei\u0173 muzika, tod\u0117l spektaklyje dainuojame oksitan\u0173 kalba \u2013 labai sena pranc\u016bz\u0173 tarme. Kai buvau vaikas, mano t\u0117vai klausydavosi vienos dainos, kurios melodija man visada atrod\u0117 labai gra\u017ei. T\u0105 dain\u0105 panaudojome spektaklyje \u2013 atliekame j\u0105 dviem skirtingais balsais. I\u0161 tikro, man \u0161i dainavimo dalis yra viena mano m\u0117gstamiausi\u0173, nes tai \u2013 laikas pails\u0117ti.<\/span><\/p>\n

Kaip manote, kokiam \u017ei\u016brovui yra skirtas \u0161is spektaklis?\u00a0<\/b><\/p>\n

Fran\u00e7ois Chaignaud: <\/b>Kadangi daug keliavome, \u0161\u012f k\u016brin\u012f mat\u0117 labai \u012fvairi publika. Jis tikrai tinka jaunimui, bet, saky\u010diau, i\u0161 ties\u0173 \u2013 bet kokiai auditorijai, nes tam tikra prasme yra labai paprastas. Nors vietomis k\u016brinys skamba agresyviai d\u0117l beatbokso, kaip sako Aymeric\u2018as, greta atsiranda ir viduram\u017ei\u0173 muzika, kuri tarsi nukelia mus \u012f senus laikus. Spektaklyje bandome sujungti \u0161iuos du skirtingus pasaulius. Tad saky\u010diau, jis skirtas tiems, kurie ie\u0161ko kitokios \u2013 netik\u0117tos \u2013 menin\u0117s patirties, kuri skiriasi nuo to, k\u0105 \u012fprastai matome per \u201eNetflix\u201c ar televizori\u0173.<\/span><\/p>\n

Koki\u0105 \u017eini\u0105 nor\u0117tum\u0117te, kad spektakl\u012f mat\u0119s \u017emogus i\u0161sine\u0161t\u0173 su savimi?<\/b><\/p>\n

Fran\u00e7ois Chaignaud: <\/b>A\u0161 nekuriu tur\u0117damas i\u0161 anksto numatyt\u0105 tiksl\u0105 ar \u017einut\u0119. Ta\u010diau manau, kad pasaulyje, kuriame gyvename \u0161iandien, \u0161io k\u016brinio esm\u0117 \u2013 priminimas, jog nepaisant to, k\u0105 bando daryti pasaulio lyderiai, yra dalyk\u0173, kuri\u0173 i\u0161 m\u016bs\u0173 ne\u012fmanoma atimti: tai muzika ir \u0161okis, kuriuos kuriame savo k\u016bnais. Nors spektaklio estetika gana \u201e\u017eemi\u0161ka\u201c \u2013 jis n\u0117ra vizualiai \u012fsp\u016bdingas \u2013 mes vis tiek gebame sukurti vis\u0105 pasaul\u012f, suvienyti \u017emones. Man tai \u2013 vilties \u017eenklas.<\/span><\/p>\n

Aymeric Hainaux: <\/b>Pavyzd\u017eiui, vakar po pasirodymo prie m\u016bs\u0173 pri\u0117jo viena moteris ir pasak\u0117, kad nuo \u0161iol nori ka\u017ek\u0105 daryti. Tai man rodo, jog tai, k\u0105 darome, i\u0161 ties\u0173 yra paveiku.\u00a0<\/span><\/p>\n

Taip pat labai d\u017eiaugiuosi gal\u0117damas b\u016bti k\u016brinio dalimi, kuriame beveik nenaudojama jokia papildoma \u012franga. I\u0161 ties\u0173 visos grup\u0117s, kuriose groju, laikosi \u0161ios krypties. Prie\u0161 por\u0105 met\u0173 su grupe grojau Lietuvoje, festivalyje \u201eBraille Satellite\u201c. Buvo \u012fdomu steb\u0117ti, kaip daugelis kit\u0173 atlik\u0117j\u0173 kuria pasitelkdami \u012fvairi\u0105 technik\u0105, o mes \u2013 visk\u0105 turime savo k\u016bnuose ir rankose. Manau, tai, k\u0105 darome, da\u017enai atspindi m\u016bs\u0173 ketinimus. Man svarbu i\u0161laikyti pasaul\u012f teisingoje pusiausvyroje \u2013 i\u0161laikyti paprastum\u0105 ir ry\u0161\u012f.\u00a0<\/span><\/p>\n

\"\"<\/a>
Fran\u00e7ois Chaignaud ir Aymeric Hainaux, Martin Argyroglo nuotr.<\/em><\/figcaption><\/figure>\n

J\u016bs abu esate nepriklausomi menininkai. Kaip Jums sek\u0117si dirbti kartu?\u00a0<\/b><\/p>\n

Aymeric Hainaux: <\/b>Manau, kad mes padedame vienas kitam. Fran\u00e7ois buvimas \u0161alia, jo praktika ir menas paskatino mano augim\u0105. \u201eMirlitons\u201c yra gra\u017eus duetas, kuriame veikia du atskiri \u017emon\u0117s. Mes diskutuojame ir neu\u017ego\u017eiame vienas kito, o \u017eengiam kartu.<\/span><\/p>\n

Fran\u00e7ois Chaignaud: <\/b>A\u0161 asmeni\u0161kai esu \u012fprat\u0119s dirbti su kitais menininkais \u2013 tai mano praktikos ir asmenyb\u0117s dalis. Sutikti kit\u0105 \u017emog\u0173 visada yra i\u0161\u0161\u016bkis, nes da\u017enai \u017emon\u0117s nesupranta vieni kit\u0173. Darbas su Aymeric\u2018u atv\u0117r\u0117 man nauj\u0105 erdv\u0119 ir estetik\u0105. Buvo sunkum\u0173, ta\u010diau jie buvo labai gra\u017e\u016bs. Ir m\u016bs\u0173 kova scenoje man atrodo be galo gra\u017ei.<\/span><\/p>\n

Ko j\u016bs abu asmeni\u0161kai i\u0161mokote i\u0161 \u0161io bendradarbiavimo?<\/b><\/p>\n

Fran\u00e7ois Chaignaud: <\/b>\u00a0Daug i\u0161mokau i\u0161 Aymeric\u2018o estetikos ir meno. Esu \u0161ok\u0117jas, o mums, \u0161ok\u0117jams, kartais patinka sk\u0173stis \u2013 kad ma\u017e\u0117ja biud\u017eetai, tr\u016bksta paramos. Tai suprantama, ir verta d\u0117l to kovoti, ta\u010diau man buvo labai svarbu suprasti, kad meno galia n\u0117ra matuojama tik nuli\u0173 skai\u010diumi gamybos biud\u017eete. \u0160i patirtis mane sustiprino ir net \u0161iek tiek pakeit\u0117 mano estetik\u0105.<\/span><\/p>\n

K\u016brinyje, kur\u012f kuriame kartu, atsiranda ne tik vaizdai \u2013 svarbiausia yra pati praktika. Svarbi erdv\u0117, kuri\u0105 kuriame tarp m\u016bs\u0173 dviej\u0173, bet ir su publika. Kadangi \u017ei\u016brovai mus supa 360 laipsni\u0173 kampu, mes esame bendroje erdv\u0117je.\u00a0<\/span><\/p>\n

\u012edomu, ar turite koki\u0173 nors nera\u0161yt\u0173 susitarim\u0173 scenoje, pavyzd\u017eiui, nustebinti vienas kit\u0105 ar padaryti k\u0105 nors netik\u0117to?<\/b><\/p>\n

Aymeric Hainaux:<\/b> \u0160\u012f k\u016brin\u012f kuriame beveik trejus metus. Tai n\u0117ra improvizacija, ta\u010diau tai, k\u0105 darome, yra labai lankstu. Kai kurie epizodai gali trukti 10 minu\u010di\u0173, kartais \u2013 8, o kartais \u2013 12. Publika, grind\u0173 danga, scena ir visa aplinka sudaro apie 80 % to, kas vyksta scenoje, o mes labai jautriai reaguojame \u012f kontekst\u0105. Spektaklius vadiname susitikimais, per kuriuos visada nutinka ka\u017ekas netik\u0117to.<\/span><\/p>\n

\"\"<\/a>
Fran\u00e7ois Chaignaud ir Aymeric Hainaux, Martin Argyroglo nuotr.<\/em><\/figcaption><\/figure>\n

Fran\u00e7ois, esate gerai \u017einomas menininkas Pranc\u016bzijoje. K\u0105 jums rei\u0161kia pristatyti savo darbus u\u017e Pranc\u016bzijos rib\u0173, kur j\u016bs\u0173 da\u017eniausiai niekas nepa\u017e\u012fsta?<\/b><\/p>\n

\u00a0<\/span>Fran\u00e7ois Chaignaud: <\/b>Malonu tur\u0117ti istorij\u0105 bei jausti ry\u0161\u012f su dalimi \u017ei\u016brov\u0173, kurie mane pa\u017e\u012fsta ir seka mano k\u016bryb\u0105.<\/span> Ta\u010diau a\u0161 esu \u012fprat\u0119s daug keliauti ir labai d\u017eiaugiuosi gal\u0117damas pirm\u0105 kart\u0105 \u0161okdamas Vilniuje. Per \u201eMirlitons\u201c atiduosiu visk\u0105, k\u0105 turiu geriausio, lygiai taip pat kaip ir pasirodydamas Pary\u017eiuje. Stengsiuosi b\u016bti kiek \u012fmanoma atviresnis, kad gal\u0117tume pamatyti, ar ka\u017ek\u0105 i\u0161mokti.<\/span><\/p>\n



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Vienas k\u016brybi\u0161kiausi\u0173 ir dr\u0105siausi\u0173 tarptautinio \u0161iuolaikinio \u0161okio festivalio NEW BALTIC DANCE programos darb\u0173 \u2013 Pranc\u016bzijos meninink\u0173 Aymeric Hainaux ir Fran\u00e7ois …<\/p>\n","protected":false},"author":2,"featured_media":17067,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nPranc\u016bzijoje \u017einomas menininkas Fran\u00e7ois Chaignaud: \u201eMuzika ir \u0161okis \u2013 dalykai, kuri\u0173 negali atimti jokie pasaulio lyderiai\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/04\/15\/prancuzijoje-zinomas-menininkas-francois-chaignaud-muzika-ir-sokis-dalykai-kuriu-negali-atimti-jokie-pasaulio-lyderiai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pranc\u016bzijoje \u017einomas menininkas Fran\u00e7ois Chaignaud: \u201eMuzika ir \u0161okis \u2013 dalykai, kuri\u0173 negali atimti jokie pasaulio lyderiai\u201c - 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