{"id":17112,"date":"2025-05-07T12:11:36","date_gmt":"2025-05-07T09:11:36","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=17112"},"modified":"2025-05-07T14:37:47","modified_gmt":"2025-05-07T11:37:47","slug":"scenos-menu-festivalis-suomijoje-baltic-take-over-baltijos-saliu-identiteto-paieskos","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/05\/07\/scenos-menu-festivalis-suomijoje-baltic-take-over-baltijos-saliu-identiteto-paieskos\/","title":{"rendered":"Scenos men\u0173 festivalis Suomijoje BALTIC TAKE OVER \u2013 Baltijos \u0161ali\u0173 identiteto paie\u0161kos"},"content":{"rendered":"

Baland\u017eio viduryje Suomijos Turku mieste antr\u0105 kart\u0105 vyko scenos men\u0173 festivalis \u201eBaltic Take Over\u201c (BTO), kuriame Suomijos ir tarptautinei publikai buvo pristatyti \u0161e\u0161i\u0173 Baltijos \u0161ali\u0173 k\u016br\u0117j\u0173 spektakliai. Lietuvos \u0161iuolaikin\u012f \u0161ok\u012f\u00a0 festivalyje atstovavo choreograf\u0117s ir \u0161ok\u0117jos Agniet\u0117 Lisi\u010dkinait\u0117 ir Greta Grinevi\u010d\u016bt\u0117 kartu su <\/b>Meno ir mokslo laboratorija (MMLAB)<\/b><\/a>. Festivalyje pristatyta Baltijos meninink\u0173 k\u016bryba pasi\u017eymi savitumu, kur\u012f, anot Lietuvos k\u016br\u0117j\u0173, dar sunku nusakyti \u017eod\u017eiais, ta\u010diau jis juntamas.<\/b><\/p>\n

G. Grinevi\u010di\u016bt\u0117s teigimu, Suomijoje savo k\u016bryb\u0105 pristat\u0119 Baltijos \u0161ali\u0173 menininkai\u00a0 turi pana\u0161um\u0173. Jiems b\u016bdingas bendras tonas, kur\u012f ji apib\u016bdina kaip melancholi\u0161k\u0105 ir ironi\u0161k\u0105. Anot jos, \u0161\u012f ton\u0105 formuoja regiono istorin\u0117 ir kult\u016brin\u0117 aplinka:<\/p>\n

\u201eManau, kad Baltijos scenos men\u0173 identitetas kyla i\u0161 ribinio buvimo \u2013 tarp Ryt\u0173 ir Vakar\u0173, tarp traumos ir atsinaujinimo, tarp tylos ir pasiprie\u0161inimo. Tai \u2013 identitetas, kuris kalba per pauzes, per nuojautas, per nepatogumus,\u201c \u2013\u00a0sako ji.\u00a0<\/span><\/p>\n

\"\"<\/a>Gretos Grinevi\u010di\u016bt\u0117s spektaklis \u201e\u0160okis skalbimo ma\u0161inai ir mamai\u201c,\u00a0Jussi Virkkumma nuotr.<\/span><\/em><\/p>\n

Ta\u010diau k\u016br\u0117ja taip pat pastebi, kad tarp Baltijos \u0161ali\u0173 meninink\u0173 egzistuoja ir nema\u017eai skirtum\u0173. \u201eKiekvienas menininkas atsine\u0161a unikal\u0173 santyk\u012f su laiku, erdve, k\u016bnu. Bet b\u016btent \u0161i \u012fvairov\u0117 leid\u017eia ai\u0161kiau pamatyti, kaip skirtingai mes reflektuojame t\u0105 pa\u010di\u0105 geopolitin\u0119 realyb\u0119\u201c, \u2013 sako G. Grinevi\u010di\u016bt\u0117.\u00a0<\/span><\/p>\n

Jos teigimu, norint, kad \u0161is tapatumas gal\u0117t\u0173 augti ir \u012fgauti ai\u0161kesn\u012f pavidal\u0105, b\u016btinas didesnis tarpusavio matomumas \u2013 daugiau main\u0173 tarp regiono meninink\u0173, kritinio ra\u0161ymo, refleksijos, ilgalaiki\u0173 bendradarbiavim\u0173. \u201eTik per dialog\u0105 ir bendr\u0105 praktik\u0105 tas trapus jausminis identitetas gali tapti s\u0105moningas \u2013 ne tik jau\u010diamas, bet ir artikuliuojamas\u201c, \u2013 teigia k\u016br\u0117ja.<\/span><\/p>\n

Suomi\u0173 publika nustebino atsakingumu<\/b><\/p>\n

Choreograf\u0117 A. Lisi\u010dkinait\u0117 Suomijos publikai pristat\u0117 protesto spektakl\u012f \u201eHands Up\u201c. Lietuvos meninink\u0117 \u0161ok\u012f laiko socialinio aktyvizmo \u012frankiu, galin\u010diu provokuoti, skatinti dialog\u0105 bei kelti mintis ir klausimus. Kartu su grupe vietini\u0173 ir tarptautini\u0173 \u017ei\u016brov\u0173 ji \u017eygiavo Turku miesto gatv\u0117mis su plakatais, skelbian\u010diais kontraversi\u0161kas id\u0117jas. Pavyzd\u017eiui, vienoje pus\u0117je buvo para\u0161yta \u201eUkraina\u201c, o kitoje <\/span>\u2013<\/span> \u201eRusija\u201c.<\/span> Tokiu b\u016bdu i\u0161trinamos ribas tarp protesto ir performanso.\u00a0<\/span><\/p>\n

\"\"<\/a>Agniet\u0117s Lisi\u010dkinait\u0117s spektaklis \u201eHands Up\u201c, Jussi Virkkumma nuotr.<\/span><\/em><\/p>\n

Spektakl\u012f prista\u010diusi daugelyje Europos \u0161ali\u0173, A. Lisi\u010dkinait\u0117 Suomijos publik\u0105 apib\u016bdina kaip labai atsaking\u0105:<\/span><\/p>\n

\u201eDiskusijoje po spektaklio suomiai save apib\u016bdino kaip labai pareigingus \u017emones, kurie atlieka visk\u0105, ko j\u0173 pra\u0161ai \u2013 net jei to nenori. O mano spektaklyje \u017ei\u016brovai tur\u0117jo daugiau nei 20 minu\u010di\u0173 laikyti i\u0161keltas rankas su plakatais \u2013 tai tikrai nelengvas u\u017edavinys, ta\u010diau jie tai dar\u0117 labai atsakingai. Kitose \u0161alyse spektaklio publika da\u017enai pasiduodavo po keli\u0173 minu\u010di\u0173, o suomiai i\u0161liko kantr\u016bs\u201c, \u2013 atsimena \u0161ok\u0117ja.<\/span><\/p>\n

\"\"<\/a>Agniet\u0117s Lisi\u010dkinait\u0117s spektaklis \u201eHands Up\u201c, Jussi Virkkumma nuotr.<\/span><\/em><\/p>\n

G. Grinevi\u010di\u016bt\u0117 kartu su MMLAB festivalyje pristat\u0117 \u0161eimos ry\u0161ius nagrin\u0117jant\u012f darb\u0105 \u201e\u0160okis skalbimo ma\u0161inai ir mamai\u201c. Jame k\u016br\u0117ja kvie\u010dia \u017ei\u016brovus leistis \u012f kelion\u0119 per savo b\u016btus ir neb\u016btus prisiminimus apie mam\u0105. Spektaklyje ji kelia klausim\u0105: \u201eKaip gyventi be mamos portreto?\u201d<\/p>\n

K\u016br\u0117ja pastebi, kad Suomijos publika \u012f spektakl\u012f reagavo labai subtiliai <\/span>\u2013<\/span> tai buvo tylus, bet gilus pri\u0117mimas: <\/span>\u201ePrad\u017eiugino ir nustebino publikos jautrumas detal\u0117ms \u2013 judesiui, pauzei, ritmui \u2013 kiek d\u0117mesingai jie geba <\/span>b\u016bti su darbu<\/span>, be poreikio j\u012f ai\u0161kinti ar kategorizuoti. Tarsi jie b\u016bt\u0173 pasiruo\u0161\u0119 susitikimui su ne\u017einomybe. Toks buvimas man atrodo labai brangus \u2013 jis leid\u017eia menui kv\u0117puoti kitaip\u201c, \u2013 sako G. Grinevi\u010di\u016bt\u0117.<\/span><\/p>\n

\"\"<\/a>Gretos Grinevi\u010di\u016bt\u0117s spektaklis \u201e\u0160okis skalbimo ma\u0161inai ir mamai\u201c,\u00a0Jussi Virkkumma nuotr.<\/span><\/em><\/p>\n

Ji pasakoja po spektaklio sulaukusi asmeni\u0161k\u0173 komentar\u0173, rodan\u010di\u0173, kad \u017ei\u016brovai \u012fsitrauk\u0117 ne tik intelektualiai, bet ir emoci\u0161kai: \u201eTokie atsiliepimai man ypa\u010d svarb\u016bs \u2013 jie rodo, kad darbas \u012fgalina patirt\u012f, kuri neapsiriboja vien estetika ar naratyvu\u201c.<\/span><\/p>\n

Festivalis kelsis \u012f \u0160vedij\u0105<\/b><\/p>\n

Lietuvos \u0161okio informacijos centras kartu su tarptautiniais partneriais pastebi, kad festivalis \u201eBaltic Take Over\u201c bei pana\u0161\u016bs tarptautiniai renginiai tampa puikia platforma k\u016br\u0117jams susipa\u017einti su kitais regiono menininkais, o \u017ei\u016brovams \u2013 atrasti Baltijos \u0161ali\u0173 k\u016bryb\u0105. Tai svarbus \u017eingsnis kuriant gilesn\u012f tarpkult\u016brin\u012f dialog\u0105.\u00a0<\/span><\/p>\n

Siekdami stiprinti Baltijos \u0161ali\u0173 kult\u016brinius ry\u0161ius su Skandinavijos \u0161alimis bei skatinti \u0161iuolaikinio \u0161okio sklaid\u0105 \u0160iaur\u0117s Europoje, festivalio organizatoriai jau planuoja 2026-\u0173j\u0173 met\u0173 festivalio program\u0105. Kitais metais festivalis vyks Stokholme, \u0160vedijoje.\u00a0\u00a0<\/span><\/p>\n

\u201e<\/b>Baltic Take Over\u201c yra kuruojamas Latvijos Naujojo teatro instituto, Estijos \u0161iuolaikinio meno centro <\/span>\u201e<\/b>Kanuti Gildi SAAL\u201c ir Lietuvos \u0161okio informacijos centro.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Baland\u017eio viduryje Suomijos Turku mieste antr\u0105 kart\u0105 vyko scenos men\u0173 festivalis \u201eBaltic Take Over\u201c (BTO), kuriame Suomijos ir tarptautinei publikai …<\/p>\n","protected":false},"author":2,"featured_media":17120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nScenos men\u0173 festivalis Suomijoje BALTIC TAKE OVER \u2013 Baltijos \u0161ali\u0173 identiteto paie\u0161kos - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/05\/07\/scenos-menu-festivalis-suomijoje-baltic-take-over-baltijos-saliu-identiteto-paieskos\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Scenos men\u0173 festivalis Suomijoje BALTIC TAKE OVER \u2013 Baltijos \u0161ali\u0173 identiteto paie\u0161kos - 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