{"id":1794,"date":"2015-06-18T01:09:26","date_gmt":"2015-06-18T01:09:26","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/06\/18\/apgauti-pojuciai\/"},"modified":"2015-06-18T01:09:26","modified_gmt":"2015-06-18T01:09:26","slug":"apgauti-pojuciai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/06\/18\/apgauti-pojuciai\/","title":{"rendered":"Apgauti poj\u016b\u010diai"},"content":{"rendered":"<p>Festivalyje \u201eNaujajsis Baltijos \u0161okis\u201c \u0161iemet dalyvavo teatras i\u0161 Estijos <a href=\"http:\/\/dance.lt\/lt\/375429\/448911\/projektai\/naujasis_baltijos_sokis\/naujasis-baltijos-sokis-15\">\u201eCabaret Rhizome\u201c<\/a>. Keturi vyrukai, be viso kito, spektaklyje \u201e\u0160okis mutantas, arba T\u016bkstantis \u0161oki\u0173, privalom\u0173 su\u0161okti iki mirties\u201c dar ir pasakojo, kokias skirtingas i\u0161rai\u0161kos priemones galima laikyti \u0161okiu. \u0160is spektaklis tapo savoti\u0161ku pa(si)ai\u0161kinimu, kaip \u0161okio festivalyje atsirado<a href=\"http:\/\/dance.lt\/lt\/375429\/870792\/projektai\/naujasis_baltijos_sokis\/naujasis-baltijos-sokis-15\"> CREW_eric joris<\/a> (Belgija) darbai \u201eC.a.p.e. Brussels\u201c, \u201eC.a.p.e. Anima\u201c, \u201eC.a.p.e. Horror\u201c.<\/p>\n<p>Jei, kaip teig\u0117 estai, \u0161okiu galima laikyti bet kok\u012f jud\u0117jim\u0105 erdv\u0117je, tai \u0161ie spektakliai \u2013 virtualios asmenin\u0117s aplinkos tyrin\u0117jimai klaid\u017eiojant tiek virtualioje, tiek ir realioje erdv\u0117je, neabejotinai yra \u0161okis. Ta\u010diau \u0161okti \u010dia tenka pa\u010diam dalyviui: priimant kompiuteriu valdom\u0105 asmenin\u0119 aplink\u0105 (arba Computer Automatic Personal Environment \u2013 C.a.p.e.), pa\u010diam einant tuo pat metu ir virtualioje ir realioje Men\u0173 spaustuv\u0117s erd\u0117je, uod\u017eiant, lie\u010diant ir \u012fsijau\u010diant \u012f pusvaland\u012f trunkant\u012f veiksm\u0105.<\/p>\n<p>I\u0161 ties\u0173 tai, kas vyksta \u0161iuose trumpuose susitikimuose su virtualybe, gali b\u016bti laikoma ir kinu, ir teatru, ir \u0161okiu, ir instaliacija. Tai, k\u0105 gauna \u017ei\u016brovas, yra i\u0161 anksto parengta vaizdo med\u017eiaga \u2013 meninis projektas. Aprengtas visa reikiama iliuzijai sukurti \u012franga (kartu iliuzij\u0105 ir naikinan\u010dia \u2013 sunki kuprin\u0117 ir akiniai vis\u0105 laik\u0105 primena, kad veiksmo, kuriame dalyvauji, tikrumas abejotinas), dalyvis-\u017ei\u016brovas yra vedamas u\u017e rankos, stumiamas, tempiamas, kad daryt\u0173 kuo artimesnius beveik tiesiai \u012f akis transliuojamam \u012fra\u0161ui veiksmus. Laisv\u0117s, kaip ir s\u0117dint kino ar teatro sal\u0117j, \u010dia yra ma\u017eai: galima tik sukioti galv\u0105, u\u017esimerkti, arba, jei ne\u012fdomu, pasijutus blogai ar tiesiog nusprendus, kad nebesinori dalyvauti, i\u0161eiti. Tik \u0161iuo atveju i\u0161eiti rei\u0161kia papra\u0161yti, kad veiksmas b\u016bt\u0173 sustabdytas. Tad prie\u0161ingai nei (kino) teatre, kai gali pats vienas apsisprend\u0119s atsistoti ir nieko niekam nesak\u0119s i\u0161eiti, \u010dia turi pra\u0161yti pagalbos. Pana\u0161iai akivaizdi \u017ei\u016brovo dalyvavimo pabaiga bet kuriame spektaklyje, skirtame vos keliems ar vienam \u017emogui. Kiekvienas apsisprendimas i\u0161eiti autoriams yra matomas. Kaip ir bet kuris apsisprendimas kaip nors (ne)dalyvauti. Tad kiekviename tokiame spektaklyje, kur \u017ei\u016brovas yra taip arti k\u016br\u0117jo ar jo atstovo, \u017ei\u016brovo ir atlik\u0117jo vaidmen\u0173 skirtis nyksta: jie abu yra vienodai b\u016btini, kad veiksmas vykt\u0173, t\u0119st\u0173si.<\/p>\n<p>Tad ir tokiame spektaklyje kaip C.a.p.e. trilogija \u017ei\u016brovo vaidmuo gerokai sustiprintas. Ta\u010diau bendraautoriumi j\u012f galima laikyti, regis, tik kalbant apie apsisprendim\u0105, kuriai meno r\u016b\u0161iai \u0161is k\u016brinys priklauso, ir pasirinkim\u0105, kiek stipriai galima \u012fsijausti \u012f kuriam\u0105 iliuzij\u0105. Visa kita \u2013 i\u0161 anksto paruo\u0161ta, sukramtyta ir jau beveik suvir\u0161kinta. \u017di\u016brovams tereikia u\u017esid\u0117ti kuprines ant pe\u010di\u0173, palaukti kol bus \u012ftvirtinti akiniai ir leistis vedamiems, stebint nesud\u0117ting\u0105 istorij\u0105\u2013pasivaik\u0161\u010diojim\u0105 po filharmonij\u0105 (Ca.p.e. Amina), Briusel\u012f (C.a.p.e. Brussels) ar ka\u017ekieno keist\u0105 vidin\u012f pasaul\u012f (C.a.p.e. Horror).<\/p>\n<p>Labai \u012fsijautus \u012f paprast\u0105 trump\u0105 istorij\u0105 galima prad\u0117ti knaisiotis siu\u017eete. Ta\u010diau galima ir visi\u0161kai \u012f j\u0105 nekreipti d\u0117mesio ir patyrin\u0117ti savo poj\u016b\u010dius. Kiek a\u0161 pasitikiu tuo, k\u0105 matau, k\u0105 gird\u017eiu, k\u0105 lie\u010diu? Ar virtuali aplinka gali apgauti mano poj\u016b\u010dius? Ir jei gali, tai realyb\u0117s poj\u016bt\u012f apgauna pasakojama istorija ar manipuliavimas tikrovi\u0161kumu?<\/p>\n<p>\u010cia, kaip ir kalbant apie bet kur\u012f meno k\u016brin\u012f, vieno galimo atsakymo \u012f \u0161iuos klausimus n\u0117ra. Nesvarbu, koki\u0173 b\u016bta k\u016br\u0117j\u0173 u\u017emoj\u0173, \u017ei\u016brov\u0173 patirtys gali varijuoti nuo visi\u0161ko \u012fsijautimo \u012f istorij\u0105, pasidavimo manipuliacijai technologijomis, iki atmetimo, nepasitik\u0117jimo, atsisakymo dalyvauti. Nuo\u0161ird\u017eiai dalyvaujantys veiksme gali suabejoti savo potyriais ne tik per \u0161ias 30 minu\u010di\u0173, bet ir apskritai: jei jau akivaizd\u017eiai matydamas filmuot\u0105 med\u017eiag\u0105, b\u016bdamas vienoje i\u0161 Men\u0173 spaustuv\u0117s erdvi\u0173 galiu patik\u0117ti, kad ka\u017ekas kito nei realyb\u0117 yra tikra, tai galb\u016bt taip manipuliuojamas b\u016bnu ir da\u017eniau. Galb\u016bt da\u017enai tikiu realumu to, kas n\u0117ra tikra?<\/p>\n<p>Bet jei dalyvauti, patik\u0117ti kuriama virtualybe nepavyksta (o taip nutikti gali ir, pavyzd\u017eiui, d\u0117l fizini\u0173 poj\u016b\u010di\u0173, prie\u0161taraujan\u010di\u0173 vaizdui), tai dar nerei\u0161kia, kad C.a.p.e. patirtis neatne\u0161 nieko naujo. Galima atrasti, pavyzd\u017eiui, iki tol nepatirt\u0105 klaustrofobij\u0105. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Festivalyje \u201eNaujajsis Baltijos \u0161okis\u201c \u0161iemet dalyvavo teatras i\u0161 Estijos \u201eCabaret Rhizome\u201c. Keturi vyrukai, be viso kito, spektaklyje \u201e\u0160okis mutantas, arba &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1795,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Apgauti poj\u016b\u010diai - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/06\/18\/apgauti-pojuciai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Apgauti poj\u016b\u010diai - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Festivalyje \u201eNaujajsis Baltijos \u0161okis\u201c \u0161iemet dalyvavo teatras i\u0161 Estijos \u201eCabaret Rhizome\u201c. 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