{"id":17871,"date":"2025-10-21T14:26:40","date_gmt":"2025-10-21T11:26:40","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=17871"},"modified":"2025-10-21T14:26:40","modified_gmt":"2025-10-21T11:26:40","slug":"arteja-sokio-spektaklio-onos-premjera-kas-nutinka-kai-istorija-perrasoma-arba-nutylima","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/10\/21\/arteja-sokio-spektaklio-onos-premjera-kas-nutinka-kai-istorija-perrasoma-arba-nutylima\/","title":{"rendered":"Art\u0117ja \u0161okio spektaklio ONOS premjera: kas nutinka, kai istorija perra\u0161oma arba nutylima?"},"content":{"rendered":"

Jau ateinant\u012f \u0161e\u0161tadien\u012f Nidoje, o kiek v\u0117liau Klaip\u0117doje bei Vilniuje \u0160eiko \u0161okio teatras pristatys naujausi\u0105 \u0161okio spektaklio premjer\u0105 ONOS \u2013 \u0161okio archeologijos krypt\u012f t\u0119siant\u012f k\u016brin\u012f, kuriame \u017ei\u016brovai kvie\u010diami i\u0161 ar\u010diau pa\u017evelgti \u012f nutyl\u0117tas Lietuvos dvar\u0173 moter\u0173 istorijas ir j\u0173 \u012ftak\u0105 m\u016bs\u0173 \u0161iandienai. Spektaklyje keturios \u201eOnos\u201c \u0161ok\u0117jos: Ema Senkuvien\u0117, Gintar\u0117 Marija \u016as\u0117, Ugn\u0117 Kavaliauskait\u0117 ir Marija Iva\u0161kevi\u010di\u016bt\u0117, kuria k\u016bno ir santyki\u0173 architekt\u016br\u0105 \u2013 l\u016b\u017ein\u0117jan\u010di\u0105, mai\u0161taujan\u010di\u0105, intymi\u0105 \u2013 renka pranykusi\u0173 istorij\u0173 nuotrupas, gr\u0105\u017eina bals\u0173 vibracijas ir (at)kuria erdv\u0119 \u010dia ir dabar.\u00a0<\/strong><\/p>\n

\"\"<\/a>ONOS, K. Meliausko nuotr.\u00a0<\/em><\/p>\n

Nutyl\u0117tos dvar\u0173 istorijos<\/strong><\/p>\n

\u201eKas b\u016bt\u0173, jei ta istorija b\u016bt\u0173 kitokia?\u201c \u2013 \u0161iuo klausimu prasid\u0117jo choreografi\u0173 Agnijos \u0160eiko ir Linos Puod\u017eiukait\u0117s -Lanauskien\u0117s kelion\u0117. \u201eDirbdamos su bendruomen\u0117mis ir gilindamosis \u012f medini\u0173 dvar\u0173 pasaul\u012f, pamat\u0117me, kiek daug praeities sluoksni\u0173, ypa\u010d dvarininki\u0173 istorij\u0173 liko nutyl\u0117ta. Nor\u0117josi suteikti bals\u0105 toms, kuri\u0173 balsas nebuvo girdimas, ir per j\u0173 patirtis pa\u017evelgti \u012f m\u016bs\u0173 postkolonijin\u0117s tapatyb\u0117s formavim\u0105si. Pati spektaklio istorija labai siejasi su mano asmenine \u0161eimos istorija, kurios likimas keit\u0117si d\u0117l tremties. Tai tarsi i\u0161trintos praeitys, i\u0161trintos tapatyb\u0117s, o visgi kas b\u016bt\u0173 jei ta istorija b\u016bt\u0173 kitokia?\u201c, \u2013 klausia A. \u0160eiko.<\/p>\n

\u201e\u012eprastai istorija ra\u0161oma daugiausiai per politinius \u012fvykius, kas ir kaip \u012fvyko ir nat\u016bralu, kad tame fig\u016bruoja vyrai. Tam tikruose istoriniuose laikotarpiuose \u012f dvarus buvo \u017ei\u016brima ir apie juos kuriamas labai neigiamas po\u017ei\u016bris. Labai ilg\u0105 laik\u0105 mes negird\u0117jome istorij\u0173 i\u0161 moteri\u0161ko pasaulio perspektyvos. Kai kalbame apie 18 am\u017ei\u0173, vyrai buvo aktyv\u016bs politikoje, moterys tuo tarpu \u201elaik\u0117\u201c visus keturis dvaro kampus. Jos r\u016bpinosi finansais, pri\u017ei\u016br\u0117jo \u016bk\u012f, priimdavo sve\u010dius, buvo atsakingos u\u017e vaik\u0173 ugdym\u0105, \u0161alies myl\u0117jim\u0105\u201c, \u2013 pasakoja Lina Puod\u017eiukait\u0117-Lanauskien\u0117.<\/p>\n

\u201eMan studijavusiai lietuvi\u0161k\u0105 \u0161ok\u012f, visada labai daug klausim\u0173 k\u0117l\u0117, kod\u0117l lietuvi\u0161ko \u0161okio repertuare yra tiek daug sovietin\u0117s tradicijos. Buvo kurti darbo \u0161okiai arba ta pati lietuvi\u0161ko \u0161oki\u0173 kostiumo stilistika remiasi tik kaimo \u017emoni\u0173 tradiciniais r\u016bbais, tad man visada kilo klausimas, o kur buvo kitas tautos sluoksnis? Tarsi mes esame prarad\u0119 ka\u017ekok\u012f sluoksn\u012f, apie kur\u012f nutylima, nekalbama. Tik prad\u0117jusios dirbti prie \u0161io spektaklio ir art\u0117jant jo premjerai, suvokiame, kad \u0161is darbas labai tiesiogiai siejasi ir su \u0161iais laikais, dabartine Lietuvos politine situacija\u201c, \u2013 dalinasi Agnija \u0160eiko.<\/p>\n

\"\"<\/a>ONOS, K. Meliausko nuotr.\u00a0<\/em><\/p>\n

K\u016bnas = architekt\u016bra<\/strong><\/p>\n

\u0160okio spektaklio ONOS scenose s\u0105voka \u201eK\u016bnas=architekt\u016bra\u201c tampa tiesiogine dramaturgine a\u0161imi: judesys jungia erdv\u0119, jos elementus ir \u017emogaus vid\u0173. \u201eK\u016bnas yra architekt\u016bra. Mes esame linijos, mes esame i\u0161gaubimai, mes esame skirtingos architekt\u016brin\u0117s strukt\u016bros. Ir a\u0161 vis\u0105 laik\u0105 sakau, kad man \u0161okis yra labai artimas architekt\u016brai. Architekt\u016briniai pastatai, ar urbanistiniai planai n\u0117ra tokie judr\u016bs kaip k\u016bnas, jie nuolat kei\u010dia pozicij\u0105, tai \u0161iuo atveju mes turime tiesiog k\u016bno choreografij\u0105, kuri yra savoti\u0161ka judanti architekt\u016bra. \u0160iame spektaklyje tai nat\u016braliai ateina i\u0161 id\u0117jos, kai mes galvojame apie dvarus ir architekt\u016br\u0105, pastato linijas\u201c, \u2013 kalba L. Puod\u017eiukait\u0117-Lanauskien\u0117.<\/p>\n

\u201eGilinom\u0117s \u012f dvar\u0173 architekt\u016br\u0105 ir ansambli\u0173 logik\u0105 \u2013 nuo kambario s\u0105vok\u0173 iki j\u0173 funkcij\u0173. Scenografijoje svarbus vaizdinys \u2013 yran\u010dios grindys, kurias aptikome \u017demosios Panemun\u0117s dvare. B\u016btent jos tapo tarsi visa spektaklio metafora: kas suyra, kas dar gali b\u016bti atnaujinta, kas nutinka, kai istorija perra\u0161oma arba nutylima?\u201c, \u2013 kalba Agnija \u0160eiko.<\/p>\n

\"\"<\/a>ONOS, K. Meliausko nuotr.\u00a0<\/em><\/p>\n

\u0160iuolaikinis \u0161okis ir istorijos pa\u017einimas<\/strong><\/p>\n

Spektaklis prat\u0119sia \u0160eiko \u0161okio teatro darb\u0173 KELIAUJAN\u010cIOS BA\u017dNY\u010cIOS, U\u017dPUSTYTI, INDIGO. DAS SCHLIEMANN PROJECT linij\u0105, kur \u0161iuolaikinis \u0161okis susitinka su istorijos, atminties ir tapatyb\u0117s klausimais, o \u017ei\u016brovas \u012ftraukiamas \u012f bendr\u0105 erdv\u0119 \u2013 ribos tarp scenos ir \u017ei\u016brov\u0173 \u010dia prakti\u0161kai nelieka. \u201eTiek Indigo. Das Schliemann Project<\/em>, tiek \u0161iame spektaklyje \u017ei\u016brovai bus aplink \u2013 kvie\u010diame juos tapti dalimi, pasidalinti erdve ir pa\u010diu susitikimu. Iki pirmos premjeros visuomet darbe yra \u0161iek tiek trapumo, reikia, kad \u012fvykt\u0173 pirmasis susitikimas su \u017ei\u016brovu. Labai nekantraujame i\u0161vysti visus jau visai netrukus Nidoje, Klaip\u0117doje bei Vilniuje!\u201c, \u2013 kvie\u010dia Agnija \u0160eiko.<\/p>\n

\u201eA\u0161 nor\u0117\u010diau, kad istorijos pa\u017einimas \u012fgalint\u0173.\u00a0 Istorija yra tokia kokia yra, kai j\u0105 priimi, su ja susipa\u017e\u012fsti tarsi \u012fgauni pasitik\u0117jim\u0105 ir pa\u010diu savimi. Jei tik priimi visa tai kas buvo ir leidi sau atvirai \u012f tai pasi\u017ei\u016br\u0117ti\u201c, \u2013 teigia Lina Puod\u017eiukait\u0117- Lanauskien\u0117.<\/p>\n

\u0160eiko \u0161okio teatr\u0105 finansuoja: Lietuvos kult\u016bros taryba, Klaip\u0117dos miesto savivaldyb\u0117, Neringos savivaldyb\u0117.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jau ateinant\u012f \u0161e\u0161tadien\u012f Nidoje, o kiek v\u0117liau Klaip\u0117doje bei Vilniuje \u0160eiko \u0161okio teatras pristatys naujausi\u0105 \u0161okio spektaklio premjer\u0105 ONOS \u2013 …<\/p>\n","protected":false},"author":2,"featured_media":17873,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nArt\u0117ja \u0161okio spektaklio ONOS premjera: kas nutinka, kai istorija perra\u0161oma arba nutylima? - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/10\/21\/arteja-sokio-spektaklio-onos-premjera-kas-nutinka-kai-istorija-perrasoma-arba-nutylima\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art\u0117ja \u0161okio spektaklio ONOS premjera: kas nutinka, kai istorija perra\u0161oma arba nutylima? 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