{"id":17548,"date":"2025-07-29T11:01:44","date_gmt":"2025-07-29T08:01:44","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=17548"},"modified":"2025-07-29T11:03:02","modified_gmt":"2025-07-29T08:03:02","slug":"is-australijos-kilusi-choreografe-chloe-chignell-kviecia-tyrineti-sokio-ir-rasymo-jungtis","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/07\/29\/is-australijos-kilusi-choreografe-chloe-chignell-kviecia-tyrineti-sokio-ir-rasymo-jungtis\/","title":{"rendered":"I\u0161 Australijos kilusi choreograf\u0117 Chloe Chignell kvie\u010dia tyrin\u0117ti \u0161okio ir ra\u0161ymo jungtis"},"content":{"rendered":"

\u0160i\u0173 met\u0173 rugpj\u016b\u010dio 18-18 d. vyksian\u010dio \u201eSummer Dance Intensive Vilnius\u201825\u201c programoje \u2013 \u0161okio seminaras su i\u0161 Australijos kilusia choreografe ir knygos autore Chloe Chignell. Ra\u0161ymas ilg\u0105 laik\u0105 lyd\u0117jo jos \u0161okio praktik\u0105 tarsi tylus palydovas, kol, eksperimentuodama ir ie\u0161kodama nauj\u0173 keli\u0173, ji atrado b\u016bd\u0105 sujungti \u0161ias dvi praktikas. Seminare su Lietuvos \u0161ok\u0117jais Chloe dalinsis, kaip ra\u0161ymas padeda atverti naujus b\u016bdus b\u016bti k\u016bne ir jud\u0117ti.\u00a0<\/b><\/p>\n

Su choreografe kalb\u0117josi Aist\u0117 Audickait\u0117.\u00a0<\/span><\/i><\/p>\n

U\u017eaugote ir \u012fgijote \u0161okio bakalauro laipsn\u012f Australijoje. Kod\u0117l nusprend\u0117te persikelti \u012f Belgij\u0105?\u00a0<\/b><\/p>\n

Studijavau \u0161ok\u012f Viktorijos Meno Koled\u017ee Melburne. 2013 m., baigusi studijas, gavau kelioni\u0173 stipendij\u0105 ir i\u0161vykau \u012f Europ\u0105 \u2013 dalyvavau \u201eDanceWeb\u201c programoje Vienoje, o galiausiai persik\u0117liau \u012f Stokholm\u0105. Ta\u010diau po met\u0173 ten baig\u0117si mano viza, ir nor\u0117dama likti Europoje, aplikavau bei buvau priimta \u012f P.A.R.T.S. tyrim\u0173 program\u0105 Briuselyje. \u0160i programa man dav\u0117 labai daug \u2013 taip ir pasilikau \u010dia. Briuselyje jau\u010diuosi laisva daryti tai, k\u0105 noriu \u2013 \u010dia jau\u010diu bendruomen\u0117s palaikym\u0105 dirbti choreografijos ir ra\u0161ymo srityse, kurios tapo mano k\u016brybos a\u0161imi.<\/span><\/p>\n

\"\"<\/a>Shadow Text, autoriai Chloe Chignell ir Amina Szecs\u00f6dy, 2024 m.\u00a0<\/em><\/p>\n

Koks buvo j\u016bs\u0173 pirmasis \u012fsp\u016bdis apie Europos \u0161okio scen\u0105 atvykus i\u0161 Australijos?\u00a0<\/b><\/p>\n

I\u0161 ties\u0173 buvau su\u017eav\u0117ta scenos lauko mastu \u2013 Europoje jis buvo gerokai didesnis nei Australijoje. Jau\u010diau nor\u0105 ilgiau pab\u016bti Europoje ir b\u016bti \u0161okio s\u016bkuryje. Stokholme sutikau daug puiki\u0173 \u017emoni\u0173, ir man patiko, kad tuo metu \u0161okio scena pasi\u017eym\u0117jo i\u0161pl\u0117stu choreografiniu m\u0105stymu ir stipriu d\u0117mesiu \u0161okiui. \u017dmon\u0117s \u010dia k\u016br\u0117 labiau eksperimentinius darbus, o choreografij\u0105 suvok\u0117 daug pla\u010diau nei buvau patyrusi Australijoje.<\/span><\/p>\n

Ar sekate, kas vyksta \u0161iuolaikinio \u0161okio scenoje Australijoje? Ar matote skirtum\u0173, lyginant su Europa?<\/b><\/p>\n

I\u0161 tikr\u0173j\u0173 pastaraisiais metais prad\u0117jau ilg\u0117tis Australijos, tad daugiau domiuosi ir \u0161alies \u0161okio kontekstu. Per pastaruosius metus buvau gr\u012f\u017eusi ten kelis kartus, dirbau su vietiniais choreografais. I\u0161 ties\u0173 gr\u012f\u017eimas kelia dvejopus jausmus: viena vertus, aplinka artima, nes ten vis dar gyvena mano \u0161eima, kita vertus \u2013 k\u016brybinis laukas jau gerokai pasikeit\u0119s, daug kas nepa\u017e\u012fstama ir nauja.\u00a0<\/span><\/p>\n

Ta\u010diau smagu matyti, kad vietiniai k\u016br\u0117jai kuria \u012fdomius darbus. Kadangi miestuose tr\u016bksta teatr\u0173 ar \u0161okio erdvi\u0173, jie ie\u0161ko ir eksperimentuoja su naujomis formomis. K\u016briniai da\u017enai n\u0117ra kuriami vien tik \u201ejuodosios d\u0117\u017e\u0117s\u201c teatrui \u2013 vien\u0105 kart\u0105 jie gali b\u016bti rodomi teatre, kit\u0105 \u2013 galerijoje, o dar v\u0117liau \u2013 lauko erdv\u0117se. Prie\u0161ingai nei Europoje, kur darbas da\u017eniausiai sukuriamas ir pristatomas vienu formatu, o patek\u0119s \u012f tinkamas rankas gali keliauti po vis\u0105 \u017eemyn\u0105. Australijoje tai daryti yra sud\u0117tingiau, nes n\u0117ra tam sukurtos infrastrukt\u016bros.<\/span><\/p>\n

Kaip susidom\u0117jote ra\u0161ymu?<\/b><\/p>\n

A\u0161 visada m\u0117gau ra\u0161yti ir ra\u0161iau kurdama savo darbus. Jau\u010diau, kad \u0161okis ir ra\u0161ymas atliepia tuos pa\u010dius tro\u0161kimus ir klausimus, ta\u010diau ilgai ne\u017einojau, kaip \u0161ias praktikas sujungti. Tik P.A.R.T.S. tyrim\u0173 programos ir jos vadov\u0117s Bojanos Cveji\u0107 d\u0117ka tur\u0117jau erdv\u0119 mokytis kurti darbus, kurie i\u0161 ties\u0173 sujungt\u0173 ra\u0161ym\u0105 ir choreografij\u0105. Taip pat tyrin\u0117jau, kaip dirbti su poj\u016b\u010diais ir vaizdais, stengdamasi sujungti \u0161ias suvokimo sritis, kad atras\u010diau naujus b\u016bdus steb\u0117ti k\u016bn\u0105 arba kitus tekst\u0173 skaitymo b\u016bdus.<\/span><\/p>\n

Kaip, j\u016bs\u0173 manymu, ra\u0161ymas yra susij\u0119s su \u0161okiu \u2014 ir atvirk\u0161\u010diai?\u00a0<\/b><\/p>\n

Manau, kad i\u0161 tikr\u0173j\u0173 sunku galvoti apie \u0161ok\u012f be ra\u0161ymo. Tikiu, kad \u0161okis yra ra\u0161ymo forma \u2013 tiesiog naudojamos skirtingos med\u017eiagos, su kuriomis ra\u0161oma.\u00a0 Ta\u010diau tai ta pati gramatikos k\u016brimo forma k\u016bnu: kaip viena forma pereina \u012f kit\u0105? Kaip ritmas kei\u010dia emocin\u012f poveik\u012f? Lygiai taip pat, kaip kalbant \u2013 jei pakei\u010diu balso ton\u0105, tas pats \u017eodis gali reik\u0161ti k\u0105 nors visi\u0161kai kita. Tad jau\u010diu, kad \u0161ios savyb\u0117s juda tarp \u0161okio ir teksto, ir tod\u0117l jos tampa tam tikrais ra\u0161ymo \u012frankiais.<\/span><\/p>\n

Ry\u0161ys tarp teksto ir \u0161okio \u2013 tai dar viena sritis, kuri\u0105 stengiuosi tyrin\u0117ti per eksperimentinio vertimo formas, ir tai taip pat bus viena i\u0161 dirbtuvi\u0173 tem\u0173.<\/span><\/p>\n

\"\"<\/a>Chloe Chignell, asmeninio archyvo nuotrauka.\u00a0<\/em><\/p>\n

Ar gal\u0117tum\u0117te \u0161iek tiek daugiau papasakoti apie seminarus, kuriuos vesite Vilniuje? K\u0105 tyrin\u0117site su \u0161ok\u0117jais?<\/b><\/p>\n

Seminaras, kur\u012f vesiu vadinasi \u201eTranslating the bio-text\u201d. \u201eBio\u201c \u010dia rei\u0161kia gyvyb\u0119 arba k\u016bn\u0105, o \u201etekstas\u201c \u2013 tekst\u0105. Tai kvietimas m\u0105styti apie visus b\u016bdus, kuriais m\u016bs\u0173 k\u016bnai jau yra \u201eu\u017era\u0161yti\u201c. Pavyzd\u017eiui, per kult\u016brines normas, susijusias su lytimi, seksualumu, arba \u2013 \u0161okio kontekste \u2013 per \u012fvairias technikas ir praktikas, kurios formuoja m\u016bs\u0173 k\u016bnus, kuria ne tik fizinius \u012fpro\u010dius, bet ir tam tikrus b\u016bdus, kaip m\u0105stome apie k\u016bn\u0105.<\/span><\/p>\n

Ir tam tikros vertybin\u0117s sistemos \u2013 pavyzd\u017eiui, jei pagalvotume apie tai, kuo skiriasi, tarkime, baleto treniruot\u0117se \u012ftvirtinti siekiai ar vertyb\u0117s ir tai, k\u0105 akcentuoja, tarkime, <\/span>kapueira<\/span> \u2013 matytume visi\u0161kai skirting\u0105 k\u016bno samprat\u0105. Mane domina, kaip \u0161ios skirtingos k\u016bno technikos \u012fsira\u0161o \u012f m\u016bs\u0173 k\u016bnus kaip tam tikra ra\u0161ymo forma.<\/span><\/p>\n

Darysime \u012fvairius pratimus \u2013 pavyzd\u017eiui, kursime naujus savo k\u016bno \u017eem\u0117lapius, pervadinsime k\u016bno dalis, tada naudodami tuos \u017eem\u0117lapius improvizuosime \u0161okius. I\u0161 t\u0173 \u0161oki\u0173 kursime pasakojimus, o paskui naudosime tuos pasakojimus kaip partit\u016bras naujiems \u0161okiams.\u00a0<\/span><\/p>\n

Tai tarsi ciklinis jud\u0117jimas nuo teksto prie k\u016bno, tada v\u0117l prie teksto ir atgal prie k\u016bno \u2013 siekiant atverti naujus b\u016bdus, kaip tekstas gali tarpininkauti m\u016bs\u0173 k\u016bno vaizduotei, pad\u0117ti atrasti naujus jud\u0117jimo b\u016bdus ar patirti judes\u012f kitaip, taip pat kitaip m\u0105styti apie jud\u0117jim\u0105 tiek \u0161okio kontekste, tiek kasdienyb\u0117je.<\/span><\/p>\n

J\u016bs apib\u016bdinate k\u016bn\u0105 kaip kalbos viet\u0105 \u2013 u\u017ekoduot\u0105, sure\u017eisuot\u0105, kult\u016bri\u0161kai sukonstruot\u0105 rei\u0161kin\u012f. Kokius vertimo metodus naudojate dirbdama su k\u016bnu \u0161iuo aspektu? Kaip \u0161is procesas atrodo prakti\u0161kai?<\/b><\/p>\n

Tai da\u017enai vyksta stebint vieniems kitus ir kalbantis. Yra viena praktika, kuri\u0105 taikome \u2013 tai tarsi interval\u0173 treniruot\u0117s forma: dvi minut\u0117s \u0161okio, dvi minut\u0117s ra\u0161ymo, ir taip nuolat kei\u010diame \u0161ias praktikas. Ra\u0161ymas \u010dia skirtas kuo objektyviau apra\u0161yti, k\u0105 b\u016btent darei \u0161okdamas. Kartojant \u0161\u012f proces\u0105 ir \u201ei\u0161semiant\u201c apra\u0161omojo kalb\u0117jimo galimybes, pradedi pasteb\u0117ti tam tikrus \u012fpro\u010dius ir formas. Pavyzd\u017eiui: \u201eO, i\u0161 tikr\u0173j\u0173 niekada ne\u017einau, k\u0105 darau su savo liemeniu\u201c, arba \u201eMano kr\u016btin\u0117 visada tarsi \u012fkritusi \u2013 gal tai susij\u0119 su ka\u017ekuo\u201c.<\/span><\/p>\n

Tada stebime vieni kit\u0173 \u0161okius ir apra\u0161ome juos, kad gal\u0117tume atpa\u017einti tam tikrus fizinius \u012fpro\u010dius, kuriuos v\u0117liau galime aptarti, i\u0161skleisti \u2013 kad suprastume, k\u0105 atsine\u0161ame \u012f \u0161ok\u012f. Juk niekada nepradedame nuo neutralios pad\u0117ties \u2013 m\u016bs\u0173 k\u016bnai yra pilni patirties ir skirting\u0173 ra\u0161ymo form\u0173. Kai kurios j\u0173 atsirado m\u016bs\u0173 pa\u010di\u0173 pasirinkimu \u2013 m\u0117gstami judesiai, technikos \u2013 o kai kurios tiesiog \u012f mus \u012fsira\u0161\u0117 per gyvenim\u0105, per tai, k\u0105 patyr\u0117me. \u0160i praktika padeda atpa\u017einti: \u201eAha, a\u0161 i\u0161 ties\u0173 turiu tam tikr\u0105 id\u0117j\u0105, kaip turi jud\u0117ti mano rankos\u201c, ir tada galima prad\u0117ti tai i\u0161skleisti ir nagrin\u0117ti \u012fvairiais b\u016bdais.<\/span><\/p>\n

Ar sutiktum\u0117te, kad ra\u0161ymas \u017emogui padeda geriau suprasti, kas jis yra?\u00a0<\/b><\/p>\n

B\u016btent taip ir yra. Tarkime, pa\u0161okame ir tada para\u0161ome tekst\u0105, apib\u016bdinant\u012f t\u0105 \u0161ok\u012f \u2013 tai jau yra vertimo forma. Ir tas vertimo procesas i\u0161kart i\u0161kelia \u012f pavir\u0161i\u0173 problem\u0105: kad \u0161ios dvi \u201ekalbos\u201c yra labai skirtingos. Net kai galvojame apie vertim\u0105 tarp, tarkime, angl\u0173 ir lietuvi\u0173 kalb\u0173, vis tiek susiduriame su tuo, kad atsiranda dviprasmyb\u0117s, reik\u0161mi\u0173 slinktys. Tai leid\u017eia mums pa\u017evelgti \u012f pa\u010dios kalbos vidinius mechanizmus.\u00a0<\/span><\/p>\n

Pana\u0161iai, bandydami apra\u0161yti \u0161ok\u012f tekstu, galime prad\u0117ti atverti \u0161okio vidin\u0119 logik\u0105. Ir kas dar \u012fdomiau \u2013 tekstas gali tapti nauj\u0173 \u0161oki\u0173 \u0161altiniu, kurie reikalauja kitokios k\u016bno vaizduot\u0117s. Ne k\u016bno tokio, koks jis yra \u0161iuo momentu, bet k\u016bno, kur\u012f i\u0161galvojame: suteikiame jam kitus vardus, \u012fsivaizduojame papildomas gal\u016bnes, kitas funkcijas ar savybes \u2013 ir tai leid\u017eia mums pasiekti kitok\u012f \u0161ok\u012f. Tad tai tampa ne tik refleksijos procesu, bet ir vaizduot\u0117s bei k\u016brybinio i\u0161radimo praktika.\u00a0<\/span><\/p>\n

Kaip ra\u0161ymas pad\u0117jo jums geriau pa\u017einti save?<\/b><\/p>\n

I\u0161 tikr\u0173j\u0173 viena i\u0161 prie\u017eas\u010di\u0173, kod\u0117l man patinka \u0161okis \u2013 \u0161okdama galiu b\u016bti ne savimi. Esu \u012fsitraukusi \u012f judes\u012f, form\u0105 ir tam tikr\u0105 transformacij\u0105. Manau, ra\u0161ymas padeda puosel\u0117ti \u0161i\u0105 erdv\u0119, kurioje galiu toliau i\u0161rasti ir \u012fsivaizduoti \u012fvairius b\u016bdus b\u016bti \u0161iame k\u016bne. Jis leid\u017eia \u0161okiui i\u0161likti nenusp\u0117jamu, laukiniu patyrimu. Jei pasikliau\u010diau vien tik savo k\u016bno patirtimi \u0161okant, galb\u016bt nuolat gr\u012f\u017e\u010diau prie tam tikros k\u016bno realyb\u0117s. Ta\u010diau ra\u0161ymo praktika drauge su \u0161okiu leid\u017eia skleistis \u012fvairiais b\u016bdais, kurie galb\u016bt n\u0117ra tiesiogiai susij\u0119 su fizine patirtimi.\u00a0<\/span><\/p>\n

 <\/p>\n

Vis\u0105 <\/i>\u201eSummer Dance Intensive Vilnius\u201925\u201c program\u0105 rasite \u010dia: <\/i>https:\/\/dance.lt\/new\/vasaros-sokio-mokykla\/vsm-2025-2<\/i><\/a><\/p>\n

Projekt\u0105 finansuoja<\/i> Lietuvos kult\u016bros taryba<\/i><\/a> ir<\/i> Vilniaus miesto savivaldyb\u0117<\/i><\/a>.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160i\u0173 met\u0173 rugpj\u016b\u010dio 18-18 d. vyksian\u010dio \u201eSummer Dance Intensive Vilnius\u201825\u201c programoje \u2013 \u0161okio seminaras su i\u0161 Australijos kilusia choreografe ir …<\/p>\n","protected":false},"author":2,"featured_media":17550,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nI\u0161 Australijos kilusi choreograf\u0117 Chloe Chignell kvie\u010dia tyrin\u0117ti \u0161okio ir ra\u0161ymo jungtis - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/07\/29\/is-australijos-kilusi-choreografe-chloe-chignell-kviecia-tyrineti-sokio-ir-rasymo-jungtis\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I\u0161 Australijos kilusi choreograf\u0117 Chloe Chignell kvie\u010dia tyrin\u0117ti \u0161okio ir ra\u0161ymo jungtis - 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