{"id":1759,"date":"2015-05-12T02:09:11","date_gmt":"2015-05-12T02:09:11","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/05\/12\/kas-yra-sokis-helio-monstrai\/"},"modified":"2015-05-12T02:09:11","modified_gmt":"2015-05-12T02:09:11","slug":"kas-yra-sokis-helio-monstrai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/05\/12\/kas-yra-sokis-helio-monstrai\/","title":{"rendered":"Kas yra \u0161okis?! Helio monstrai!!!"},"content":{"rendered":"<p>Taigi Lietuvoje jau devynioliktasis \u201eNaujojo Baltijos \u0161okio\u201c festivalis, o klausimai it am\u017einieji vaiduokliai, nuolat besik\u0117sinantys ka\u017ek\u0105 tavo galvoje pakeisti, bet lyg vis nieko i\u0161 esm\u0117s netransformuojantys, sklend\u017eia ore vis tie patys: \u010cia \u0161okis? O kas yra \u0161okis? Kod\u0117l a\u0161  nesuprantu? K\u0105 tai gal\u0117jo reik\u0161ti?  K\u0105 \u010dia nor\u0117jo pasakyti? Gerai \u010dia ar blogai?<\/p>\n<p>Pirmajame festivalio spektaklyje, trup\u0117s <a href=\"http:\/\/dance.lt\/lt\/375429\/849324\/projektai\/naujasis_baltijos_sokis\/naujasis-baltijos-sokis\">\u201efieldworks\u201c (Belgija, Norvegija, Japonija) \u201cAs if nothing has been spinning around for something to remember\u201d <\/a>(liet. \u201eLyg niekas nesisukt\u0173 aplink ka\u017ekam prisiminti\u201c), \u0161okio samprata i\u0161ple\u010diama tiek, kad pasijunti gal\u012fs \u012fvardinti matom\u0105 \u0161ok\u012f tikrais helio monstrais, ka\u017ekuo, su kuo tikrai niekada neteks susipa\u017einti ir realiai ap\u010diuopti, suprasti, o toks \u017emogaus s\u0105mon\u0117s ribotumas daug kam gali pasirodyti ir visai nemenkai bauginantis. <\/p>\n<p>I\u0161 pirmo \u017evilgsnio tie \u201ehelio monstrai\u201c neb\u016btinai gali atrodyti tokie bais\u016bs: jie netgi gali pasirodyti bes\u0105 labai \u012fsp\u016bdingi ir nematyti, \u017eavingi ir emocingi, gra\u017e\u016bs ir regis ka\u017ek\u0105 sakantys dalykai. \u201eAs if nothing has been spinning around for something to remember\u201c scenografija b\u016btent ir primena tokius \u201egeruosius\u201c \u0161okio monstrus. Prad\u017eios ta\u0161kas \u2013 tu\u0161\u010dia teatro erdv\u0117, kuri visgi n\u0117ra tu\u0161\u010dia. Pakabin\u0119 \u0161e\u0161is fiktyvius teatro kulisus ant did\u017eiuli\u0173 pilk\u0173 helio balion\u0173, suskirstyt\u0173 po \u0161e\u0161is kiekvienai u\u017euolaidai, spektaklio id\u0117jos autoriai (norveg\u0173 choreografas Heine Avdalas ir japon\u0173 kilm\u0117s choreograf\u0117 Yukiko Shinozaki) siekia teatrin\u0117s erdv\u0117s mutacijos. Teatro scenos u\u017euolaidos tampa pana\u0161iomis \u012f \u017eavias mil\u017eini\u0161kas \u0161e\u0161iagalves gra\u017euoles, kurios netgi gali \u0161okti! Pasigirdus Johanno Strausso valsui \u201e\u017dydrasis Dunojus\u201c \u0161velniais, eleganti\u0161kais ir muzikaliais judesiais spektaklio \u0161ok\u0117jos-u\u017euolaidos perteikia \u017ei\u016brovams didingai nostalgi\u0161kos emocijos bang\u0105. Ta\u010diau pama\u017eu pirmo susid\u016brimo su \u0161okan\u010diais kulisais nuostab\u0105 ima keisti vis stipr\u0117jantis ilgesio ir absurdo poj\u016btis. Valsas tampa mirties \u0161okiu senajai scenos tradicijai, kuomet vis dar buvo svarbu istorija, herojai, ai\u0161ki mintis, estetin\u0117s ir etin\u0117s vertyb\u0117s. \u0160iuolaikin\u0117s scenos dabarties momentu viso to tarsi neb\u0117ra, vyrauja pilkos spalvos, tu\u0161tuma, desperacija ir minties neapr\u0117piamyb\u0117, \u0161okis nebetelpa \u0161okyje ir bando per\u017eengti visas \u012fmanomas ribas. Tuomet ir kyla klausimas \u2013 gintis ar leistis kartu i\u0161tirpti visko ir tuo pa\u010diu nieko esyb\u0117je? \u0160tai Jums ir helio monstras prie\u0161 akis. <\/p>\n<p>Akivaizdu, kad spektaklio id\u0117jos k\u016br\u0117jai su \u0161okio \u201epabaisomis\u201c pa\u017eindinosi jau gana ilg\u0105 laik\u0105. Abiej\u0173 k\u016br\u0117j\u0173 biografijose mirga sukauptos tarptautin\u0117s \u0161okio patirtys keliaujant nuo JAV iki Tokijaus, did\u017eiul\u0119 \u012ftak\u0105 j\u0173 k\u016brybai padar\u0117 darbas pasaulinio garso \u0161okio trup\u0117je \u201eDamaged Goods\u201c (vad. Meg Stuart). Nenuostabu, kad tokius lobynus sukaup\u0119 k\u016br\u0117jai pasiek\u0117 rib\u0105, kada klausimai apie \u0161okio suvokim\u0105, prasm\u0119, originalum\u0105 ir galimybes \u0117m\u0117 virsti tikrais i\u0161\u0161\u016bkiais. Jie dr\u0105siai ry\u017etasi bandyti i\u0161 esm\u0117s keisti k\u016bno, erdv\u0117s, laiko, santykio tarp k\u016br\u0117jo ir \u017ei\u016brovo, bei vis\u0173  kit\u0173 \u012fmanom\u0173 choreografini\u0173 element\u0173 suvokim\u0105. Analizuojant k\u016bno ir choreografijos santyk\u012f,  k\u016bn\u0105 suvokiant ne tik kaip \u017emogi\u0161k\u0105j\u012f, bet ir scenoje supan\u010di\u0173 teatrini\u0173 element\u0173, \u0161viesos pie\u0161ini\u0173, gars\u0173 pavidalu, atveriama galimyb\u0117 suprasti, kad nuo \u0161iol \u0161okti gali viskas. Bet tuomet koki\u0105 viet\u0105 dabar scenoje u\u017eima \u017emogus? Kas i\u0161ties slypi po spektaklio k\u016brimo procesu? Ir koks m\u016bs\u0173 santykis su \u0161ia atsiv\u0117rusia beribe, visa apiman\u010dia suvokimo kismo galimybe? <\/p>\n<p>I\u0161 u\u017e \u0161e\u0161iagalvi\u0173 kulis\u0173 visgi pasirodo \u017emogus. \u0160tai \u0161murk\u0161tel\u0117ja galva, rankos, kojos\u2026 \u0160e\u0161i \u201etikri\u201c \u0161ok\u0117jai (Ingrid Haakstad, Matias R\u00f8nningen, Orfee Schuijt, Oleg Soulimenko, Mirva V\u00e4\u00e4n\u00e4nen, Ondrej Vidlar) kontrastingi pilkai erdvei savo ry\u0161ki\u0173 spalv\u0173 kostiumais (Anne-Catherine Kunz), pama\u017eu i\u0161ry\u0161k\u0117ja ir it ma\u017ei spalvingi vaikai tarp dideli\u0173 ni\u016bri\u0173 teatro u\u017euolaid\u0173 \u017eaid\u017eia choreografij\u0105. Nutempti u\u017euolaid\u0105 \u012f kair\u0119 scenos pus\u0119, nuleisti \u017eemyn, apsukti ratu, apgobti, atidengti. Kartais juos u\u017euolaida-monstras suvalgo, kartais supan\u010dioja, bet jie vis naiviai nenustoja jud\u0117ti, bandyti suvaldyti \u0161\u012f pilkai \u017eaisming\u0105 teatrin\u012f veiksm\u0105. Tai virsta desperati\u0161ka audra, mad\u0173 \u0161ou, siaubo filmu, kosmoso jud\u0117jimu, tamsa, \u0161viesa, v\u0117l tamsa, v\u0117l \u0161viesa, tyla ir tamsa, tyla ir \u0161viesa. Muzika, ap\u0161vietimas, vizualiniai efektai nepaliaujamai ir kardinaliai kei\u010diasi ir \u0161tai net visi \u017ei\u016brovai taip pat virsta veiksmo dalyviais. \u012e sal\u0119 \u012fskriejusius \u0161vytin\u010dius baltus helio balionus juk b\u016btina \u012fam\u017einti! \u017di\u016brovas nebepaiso \u012fpro\u010dio laikytis tylos, ima diskutuoti su draugu, pamir\u0161ta draudim\u0105 fotografuoti spektakl\u012f ir \u0161tai i\u0161silaisvin\u0119s per\u017eengia rib\u0105 ir jau siun\u010dia taip stipriai \u017eavin\u010dio neatpa\u017einto skraidan\u010dio jam vir\u0161 galvos objekto nuotrauk\u0105 <em>Facebook<\/em> draugams. Prisimenant Jacques&#8217;o Ranci\u00e8re&#8217;o knyg\u0105 \u201eEmancipuotas \u017ei\u016brovas\u201c, \u010dia pakvimpa emancipacija, i\u0161 pasyvios ignoranto pozicijos besiluk\u0161tenantis \u017ei\u016brovas, pas\u0105moningai pajut\u0119s, jog gali pramu\u0161ti per daugel\u012f met\u0173 itin sustabar\u0117jus\u012f teatrin\u012f kiaut\u0105, \u017eengia pirm\u0105j\u012f \u017eingsnel\u012f kitokio sav\u0119s suvokimo teatre link. <\/p>\n<p>Kaip ir helis, b\u016bdamas penkis kartus lengvesnis u\u017e or\u0105, visada yra vir\u0161, visada auk\u0161\u010diau, visada kylantis, taip pat ir \u0161okio esm\u0117 yra visada vir\u0161 m\u016bs\u0173 suvokimo rib\u0173, visada kylanti, visada besiple\u010dianti. Visa, k\u0105 mes galime su \u0161iomis neap\u010diuopiamyb\u0117mis daryti, \u2013 tai tik donkichoti\u0161kai bandyti jas sugauti ir \u012fsprausti \u012f tam tikras formas, tam tikrus apm\u0105stymus: pavyzd\u017eiui, galime helio balionus paleisti jud\u0117ti teatro sal\u0117je ir teigti, kad tai naujos kartos \u0161okis, galime bandyti toki\u0173 ir kitoki\u0173 form\u0173 ie\u0161kojim\u0105 pavadinti savo gyvenimo b\u016bdu, savo profesija, galima bandyti kurti apie tai teorijas arba ra\u0161yti apie tai <em>Vikipedijoje, Dance.lt<\/em> ir t.t. Dieva\u017ei, galime beveik bet k\u0105. Bet pati savaime \u0161okio neap\u010diuopiamyb\u0117 taip ir lieka nepagaunama. Tuomet \u017emonija susiskaido \u012f \u201edr\u0105siuosius\u201c, kurie bando tokius \u201ehelio monstrus\u201c \u012fveikti, juos gaudydami ir keisdami, \u012f \u201eapati\u0161kuosius\u201c, kurie bando juos ignoruoti ir daro visk\u0105 kitk\u0105, bet nieko susijusio su tikraisiais <em>heliniais<\/em> klausimais, \u201ebailiuosius\u201c, kurie pasislepia saugiose sl\u0117ptuv\u0117se ir tikisi, kad monstr\u0173 baim\u0117 savaime praeis, ir \u201enepaliestuosius\u201c, kurie galb\u016bt turi vil\u010di\u0173 tiesiog gyventi ramiai ir laimingai, nes apie jokius monstrus jie tiesiog niekada nieko nei\u0161girdo. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taigi Lietuvoje jau devynioliktasis \u201eNaujojo Baltijos \u0161okio\u201c festivalis, o klausimai it am\u017einieji vaiduokliai, nuolat besik\u0117sinantys ka\u017ek\u0105 tavo galvoje pakeisti, bet &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1760,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Kas yra \u0161okis?! Helio monstrai!!! - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/05\/12\/kas-yra-sokis-helio-monstrai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kas yra \u0161okis?! 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