{"id":1735,"date":"2015-05-05T02:13:52","date_gmt":"2015-05-05T02:13:52","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/05\/05\/naujojo-baltijos-sokio-atidaryme-sokejai-kulisai-ir-balionai\/"},"modified":"2015-05-05T02:13:52","modified_gmt":"2015-05-05T02:13:52","slug":"naujojo-baltijos-sokio-atidaryme-sokejai-kulisai-ir-balionai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/05\/05\/naujojo-baltijos-sokio-atidaryme-sokejai-kulisai-ir-balionai\/","title":{"rendered":"\u201eNaujojo Baltijos \u0161okio\u201c atidaryme \u2013 \u0161ok\u0117jai, kulisai ir balionai"},"content":{"rendered":"

Po poros dien\u0173, gegu\u017e\u0117s 6-\u0105j\u0105, Vilniuje prasideda tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c, kur\u012f atidarys Belgijos-Norvegijos-Japonijos trup\u0117s \u201efieldworks\u201c ir choreograf\u0173 Yukiko Shinozaki bei Heine’o Avdalo spektaklis \u201eAs if nothing has been spinning around for something to remember\u201c. Jame vaidina ne tik \u0161ok\u0117jai, bet ir kulisai bei helio duj\u0173 balionai. Tai tas pats spektaklis, kuriam gruod\u012f Osle per \u0160iaur\u0117s \u0161ali\u0173 \u0161okio vitrinos atidarym\u0105 plojo keletas \u0161imt\u0173 \u0161okio prodiuseri\u0173 i\u0161 viso pasaulio.<\/p>\n

\u201eNor\u0117jome, kad spektaklis prasid\u0117t\u0173 normaliai: publika susirenka \u012f teatr\u0105, sus\u0117da \u012f savo vietas ir stebi scenoje vykstant\u012f pasirodym\u0105. K\u016briniui vystantis d\u0117mesys ima kisti. Galiausiai veiksmas vyksta ne tik scenoje, bet ir vir\u0161 j\u016bs\u0173, aplink jus\u201c, \u2013 apie spektakl\u012f, kuriame, be \u0161ok\u0117j\u0173, vaidmuo tenka ir kulisams bei helio duj\u0173 balionams, sak\u0117 vienas jo k\u016br\u0117j\u0173 H. Avdalas.<\/p>\n

Pal\u010diau apie savo k\u016brin\u012f, pavadinimo reik\u0161m\u0119, tai, kas svarbiausia drauge dirbant penkiolika met\u0173, ir vis\u0105 pasaul\u012f traukian\u010dias energingas Europos \u0161okio scenas prie\u0161 kelion\u0119 \u012f Vilni\u0173 interviu pasakojo abu spektaklio \u201eAs if nothing has been spinning around for something to remember\u201c choreografai \u2013 japon\u0117 Y. Shinozaki ir norvegas H. Avdalas.<\/strong><\/p>\n

\"\"<\/p>\n

\u2013 K\u0105 pavadinimas \u201eAs if nothing has been spinning around for something to remember\u201c sako apie spektakl\u012f?<\/em><\/p>\n

Yukiko Shinozaki<\/strong>: Kadangi m\u016bs\u0173 darbai da\u017enai b\u016bna intuityv\u016bs, ne visada galime paai\u0161kinti, k\u0105 tiksliai rei\u0161kia pavadinimas. Jis yra vienas pradini\u0173 ta\u0161k\u0173 ir veikia kaip \u012fkv\u0117pimas vykstant procesui. Jis skatina smalsum\u0105, vaizduot\u0119 ir budrum\u0105. \u017di\u016brovams pavadinimas yra durys \u012f spektakl\u012f, pirmasis susitikimas, pirmoji mintis. Tikim\u0117s, kad jis kiekvienam leid\u017eia susikurti savo prasm\u0119. <\/p>\n

\u2013 Ankstesniuose savo darbuose d\u0117mes\u012f skirdavote erdvei ir santykiui tarp \u017ei\u016brov\u0173 ir atlik\u0117j\u0173. \u0160iame spektaklyje bandote toliau tyrin\u0117ti \u017emogaus k\u016bn\u0105 ir choreografij\u0105. Paai\u0161kinkite pla\u010diau \u2013 ko b\u016btent ie\u0161kote ir k\u0105 stengiat\u0117s parodyti \u017ei\u016brovui? <\/em><\/p>\n

Heine’as Avdalas: <\/strong>Ie\u0161kome, kaip lengvai b\u016bt\u0173 galima pakeisti erdv\u0119, j\u0105 transformuoti ar i\u0161skirstyti \u012f skirtingas dalis. Visos \u0161ios transformacijos ir nagrin\u0117jamos spektaklyje. Tai kelion\u0117 nuo vienos b\u016bsenos prie kitos. Nor\u0117jome, kad spektaklis prasid\u0117t\u0173 normaliai: publika susirenka \u012f teatr\u0105, sus\u0117da \u012f savo vietas ir stebi scenoje vykstant\u012f pasirodym\u0105. K\u016briniui vystantis d\u0117mesys ima kisti. Galiausiai veiksmas vyksta ne tik scenoje, bet ir vir\u0161 j\u016bs\u0173, aplink jus. Pasikei\u010dia ir laiko poj\u016btis. Nor\u0117jome i\u0161tyrin\u0117ti choreografij\u0105 ne tik d\u0117l \u017emogaus k\u016bno judesi\u0173, bet ir d\u0117l objekt\u0173, pie\u0161ini\u0173, gars\u0173 ir \u0161vies\u0173. Suteikti garsui pavidal\u0105 taip pat yra labai svarbus \u0161io k\u016brinio elementas.<\/p>\n

\u2013 Kartu dirbate jau penkiolika met\u0173. Kokie dalykai svarbiausi dirbant dviese? <\/em><\/p>\n

Y. Sh.:<\/strong> Gerbti ir paisyti vienas kito nuomon\u0117s. Darbas kartu da\u017enai gali nuvesti ten, kur nesitiki. Mums labai svarbu sugeb\u0117ti tuos netik\u0117tus pos\u016bkius priimti ir net jais pasinaudoti. Tai gali nuvesti dar \u012f kit\u0105 pos\u016bk\u012f, i\u0161pl\u0117sti darbo proces\u0105 ir net pat\u012f darb\u0105. Sakoma, kad vienas plius vienas lygu trys.<\/p>\n

\u2013 Yukiko, j\u016bs gyvenote Japonijoje, JAV, Europoje. Kokius \u0161iuolaikinio \u0161okio skirtumus pasteb\u0117jote skirtingose pasaulio dalyse? \u0160ok\u0117jos karjer\u0105 prad\u0117jote nuo klasikinio baleto, kod\u0117l pasukote \u012f \u0161iuolaikin\u012f \u0161ok\u012f?<\/em><\/p>\n

Y. Sh.:<\/strong> Klasikinio baleto prad\u0117jau mokytis Tokijuje b\u016bdama \u0161e\u0161eri\u0173. Kai su\u0117jo a\u0161tuoniolika, dvejojau, t\u0119sti toliau ar ne, tod\u0117l padariau pertrauk\u0105. I\u0161sik\u0117liau \u012f Portland\u0105, Oregono valstijoje, studijuoti angl\u0173 kalbos. Universitete atradau \u0161iuolaikin\u012f \u0161ok\u012f ir j\u012f \u012fsimyl\u0117jau. <\/p>\n

Klasikiniame balete egzistuoja tobulos formos ir judesiai, turi laikytis t\u0173 taisykli\u0173 ir b\u016bti tobula. \u0160iuolaikiniame \u0161okyje gali ie\u0161koti savo judesi\u0173, tai man k\u0117l\u0117 didel\u012f pasitenkinim\u0105 ir skatino siekti daugiau. Taigi persik\u0117liau \u012f Niujork\u0105 ir prad\u0117jau dirbti laisvai samdoma \u0161ok\u0117ja. Tur\u0117jau daugyb\u0119 projekt\u0173, bet visada nor\u0117jau tur\u0117ti kit\u0105 darb\u0105. Persik\u0117lusi \u012f Briusel\u012f dirbau ir \u0161ok\u0117ja, ir choreografe. \u0160okio scena Briuselyje ar kitose Europos vietose yra kur kas tarptauti\u0161kesn\u0117 nei Jungtin\u0117se Valstijose ar ypa\u010d Japonijoje. Daugel\u012f \u0161ok\u0117j\u0173 ir choreograf\u0173 i\u0161 Jungtini\u0173 Valstij\u0173 ir Japonijos, kaip ir mane, \u017eavi \u0161ios energingos, gyvos Europos \u0161okio scenos, tod\u0117l jie keliasi \u010dia. <\/p>\n

\u2013 \u0160iandien da\u017enas atvejis, kai atlik\u0117jai neatstovauja vienai konkre\u010diai \u0161aliai \u2013 t. y., j\u0173 komand\u0105, kaip ir j\u016bsi\u0161k\u0119, sudaro skirting\u0173 \u0161ali\u0173 atstovai. Pra\u0117jus\u012f gruod\u012f \u0160iaur\u0117s \u0161ali\u0173 \u0161okio vitrinos atidaryme Osle \u012fvyko \u0161io spektaklio premjera. Po keli\u0173 dien\u0173 Vilniuje vyksian\u010diame festivalyje j\u016bs\u0173 mi\u0161ri komanda pristatys spektakl\u012f kaip \u201eFlamand\u0173 \u0161okio g\u016bsio\u201c dal\u012f. Koki\u0105 tapatyb\u0119 priskiriate sau? Ar dabar \u012fmanoma likti ir b\u016bti aktyviems tik vienoje \u0161alyje?<\/em><\/p>\n

H. A.:<\/strong> Mums tiesiog taip nutiko. Briuselyje gyvename jau penkiolika met\u0173, bet n\u0117 vienas i\u0161 m\u016bs\u0173 n\u0117ra belgas. M\u016bs\u0173 komanda ir kiti bendradarbiai taip pat yra i\u0161 skirting\u0173 \u0161ali\u0173 ir gyvena \u012fvairiuose miestuose, neb\u016btinai ten, i\u0161 kur kil\u0119. Kai kurie j\u0173 taip pat gyvena Briuselyje, nors yra ne i\u0161 \u010dia.<\/p>\n

Flamand\u0173 \u0161okio pasaulyje yra daug tarptautini\u0173 atlik\u0117j\u0173. Daugelis j\u0173 studijavo Flandrijoje ar Briuselyje ir liko \u010dia dirbti. D\u0117l \u0161ios prie\u017easties ir pristatome Flamand\u0173 \u0161ok\u012f.<\/p>\n

\u0160iandien kuriant \u0161okio spektaklius sunku apsistoti vienoje vietoje ir dirbti su \u017emon\u0117mis tik i\u0161 vienos \u0161alies. Spektaklius kuriame vietose, kuriose kaip parama projektui suteikiama ir repeticij\u0173 erdv\u0117. Pavyzd\u017eiui, kurdami spektakl\u012f \u201eAs if nothing has been spinning around for something to remember\u201c repetavome ir \u201eWP Zimmer\u201c sal\u0117je Antverpene, ir \u201eDansens Hus\u201c sal\u0117je Osle. M\u016bs\u0173 komand\u0105 sudaro asmenys i\u0161 Belgijos, Norvegijos, Rusijos, Pranc\u016bzijos, \u010cekijos, Olandijos, Suomijos ir \u0160veicarijos. <\/p>\n

\u2013 Kas jus \u012fkvepia?<\/em><\/p>\n

Y. Sh.:<\/strong> M\u016bs\u0173 kasdienis gyvenimas. Aplink esan\u010di\u0173 dalyk\u0173 vertinimas ne kaip savaime suprantam\u0173. Turime du vaikus, t\u0117vyst\u0117 taip pat labai \u012fkvepia.<\/p>\n

\u2013 Ar teko kada nors lankytis Lietuvoje ar Baltijos \u0161alyse? O apie \u201eNauj\u0105j\u012f Baltijos \u0161ok\u012f\u201c esate gird\u0117j\u0119 anks\u010diau?<\/em><\/p>\n

H. A.: <\/strong>Teko. 2013 m. vie\u0161\u0117jome Klaip\u0117doje su projektu \u201eBorrowed Landscape\u201c. Apie festival\u012f esame gird\u0117j\u0119 ir anks\u010diau, bet Vilniuje \u0161okti dar neteko. Tod\u0117l labai d\u017eiaugiam\u0117s, kad atvykstame, smalsu, kokio auditorijos atsako sulauksime.<\/p>\n

Hanso Meijerio nuotrauka.<\/em><\/p>\n

***<\/p>\n

\u0160iemet didel\u012f d\u0117mes\u012f Flamand\u0173 \u0161okiui skyr\u0119s festivalis \u012f Lietuvos sostin\u0119 atve\u017ea net keturis spektaklius. Be min\u0117to \u201efieldworks\u201c <\/a>spektaklio, \u017ei\u016brovai i\u0161vys belgo Jano Martenso \u201ePrakaituok, vaikeli, prakaituok\u201c,<\/a> Daviso Freemano ir trup\u0117s \u201eRandom Scream\u201c spektakl\u012f \u201eInvesticija\u201c<\/a>, net \u0161e\u0161ias dienas savo darbais \u201eC.a.p.e. Brussels\u201c, \u201eC.a.p.e. Horror\u201c ir \u201eC.a.p.e. Anima\u201c <\/a>\u0161okio m\u0117g\u0117jus inovatyviai keliauti laiku ar net \u012f realyb\u0119, kuri neegzistuoja (\u201eimmersive reality\u201c \u2013 angl.), kvies belgai \u201eCREW_eric joris\u201c. <\/p>\n","protected":false},"excerpt":{"rendered":"

Po poros dien\u0173, gegu\u017e\u0117s 6-\u0105j\u0105, Vilniuje prasideda tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c, kur\u012f atidarys Belgijos-Norvegijos-Japonijos trup\u0117s \u201efieldworks\u201c ir …<\/p>\n","protected":false},"author":1,"featured_media":1736,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n\u201eNaujojo Baltijos \u0161okio\u201c atidaryme \u2013 \u0161ok\u0117jai, kulisai ir balionai - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/05\/05\/naujojo-baltijos-sokio-atidaryme-sokejai-kulisai-ir-balionai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eNaujojo Baltijos \u0161okio\u201c atidaryme \u2013 \u0161ok\u0117jai, kulisai ir balionai - 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