{"id":1739,"date":"2015-05-05T18:13:58","date_gmt":"2015-05-05T18:13:58","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/05\/05\/apie-neprojektini-nebukleta-sokancio-rasymo-keliones-ataskaita\/"},"modified":"2015-05-05T18:13:58","modified_gmt":"2015-05-05T18:13:58","slug":"apie-neprojektini-nebukleta-sokancio-rasymo-keliones-ataskaita","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/05\/05\/apie-neprojektini-nebukleta-sokancio-rasymo-keliones-ataskaita\/","title":{"rendered":"Apie (ne)projektin\u012f (ne)buklet\u0105: \u0161okan\u010dio ra\u0161ymo kelion\u0117s ataskaita"},"content":{"rendered":"

Norisi i\u0161kart prad\u0117ti nuo i\u0161vados: angl\u0173 kalba pasirod\u0119s leidinys \u201eExpeditions in Dance Writing\/ Writing Movement 2012-2014\u201c<\/strong> (\u201e\u0160okio ra\u0161ymo ekspedicijos\/ Ra\u0161ymo jud\u0117jimas 2012-2014\u201c) yra materialus \u012frodymas to, kad tarptautinei \u0161iuolaikinio \u0161okio bendruomenei vis d\u0117lto labai pasisek\u0117 su refleksija. Tiksliau, pasisek\u0117 su tuo, kad visose \u0161iame nuo 2012 met\u0173 \u0160iaur\u0117s ir Baltijos \u0161ali\u0173 \u0161okio bendruomeni\u0173 tinklo \u201eke\u00f0ja\u201c projekte dalyvaujan\u010diose \u0161alyse atsirado \u017emoni\u0173, suvokian\u010di\u0173 refleksijos b\u016btinyb\u0119 \u0161okio meno raidai, randan\u010di\u0173 b\u016bd\u0173 kryptingai, nuosekliai ir metodi\u0161kai veiklai, kuri skatina ir palaiko ra\u0161ym\u0105 apie \u0161ok\u012f, \u0161okio apm\u0105stym\u0105, judesio meno \u201e\u012fra\u0161ym\u0105\u201c \u012f \u012fvairius \u0161iuolaikin\u0117s kult\u016bros kontekstus. D\u0117l to net problemos (kurios, beje, yra bendros visoms \u0161alims ir tai suvienija labiau negu skirtingi paties \u0161okio pasiekimai) \u2013 ra\u0161an\u010di\u0173j\u0173 apie \u0161ok\u012f profesional\u0173 ir tekst\u0173 publikavimo erdvi\u0173 tr\u016bkumas \u2013 atrodo kaip smagus i\u0161\u0161\u016bkis ir \u012fdomus apm\u0105stymo objektas. Ir dar \u2013 d\u0117l tikrojo dalyvi\u0173 suinteresuotumo, \u201enevaldi\u0161ko\u201c dalyvavimo \u0160okio ra\u0161ymo veiklose \u0161is leidinys niekuo neprimena privalomos (nes i\u0161ra\u0161ytos Europos Komisijos \u201eCulture\u201c programos, \u201eNordic Culture Point\u201c, \u201eNordic Culture Fund\u201c, \u201eNordic-Baltic Mobility Programme\u201c ir kit\u0173 partneri\u0173 finansavimo s\u0105lygose) ataskaitos, s\u0117kmingai \u012fgyvendinto \u201evie\u0161inimo punkto\u201c, kurio likimas \u2013 dulk\u0117ti biur\u0173 kampuose net nei\u0161pakuotam, kaip daugyb\u0117s kit\u0173 buklet\u0173, skraju\u010di\u0173 ir lankstuk\u0173… Objektyviai vertinant, pasir\u016bpinus sklaida (ir, Lietuvos atveju, bent jau kai kuri\u0173 tekst\u0173 vertimu?) \u0161is leidinys gali b\u016bti \u012fdomus ir naudingas ne tik \u0161okan\u010di\u0173j\u0173 ir apie \u0161ok\u012f ra\u0161an\u010di\u0173j\u0173 bendruomenei, bet ir atrasti viet\u0105 platesniuose kontekstuose. Ir paskutin\u0117 \u201eprologin\u0117\u201c i\u0161vada \u2013 skaitydamas \u0161i\u0105 knyg\u0105 v\u0117l patiki, kad gali b\u016bti prasming\u0173, rezultatyvi\u0173 ir ne tik patiems \u201enetworkintojams\u201c \u012fdomi\u0173 \u201enetworkinimo\u201c (lietuvi\u0161kai tariant \u2013 tinklin\u0117s veiklos) atvej\u0173… <\/p>\n

Patrauklaus ir \u201e\u0161iaurieti\u0161kai erdvaus\u201c maketo (dizainer\u0117 Liga Sakse) leidin\u012f, kur\u012f redagavo projekto \u201eWriting Movement\u201c vadov\u0117, \u0161okio kritik\u0117, prodiuser\u0117, dramaturg\u0117 ir Norvegijos \u0161okio informacijos centro patar\u0117ja Ine Therese Berg ir latvi\u0173 \u0161okio kritik\u0117 Inta Balod\u0117, pareng\u0117 Norvegijos \u0161okio informacijos centras. Beje, prie projekto i\u0161tak\u0173 kartu su I. T. Berg ir kitomis koleg\u0117mis buvo ir \u0161okio kritik\u0117 Ingrida Gerbutavi\u010di\u016bt\u0117, \u0161iuo metu vadovaujanti Lietuvos muzikos ir teatro akademijos \u0160okio ir judesio katedrai). I. Gerbutavi\u010di\u016bt\u0117 koordinavo lietuvi\u0161k\u0105sias \u0161okio kritikos dirbtuves \u201e\u0160okis \u017eod\u017eiu \u2013 ne[w]kritika\u201c, per keturis metus atvedusias \u012f \u0161iuos barus ne vien\u0105 ra\u0161ytoj\u0105 apie \u0161ok\u012f (ir vis dar bando juos ten i\u0161laikyti…).
\n \u201eExpeditions in Dance Writing\u201c strukt\u016bra leid\u017eia skaitytojui i\u0161samiai susipa\u017einti su \u201eWriting Movement\u201c projekto veikl\u0173 \u012fvairove visose \u0161alyse ir taip pat pateikia \u0161i\u0173 veikl\u0173 vertinim\u0105, apm\u0105stym\u0105.
\nPirmoje knygos dalyje publikuojami I. Balod\u0117s interviu su projekto partneriais. Dan\u0173, est\u0173, suomi\u0173, island\u0173, latvi\u0173, lietuvi\u0173, norveg\u0173, \u0161ved\u0173 \u0161iuolaikinio \u0161okio specialistai, koordinav\u0119 \u0161okio ra\u0161ymo seminarus, laboratorijas, r\u016bpin\u0119si \u0161okio kritikos tekst\u0173 publikavimu, atsako \u012f redaktor\u0117s klausimus apie tipi\u0161kiausi\u0105 j\u0173 \u0161ali\u0173 \u0161iuolaikinio \u0161okio tematik\u0105, galim\u0105 \u0161ios scenos men\u0173 \u0161akos vystymosi krypt\u012f, augant\u012f teksto vaidmen\u012f \u0161okio spektakliuose, \u0161okio kritikos problemas ir poreikius, j\u0173 organizuot\u0173 k\u016brybini\u0173 dirbtuvi\u0173 akcentus, \u0161i\u0173 dirbtuvi\u0173 poveik\u012f, pergales ir i\u0161\u0161\u016bkius. Nepaisant skirtingo paties \u0161okio i\u0161sivystymo lygio, daugyb\u0117s kit\u0173 \u2013 finansavimo, \u0161vietimo sistemos, tradicij\u0173 ir t.t. \u2013 skirtum\u0173, labiausiai \u012f akis krenta pana\u0161umai. Prakti\u0161kai vis\u0173 pa\u0161nekov\u0173 \u012fvardytas \u0161iuolaikinio \u0161okio refleksijos tr\u016bkumas \u2013 ma\u017eai ra\u0161an\u010di\u0173, ma\u017eai skirting\u0173 nuomoni\u0173, diskusijos neretai apsiriboja u\u017edaros specialist\u0173 grupel\u0117s \u201epaplep\u0117jimu\u201c (anot est\u0117s Maike Maiste). \u201eSmagu\u201c su\u017einoti, kad kult\u016brai skirti plotai gr\u0117smingai nyksta ne tik Lietuvos \u017einiasklaidoje, o \u0161iuolaikinio \u0161okio tematika da\u017eniausiai apsiriboja interviu ir kitais personifikuotais diskursais (sakytum, tai jau n\u0117ra blogai, ta\u010diau platesnio konteksto, vertinimo ir bet kokio mokslo \u201ekvapo\u201c tokiu atveju be abejo visi\u0161kai nelieka). <\/p>\n

Antroje knygos (nei katalogu, nei juolab bukletu \u0161io leidinio vadinti ka\u017ekod\u0117l nesinori) dalyje publikuojami \u0161okio kritikos dirbtuv\u0117se dalyvavusi\u0173 profesional\u0173 straipsniai. Island\u0173 \u0161okio kritik\u0117 ir teoretik\u0117 Sesselja G. Magn\u00fasd\u00f3ttir ra\u0161o apie \u0161okio \u2013 tyliojo ir k\u016bni\u0161kojo meno \u2013 verbalizavimo ir konceptualizavimo problematik\u0105. Norveg\u0173 ra\u0161ytojas, dramaturgas ir leid\u0117jas Geiras Gulliksenas kalba apie su judesiu ir \u0161okiu susijusias patirtis per gana asmeni\u0161k\u0105 prizm\u0119, \u0161ved\u0173 kult\u016bros \u017eurnalist\u0117, \u0161okio ir teatro kritik\u0117 Lis Hellstr\u00f6m Sveningson nagrin\u0117ja \u0161iuolaikinio \u0161okio pad\u0117t\u012f visuomen\u0117je, vie\u0161ojoje erdv\u0117je, kelia klausim\u0105 \u2013 ar pats \u0161okio laukas i\u0161 ties\u0173 yra suinteresuotas, kad jo refleksija, kritika b\u016bt\u0173 garsesn\u0117? Koki\u0173 \u0161ios refleksijos form\u0173 tr\u016bksta, kad intensyviai besivystanti scenos men\u0173 forma \u012fgyt\u0173 adekvat\u0173 \u012fvertinim\u0105, proces\u0173 \u012fvardijim\u0105 ir pagaliau \u201ei\u0161l\u012fst\u0173\u201c i\u0161 siauros, ma\u017eai kam suvokiamos marginalijos kampo? Latvi\u0173 \u0161okio kritik\u0117 (arba, kaip ji labiau m\u0117gsta save \u012fvardyti, \u0161okio ra\u0161ytoja) I. Balod\u0117 gilinasi \u012f savo profesijos tapatyb\u0117s problematik\u0105. Jos koleg\u0117 i\u0161 Danijos Barbara Simonsen sieja k\u016brybin\u012f ra\u0161ym\u0105 su judesio menu, est\u0173 teatrologas Ottas Karulinas pristato savo \u0161alies \u0161iuolaikinio \u0161okio raid\u0105, kov\u0105 u\u017e i\u0161likim\u0105 ir nepriklausomyb\u0119, klausdamas, ar \u0161okis suvok\u0117, kad \u0161i kova baig\u0117si (paliaubomis)? Beje, jis palie\u010dia ir Lietuvai itin aktuali\u0105 b\u0117d\u0105 \u2013 \u0161okio k\u016br\u0117j\u0173 nesugeb\u0117jim\u0105 \u012fvardyti savo k\u016brini\u0173 turin\u012f ar problematik\u0105. \u0160okio tyr\u0117ja, dramaturg\u0117 ir ra\u0161ytoja i\u0161 Norvegijos Sidsel Pape pasakoja apie savo patirt\u012f, kuriant \u0161okio ir ra\u0161ymo dialog\u0105, gilinant, turtinant vien\u0105 kitu, perduodant savo \u017einias projekte dalyvaujantiems jauniesiems \u0161okio kritikos \u201epirmokams\u201c i\u0161 skirting\u0173 \u0161ali\u0173. O suomi\u0173 menotyrininkas Maxas Ryyn\u00e4nenas savo nuotaikingame tekste i\u0161k\u0117l\u0117 \u0161okio, judesio teatro (ir \u0161iuolaikinio meno apskritai) interpretavimo ir \u201eperinterpretavimo\u201c problematik\u0105.<\/p>\n

Ir pagaliau tre\u010dioji leidinio dalis pristato a\u0161tuonis (atrinktus i\u0161 dvide\u0161imties) projekto k\u016brybin\u0117se dirbtuv\u0117se dalyvavusi\u0173 \u201emokini\u0173\u201c tekstus \u2013 skirtingos problematikos (nuo socialin\u0117s iki menotyrin\u0117s), i\u0161 skirting\u0173 perspektyv\u0173 \u2013 praktiko, kuratoriaus ar teoretiko. Lietuv\u0117s Ramintos Bumbulyt\u0117s tekstas nagrin\u0117ja \u0161iuolaikinio \u0161okio (ne)gro\u017eio fenomen\u0105. <\/p>\n

Beje, leidinio priedai pateikia ne tik i\u0161sami\u0105 informacij\u0105 apie skirtingose \u0161alyse vykusias \u0161okio kritikos k\u016brybines dirbtuves, susitikimus, publikacij\u0173 suvestin\u0119, bet ir \u0161okio (u\u017e)ra\u0161ymo \u0160iaur\u0117s ir Baltijos kalb\u0173 \u017eodyn\u0117l\u012f (beje, pirmi trys \u017eodyn\u0117lio \u017eod\u017eiai yra pakankamai i\u0161kalbingi \u2013 choreografija, spektaklis ir finansavimas).<\/p>\n

\u012e pabaig\u0105 nor\u0117t\u0173si i\u0161kelti vien\u0105 problem\u0105, kuri, manau, gal\u0117t\u0173 b\u016bti bendra visoms projekte dalyvavusioms \u0161alims, bet kaip visad atrodo, kad Lietuvoje visos problemos yra aktualiausios: t\u0119stinumo. Ar \u0161io impulso pakaks ilgalaikiam ir nuosekliam procesui? Ar projekto koordinatoriams (m\u016bs\u0173 atveju \u2013 I. Gerbutavi\u010di\u016btei) ir toliau teks dirbtuv\u0117se \u201eprisijaukintus\u201c dalyvius raginti, skatinti, priminti, pra\u0161yti ra\u0161yti apie \u0161ok\u012f<\/strong>? Ar visi nustos tai daryti, jeigu Ingridai vien\u0105 dien\u0105 nusibos tai daryti, jei nebus dirbtuvi\u0173 grafiko ir j\u0173 ved\u0117j\u0173 duodam\u0173 u\u017eduo\u010di\u0173? Kokiu b\u016bdu \u0161i veikla egzistuot\u0173 paraleliai su \u201eoficialiomis\u201c teatrologijos (\u0161i realiai egzistuoja) ir \u0161okio istorijos, teorijos ir kritikos (\u0161ios Lietuvoje vis dar n\u0117ra) studij\u0173 programomis auk\u0161tosiose mokyklose?<\/p>\n

Ir visai prie\u0161 u\u017edang\u0105 \u2013 ko gero svarbiausias dalykas: \u0161is leidinys yra skirtas Lietuvos \u0161okio kritik\u0117s Vitos Moz\u016brait\u0117s (1960-2014) atminimui.<\/strong> Manau, kad tai yra labai prasmingas tarptautin\u0117s \u0161okio bendruomen\u0117s gestas. Ir abejoju, ar I. Gerbutavi\u010di\u016btei teko labai ilgai ir sunkiai \u012fkalbin\u0117ti leidinio sudarytojas, ra\u0161yti ra\u0161tus ir \u012frodin\u0117ti, kaip tai svarbu \u2013 \u017emogus ir atmintis. <\/p>\n

***
\n\u201eExpeditions in Dance Writing\/ Writing Movement 2012-2014\u201c knygos egzempliori\u0173 galite nemokamai pasiimti Men\u0173 spaustuv\u0117s Infotekoje (leidini\u0173 kiekis ribotas).<\/p>\n","protected":false},"excerpt":{"rendered":"

Norisi i\u0161kart prad\u0117ti nuo i\u0161vados: angl\u0173 kalba pasirod\u0119s leidinys \u201eExpeditions in Dance Writing\/ Writing Movement 2012-2014\u201c (\u201e\u0160okio ra\u0161ymo ekspedicijos\/ Ra\u0161ymo …<\/p>\n","protected":false},"author":1,"featured_media":1740,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nApie (ne)projektin\u012f (ne)buklet\u0105: \u0161okan\u010dio ra\u0161ymo kelion\u0117s ataskaita - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/05\/05\/apie-neprojektini-nebukleta-sokancio-rasymo-keliones-ataskaita\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Apie (ne)projektin\u012f (ne)buklet\u0105: \u0161okan\u010dio ra\u0161ymo kelion\u0117s ataskaita - 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