{"id":18059,"date":"2025-12-03T15:20:57","date_gmt":"2025-12-03T13:20:57","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18059"},"modified":"2025-12-04T09:35:34","modified_gmt":"2025-12-04T07:35:34","slug":"lietuviu-choreografe-indre-gin-kviecia-permastyti-savo-istorijas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/12\/03\/lietuviu-choreografe-indre-gin-kviecia-permastyti-savo-istorijas\/","title":{"rendered":"Lietuvos choreograf\u0117 Indr\u0117 Gin kvie\u010dia perm\u0105styti savo istorijas"},"content":{"rendered":"

Baltijos \u0161okio tinklo programos r\u0117muose nepriklausoma Lietuvos choreograf\u0117 Indr\u0117 Gin spalio 11 d. Valmieroje, Latvijoje, ved\u0117 dirbtuves <\/b>UNLEARNING DANCE (liet. \u0160okio \u201eat(si)mokymas\u201c)<\/i><\/b>. Savo tyrime ji kelia klausim\u0105 \u201eKas yra \u0161okis?\u201c \u2013 tiek asmenine prasme, tiek Baltijos kontekste. Interviu Indr\u0117 dalijasi mintimis apie tai, k\u0105 jai rei\u0161kia Baltijos \u0161okis ir kok\u012f ji nor\u0117t\u0173 j\u012f matyti be joki\u0173 i\u0161ankstini\u0173 norm\u0173.<\/b><\/p>\n

Su choreografe kalb\u0117josi Aist\u0117 Audickait\u0117.<\/p>\n

\"\"<\/a>Indr\u0117 Gin, Krista Ose nuotr.<\/em><\/p>\n

J\u016bs\u0173 dirbtuv\u0117s paremtos meniniu tyrimu, kuriame nagrin\u0117jate<\/b> \u201eat(si)mokymo\u201c<\/strong>\u00a0id\u0117j\u0105. Kokius klausimus keliat\u0117s dirbtuv\u0117se?<\/b><\/p>\n

Dirbtuv\u0117se mes, kaip kolektyvas, tyrin\u0117jame klausimus, kurie tyliai kvestionuoja m\u016bs\u0173 \u0161okio supratim\u0105 ir i\u0161mokim\u0105. Klausiame: koks buvo \u0161okis prie\u0161 mums pasakant, koks jis tur\u0117t\u0173 b\u016bti? Kokie judesiai jau gyveno k\u016bne dar prie\u0161 treniruot\u0117ms juos suformuojant? Kas lieka, kai nustojame atlikti, \u012ftikti ar save taisyti?<\/span><\/p>\n

M\u016bs\u0173 tyrimas <\/span>Unlearning Dance<\/span><\/i>, kur\u012f vystome kartu su Retno Sulistyorini, Agus Margiyanto ir Ieva Ginkevi\u010di\u016bte, \u017ei\u016bri \u012f k\u016bn\u0105 kaip \u012f \u012ftak\u0173 archyv\u0105: kult\u016brini\u0173, institucini\u0173, socialini\u0173, politini\u0173, asmenini\u0173 ir biologini\u0173. Atsisakydami \u012fprast\u0173 strukt\u016br\u0173 \u2013 toki\u0173 kaip scena, priekio ir centro hierarchija ar mokytojo autoritetas \u2013 kvie\u010diame dalyvius tyrin\u0117ti k\u016bno intelekt\u0105.<\/span><\/p>\n

K\u0105 rei\u0161kia \u201e<\/b>at(si)mokyti<\/strong>\u201c \u0161ok\u012f?<\/b><\/p>\n

Tai \u0161velni revoliucija prie\u0161 konvencij\u0105 \u2013 leidimasis i\u0161laisvinti rib\u0105 tarp \u012fsisavinto ir intuityvaus judesio, tarp treniruoto ir netreniruoto k\u016bno. \u201eAt(si)mokymas\u201c<\/span> kvie\u010dia pasteb\u0117ti, kad laikysena, ritmas ir estetika beveik niekada n\u0117ra neutral\u016bs \u2013 jie yra i\u0161mokti (i\u0161treniruoti, \u012fsira\u0161\u0119 \u012f k\u016bn\u0105), da\u017enai net be m\u016bs\u0173 s\u0105moningo suvokimo.<\/span><\/p>\n

\u201eAt(si)mokymas\u201c rei\u0161kia atlaisvinti asmenin\u0117s, institucin\u0117s ir kolonijin\u0117s istorijos, kuri nul\u0117m\u0117 m\u016bs\u0173 judesius, \u012ftak\u0105. Tai provokacija: kvietimas sugr\u012f\u017eti prie paties k\u016bno intelekto ir pasitik\u0117ti judesiu, kuris kyla dar prie\u0161 jo taisym\u0105.<\/span><\/p>\n

Kokius mitus ar istorinius pasakojimus apie Baltijos \u0161ok\u012f siekiate kvestionuoti savo dirbtuv\u0117se?<\/b><\/p>\n

Tai, k\u0105 nuveik\u0117me Valmieroje, buvo tik pirmas, ma\u017eas \u017eingsnis \u2013 dar nepakankamas, kad pilnai suprastume Baltijos \u0161okio form\u0173 dinamik\u0105, ta\u010diau tai buvo svarbi prad\u017eia. Dalyvavimas <\/span>Baltic Connect Exchange Residency<\/span><\/i> dirbtuvi\u0173 serijoje \u201eDance as With-nessing\u201c, kurias ved\u0117 filosof\u0117 (PhD) ir meno terapeut\u0117 Nicole des Bouvrie, taip pat buvo prasminga susib\u016brimo akimirka, kai reflektavome tiek apie individualias, tiek apie kolektyvines \u017einias.<\/span><\/p>\n

Dirbtuv\u0117s <\/span>UNLEARNING DANCE<\/span><\/i> kvie\u010diau dalyvius nagrin\u0117ti \u017einias, kurias kiekvienas ne\u0161iojam\u0117s \u2013 asmeni\u0161kai, bet ir kolektyviai, dalindamiesi ta pa\u010dia erdve. Dirbtuv\u0117se k\u0117l\u0117me klausimus, tokius kaip: koks buvo \u0161okis, kai buvome vaikai? Kas yra \u0161okis dabar? Per \u0161i\u0105 bendr\u0105 refleksij\u0105 ir pokalb\u012f gal\u0117jome atpa\u017einti ir patirti Baltijos \u0161okio mitus bei istorinius pasakojimus, kurie gyvena mumyse.\u00a0<\/span><\/p>\n

\"\"<\/a>Indr\u0117 Gin, Krista Ose nuotr.<\/em><\/p>\n

K\u0105 jums rei\u0161kia Baltijos \u0161okio tapatyb\u0117s koncepcija?<\/b><\/p>\n

Baltijos \u0161okio tapatyb\u0117 susijusi su \u012fk\u016bnytomis ir k\u016bni\u0161komis atmintimis, kurias ne\u0161iojame tiek i\u0161 praeities, tiek i\u0161 dabarties. Tai tik viena i\u0161 daugelio galim\u0173 perspektyv\u0173, per kurias galime reflektuoti tapatyb\u0119 \u2013 ne kaip fiksuot\u0105 apibr\u0117\u017et\u012f, o b\u016bd\u0105 pasteb\u0117ti.<\/span><\/p>\n

Ar manote, kad Baltijos regiono kontekstas veikia m\u016bs\u0173 jud\u0117jim\u0105?<\/b><\/p>\n

Galime tai vadinti Baltijos kontekstu \u2013 ta\u010diau tai i\u0161 karto gr\u0105\u017eina mus prie klausimo, k\u0105 i\u0161 ties\u0173 rei\u0161kia \u201eBaltijos\u201c. Juk kiekvienas i\u0161 m\u016bs\u0173 ne\u0161iojame daugyb\u0119 kontekst\u0173 vienu metu. Net kai stengiam\u0117s pab\u0117gti nuo j\u0173, jie lieka su mumis. Tai ne tik apie tai, kaip a\u0161 matau save, bet ir kaip mane mato kiti.<\/span><\/p>\n

Jeigu \u012fsivaizduotum\u0117te Baltijos \u0161ok\u012f be i\u0161 anksto nustatyt\u0173 norm\u0173, koks nor\u0117tum\u0117te, kad jis b\u016bt\u0173?<\/b><\/p>\n

Jis gal\u0117t\u0173 b\u016bti lengvesnis \u2013 ma\u017eiau orientuotas \u012f reprezentacij\u0105. Atsikrat\u0119s privalom\u0173 norm\u0173, \u017emogus gal\u0117t\u0173 jud\u0117ti be rib\u0173.\u00a0\u00a0<\/span><\/p>\n

\"\"<\/a><\/b>Dirbtuv\u0117s UNLEARNING DANCE, Krista Ose nuotr.<\/span><\/em><\/p>\n

Kod\u0117l, j\u016bs\u0173 manymu, svarbu tyrin\u0117ti Baltijos \u0161okio tapatyb\u0119?<\/b><\/p>\n

Baltijos \u0161okio tapatyb\u0117s tyrin\u0117jimas yra kult\u016brin\u0117s savaranki\u0161kumo formos i\u0161rai\u0161ka. Nors jo svarba gali b\u016bti diskutuojama, tai suteikia bendr\u0105 pagrind\u0105 nagrin\u0117ti, kaip m\u016bs\u0173 k\u016bnai talpina istorijas. Be to, tai sukuria erdv\u0119 kitoms tapatyb\u0117ms atsiskleisti.<\/span><\/p>\n

Ar nor\u0117tum\u0117te, kad Baltijos \u0161okio menininkai labiau bendradarbiaut\u0173? Jei taip, kod\u0117l Jums tai svarbu?<\/b><\/p>\n

\u017dinoma, nor\u0117t\u0173si daugiau laiko bendravimui tarp meninink\u0173, pokalbi\u0173 apie ekosistem\u0105, o ne tik apie institucijas. Projektinis modelis fragmentuoja bendruomen\u0117s ry\u0161ius. Nor\u0117\u010diau pamatyti, kaip m\u016bs\u0173 konteksto ekosistema gal\u0117t\u0173 tapti labiau savaranki\u0161ka.<\/span><\/p>\n

\n
\n

—<\/em><\/p>\n

Baltijos \u0161okio tinklo tikslas \u2013 sukurti saugi\u0105 erdv\u0119 Baltijos \u0161iuolaikinio \u0161okio menininkams megzti ry\u0161ius, analizuoti bendr\u0105 praeit\u012f, tyrin\u0117ti Baltijos \u0161okio tapatyb\u0119 bei geriau suprasti kiekvienos \u0161alies \u2013 Lietuvos, Latvijos ir Estijos \u2013 kontekst\u0105 ir unikalum\u0105. <\/em><\/p>\n

Projektas sulauk\u0117 Nordisk kulturkontakt \u0160iaur\u0117s ir Baltijos \u0161ali\u0173 kult\u016bros mobilumo programos (ilgalaikio tinklo) palaikymo. <\/em><\/p>\n

Baltijos \u0161okio tinkl\u0105 sudaro \u0161e\u0161i oficial\u016bs partneriai: Lietuvos <\/em>\u0161okio informacijos centras (projekto lyderis), \u0160iuolaikinio \u0161okio asociacija (Lietuva), Latvijos \u0161okio informacijos centras<\/em>, Choreograf\u0173 asociacija (Latvija), S\u00f5ltumatu Tantsu Lava (Estija), Estijos \u0161okio meno ir \u0161okio edukacijos s\u0105junga.<\/em><\/p>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"

Baltijos \u0161okio tinklo programos r\u0117muose nepriklausoma Lietuvos choreograf\u0117 Indr\u0117 Gin spalio 11 d. Valmieroje, Latvijoje, ved\u0117 dirbtuves UNLEARNING DANCE (liet. …<\/p>\n","protected":false},"author":2,"featured_media":18061,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nLietuvos choreograf\u0117 Indr\u0117 Gin kvie\u010dia perm\u0105styti savo istorijas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/12\/03\/lietuviu-choreografe-indre-gin-kviecia-permastyti-savo-istorijas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lietuvos choreograf\u0117 Indr\u0117 Gin kvie\u010dia perm\u0105styti savo istorijas - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Baltijos \u0161okio tinklo programos r\u0117muose nepriklausoma Lietuvos choreograf\u0117 Indr\u0117 Gin spalio 11 d. 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