{"id":17828,"date":"2025-10-09T10:39:25","date_gmt":"2025-10-09T07:39:25","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=17828"},"modified":"2025-10-09T10:39:47","modified_gmt":"2025-10-09T07:39:47","slug":"permastant-cirka-pokalbis-su-menininke-eliska-brtnicka","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/10\/09\/permastant-cirka-pokalbis-su-menininke-eliska-brtnicka\/","title":{"rendered":"Perm\u0105stant cirk\u0105. Pokalbis su menininke Eli\u0161ka Brtnick\u00e1"},"content":{"rendered":"

\u0160iandieninis cirkas ple\u010diasi \u012f sritis, kurios dar prie\u0161 kelis de\u0161imtme\u010dius b\u016bt\u0173 nustebinusios \u2013 nuo \u200b\u200bneuromoksl\u0173 iki architekt\u016bros ir skaitmenini\u0173 technologij\u0173. \u0160iuolaikinio cirko meninink\u0117 Eli\u0161ka Brtnick\u00e1 yra viena kertini\u0173 fig\u016br\u0173 \u0161ioje cirko evoliucijoje. \u010cek\u0173 atlik\u0117ja, choreograf\u0117, dramaturg\u0117 ir re\u017eisier\u0117 \u0161iuolaikinio cirko scenoje veikia nuo 2010 met\u0173, o jos pasirodymuose vienu pagrindini\u0173 objekt\u0173 tampa trapecija. \u0160\u012f lapkrit\u012f Eli\u0161ka jau antr\u0105 kart\u0105 pasirodys Lietuvos publikai, sugr\u012f\u017edama \u012f tarptautin\u012f \u0161iuolaikinio cirko festival\u012f \u201eCirkuliacija\u201c. Kartu su kolegomis Al\u017eb\u011bta Tich\u00e1 ir Filipu Zahradnick\u00fd ji pristatys \u201eThin Skin\u201c (liet. \u201ePlona oda\u201c)\u00a0 \u2013 abstrak\u010di\u0105, meditatyvi\u0105 instaliacij\u0105, kurioje metaliniai strypai kuria kintan\u010di\u0105 erdvin\u0119 scenografij\u0105, o istorija pasakoja fundamentalius gyvenimo principus.<\/p>\n

\"\"<\/a>Eli\u0161ka Brtnick\u00e1, Anna Benhak nuotr.<\/em><\/p>\n

\u2013 Eli\u0161ka, J\u016bs\u0173 menin\u0117 kalba derina cirko technikas su choreografija ir vizualiuoju menu. Kaip susidom\u0117jote \u0161ia sritimi ir ypa\u010d trapecija?<\/strong><\/p>\n

Visada jud\u0117jau \u2013 nuo ma\u017eens u\u017esi\u0117miau ritmine gimnastika, akrobatiniu rokenrolu ir dalyvavau konkursuose. Taip pat dom\u0117jausi menu apskritai ir baigusi mokykl\u0105 nusprend\u017eiau studijuoti fizin\u012f teatr\u0105. Ma\u017edaug 2005 metais dalyvavau pirmame trapecijos seminare, organizuotame mokytojos i\u0161 Berlyno Jana Korb. Likau su\u017eav\u0117ta \u2013 man labai patiko jud\u0117jimas, laipiojimas ant trapecijos. Nors anks\u010diau daug u\u017esi\u0117miau porine akrobatika, bet trapecija buvo visi\u0161kai nauja sritis ir pasirod\u0117 daug lengviau nei tai, k\u0105 band\u017eiau prie\u0161 tai. T\u0105kart supratau, kad trapecija \u2013 mano disciplina.<\/p>\n

\u2013 \u012e \u0161i\u0105 disciplin\u0105 gilinat\u0117s jau daug met\u0173. Prahos Scenos men\u0173 akademijoje apgyn\u0117te daktar\u0117s laipsn\u012f Oro akrobatikos srityje, \u0161ioje akademijoje studijavote ir Neverbalin\u012f teatr\u0105. Kas paskatino gilintis \u012f \u0161ias temas?<\/strong><\/p>\n

Apsigyniau Men\u0173 daktar\u0117s laipsn\u012f Choreografijos katedroje, tuo metu taip pat studijavau Cirko dramaturgijos programoje \u2013 su ja buvo susij\u0119 ir \u0161ie choreografiniai tyrimai. Mano sprendimas studijuoti buvo susij\u0119s su noru kvestionuoti tai, k\u0105 darau, gilintis ir tyrin\u0117ti, k\u0117liau daug klausim\u0173 ir nor\u0117jau \u0161i\u0105 srit\u012f paliesti tiek teori\u0161kai, tiek prakti\u0161kai. Dabar, atlikus daug daugiau eksperiment\u0173, kai kurie rasti atsakymai nebeaktual\u016bs ir laikui b\u0117gant i\u0161kilo tik dar daugiau klausim\u0173.<\/p>\n

\u2013 Daugelyje J\u016bs\u0173 pasirodym\u0173 pagrindiniai elementai yra erdv\u0117 ir instaliacijos. Ar save laikote cirko artiste, choreografe ar vizuali\u0173j\u0173 men\u0173 atstove?<\/strong><\/p>\n

A\u0161 \u2013 cirko artist\u0117, bet i\u0161vardinti aspektai yra labai susij\u0119. Cirkas savo veiklai da\u017eniausiai pasitelkia objektus. Trapecija yra objektas, ta\u010diau ir scenografija tuo pa\u010diu metu. Objektas, kuriuo grind\u017eiame savo disciplin\u0105, visada yra ir choreografijos dalis. Choreografija taip pat yra \u017emoni\u0173 ir objekt\u0173 perk\u0117limas \u012f erdv\u0119. Tai vaizduojamasis menas, vykstantis laike. Pastaruoju metu cirke pastebima tendencija jungti objektus ir k\u016bnus, nei\u0161skiriant n\u0117 vieno prana\u0161umo, laikant juos tolygiais. Mano spektaklyje \u201eThin Skin\u201c atlik\u0117jai scenoje taip pat tam tikra prasme tampa objektais, o pats k\u016brinys koncentruojasi \u012f erdv\u0119, kompozicij\u0105 ir vaizd\u0173 k\u016brim\u0105. Taigi vizualika atlieka svarb\u0173 vaidmen\u012f.<\/p>\n

\"\"<\/a>Eli\u0161ka Brtnick\u00e1, spektaklis \u201eThin Skin\u201c, organzitori\u0173 nuotr.<\/em><\/p>\n

\u2013 Papasakokite apie \u0161\u012f k\u016brin\u012f daugiau. Jame pasirodysite ne viena \u2013 \u201eThin skin\u201c kartu atlieka Al\u017eb\u011bta Ticha ir Filip Zahradnick\u00fd. <\/strong><\/p>\n

Kartu su manimi scenoje yra trys \u017emon\u0117s ir trij\u0173 metr\u0173 ilgio metaliniai strypai. Tai veikia kaip erdvin\u0117 stryp\u0173 ir k\u016bn\u0173 kompozicija, kurianti peiza\u017eus, tarsi grafinius 3D modelius. Spektaklis yra visi\u0161kai abstraktus, besirutuliojantis aplink asociacijas. Daugiau nepasakosiu \u2013 nenoriu atskleisti paslap\u010di\u0173 \u017ei\u016brovams (juokiasi).<\/p>\n

\u2013 Ir i\u0161ties \u2013 \u0161iame spektaklyje nenaudojami \u017eod\u017eiai. Ar pasteb\u0117jote, kad j\u016bs\u0173 pasirodymai skirtingose \u200b\u200b\u0161alyse priimami skirtingai?<\/strong><\/p>\n

Galb\u016bt kai kuriose pasaulio vietose pasirodymo metu reakcija jau\u010diama stipriau. Kart\u0105 pasirod\u0117me Panamoje \u2013 ten \u017emon\u0117s atsived\u0117 vaik\u0173, nors pasirodymas neskirtas jiems, publika buvo itin energinga, reagavo garsiai, o mes gird\u0117jome j\u0173 reakcijas. Tai buvo nuostabu.<\/p>\n

\u2013 Koks buvo J\u016bs\u0173 pirmasis susid\u016brimas su cirku?<\/strong><\/p>\n

Vaikyst\u0117je ma\u010diau tradicin\u012f cirk\u0105 ir nebuvau su\u017eav\u0117ta. Pamenu moteris, auk\u0161tai auk\u0161tai vaik\u0161\u010diojan\u010dias lynu, bet nesakiau sau, kad u\u017eaugusi irgi noriu tai daryti.<\/p>\n

\u2013 Kaip atsvara tradiciniam cirkui (ir ne tik), pastaraisiais metais \u0161iuolaikinis cirkas Europoje \u012fgauna vis daugiau matomumo. Dar 2009 metais \u012fk\u016br\u0117te savo cirko trup\u0119 \u201eCircus Mlejn\u201c. Kaip matote \u0161iuolaikinio cirko ir savo pa\u010dios pokyt\u012f?<\/strong><\/p>\n

\u012ek\u016briau \u0161i\u0105 trup\u0119 su savo mokyklos drauge, kartu suk\u016br\u0117me kelis cirko pasirodymus. Nors v\u0117liau mano koleg\u0117 i\u0161sikraust\u0117 ir nustojo b\u016bti cirko artiste apskritai, mane supan\u010di\u0173 \u017emoni\u0173 kiekis trup\u0117je augo \u2013 visada bendradarbiavau su daugybe skirting\u0173 meninink\u0173.<\/p>\n

Kai prad\u0117jau dirbti \u0161ioje srityje, viskas buvo visai kitaip. \u010cekijoje \u0161iuolaikin\u012f cirk\u0105 prad\u0117jo kurti \u017emon\u0117s ateinantys i\u0161 teatro pasaulio. A\u0161 \u2013 taip pat. Veiklos prad\u017eioje kurdama susitelkdavau \u012f pasakojim\u0105, naratyvo k\u016brim\u0105. Tuo metu susipa\u017einau su suomi\u0173 akrobate Ilona Jantti, kuri tapo mano brangia drauge. Mes bendradarbiavome daugelyje skirting\u0173 projekt\u0173. \u0160ie darbai ir kolaboracija tikrai atv\u0117r\u0117 man akis \u2013 juk cirkas gali b\u016bti jud\u0117jimas be naratyvo ir veikti visi\u0161kai kitoje dimensijoje nei teatras. Tai buvo mano eksperimentinio ir vizualinio m\u0105stymo prad\u017eia, kartu atveriant save choreografiniams rai\u0161kos b\u016bdams. Cirkas i\u0161 ties\u0173 \u017eengia \u012f visas \u012fmanomas sritis \u2013 jis yra universalus, tai man labai patinka.<\/p>\n

\"\"<\/a>Eli\u0161ka Brtnick\u00e1, Anna Benhak nuotr.<\/em><\/p>\n

\u2013 Tai bus jau antras kartas, kuomet pasirodote festivalyje \u201eCirkuliacija\u201c. Kaip sek\u0117si pirm\u0105kart? Koki\u0173 plan\u0173 turite Vilniuje?<\/strong><\/p>\n

Man labai patiko Lietuva ir net planavau \u010dia vykti atostogauti. Jau\u010diausi kaip namie, \u010dia tvyrojo ta pati atmosfera, galb\u016bt d\u0117l \u200b\u200bm\u016bs\u0173 pana\u0161ios 20 am\u017eiaus istorijos, lengvai gal\u0117jau suprasti lietuvius, atrod\u0117, kad turime pana\u0161\u0173 humoro jausm\u0105. Pirm\u0105 kart\u0105 lankiausi Kaune, o dabar pasirodysime Vilniuje. Nor\u0117\u010diau ap\u017ei\u016br\u0117ti miest\u0105 ir Men\u0173 spaustuv\u0119. Visada m\u0117gstu lankytis galerijose, i\u0161gerti geros kavos ir, svarbiausia, pasikalb\u0117ti su \u017emon\u0117mis ir su jais susipa\u017einti.<\/p>\n

Tarptautinis \u0161iuolaikinio cirko festivalis \u201eCirkuliacija\u201c \u201eSugr\u012f\u017eimai (ir atradimai)\u201c vyks 2025 m. spalio 30 \u2013 lapkri\u010dio 16 d., Alytuje, Anyk\u0161\u010diuose, Kaune, Palangoje, Prienuose, Taurag\u0117je, Vilniuje ir Naujojoje Vilnioje.<\/p>\n

Teatrono veiklas finansuoja Lietuvos kult\u016bros taryba, festival\u012f finansuoja Vilniaus miesto savivaldyb\u0117, Anyk\u0161\u010di\u0173 rajono savivaldyb\u0117 ir programa Iniciatyvos Kaunui.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160iandieninis cirkas ple\u010diasi \u012f sritis, kurios dar prie\u0161 kelis de\u0161imtme\u010dius b\u016bt\u0173 nustebinusios \u2013 nuo \u200b\u200bneuromoksl\u0173 iki architekt\u016bros ir skaitmenini\u0173 technologij\u0173. …<\/p>\n","protected":false},"author":2,"featured_media":17829,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nPerm\u0105stant cirk\u0105. Pokalbis su menininke Eli\u0161ka Brtnick\u00e1 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/10\/09\/permastant-cirka-pokalbis-su-menininke-eliska-brtnicka\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Perm\u0105stant cirk\u0105. 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