{"id":1773,"date":"2015-05-19T00:48:27","date_gmt":"2015-05-19T00:48:27","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/05\/19\/yesnomaybe-kazkur-matyta\/"},"modified":"2015-05-19T00:48:27","modified_gmt":"2015-05-19T00:48:27","slug":"yesnomaybe-kazkur-matyta","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/05\/19\/yesnomaybe-kazkur-matyta\/","title":{"rendered":"YesNoMaybe: ka\u017ekur matyta*"},"content":{"rendered":"

Akivaizdu, jog k\u016brinio analizavimas \u0161iuo metu n\u0117ra vien mados klyksmas. Juk turime k\u016bn\u0105, jausmus, emocijas ir tam tikr\u0105 pasaulio suvokim\u0105. Kod\u0117l darome judesius b\u016btent \u0161itaip, i\u0161 kur tie judesiai kil\u0119. K\u0105 rei\u0161kia b\u016bti scenoje? Atsiskleid\u017eia akivaizdi egzistencin\u0117 tiesa \u2013 k\u016bnas juda tol, kol j\u012f judina siela. Dinamika, bakansavimas, sulaikymas \u2013 visa tai b\u016bdinga ir \u0161iuolaikiniam \u0161okiui. Esu tikra, kad kiekvienoje \u0161alyje yra sav\u0173 sunkum\u0173 ir sav\u0173 privalum\u0173. Visur, kur keliauju, sutinku \u0161imtus, t\u016bkstan\u010dius jaun\u0173 \u017emoni\u0173, kurie nori \u0161okti. Ir tai nuostabu. \u0160okama, nes be \u0161okio \u2013 ne gyvenimas. <\/p>\n

Spektaklio siu\u017eetas buvo miglotas, scenografija \u2013 minimali, ta\u010diau labai daug vietos liko k\u016bno plastikai ir judesiui. Ta\u010diau palyginti su kitais dviem vakaro spektakliais, \u0161is atrod\u0117 kiek mechani\u0161kas, o jo choreografija \u2013 supaprastinta, nelanksti. \u0160iuo atveju buvo akivaizdu, kad konteksto \u017eini\u0173 persvara \u2013 j\u0173 pus\u0117je. Apsidairius aplink, buvo galima nesunkiai pasteb\u0117ti, kad \u0161i neproduktyvios komunikacijos problema egzistuoja ne tik virtualioje, bet ir realioje erdv\u0117je. Kokia tragedija <\/em>buvo. Banalizacija. Jei la\u0161a i\u0161 niekur, tai grei\u010diausiai ir \u012f niekur. Tai man \u010dia ka\u017ekas pana\u0161aus…<\/p>\n

\u0160is simuliakras, rodos, gerai paklydo \u0161e\u0161\u0117li\u0173 ir altori\u0173 pasaulyje. Erdv\u0117s ir j\u0173 ypatyb\u0117s taip pat apibr\u0117\u017eia \u0161okio k\u016brinius. Jei kuriam laikui u\u017esidarai studijoje ar namuose, v\u0117liau i\u0161\u0117jus \u012f lauk\u0105 pasaulis ima atrodyti toks atviras ir \u0161viesus, o kartais \u2013 juokingas arba kvailas. Erdv\u0117s, apibr\u0117\u017etos ribomis, leid\u017eian\u010diomis tyrin\u0117ti, atrasti ka\u017ek\u0105 naujo ir nepatirto judant vienam ar drauge su kitu. Nors i\u0161 ties\u0173 kartais pats \u0161okis-judesys tampa k\u016br\u0117ju. Kad ir koki\u0105 technik\u0105 ar judesio krypt\u012f nagrin\u0117tume, vis tiek turime t\u0105 pat\u012f k\u016bn\u0105, t\u0105 pa\u010di\u0105 erdv\u0119 ir t\u0105 pa\u010di\u0105 traukos j\u0117g\u0105. <\/p>\n

M\u0105styti, diskutuoti ir ai\u0161kinti, kas per \u201edaiktas\u201c yra tas \u0161iuolaikinis \u0161okis ir su kuo jis \u201evalgomas\u201c, tenka ir choreografams, ir \u0161ok\u0117jams, ir kritikams, ir net patiems \u017ei\u016brovams. O \u012f \u201enieko nesupratau\u201c pinkles vis dar patenkama d\u0117l standartini\u0173 nuoseklaus siu\u017eeto paie\u0161k\u0173. Kuo ar\u010diau, tuo toliau. Fizi\u0161kai lyg ir daug poky\u010dio ne\u012f\u017evelgsi, ta\u010diau pakeitus pavadinim\u0105, padirb\u0117jus su scenografin\u0117mis detal\u0117mis, \u017ei\u016brovui atveriama galimyb\u0117 \u012f\u017evelgti bet kuri\u0173 gyvenimo klausim\u0173 temas. Kartais taip atsitinka d\u0117l netinkamai parinkt\u0173 komunikacijos kod\u0173. <\/p>\n

Buvo smagu tarsi sugr\u012f\u017eus \u012f vaikyst\u0119, kuomet labai nuo\u0161ird\u017eiai ir su nekantrumu kasdien laukdavau naujojo \u201eTiesiog Marija\u201c su Viktorija Ruffo arba \u201eIr turtuoliai verkia\u201c su Veronika Castro serij\u0173. Kita vertus, spektaklis pakankamai prailgo, savo koncepcin\u0117mis u\u017ema\u010diomis nepasiek\u0117 daugumos \u017ei\u016brov\u0173 ir ne\u012ftikino savo aktualumu \u0161iandienai. Visi nori eiti \u012f priek\u012f, bet kurgi tas priekis? <\/p>\n

* Arba kalb\u0117ti nekuriant. Tekstui panaudoti sakiniai i\u0161 www.dance.lt publikuot\u0173 straipsni\u0173.<\/p>\n","protected":false},"excerpt":{"rendered":"

Akivaizdu, jog k\u016brinio analizavimas \u0161iuo metu n\u0117ra vien mados klyksmas. Juk turime k\u016bn\u0105, jausmus, emocijas ir tam tikr\u0105 pasaulio suvokim\u0105. …<\/p>\n","protected":false},"author":1,"featured_media":1774,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nYesNoMaybe: ka\u017ekur matyta* - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/05\/19\/yesnomaybe-kazkur-matyta\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"YesNoMaybe: ka\u017ekur matyta* - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Akivaizdu, jog k\u016brinio analizavimas \u0161iuo metu n\u0117ra vien mados klyksmas. 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