{"id":17841,"date":"2025-10-16T11:25:23","date_gmt":"2025-10-16T08:25:23","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=17841"},"modified":"2025-10-16T11:35:53","modified_gmt":"2025-10-16T08:35:53","slug":"lietuvos-sokejas-lukas-karvelis-prisijunge-prie-svedijos-cullberg-trupes-karjeros-pradzioje-nebuciau-pagalvojes","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/10\/16\/lietuvos-sokejas-lukas-karvelis-prisijunge-prie-svedijos-cullberg-trupes-karjeros-pradzioje-nebuciau-pagalvojes\/","title":{"rendered":"Lietuvos \u0161ok\u0117jas Lukas Karvelis prisijung\u0117 prie \u0160vedijos \u201eCullberg\u201c trup\u0117s: \u201eKarjeros prad\u017eioje neb\u016b\u010diau pagalvoj\u0119s\u201c"},"content":{"rendered":"

Lietuvos \u0161ok\u0117jas Lukas Karvelis nuo \u0161io rudens prisijung\u0117 prie vienos \u017eymiausi\u0173 tarptautini\u0173 \u0160vedijos \u0161iuolaikinio \u0161okio trupi\u0173 \u2013 \u201eCullberg\u201c. I\u0161 daugiau nei t\u016bkstan\u010dio kandidat\u0173 jis tapo vienu i\u0161 keturi\u0173 atrinkt\u0173 \u0161ok\u0117j\u0173. Dabar trup\u0117je \u0161oka 17 profesionali\u0173 \u0161ok\u0117j\u0173 i\u0161 viso pasaulio. \u0160ie metai L. Karveliui ypatingi: u\u017e choreografij\u0105 spektakliui \u201eKur Krantas\u201c jis peln\u0117 Auksin\u012f scenos kry\u017ei\u0173, o patekimas \u012f \u201eCullberg\u201c \u017eymi visi\u0161kai nauj\u0105 jo gyvenimo etap\u0105.<\/strong><\/p>\n

Su L. Karveliu kalb\u0117josi Aist\u0117 Audickait\u0117.<\/p>\n

Lukai, Kod\u0117l nor\u0117jai patekti b\u016btent \u012f \u0161i\u0105 trup\u0119? Kuo ji gars\u0117ja?<\/strong><\/p>\n

\u0160iuo metu \u0161i trup\u0117 \u0161okio padang\u0117je i\u0161siskiria tuo, kad nebijo eksperimentuoti. Jei daugelis trupi\u0173 vaikosi \u017einom\u0173 vard\u0173 ir dideli\u0173 \u017ei\u016brov\u0173 skai\u010di\u0173, \u0161i trup\u0117 d\u0117mes\u012f sutelkia \u012f tyrim\u0105 ir nauj\u0173 form\u0173 paie\u0161kas. Kaip yra sakiusi trup\u0117s \u012fk\u016br\u0117ja Birgit Cullberg dar 1967 metais: \u201eDance is constantly changing, because it is rooted in the times we live in.\u201c (liet. \u201e\u0160okis nuolat kei\u010diasi, nes yra \u012fsi\u0161aknij\u0119s laike, kuriame gyvename\u201d.)<\/p>\n

Ar gal\u0117tum papasakoti pla\u010diau, kaip vyko patekimo \u012f trup\u0119 atrankos procesas? <\/strong><\/p>\n

Pirmas atrankos etapas vyko nuotoliniu b\u016bdu: reik\u0117jo atsakyti \u012f kelis klausimus, nufilmuoti vien\u0105 judesio u\u017eduot\u012f, prid\u0117ti CV ir portfolio. \u0160iame etape atrinkti \u0161ok\u0117jai buvo pakviesti \u012f gyv\u0105 dviej\u0173 dien\u0173 atrank\u0105 Stokholme. Per j\u0105 kasdien tur\u0117jome atlikti ma\u017edaug po keturias u\u017eduotis: baleto, floorwork<\/em> (liet. grind\u0173 darbo) ir kit\u0173 \u0161iuolaikinio \u0161okio technik\u0173 pamokas, improvizacines u\u017eduotis, u\u017eduotis su tekstu, komandinius pratimus ir kontaktin\u0119 improvizacij\u0105. Galiausiai, i\u0161 daugiau nei t\u016bkstan\u010dio parai\u0161kas pateikusi\u0173 \u0161ok\u0117j\u0173 dvylika buvo pakviesta \u012f paskutin\u012f pokalb\u012f, po kurio keturi i\u0161 m\u016bs\u0173 gavo pasi\u016blym\u0105 prisijungti prie trup\u0117s naujame teatro sezone.<\/p>\n

\"\"<\/a>Lukas Karvelis, Nina Andersson Voigt nuotr.<\/em><\/p>\n

Kas labiausiai lemia, ar pateksi \u012f tokio auk\u0161to lygio trup\u0119? <\/strong><\/p>\n

Lemia k\u016bno paruo\u0161imas, menin\u0117 i\u0161rai\u0161ka ir ne ma\u017eiau svarb\u016bs bendradarbiavimo \u012fg\u016bd\u017eiai. \u0160ioje trup\u0117je repertuaras labai \u012fvairus, tod\u0117l jie ie\u0161ko universali\u0173 \u0161ok\u0117j\u0173. A\u0161 visada sakau, kad tokios atrankos yra loterija \u2013 kartais ir patys meno vadovai ne\u017eino, ko konkre\u010diai ie\u0161ko.<\/p>\n

\u00a0<\/strong>Kokie jausmai u\u017epl\u016bdo, kai su\u017einojai, kad patekai \u012f \u0161i\u0105 trup\u0119?<\/strong><\/p>\n

Labai geri jausmai. Tai yra didelis pokytis mano gyvenime. Karjeros prad\u017eioje niekada neb\u016b\u010diau pagalvoj\u0119s apie darb\u0105 trup\u0117je, visad galvojau, kad dirbsiu, kaip laisvai samdomas nepriklausomas menininkas. Dabar su \u0161ypsena kiekvien\u0105 ryt\u0105 keliauju \u012f teatr\u0105.<\/p>\n

\u0160vedijoje esi jau nuo rugpj\u016b\u010dio. Kokie pirmieji \u012fsp\u016bd\u017eiai? <\/strong><\/p>\n

Nustebino \u017emoni\u0173 meilumas ir \u0161ypsenos, be galo gra\u017ei gamta. Be to, netik\u0117ta buvo tai, kaip jie rimtai vertina FIKA pertrauk\u0117les. FIKA tai \u0161vedi\u0161ka tradicija \u2013 kavos ar arbatos pertrauka su bendradarbiais. Tai n\u0117ra vien tik kavos g\u0117rimas, o socialinis ritualas, turintis stipri\u0105 kult\u016brin\u0119 reik\u0161m\u0119.<\/p>\n

\"\"<\/a>Asmeninio archyvo nuotr.<\/em><\/p>\n

Kaip atrodo tavo repeticij\u0173 grafikas \u0160vedijoje?<\/strong><\/p>\n

Darbas prasideda 9 valand\u0105. Pusvaland\u012f skiriame ap\u0161ilimui \u2013 traum\u0173 prevencijai, kuri\u0105 kineziterapeutai sud\u0117lioja kiekvienam individualiai. Po to vyksta \u0161okio pamoka, kuros stilistika bene kasdien skiriasi \u2013 tur\u0117jome ir baleto, ir floorwork<\/em>, bet taip pat ir gatv\u0117s \u0161okio pamok\u0173. V\u0117liau prasideda repeticijos: jose arba vyksta k\u016brybinis procesas ruo\u0161iantis art\u0117jan\u010diai premjerai, arba mokom\u0117s repertuaro spektaklius, t. y. jau pastatyt\u0173 spektakli\u0173 choreografijas. Jeigu vakare turime spektakl\u012f, darbas, \u017einoma, prasideda \u017eymiai v\u0117liau. \u0160vedijoje ypa\u010d r\u016bpinamasi, kad darbo valandos b\u016bt\u0173 adekva\u010dios.<\/p>\n

Be trup\u0117s veiklos, dalyvauji ir kituose projektuose, pristatai savo k\u016bryb\u0105. Kuo \u0161iuo metu gyveni be trup\u0117s?<\/strong><\/p>\n

\u0160iuo metu daugiausiai laiko praleid\u017eiu trup\u0117je, bet nepalieku savo k\u016brybos nuo\u0161alyje. Toliau vystau savo k\u016brybin\u0119 praktik\u0105 ir ruo\u0161iu nauj\u0105 \u0161okio spektakl\u012f, tikriausiai solo darb\u0105. Konkre\u010di\u0173 \u0161io spektaklio dat\u0173 dar negaliu atskleisti, ta\u010diau savo spektakl\u012f \u201eKur Krantas\u201c, kuriame \u0161oka Dominyka Markevi\u010di\u016bt\u0117, gal\u0117site pamatyti gruod\u017eio 12 d. Kult\u016bros fabrike, Klaip\u0117doje, ir gruod\u017eio 13 d. Kai\u0161iadori\u0173 kult\u016bros centre.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lietuvos \u0161ok\u0117jas Lukas Karvelis nuo \u0161io rudens prisijung\u0117 prie vienos \u017eymiausi\u0173 tarptautini\u0173 \u0160vedijos \u0161iuolaikinio \u0161okio trupi\u0173 \u2013 \u201eCullberg\u201c. I\u0161 daugiau …<\/p>\n","protected":false},"author":2,"featured_media":17849,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nLietuvos \u0161ok\u0117jas Lukas Karvelis prisijung\u0117 prie \u0160vedijos \u201eCullberg\u201c trup\u0117s: \u201eKarjeros prad\u017eioje neb\u016b\u010diau pagalvoj\u0119s\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/10\/16\/lietuvos-sokejas-lukas-karvelis-prisijunge-prie-svedijos-cullberg-trupes-karjeros-pradzioje-nebuciau-pagalvojes\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lietuvos \u0161ok\u0117jas Lukas Karvelis prisijung\u0117 prie \u0160vedijos \u201eCullberg\u201c trup\u0117s: \u201eKarjeros prad\u017eioje neb\u016b\u010diau pagalvoj\u0119s\u201c - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Lietuvos \u0161ok\u0117jas Lukas Karvelis nuo \u0161io rudens prisijung\u0117 prie vienos \u017eymiausi\u0173 tarptautini\u0173 \u0160vedijos \u0161iuolaikinio \u0161okio trupi\u0173 \u2013 \u201eCullberg\u201c. 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