{"id":1769,"date":"2015-05-16T22:50:06","date_gmt":"2015-05-16T22:50:06","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/05\/16\/iluasap-sitnaicrevpa-sanem-ri-salskom-mokslas-ir-menas-apverciantis-pasauli\/"},"modified":"2015-05-16T22:50:06","modified_gmt":"2015-05-16T22:50:06","slug":"iluasap-sitnaicrevpa-sanem-ri-salskom-mokslas-ir-menas-apverciantis-pasauli","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/05\/16\/iluasap-sitnaicrevpa-sanem-ri-salskom-mokslas-ir-menas-apverciantis-pasauli\/","title":{"rendered":"\u012eluasap sitnai\u010drevpa sanem ri salskoM | Mokslas ir menas apver\u010diantis pasaul\u012f"},"content":{"rendered":"<p>Robertas Eskrisdge\u2018as paskaitoje \u201eTyrin\u0117jimas ir kosmosas: mokslo ir meno atitikmuo\u201c pasakoja, jog mokslas ir menas nat\u016braliai susitapatina. Abu kryptingai orientuojasi \u012f tyrim\u0105 ir atradim\u0105. Abu remiasi id\u0117jomis, teorijomis bei hipotez\u0117mis, kurios yra i\u0161bandomos laboratorijose ar studijose, kuriose mentalin\u0117 bei praktin\u0117 \u017emogaus pus\u0117s susilieja. Menininkai, kaip ir mokslininkai, studijuoja med\u017eiag\u0105, \u017emones, kult\u016br\u0105, religij\u0105, mitologij\u0105 ir mokosi tai transformuoti \u012f k\u0105 nors kita. Antikin\u0117je Graikijoje men\u0105 apib\u016bdino \u017eodis<em> techne<\/em>, i\u0161 kurio kilo <em>technika<\/em> ir<em> technologija <\/em>\u2013 terminai, kurie taikomi mokslin\u0117ms ir menin\u0117ms praktikoms. Istorijoje apstu \u012fsp\u016bding\u0173 pavyzd\u017ei\u0173, kaip meno ir mokslo s\u0105junga pad\u0117jo kertinius pamatus \u012fvairioms pasaulio suvokimo teorijoms.<\/p>\n<p>\u0160iais metais festivalis \u201eNaujasis Baltijos \u0161okis\u201915\u201c, itin \u012fvairus ir skirtingas savo pasirodymais, pristat\u0117 vien\u0105 i\u0161 meno bei mokslo jungt\u012f tyrin\u0117jan\u010di\u0173 trupi\u0173 \u2013<a href=\"http:\/\/dance.lt\/lt\/375429\/870792\/projektai\/naujasis_baltijos_sokis\/naujasis-baltijos-sokis-15\"><em> CREW_eric joris<\/em><\/a> (Belgija), kurios \u012fk\u016br\u0117jas ir meno vadovas Ericas Jorisas savo darbus vysto glaud\u017eiai bendradarbiaudamas su scenos menininkais bei nauj\u0173j\u0173 technologij\u0173 profesionalais. Toks tarpdisciplinini\u0161kumas atveria unikalias galimybes prapl\u0117sti konvencin\u012f meno funkcij\u0173 suvokim\u0105. Elektronikos ir skaitmenini\u0173 medij\u0173 pagrindu kuriamas performansas kelia naujas refleksijas ir si\u016blo keisti nusistov\u0117jusius performatyvumo parametrus.<\/p>\n<p>Pasitelkdama kompiuterin\u0119 \u012frang\u0105, nufilmuotus vaizdus, specializuotus vaizdo akinius, sekimo \u012frenginius ir ausines komanda kvie\u010dia patirti naujus fizinius i\u0161gyvenimus. Kompiuterio ir asmeninio gido pagalba transformuojama asmenin\u0117 dalyvio aplinka, jis nukeliamas \u012f kit\u0105 erdv\u0119, kit\u0105 laik\u0105, kit\u0105 realyb\u0119. I\u0161 daugelio scenos meno pasirodym\u0173, bandan\u010di\u0173 gvildenti nauj\u0173j\u0173 technologij\u0173 tematikos klausimus, \u0161is projektas i\u0161siskiria tuo, jog u\u017euot prie\u0161indamas virtual\u0173 ir real\u0173 pasaulius, juos jungdamas tiria skirtingus realyb\u0117s sampratos klodus. <\/p>\n<p><em>.satkejorp \u201ce.p.a.C\u201e  WERC s\u0117purt ailekus \u0105tkefe omikovus sokirotom on\u016bk \u0173\u0161anap \u012fkot iat\u0160 | \u0160tai tok\u012f pana\u0161\u0173 k\u016bno motorikos suvokimo efekt\u0105 sukelia trup\u0117s CREW \u201eC.a.p.e.\u201c projektas.<\/em><\/p>\n<p>\u010cia \u012fprasta asmenin\u0117 k\u016bno kontrol\u0117 smarkiai apribojama, i\u0161moktas pasaulio suvokimas dabar veikia kiek kitaip arba netgi visi\u0161kai prie\u0161ingai nei \u012fprasta. \u017dengi \u017eingsn\u012f, bet tavo kojos lieka stov\u0117ti vietoje. Keli galv\u0105 auk\u0161tyn, bet matai vaizd\u0105 ant \u017eem\u0117s, lenkiesi \u017eemyn, o ten dangus. Staiga visi aplinkiniai praeiviai u\u017e tave didesni, tu, tarsi vabaliukas, judi kilimu ir \u0161tai kabi ant lub\u0173 bei jautiesi it vaiduoklis, kurio niekas nemato ir nejau\u010dia. Su tavimi kalbasi, bet atsakyti lyg ir negali, nes \u017einai, kad nei\u0161girs, juk \u010dia tik kompiuterin\u0117 programa. Regi, kaip orkestro dirigentas paima tavo rank\u0105, bet pajunti tai tik po keli\u0173 sekund\u017ei\u0173. Tave priri\u0161a prie k\u0117d\u0117s, aplink sklinda nemalonus vaist\u0173 kvapas ir \u0161tai tau suleid\u017eiamas \u0161virk\u0161tas neai\u0161kaus skys\u010dio, skauda i\u0161 tikr\u0173j\u0173, nors supranti, kad tai tikrai ne\u012fvyko. U\u017euodi prie\u0161 akis r\u016bkom\u0105 cigaret\u0119, nors \u017einai, kad r\u016bkantysis t\u0117ra simuliacijos persona\u017eas. \u017dmon\u0117s vaik\u0161to atgal \u012f praeit\u012f, eina atbuli \u012f ten, i\u0161 kur at\u0117jo. I\u0161gird\u0119s gra\u017ei\u0105 muzik\u0105 u\u017esimanai \u0161okti kartu, bet tame gars\u0173 sklidiname pasaulyje tav\u0119s n\u0117ra, tu i\u0161ties esi tik tylioje studijoje, kur tave stebintiems \u017ei\u016brovams primeni \u012fsijautus\u012f ir <em>pro \u0161al\u012f<\/em> dainuojant\u012f paaugl\u012f su ausin\u0117mis.<\/p>\n<p>B\u016bti realyb\u0117je ir joje neb\u016bti vienu metu tikrai keista. Matyti savo k\u016bn\u0105 skaitmeniniame pasaulyje, kuriame vaizdas ir poj\u016b\u010diai \u0161iek tiek prasilenkia, sukelia narkotinio apsvaigimo efekt\u0105. Pirminis impulsas i\u0161\u0161aukia pasimetimo, netgi nor\u0117jimo atmesti, nepatik\u0117ti, reakcij\u0105. Nors skaitydami atvirk\u0161\u010di\u0105 tekst\u0105, galite sau pasakyti: \u201enesuprantu, taip a\u0161 neprat\u0119s \u2013 praleid\u017eiu\u201c, visgi \u201eC.a.p.e.\u201c pateikimo forma maksimaliai su\u017eadina smalsum\u0105, tod\u0117l, net pajut\u0119s galvos svaigul\u012f, nepasiduodi ir bandai itin atid\u017eiai i\u0161tirti ne\u012fprast\u0105 s\u0105monei k\u016bno b\u016bsen\u0105. Imi suprasti, kokia gausyb\u0117 k\u016bno receptori\u0173 yra ne\u012ftik\u0117tinai svarb\u016bs, kad gal\u0117tum bent krustel\u0117ti, kad pavykt\u0173 t\u0105 judes\u012f sukontroliuoti, pamatyti, suprasti ir \u012fvertinti. Tapimas kiek labiau s\u0105moningu \u017emogaus fizini\u0173 ir mentalini\u0173 funkcij\u0173 neribotume i\u0161\u0161aukia \u012fvairiausias emocijas \u2013 nuo nuo\u0161irdaus i\u0161g\u0105s\u010dio iki auk\u0161\u010diausios palaimos.<\/p>\n<p><em>CREW <\/em>komanda festivalyje pristat\u0117 tris simuliacines programas: neblogai vestibuliarin\u012f aparat\u0105 patikrinant\u012f, kiek i\u0161kreipt\u0105 pasivaik\u0161\u010diojim\u0105 po Briusel\u012f \u2013 \u201eC.a.p.e. Brussels\u201c; nykios aplinkos, kiek pavojingos tuo, kad gali pamesti skirt\u012f tarp fikcini\u0173 ir reali\u0173 poju\u010di\u0173, \u2013 \u201eC.a.p.e. Horror\u201c; ir klaus\u0105 pamaloninant\u012f, kuriant\u012f paslapting\u0105, tarsi b\u016btum nematomas vaiduoklis, jausm\u0105, orkestro, atliekan\u010dio Bethoveno \u201ePastoralin\u0119\u201c simfonij\u0105, repeticij\u0105 \u2013 \u201eC.a.p.e. Anima\u201c. Vienu metu \u012franga apr\u016bpinami trys \u017emon\u0117s. Jie visada lydimi savanori\u0173 \u2013 vietini\u0173 asistent\u0173, kuri\u0173 tiksl\u016bs k\u016bno judesiai, kaip tikr\u0173 scenos \u0161ok\u0117j\u0173, yra itin svarbi programos tikrov\u0117s k\u016brimo dalis. Kiekviena smulki klaidel\u0117 ar techninis tr\u016bkumas (pvz.: \u0161viesos spindulys, patek\u0119s pro akini\u0173 kra\u0161t\u0105, per staigiai padarytas judesys, nety\u010dia ant tako pasipainioj\u0119s kitas \u017emogus) griauna galimyb\u0119 m\u0117gautis, nuo\u0161ird\u017eiai \u012fsijau\u010diant \u012f tarpdimensin\u012f pasaul\u012f. Ta\u010diau \u0161variai ir kruop\u0161\u010diai sukoordinuoti momentai tikrai pakeri leisdami pamir\u0161ti kas tu esi, kur tu esi ir koks tu esi. Akimirk\u0105 pasijunti gal\u012fs atrasti save ir savo aplink\u0105 i\u0161 naujo.<\/p>\n<p>Ir visa tai tik ma\u017eytis prisilietimas prie spar\u010diai augan\u010di\u0173 ir tobul\u0117jan\u010di\u0173 virtualaus pasaulio tyrin\u0117toj\u0173 , kurie \u017evelgiant \u012f ateit\u012f, turi itin pla\u010dias perspektyvas radikaliai pakeisti ne tik \u017emogaus k\u016bno jud\u0117jimo ir savivokos, bet meno, mokslo bei apskritai visos \u017emonijos pasaulio vystymosi procesus.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robertas Eskrisdge\u2018as paskaitoje \u201eTyrin\u0117jimas ir kosmosas: mokslo ir meno atitikmuo\u201c pasakoja, jog mokslas ir menas nat\u016braliai susitapatina. Abu kryptingai orientuojasi &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1770,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u012eluasap sitnai\u010drevpa sanem ri salskoM | Mokslas ir menas apver\u010diantis pasaul\u012f - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/05\/16\/iluasap-sitnaicrevpa-sanem-ri-salskom-mokslas-ir-menas-apverciantis-pasauli\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u012eluasap sitnai\u010drevpa sanem ri salskoM | Mokslas ir menas apver\u010diantis pasaul\u012f - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Robertas Eskrisdge\u2018as paskaitoje \u201eTyrin\u0117jimas ir kosmosas: mokslo ir meno atitikmuo\u201c pasakoja, jog mokslas ir menas nat\u016braliai susitapatina. 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