{"id":1757,"date":"2015-05-12T01:47:34","date_gmt":"2015-05-12T01:47:34","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/05\/12\/landscape-ir-soundscape-arba-spektaklis-kaip-peizazas\/"},"modified":"2015-05-12T01:47:34","modified_gmt":"2015-05-12T01:47:34","slug":"landscape-ir-soundscape-arba-spektaklis-kaip-peizazas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/05\/12\/landscape-ir-soundscape-arba-spektaklis-kaip-peizazas\/","title":{"rendered":"Landscape ir soundscape arba spektaklis kaip peiza\u017eas"},"content":{"rendered":"

Grei\u010diausiai esate \u012fprat\u0119s \u017ei\u016br\u0117ti teatr\u0105, kur pasakojama viena linija besivystanti istorija. Gertr\u016bdai \u0160tein toks teatras nepatiko ir ji pasi\u016bl\u0117 id\u0117j\u0105, kuri \u0161iandien pla\u010diai i\u0161vystyta ir gan da\u017enai pasitaikanti Vakar\u0173 teatre. \u0160tein sak\u0117, kad poetas teatr\u0105 patiria \u017ei\u016br\u0117damas regin\u012f ir klausydamas, da\u017eniausiai, dialog\u0173. Abu sekti ji nesp\u0117davo, tod\u0117l spektakliuose nuolat tur\u0117davusi jaudintis, kad jos suvokimas apie tai, kas vyksta, u\u017eb\u0117gs u\u017e aki\u0173 arba pav\u0117luos. Taigi, ji pasi\u016bl\u0117 spektakl\u012f formuoti kaip peiza\u017e\u0105, kad publika gal\u0117t\u0173 ramiai j\u012f steb\u0117ti ir d\u017eiaugtis patyrimu, o ne stengtis sutapti su diktuojamu laiku. <\/p>\n

Pristatydama savo id\u0117jas ji pasitelk\u0117 scenos u\u017edangos metafor\u0105 sakydama, kad jausmas vienoje u\u017edangos pus\u0117je ir kitoje niekada n\u0117ra tapat\u016bs. Menininko u\u017eduotis b\u016bt\u0173 pasirinkti priemones bei turin\u012f, o \u017ei\u016brovas gal\u0117t\u0173 b\u016bt\u0173 laisvas \u012f tai \u017evelgti kaip jis nori ir pasidaryti savo i\u0161vadas. \u0160tein manymu, patirdamas scenin\u012f pasaul\u012f kaip peiza\u017e\u0105, \u017emogus gal\u0117t\u0173 kontempliuoti bei medituoti ir su tuo, kas vyksta scenoje, sukurti daug gilesn\u012f asmenin\u012f ry\u0161\u012f.<\/p>\n

\u012esivaizduokite, kad at\u0117jot \u012f elektronikos koncert\u0105, o jums grie\u017eia violan\u010del\u0117s. Arba \u012f pank\u0173 r\u016bs\u012f, o ten \u2013 neapr\u0117piami sodai ro\u017ei\u0173. Pana\u0161iai \u017ei\u016brovo l\u016bkes\u010dius ap\u017eaid\u017eia Heine Avdalas ir Yukiko Shinozaki spektaklyje \u201eAs if nothing has been spinning around for something to remember\u201c<\/a>, kuris buvo parodytas Lietuvos nacionaliniame dramos teatre festivalio \u201eNaujasis Baltijos \u0161okis\u201c atidarymo metu. \u017di\u016brovams \u012f akis su\u0161vie\u010dia pro\u017eektoriai ir pasigirsta spengianti elektronika. Kelias akimirkas \u012f akis \u017eiebia \u0161viesa, v\u0117liau ji g\u0119sta. G\u0119sta ir elektronoizas. Po sekund\u0117s visi\u0161kos tylos klausos organus \u0161velniai glosto malon\u016bs pu\u010diam\u0173j\u0173 ir stygini\u0173 akordai. L\u0117tai \u012fsi\u017eiebia \u0161viesa, atsiveria scenos erdv\u0117. <\/p>\n

Johano \u0160trauso \u201e\u017dydrasis Dunojus\u201c ir auganti \u0161viesa vaizduot\u0119 nukelia \u012f XVIII am\u017eiaus Vienos r\u016bmus, nors prie\u0161 akis \u2013 juodos sintetikos kulisai, po tris poras i\u0161 abiej\u0173 pusi\u0173 ir galin\u0117 siena bei ta pa\u010dia sintetine med\u017eiaga i\u0161klotos grindys. Galin\u0117 u\u017edanga ir kulisai stovi lyg i\u0161did\u017eiai i\u0161k\u0117l\u0119 galvas \u2013 j\u0173 svor\u012f laiko did\u017eiuliai juodi balionai. I\u0161did\u017eiai, lyg jie scenoje b\u016bt\u0173 svarbiausi veik\u0117jai. Skraidantys vaiki\u0161k\u0173 \u0161ven\u010di\u0173 \u017eenklai, banaliai apgauna vaizduot\u0119 ir lemia t\u0105 didyb\u0117s, \u0161vent\u0117s nuotaik\u0105. Scenoje nesimato n\u0117 vieno gyvo \u017emogaus. \u017di\u016brint \u012f \u0161\u012f peiza\u017e\u0105, jis atrodo labai banalus ir ne\u012fprastas, patrauklus ir, rodos, toks, kuriame tuo pa\u010diu metu nieko ypatingo n\u0117ra. Nors \u010dia n\u0117ra jokio gyvo \u017emogaus, atrodo, kad \u010dia nieko daugiau ir nereikia \u2013 prid\u0117si bet k\u0105, ir sugadins. <\/p>\n

Tuomet prasideda \u0161okis. Kairys galinis kulisas ima jud\u0117ti \u012f scenos centr\u0105. Prie jo prisijungia antrasis i\u0161 de\u0161in\u0117s. Lyg tai b\u016bt\u0173 r\u016bm\u0173 dam\u0173 ar pon\u0173 ekspozicija. Kai \u0161ie sugr\u012f\u017eta \u012f savo vietas, o \u012f centr\u0105 i\u0161eina pirmoji pora. Ir viskas vystosi pagal klasikin\u0119 r\u016bm\u0173 \u0161oki\u0173 tvark\u0105, pagal \u0160trauso valso dramaturgij\u0105 ir yra visi\u0161kai banalu, bet tuo pa\u010diu ir patrauklu, nieko ypatingo, bet ir ne\u012fprasta. Atsipalaidavusi vaizduot\u0117 u\u017esiima visi\u0161ku kulis\u0173 personifikavimu. Nieko tokio, kad \u0161ok\u0117jai su \u0161e\u0161iomis gavomis, bet \u0161tai jie i\u0161meta apatin\u012f med\u017eiagos kamp\u0105 ir j\u012f matai kaip koj\u0105, arba suglaud\u017eia vir\u0161utinius kampus ir \u012f juos \u017evelgi kaip palinkusius viens \u012f kit\u0105 \u012fsimyl\u0117j\u0117lius. Viskas pama\u017eu, neskubant, sp\u0117jant suvokti ir pasid\u017eiaugti formomis, \u0161viesos atspind\u017eiais klost\u0117se, \u0161velniais smuik\u0173 styg\u0173 virpesiais ir dar bala\u017ein kuo, kas \u0161auna \u012f galv\u0105 t\u0105 akimirk\u0105. <\/p>\n

Muzika tyla, kulisai ima jud\u0117ti netvarkingai, galime gird\u0117ti med\u017eiagos \u0161vilpavim\u0105. Vienas kulisas bli\u016bk\u0161ta, po juo ai\u0161kiai matosi \u017emogaus fig\u016bra. Kiti bla\u0161kosi aplink. I\u0161 po vieno, kito, tre\u010dio pasirodo \u017emogaus k\u016bno dalys, tarsi jie nor\u0117t\u0173, kad b\u016btum\u0117t tikri, jog po kiekvienu spektaklyje judan\u010diu daiktu yra \u017emogus. \u0160ok\u0117jai atrodo \u0161iek tiek juokingai, kaip visada juokingai atrodo rimtai \u017eaid\u017eiantys \u017emon\u0117s, per sal\u0119 perb\u0117ga linksmas \u0161urmulys. Ant balion\u0173 pakabint\u0173 u\u017euolaid\u0173 judesiai po truput\u012f laisv\u0117ja, \u0161ok\u0117jai vis \u012fvairiau naudoja savo objektus. Elektronin\u0117 muzika kuria atmosfer\u0105, ji \u0161iek tiek baugi, \u0161ok\u0117jai su kulisais i\u0161darin\u0117ja vaiduokli\u0161kas formas, ir, nors matote kaip jos sukurtos, pasiduodate ne\u017einomyb\u0117s, mi\u0161ko iliuzijai \u2013 net \u0161ok\u0117ja \u017ealiomis p\u0117dkeln\u0117mis po i\u0161sk\u0117sta u\u017euolaida atrodo baisokai tarsi ragana. Galite t\u0119sti \u0161iurpenan\u010di\u0105 tem\u0105 ir \u012f\u017evelgti giltines, lavon\u0117lius arba galite tiesiog steb\u0117ti \u0161okan\u010dius k\u016bnus. <\/p>\n

Scena nu\u0161vinta ry\u0161kiau, suskamba disco <\/em>garsai, kulisai vienas po kito pro \u017ei\u016brovus ne\u0161ami \u012f sal\u0119, o \u0161ok\u0117jai vaik\u0161to, \u010diuo\u017ein\u0117ja, \u0161liau\u017eioja, juda lyg niekas neb\u016bt\u0173 pasikeit\u0119, ir su savo asmeniniu judesiu vis \u012fgauna persona\u017eo savybi\u0173 \u2013 vienas vis rankomis braukia or\u0105 lyg m\u0117gd\u017eiot\u0173 pasiruo\u0161im\u0105 karat\u0117 kovai, kita moja i\u0161k\u0117lusi rank\u0105, kita pir\u0161tais lie\u010dia savo pet\u012f, dar vienas vaik\u0161to ant keturi\u0173. Disco<\/em> kei\u010dia pirm\u0173j\u0173 kompiuterini\u0173 \u017eaidim\u0173 pyps\u0117jimas, \u0161ok\u0117jai nenustoja jud\u0117ti, \u0161viesa irgi juda, ap\u0161vie\u010dia skirtingus scenos plotus. Viskas kinta, kol staiga \u0161ok\u0117jai sustoja. Tamsa. \u0160viesa. Ir scenoje jau kitas nejudantis peiza\u017eas. Tamsa. \u0160viesa. Ir v\u0117l kitas. Mergina \u017eemyn leid\u017eia rank\u0105. Kit\u0105kart vaikinas tupiasi. Jie gali jud\u0117ti arba nejud\u0117ti. Vietoj tamsos perkirtim\u0173 paliekama prietema \u2013 scen\u0105 ap\u0161vie\u010dia galiniai pro\u017eektoriai ir gali matyti \u0161ok\u0117j\u0173 persigrupavim\u0105. Arba v\u0117l tamsa ir nieko nematysit. J\u016bs ne\u017einote, kas bus netrukus, tod\u0117l stebite visk\u0105. Kiekvien\u0105 sekund\u0119 vyksta procesas lyg \u017eaidimas tarp j\u016bs\u0173 ir spektaklio k\u016br\u0117j\u0173: pasteb\u0117site, u\u017efiksuosite, ar ne? Garso ir k\u016bn\u0173 jud\u0117jimas greit\u0117ja. Vieno \u0161ok\u0117jo rankose atsiduria u\u017edanga, jis laksto su ja tarp kit\u0173, o ji plaikstosi, vaizduot\u0117 jums sako, kad tai did\u017eiulis drakonas. Jis u\u017edengia visk\u0105 ir \u017ei\u016brite \u012f juod\u0105 tams\u0105.<\/p>\n

Ant scenos grind\u0173 \u0161e\u0161i pie\u0161inukai minimaliu, kont\u016briniu Keith Haring stiliumi \u2013 karat\u0117 \u017emogutis, mojuojantis \u017emogutis, \u017emogutis lie\u010diantis savo pet\u012f, \u017emogutis ant keturi\u0173… Jie ima mirg\u0117ti ir kyla \u2013 grindys virsta siena, kuri su visais pie\u0161in\u0117liais pradeda art\u0117ti link j\u016bs\u0173. J\u016bs matote \u0161e\u0161is savo b\u016bsenose u\u017efiksuotus atlik\u0117jus ant scenos u\u017edangos ir tai pana\u0161u \u012f \u0160tein peiza\u017eo metafor\u0105. U\u017edanga nesustoja ties scenos riba, art\u0117ja, kol jus u\u017ekloja, ir nukeliauja tolyn. O tada j\u016bs matote, kas yra ten, kitoje u\u017edangos pus\u0117je. <\/p>\n

Girdisi silpnas \u016b\u017eesys. Varini\u0173 vamzdeli\u0173 skamb\u010diojimas. Juodoje scenoje skrenda baltas balionas, \u0161vie\u010diantis m\u0117nulio \u0161viesa. Skrieja \u012f scenos kair\u0119, l\u0117tai kyla. Slenka \u012f de\u0161in\u0119 ir v\u0117l kyla. J\u016bs sekate \u0161\u012f balion\u0105 akimis, nes visai \u012fdomu, o gal daugiau n\u0117ra \u012f k\u0105 \u017ei\u016br\u0117ti. Balionas nesustoja ties scenos riba, ima skrieti vir\u0161 \u017ei\u016brov\u0173. Art\u0117ja prie j\u016bs\u0173, galite gird\u0117ti nuo jo sklindant\u012f klaks\u0117jim\u0105. Pasirodo antras, tre\u010dias. Jie skrieja, kartais i\u0161 j\u0173 galite gird\u0117ti garsus \u2013 radijos \u0161nyp\u0161tim\u0105, varpo skamb\u0117jim\u0105, automobili\u0173 signalus. Ant galin\u0117s scenos sienos pie\u0161iami br\u016bk\u0161niai virsta atpa\u017e\u012fstamais objektais \u2013 Mindaugo tiltas, Vilniaus katedra bazilika su skulpt\u016bromis ant stogo, Gedimino bok\u0161tas, stog\u0173 grandin\u0117s \u2013 pama\u017eu grubiomis linijomis i\u0161pie\u0161iami Vilniaus peiza\u017eo kont\u016brai. Po sal\u0119 skraido devyni balionai ir tuo pa\u010diu, kai matote gimstant\u012f miesto landscape<\/em>, jus supa kuriamas soundscape<\/em>.<\/p>\n

Sal\u0117je l\u0117tai \u012fsi\u017eiebia \u0161viesa. Dabar tai, k\u0105 mat\u0117te, atrodo banalu bet ne\u012fprasta, smagu ir lyg nieko ypatingo nebuvo. J\u016bs jau kitoje u\u017edangos pus\u0117je. J\u016bs einate pro balion\u0173 laikomus kulisus. Nieko tokio, jei jau\u010diat\u0117s keistai \u2013 juk at\u0117jote pa\u017ei\u016br\u0117ti \u0161okio teatro, o pamat\u0117te judan\u010di\u0173 objekt\u0173 peiza\u017e\u0105.<\/p>\n","protected":false},"excerpt":{"rendered":"

Grei\u010diausiai esate \u012fprat\u0119s \u017ei\u016br\u0117ti teatr\u0105, kur pasakojama viena linija besivystanti istorija. Gertr\u016bdai \u0160tein toks teatras nepatiko ir ji pasi\u016bl\u0117 id\u0117j\u0105, …<\/p>\n","protected":false},"author":1,"featured_media":1758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nLandscape ir soundscape arba spektaklis kaip peiza\u017eas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/05\/12\/landscape-ir-soundscape-arba-spektaklis-kaip-peizazas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Landscape ir soundscape arba spektaklis kaip peiza\u017eas - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Grei\u010diausiai esate \u012fprat\u0119s \u017ei\u016br\u0117ti teatr\u0105, kur pasakojama viena linija besivystanti istorija. 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