{"id":1753,"date":"2015-05-09T21:44:48","date_gmt":"2015-05-09T21:44:48","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/05\/09\/meiles-ekshumavimas\/"},"modified":"2015-05-09T21:44:48","modified_gmt":"2015-05-09T21:44:48","slug":"meiles-ekshumavimas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/05\/09\/meiles-ekshumavimas\/","title":{"rendered":"Meil\u0117s ekshumavimas"},"content":{"rendered":"<p><em>\u201e\u017dmon\u0117s \u0161neka, kad jie vienas kit\u0105 su\u0117d\u0117.\/Jaunyst\u0117j nedr\u0105siai\/ viens kit\u0105 rijo akim,\/ypa\u010d jis:\/l\u016bpas, skruostus, kr\u016btin\u0119.\/Po to \u012fsiaistrin\u0119\/viens kit\u0105 \u012fsiurbdavo l\u016bpomis \u2013\/iki smegen\u0173,susiliedami \u012f vien\u0105 k\u016bn\u0105,\/vis negal\u0117dami pasisotinti.\/Tai vadinosi meile,\/kol juos i\u0161tiko gyvenimas:\/\u012ftarin\u0117jimai, skurdas, nesantaika.\u201c<\/em><br \/>\nM. Martinaitis. <em>Tai ka\u017ekur matyta<\/em><\/p>\n<p>Men\u0173 spaustuv\u0117s duris su \u201eNaujuoju Baltijos \u0161okiu\u201c prie\u0161aky atv\u0117r\u0117 spektaklis, pavadinimu, kuris i\u0161verstas \u012f m\u016bs\u0173 gimt\u0105j\u0105 kalb\u0105, tapo dar skambesnis \u2013<a href=\"http:\/\/dance.lt\/lt\/375429\/498491\/projektai\/naujasis_baltijos_sokis\/naujasis-baltijos-sokis\"> \u201ePrakaituok, vaikeli, prakaituok\u201c.<\/a> K\u016brinio apra\u0161ymas ne k\u0105 ma\u017eiau negu pavadinimas priver\u010dia suklusti ir gana dr\u0105siai manipuliuoja kuriamomis b\u016bsimo \u017ei\u016brovo interpretacijomis. Prakaituos vaikelis ne kokiam statyb\u0173 objekte, ta\u010diau tur\u0117sime i\u0161vysti modern\u0173 poravimosi ritual\u0105. Du k\u016bnai: Jis ir Ji pa\u017ead\u0117tas pasakojimas apie \u201enepa\u017eabojam\u0105 meil\u0119\u201c. Ne\u017einia, ar k\u016br\u0117jai itin m\u0117gstantys pok\u0161tauti, ar tai i\u0161ties b\u016bsi\u0105s tas kvaitulingas jausm\u0173 bei nuo\u0161irdumo protr\u016bkis, kuris i\u0161lydis scen\u0105. Svarbiausia, ar publika gali pasiduoti beveik valandos emocin\u0117ms vilion\u0117ms? <\/p>\n[image=165973 link=no_link]\n<em>Klaartje Lambrechts nuotraukos<\/em><\/p>\n<p>Vos prasid\u0117jus spektakliui, susiduriame su tuo, k\u0105 Alanas Kirby vadina po postmodernistine estetine ir k\u016brybine b\u016btimi (Kirby, Alan. The Death of Postmodernism And Beyond. In: Philosophy Now). \u0160iuo atveju scenoje pa\u0161alinamas pasaulis, sukuriant nauj\u0105 asmenin\u0119 besvor\u0119, be erdv\u0117s, u\u017edar\u0105 tylaus autizmo aplink\u0105, kurioje vienintelis svarbus aspektas yra \u017emogus, kaip pagrindinis u\u017edaras tekstas, tod\u0117l nebeegzistuoja jokia kita vieta ar laikas. Kitaip tariant, b\u016bdami \u010dia ir dabar nebeturime pasirinkimo, privalome praryti koncentruot\u0105 jausm\u0173 jauk\u0105 ir, jei atlik\u0117jai atsiduoda senoje, mes privalome liudyti \u0161\u012f atsidavim\u0105 ir pageidautina j\u012f liudyti su d\u017eiaugsmu. Du \u0161ok\u0117jai demonstruojantys savo tobulai i\u0161treniruotus k\u016bnus ir precizi\u0161kai nugludint\u0105 technik\u0105. <em>Slow motion <\/em>principu pradeda poravimosi ritual\u0105 \u2013 labai intym\u0173, asmeni\u0161k\u0105 bei, \u017einoma, kaip ir visas vie\u0161ai demonstruojamas intymumas, ka\u017ekiek  perversi\u0161k\u0105. Jam ir Jai svarbu nepaleisti vienas kito \u017evilgsni\u0173, o mums gi paliekama nepatogi vojeristo k\u0117d\u0117.<\/p>\n<p>Nuo \u0161ios vietos ir galime pasukti skirtingais keliais.<\/p>\n<p>Kelias nr. 1. \u017dvelgti \u012f \u0161okio spektakl\u012f, kaip gan\u0117tinai gerai apgalvot\u0105 pok\u0161t\u0105, kuris t\u0117ra tariamai naivus ir jausmingas. \u012e \u0161\u012f \u017eaidim\u0105 \u012ftraukiant \u017ei\u016brov\u0105, kaip tre\u010di\u0105j\u012f veik\u0117j\u0105. Ach, matote jausmai nelabai patogu, tai kod\u0117l socialini\u0173 tinkl\u0173 platyb\u0117se labiausiai <em>laikinamos<\/em> nuotraukas da\u017enai susijusios su pa\u010diais asmeni\u0161kiausiais dalykais: santuoka, su\u017ead\u0117tuv\u0117mis, gimimu, i\u0161siskyrimu ir taip toliau, ir pana\u0161iai.  K\u0105 jau bekalb\u0117ti apie spaud\u0105 numarginta \u201e\u017evaig\u017ed\u017ei\u0173\u201c, ir ne tik, smulkiausiomis gyvenimo detal\u0117mis \u2013 nuo pirmosios liemen\u0117l\u0117s iki vis\u0173 miegamojo subtilybi\u0173. Tad \u0161tai, dabar \u0161iuolaikinis \u0161okis kvie\u010dia, patogiai atsis\u0117sti, steb\u0117ti ir pam\u0117ginti pamilti dviej\u0173 \u017emoni\u0173 intymiausius momentus. Pra\u0161om, visos trok\u0161tamos emocijos, o kad nety\u010dia ko nors nepra\u017eiopsotume, visa rai\u0161ka nugludinta iki erzinan\u010dio l\u0117tumo, kur\u012f vainikuoja ilgiausias pranc\u016bzi\u0161kas bu\u010dinys. \u012esisiurbiant ir vienas kito nepaleid\u017eiant, varginan\u010diai demonstruojant atsidavim\u0105 vienas kitam. Juk publika stebi. Taip,  viskas juk gali b\u016bti tobulai techni\u0161ka, o bu\u010dinys tapti ne tik meil\u0117s, bet ir menin\u0117s i\u0161rai\u0161kos dalimi. Ir ne t\u0105ja simboline (mirties, paskutinio bu\u010dinio ar pan.), bet \u012fkyrios svetimos meil\u0117s demonstravimo vie\u0161ai, kuomet nepavyksta praskrolint kompiuterio lange ar nusisukti gatv\u0117je pama\u010dius <em>besiglam\u017ean\u010di\u0105<\/em> porel\u0119. Tad prakaituok, vaikeli, prakaituok.<\/p>\n<p><div class=\"flex-video widescreen\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/32367882?app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" title=\"SWEAT BABY SWEAT by JAN MARTENS trailer 2\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/p>\n<p>Kelias nr. 2. Arba romantikos atradimo d\u017eiaugsmas. Paskend\u0119 or\u0105 virpinan\u010dioje meil\u0117s istorijoje, galime ilgesingai atsid\u016bs\u0117ti, pasigail\u0117ti, jog teatre nepavyks i\u0161sitraukti kibiro led\u0173 ir paslap\u010dia nubraukus a\u0161ar\u0105 pagalvoti: \u201eir visgi tai Meil\u0117\u201c. Leistis suviliojamam emocij\u0173, pasinerti \u012f t\u0105 sukurt\u0105 u\u017edar\u0105 erdv\u0119, kurioje du k\u016bnai nepaliaujamai \u017eaid\u017eia emocin\u0117mis ribomis virpindami kiekvien\u0105, kuris slaptoje sielos kertel\u0117je svajoja apie sutikt\u0105 tikr\u0105 meil\u0119 ir t\u0105 ilgesing\u0105 \u017evilgsn\u012f, kuris skverbiasi vienas \u012f kit\u0105 ligi sielos gelmi\u0173. \u0160lapiu skuduru trenkti cinizmui ir ironijai, visoms bereikalingoms interpretacijoms, nes \u0161tai, \u012f scen\u0105 triumfuodami gr\u012f\u017eo tikrieji jausmai. K\u0105 jau bekalb\u0117ti ir nuolat scenos gilumoje matoma u\u017era\u0161\u0105 suponuojanti \u012f tai, jog a\u0161 esu tik tol, kol tu esi. Nes meil\u0117 i\u0161gelb\u0117s pasaul\u012f. Du k\u016bnai u\u017esidar\u0119 savo susikurtoje autistin\u0117je erdv\u0117je gali ignoruoti vis\u0105 pasaul\u012f, vienas kit\u0105 alinti, ta\u010diau tuo pat metu ir it mana maitintis meile.  <\/p>\n<p>Visgi, kad ir kaip viliot\u0173 antrojo kelio patetika, \u0161\u012fkart sustosiu tarpin\u0117je barikad\u0173 pus\u0117je. Rodos, gal\u0117tume daryti dail\u0173 reverans\u0105 emocijoms ir, \u017einoma, meilei. Bet ar nebuvo k\u016br\u0117jai pasl\u0117p\u0119 pok\u0161to finalo tiesiojoje. Abiems vaikeliams suprakaitavus bei nuvarginus vienas kit\u0105 (ir \u017ei\u016brov\u0105), ima groti daina, kurios melodija banali, kaip ir daugelis pop dain\u0173 apie meil\u0119, nuspalvinta hipsteri\u0161kais paprastumo priedais \u2013 prislopintas moters balsas bei gitaros keli\u0173 akord\u0173 vingryb\u0117s. Prasid\u0117jusi kaip od\u0117 meilei, besit\u0119sdama daina i\u0161virsta \u012f parodij\u0105, apie tai, jog niekam \u010dia nenusibos dainuoti dar keturias valandas, o juolab dainuoti apie meil\u0119 ir jausmus. Scenos fone u\u017era\u0161\u0105 apie bendr\u0105 egzistavim\u0105 pasti\u0161o principu ima keisti populiari\u0173j\u0173 ir visiems \u017einom\u0173 dain\u0173 i\u0161traukos ar pavadinimai: \u201eYou\u2018ll never walk alone\u201c, \u201eYou and me could write a bad romance\u201c, \u201eYou and me baby are nothing but mammals\u201c ir taip toliau. Tekstas pradeda nebe pritarti tekstui. Skambantys \u017eod\u017eiai dainoje visi\u0161kai nebedera su projektoriaus demonstruojamais \u017eod\u017eiais scenoje, kurie dargi karaok\u0117s principu pabraukiami, tarsi akcentuojant, kuriai dainos vietai priskiriamas ra\u0161ytinis tekstas. Potekst\u0117, kurioje ty\u010diojamasi i\u0161 savo paties banalumo. K\u016bnai i\u0161siskiria, \u0161viesos u\u017etemsta, publika ima krizenti. Intensyviai beveik valand\u0105 m\u0117ginome \u017ei\u016br\u0117ti ir de\u0161ifruoti meil\u0117s kalb\u0105, u\u017ed\u0117ti kar\u016bn\u0105 jausmams, o prakaituojantys k\u016bnai scenoje triumfuoti savo intymumo apog\u0117juje. Bet modernus poravimosi ritualas, neb\u016bt\u0173 modernus (gal labiau der\u0117t\u0173 \u017eod\u012f \u201emodernus\u201c pakeisti \u012f \u201e\u0161iuolaikinis\u201c), jei neb\u016bt\u0173 persmelktas ironi\u0161ko \u017evilgsnio \u012f pat\u012f save. Tad sukerg\u0119 abudu interpretacijos kelius, gauname bendr\u0105 rodikl\u012f \u2013 ironi\u0161k\u0105 meil\u0117s istorij\u0105, varginan\u010di\u0105 savo atvirumu ir naivumu. Naivumu, nuo kurio \u201epasveikstama\u201c. Tre\u010diasis veik\u0117jas \u2013 \u017ei\u016brovas vojeristas gali taip nepatogiai nebesimuistyti k\u0117d\u0117je, jo vaidmuo buvo i\u0161teisintas, nebuvo jis bilieto i\u0161main\u0119s \u012f dviej\u0173 \u017emoni\u0173 miegamojo rakto skylut\u0119. <\/p>\n<p>Pabaigoje scenoje prakaituotai nupurtoma meil\u0117s banalumo etiket\u0117. \u0160tai ir \u0161iuolaikinis naujasis Baltijos tango \u2013 poravimosi ritualas. Nevienalytis mi\u0161inys, kaip kad tie u\u017ekand\u017eiai, kur prie \u0161okolado \u012fmai\u0161oma s\u016bdyt\u0173 rie\u0161ut\u0173. Pervertintas santyki\u0173 eliksyras, kuris pasirodo n\u0117ra nei labai romanti\u0161kas, nei saldus, nei i\u0161ties ka\u017ekuo per daug ypatingas, nors ir, kaip pabr\u0117\u017eia spektaklio pabaiga, apdainuotas gausyb\u0117je (pop) dain\u0173. Tad \u0161iandien m\u0117ginimai scenoje prikelti meil\u0119 ir pademonstruoti dviej\u0173 \u017emoni\u0173 bendr\u0105 gyvenim\u0105, s\u0117kmingai diskredituoja romantik\u0105. Dr\u012fstama pripa\u017einti, jog gyvenimas drauge ir ta \u201enepa\u017eabojama meil\u0117\u201c gali b\u016bti (o da\u017enai ir b\u016bna) tik gana nuobodus kasdienyb\u0117s ritualas. \u0160iuo atveju galima sutikti su M. Martinai\u010diu \u2013 tai tikrai ka\u017ekur matyta. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201e\u017dmon\u0117s \u0161neka, kad jie vienas kit\u0105 su\u0117d\u0117.\/Jaunyst\u0117j nedr\u0105siai\/ viens kit\u0105 rijo akim,\/ypa\u010d jis:\/l\u016bpas, skruostus, kr\u016btin\u0119.\/Po to \u012fsiaistrin\u0119\/viens kit\u0105 \u012fsiurbdavo l\u016bpomis &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1754,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Meil\u0117s ekshumavimas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/05\/09\/meiles-ekshumavimas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Meil\u0117s ekshumavimas - 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