{"id":17816,"date":"2025-10-08T13:46:24","date_gmt":"2025-10-08T10:46:24","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=17816"},"modified":"2025-10-08T13:47:20","modified_gmt":"2025-10-08T10:47:20","slug":"choreografes-lizos-baliasnajos-premjera-vokietijoje-burna-kaip-skydas-balsas-kaip-ginklas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/10\/08\/choreografes-lizos-baliasnajos-premjera-vokietijoje-burna-kaip-skydas-balsas-kaip-ginklas\/","title":{"rendered":"Choreograf\u0117s Lizos Baliasnajos premjera Vokietijoje \u2013 burna kaip skydas, balsas kaip ginklas"},"content":{"rendered":"

Spalio 10-11 d. Lietuvos \u0161iuolaikinio \u0161okio choreograf\u0117 ir \u0161ok\u0117ja Liza Baliasnaja vienuose did\u017eiausi\u0173 Vokietijos \u0161okio nam\u0173 \u201eTanzhaus NRW\u201c Diuseldorfe pristatys spektaklio \u201eShield is a weapon\u201c (liet. \u201eSkydas kaip ginklas\u201c) premjer\u0105. Tarp Lietuvos ir Vokietijos gyvenanti bei kurianti meninink\u0117 t\u0119sia emocij\u0173, toki\u0173 kaip baim\u0117 ir \u0161leik\u0161tulys, tyrin\u0117jim\u0105. \u0160\u012f kart\u0105 ji kvie\u010dia \u017ei\u016brovus \u012f jas pa\u017evelgti per pa\u017eeid\u017eiamumo ir agresijos prizm\u0119. Spektaklio premjera Lietuvoje \u2013 gruod\u017eio m\u0117nes\u012f.\u00a0<\/b><\/p>\n

Su choreografe kalb\u0117josi Aist\u0117 Audickait\u0117.<\/span><\/p>\n

Kaip gim\u0117 spektaklio \u201eShield is a weapon\u201c id\u0117ja?\u00a0<\/b><\/p>\n

2024 metais suk\u016briau spektakl\u012f penkiems atlik\u0117jams, pavadinimu CHIAROSCURO. Jame nagrin\u0117jau baim\u0117s ir \u0161leik\u0161tulio temas \u2013 kaip \u0161ios emocijos veikia m\u016bs\u0173 k\u016bnus ir vaizduot\u0119 visuomen\u0117s poliarizacijos laikais.<\/span><\/p>\n

Ruo\u0161damasi spektakliui skai\u010diau knyg\u0105 \u201eEmotional Life of Populism\u201c, kurioje radau sakin\u012f: \u201eWhen shields are used as weapons\u201c. \u0160i mintis mane sudomino ir paskatino m\u0105styti apie santyk\u012f tarp gynybos ir agresijos, tarp pa\u017eeid\u017eiamumo ir pyk\u010dio. Apie skyd\u0105 iki tol nebuvau galvojusi, bet jis pasirod\u0117 itin \u012fdomus objektas. Kadangi dirbu su k\u016bnu, mane ypa\u010d patrauk\u0117 faktas, kad skydas yra ergonomi\u0161kas fiziniam k\u016bnui sukurtas gynybos \u012frankis, kurio naudojimas siekia bronzos am\u017ei\u0173.<\/span><\/p>\n

Koki\u0105 funkcij\u0105 spektaklyje atlieka skydas?\u00a0<\/b><\/p>\n

Spektaklyje nenaudoju fizinio skydo \u2013 jis veikia kaip metafora, atspindinti ribas, kurias sukuriame tarp sav\u0119s ir kito, o kartais net tarp sav\u0119s ir sav\u0119s. Spektaklyje skydas pasirodo kaip simbolis, padedantis tyrin\u0117ti vidines ribas ir i\u0161orinius gynybos mechanizmus. Pavyzd\u017eiui, pavojaus akivaizdoje mes jau\u010diame baim\u0119 ir m\u016bs\u0173 reakcija da\u017enai b\u016bna dvejopa: statome sien\u0105, u\u017e kurios slepiam\u0117s, arba tampame agresyv\u016bs ir net pavojingi. Abiem atvejais skydas tampa gynybos priemone.\u00a0<\/span><\/p>\n

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Lizos Baliasnajos spektaklis \u201eShield is a weapon\u201c, Nathan Ishar (studio pramudya) nuotr.<\/em><\/p>\n

Kod\u0117l tau, kaip \u017emogui ir menininkei, svarbu kalb\u0117ti apie baim\u0119?\u00a0<\/b><\/p>\n

A\u0161 esu ir meninink\u0117, ir piliet\u0117, tod\u0117l man \u012fdomu tyrin\u0117ti ir bandyti suprasti politin\u0119 realyb\u0119 ir jos kompleksi\u0161kum\u0105 per \u012fk\u016bnyt\u0105 choreografin\u0119 praktik\u0105. Man smalsu, kaip baim\u0117 veikia m\u016bs\u0173 sprendimus ir pasirinkimus.<\/span><\/p>\n

Pavyzd\u017eiui, kurdama spektakl\u012f \u201eChiaroscuro\u201c, prad\u0117jau \u012f baim\u0119 \u017ei\u016br\u0117ti per k\u016bn\u0105 ir atradau, kad i\u0161sigand\u0119s k\u016bnas nejau\u010dia \u017eem\u0117s po kojomis \u2013 jis tarsi pakib\u0119s ore. Tada supratau, kad toks k\u016bnas yra lengvas ir j\u012f paprasta judinti. Politiniame kontekste i\u0161sigandusiais k\u016bnais lengva manipuliuoti, nes jie praranda atram\u0105 ir geb\u0117jim\u0105 jausti aplink\u0105, tod\u0117l lengvai prisitaiko prie kit\u0173 valios ar spaudimo. I\u0161sigand\u0119s \u017emogus da\u017enai net nesupranta, kod\u0117l pasuko \u012f de\u0161in\u0119 ar \u012f kair\u0119.\u00a0<\/span><\/p>\n

Kita mane dominanti emocija \u2013 \u0161leik\u0161tulys. Kai j\u012f jau\u010diame, m\u016bs\u0173 k\u016bnas reaguoja: nenorime matyti, liesti ar leisti, kad tai patekt\u0173 \u012f m\u016bs\u0173 k\u016bn\u0105 ir erdv\u0119. Norime apsisaugoti \u2013 u\u017esidedame pir\u0161tines, kauk\u0119 arba tiesiog nusisukame.\u00a0<\/span><\/p>\n

Valstybiniu lygiu, \u012ftakojami baim\u0117s arba \u0161leik\u0161tulio, kuriame sienas tarp \u0161ali\u0173, kurios lyg apsaugo m\u016bs\u0173 teritorij\u0105 ir nacionalin\u012f k\u016bn\u0105 nuo \u201ekito\u201d. Bet sienos tarp \u0161ali\u0173 yra tarsi tikros, tarsi ne. Susitar\u0117me, kad jos egzistuoja, bet galime susitarti jas u\u017edaryti arba atidaryti.<\/span><\/p>\n

Tai solo darbas. Koks buvo k\u016brybos procesas \u2013 k\u0105 atradai dirbdama viena?<\/b><\/p>\n

Da\u017enai solo darbus choreografai kuria vienus pirm\u0173j\u0173, o a\u0161 j\u012f k\u016briau jau tur\u0117dama nema\u017eai k\u016brybin\u0117s patirties. \u0160iuo atveju, kai k\u016brinys nagrin\u0117ja socialin\u0119 tem\u0105, o ne mano asmenin\u0119 istorij\u0105, man reik\u0117jo rasti b\u016bd\u0105, kaip vienas k\u016bnas gal\u0117t\u0173 kalb\u0117ti apie polifonij\u0105. Vienas i\u0161 b\u016bd\u0173 buvo naudoti bals\u0105 \u2013 a\u0161 daug su juo \u017eaid\u017eiau, taip pat mokiausi pilvakalbyst\u0117s.<\/span><\/p>\n

Man buvo svarbu per k\u016bn\u0105 parodyti, kad manyje yra ka\u017ekas, kas nori kalb\u0117ti, bet kam a\u0161 neleid\u017eiu. Ie\u0161kojau k\u016bne skydo metaforos ir pasirinkau burn\u0105 \u2013 erdv\u0119, kuri\u0105 galiu atidaryti arba u\u017edaryti. I\u0161 to i\u0161sivyst\u0117 praktika: burna kaip skydas, balsas kaip ginklas.\u00a0<\/span><\/p>\n

Kok\u012f \u012fvaizd\u012f pasirinkai \u0161iame darbe ir kod\u0117l?<\/b><\/p>\n

Man atrodo, kad gyvename itin radikaliais ir emocionaliais laikais, tod\u0117l galvodama apie \u012fvaizd\u012f nor\u0117jau naudoti ekspresyvias formas. \u0160io spektaklio estetika balansuoja tarp juokdario, magijos pasirodymo ir l\u0117li\u0173 teatro. Nor\u0117jau sukurti iliuzij\u0105, kuri \u0161iek tiek klaidint\u0173 \u017ei\u016brov\u0105 \u2013 a\u0161 kalbu, bet tarsi ne a\u0161, a\u0161 judu, bet tarsi ne a\u0161.\u00a0<\/span><\/p>\n

\"\"<\/a>Lizos Baliasnajos spektaklis \u201eShield is a weapon\u201c, Nathan Ishar (studio pramudya) nuotr.<\/em><\/p>\n

Be to, kad kuri spektaklius, \u0161oki ir kit\u0173 choreograf\u0173 darbuose. \u201eContempo\u201c festivalyje Kaune \u0161okai choreograf\u0117s Gabriel\u0117s Bagdonait\u0117s premjeroje \u201eSaitais\u201c.\u00a0 Kaip renkiesi projektus, prie kuri\u0173 prisijungti kaip atlik\u0117ja?<\/b><\/p>\n

A\u0161 nenoriu prarasti ry\u0161io su Lietuva \u2013 man tai labai svarbu. Taip pat vertinu t\u0119stinum\u0105. Man atrodo, kad m\u016bs\u0173 nestabiliame ir da\u017enai netvariame darbe b\u016btent tarpusavio santykiai kuria tvarum\u0105. Gabriel\u0117 buvo mano student\u0117, v\u0117liau \u2013 \u0161ok\u0117ja mano k\u016briniuose, tod\u0117l man labai nor\u0117josi j\u0105 palaikyti jos k\u016brybiniame procese.\u00a0<\/span><\/p>\n

T\u0119stinumas man yra pagrindinis k\u016brybos variklis: jei su ka\u017ekuo dirbau ir pakvie\u010dia v\u0117l, da\u017eniausiai sutinku. Beveik visi mano darbai kaip \u0161ok\u0117jos, dramaturg\u0117s ar k\u016br\u0117jos kyla i\u0161 ankstesni\u0173 bendradarbiavim\u0173.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Spalio 10-11 d. Lietuvos \u0161iuolaikinio \u0161okio choreograf\u0117 ir \u0161ok\u0117ja Liza Baliasnaja vienuose did\u017eiausi\u0173 Vokietijos \u0161okio nam\u0173 \u201eTanzhaus NRW\u201c Diuseldorfe pristatys …<\/p>\n","protected":false},"author":2,"featured_media":17817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nChoreograf\u0117s Lizos Baliasnajos premjera Vokietijoje \u2013 burna kaip skydas, balsas kaip ginklas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/10\/08\/choreografes-lizos-baliasnajos-premjera-vokietijoje-burna-kaip-skydas-balsas-kaip-ginklas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Choreograf\u0117s Lizos Baliasnajos premjera Vokietijoje \u2013 burna kaip skydas, balsas kaip ginklas - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Spalio 10-11 d. 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