{"id":18069,"date":"2025-12-04T15:31:45","date_gmt":"2025-12-04T13:31:45","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18069"},"modified":"2025-12-04T15:31:45","modified_gmt":"2025-12-04T13:31:45","slug":"kitokia-kasablankos-versija-kurti-rysi-uostant-batus","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/12\/04\/kitokia-kasablankos-versija-kurti-rysi-uostant-batus\/","title":{"rendered":"Kitokia Kasablankos versija: kurti ry\u0161\u012f uostant batus"},"content":{"rendered":"<p>\u0160i\u0173 met\u0173 tarptautinis hiphopo \u0161okio festivalis \u201eUrban Essentials\u201c prasid\u0117jo \u012f Kasablankos gatves nuk\u0117lusiu \u201eCie Chara\u201c (Marokas, Vokietija) trup\u0117s spektakliu \u201eHIT 7AYT\u201c. Choreografij\u0105 k\u016br\u0119 Yassine Alaoui Ismaili ir Friederike Frost bei keturi Maroko didmiestyje aug\u0119 \u0161ok\u0117jai paband\u0117 prasklaidyti lapkri\u010dio debesis ekspresyviais persona\u017eais, arabi\u0161ka ritmika, breiko ir lokingo stilistika. Nepaisant \u012fsp\u016bding\u0173 solo numeri\u0173, spalvinusi\u0173 \u0161iaip jau emoci\u0161kai blank\u0173 k\u016brinio fon\u0105, spektaklyje jau\u010diausi kaip turist\u0117, prab\u0117gomis vartanti skirting\u0173 fotograf\u0173 atvirukus su Kasablankos vaizdais.<\/p>\n<p>Toks \u012fsp\u016bdis, matyt, neatsitiktinis. Vienas i\u0161 choreograf\u0173 Yassine \u2013 buv\u0119s breiko \u0161ok\u0117jas, \u0161iam stiliui b\u016bdingus sustingimus (<em>freezes<\/em>) \u012fprasmin\u0119s fotografo vaidmeniu, \u0161iuo metu per objektyv\u0105 fiksuojantis jau nebe savo, o aplinkos judesius. Taip gimusi fotografij\u0173 serija \u201eCasablanca Not the Movie\u201c, si\u016blanti alternatyvi\u0105 vizij\u0105 Vakaruose susiformavusioms orientalistin\u0117ms fantazijoms, tampa vienu i\u0161 atspirties ta\u0161k\u0173 \u012f teatro scen\u0105 perkeltam \u0161okio spektakliui \u201eHIT 7AYT\u201c, kuris tarytum t\u0119sia fotografijos darbais prad\u0117t\u0105 misij\u0105 \u2013 perkurti Kasablankos veid\u0105, suteikiant bals\u0105 tiems, kurie \u0161\u012f miest\u0105 pa\u017e\u012fsta geriausiai. Breikui b\u016bdingas skulpt\u016bri\u0161kumas sustiprina fotografijos atviruk\u0173 \u012fsp\u016bd\u012f ir savo forma \u017ei\u016brovo s\u0105mon\u0117je kuria id\u0117jas apie spektaklio (ir miesto) fragmenti\u0161kum\u0105. Tad apie k\u0105 ta Kasablanka?<\/p>\n<p>\u0160is klausimas nedav\u0117 ramyb\u0117s viso spektaklio metu. Galb\u016bt d\u0117l spalvingai Maroko didmies\u010dio realybei kontrastingos juodosios d\u0117\u017eut\u0117s, kuri\u0105 gaub\u0117 tik kartkart\u0117mis atsirandanti raudona ar melsva \u0161viesa bei d\u016bmai, buvo sunku suprasti, kokie elementai i\u0161skiria \u0161i\u0105 viet\u0105 i\u0161 kit\u0173. Pana\u0161iai kaip \u0161iemet tarptautiniame \u0161iuolaikinio \u0161okio festivalyje \u201eNew Baltic Dance\u201c rodytame Mar\u00edos del Mar Su\u00e1rez La Chachi spektaklyje \u201eTaranto Aleatorio\u201c (Ispanija), persmelktame ispani\u0161kojo flamenko ir taranto raud\u0173, kuriame bent jau stov\u0117jo suoliukas, smilko cigaret\u0117 ir skraid\u0117 saul\u0117gr\u0105\u017e\u0173 luk\u0161tai, \u201eHIT 7AYT\u201c spektaklio dramaturgij\u0105 ir kult\u016brines nuorodas kuria ne rekvizitai, o santykis tarp persona\u017e\u0173. Na, ir muzika.<\/p>\n<p>Pagrindinis spektaklio choreografijos motyvas \u2013 pasisveikinimai ir kiti kasdieniai gestai, b\u016bdingi Maroko kult\u016brai. Jie \u012f bendr\u0105 judes\u012f \u012fsipina kaip atsikartojantys elementai ir tampa vienintele atskiras spektaklio scenas saistan\u010dia gija. Kai kurie gestai pa\u017e\u012fstami iki kaul\u0173 smegen\u0173, kiti \u2013 ver\u010diantys smalsauti ir sp\u0117lioti. Juose atsispindi k\u016bni\u0161kas artumas, bu\u010dinius kei\u010dian\u010dios \u017eaismingos kovos, pagarba vyresniesiems ir jausmingumas.<\/p>\n<p>Turb\u016bt stipriausi\u0105 ry\u0161\u012f tarp persona\u017e\u0173 \u012frodanti scena \u2013 intensyvus kit\u0173 \u0161ok\u0117j\u0173 bat\u0173 uostymas, neva traukiant kaljano d\u016bm\u0105, neva uostant ka\u017ek\u0105 daugiau. Neapsieita be stereotipini\u0173 fantazij\u0173 stiprinimo \u2013 vyrukai, sk\u0119stantys d\u016bmuose, rado savo viet\u0105 Kasablankos paveiksle. Atrodo, kad choreografai renkasi kai kuriuos stereotipus paneigti (juos tiesiog eliminuodami), kai kuriuos \u2013 patvirtinti, o kai kuriuos pateikti miglotai. Pavyzd\u017eiui, i\u0161 pirmo \u017evilgsnio atrodo, kad spektaklyje n\u0117ra ly\u010di\u0173 stereotip\u0173, kuri\u0173 pilnas \u0161iuo k\u016briniu kritikuojamas amerikie\u010di\u0173 1942 m. filmas \u201eKasablanka\u201c: \u0161ok\u0117jai savo persona\u017e\u0173 rai\u0161ka yra tiek pat aktyv\u016bs ir agresyv\u016bs, kiek \u0161veln\u016bs ir mink\u0161ti. Nors scenoje nematome seksualizuot\u0173 moter\u0173, \u0161okan\u010di\u0173 pilvo \u0161ok\u012f, i\u0161ties j\u0173 nematome apskritai. Turime erdv\u0117s sp\u0117lioti, ar tai tikslingas choreograf\u0173 pasirinkimas, demonstruojantis vie\u0161\u0173j\u0173 erdvi\u0173 priklausym\u0105 vyrams, ar tik atsitiktinumas. Kita vertus, pamatome \u017emogi\u0161k\u0105, nesudievint\u0105 ir nesiteisinant\u012f \u017evilgsn\u012f \u012f tai, kas yra Kasablanka jaun\u0173 ir vidutinio am\u017eiaus gyventoj\u0173 akimis.<\/p>\n<p>Stipriausiai \u012f atmint\u012f \u012fsir\u0117\u017e\u0119 du solo epizodai atveria \u0161e\u0161\u0117lin\u0119 miesto pus\u0119. Be pavir\u0161utini\u0161ko, perd\u0117tai pozityvaus \u201esveikinimosi kult\u016bros\u201c atvaizdo, matomos baim\u0117s, pami\u0161imo, atskirties temos. Nerimastingumo ir sutrikimo \u012fkrautus judesius viename epizode kei\u010dia agresijos \u012fspaudai kitame. \u0160ios solin\u0117s scenos \u2013 turb\u016bt vienintel\u0117s, kuriose galima \u012f\u017evelgti k\u016br\u0117j\u0173 akcentuojam\u0105 sienos, kaip Kasablankos skiriamojo architekt\u016brinio elemento, metafor\u0105 (HIT 7AYT \u2013 liet. \u201ed\u0117l sienos\u201c). \u0160viesos suskliaud\u017eia persona\u017e\u0105 tariamoje vienut\u0117je ir scena, rodos, susitraukia \u012f apribot\u0105 plot\u0105, kuriame daug skausmo ir ma\u017eai paguodos. Akligatvis.<\/p>\n<p>Spektaklyje daug garso \u2013 nuo tylos iki eismo triuk\u0161mo, marokieti\u0161ku arab\u0173 kalbos dialektu skanduojam\u0173 \u017eod\u017ei\u0173, \u017eem\u0173 da\u017eni\u0173 bei arabi\u0161k\u0173 motyv\u0173 muzikos. Per\u0117jimai i\u0161 vienos scenos \u012f kit\u0105 \u2013 grub\u016bs ir ne visada organi\u0161ki, keliantys klausim\u0173, kod\u0117l vienas epizodas seka kit\u0105. Po spektaklio choreograf\u0117 Friederike pasakojo, kad trumpesn\u0117 \u0161io spektaklio versija \u201eSELAM\u201c \u2013 \u012fvietintas lauko erdv\u0117ms skirtas k\u016brinys, kuriame garso takel\u012f papildo nat\u016bral\u016bs miesto garsai, kaskart kuriantys vis kitoki\u0105 atmosfer\u0105. \u201eSELAM\u201c \u017ei\u016brovai gal\u0117jo pamatyti ir tamsoje skendin\u010diame Vilniuje, Lietuvos muzikos ir teatro akademijos r\u016bm\u0173 prieigose. Galiu tik sp\u0117lioti, ar marokieti\u0161ka \u0161iluma praskied\u0117 v\u0117juot\u0105 rudens vakar\u0105, ar i\u0161tirpo plikoje tamsoje. Vis d\u0117lto norisi tik\u0117ti, kad Kasablankos skonius degustavusi\u0173j\u0173 tiek \u201eSELAM\u201c, tiek \u201eHIT 7YAT\u201c spektakliuose gomuriu nuslydo ne tik egzoti\u0161kas saldainis, bet ir labai pa\u017e\u012fstamas bendra\u017emogi\u0161kas kokteilis \u2013 baim\u0117s, pami\u0161imo ir pastangos kurti ry\u0161\u012f.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0160i\u0173 met\u0173 tarptautinis hiphopo \u0161okio festivalis \u201eUrban Essentials\u201c prasid\u0117jo \u012f Kasablankos gatves nuk\u0117lusiu \u201eCie Chara\u201c (Marokas, Vokietija) trup\u0117s spektakliu \u201eHIT &#8230;<\/p>\n","protected":false},"author":2,"featured_media":18070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Kitokia Kasablankos versija: kurti ry\u0161\u012f uostant batus - 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