{"id":18094,"date":"2025-12-12T13:44:14","date_gmt":"2025-12-12T11:44:14","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18094"},"modified":"2025-12-12T13:45:05","modified_gmt":"2025-12-12T11:45:05","slug":"tikro-rysio-paieskos-nuotolinio-pasaulio-fone-sokio-dueto-kelione-meksikoje","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/12\/12\/tikro-rysio-paieskos-nuotolinio-pasaulio-fone-sokio-dueto-kelione-meksikoje\/","title":{"rendered":"Tikro ry\u0161io paie\u0161kos nuotolinio pasaulio fone: \u0161okio dueto kelion\u0117 Meksikoje"},"content":{"rendered":"

Spektaklis \u201eWhere Do I Connect?\u201c \u2013 k\u016brybin\u0117 kelion\u0117, nagrin\u0117janti \u017emogi\u0161kojo ry\u0161io trapum\u0105 pasaulyje, kuriame nuotolis tapo kasdienybe. Po pasirodym\u0173 septyniuose Lietuvos miestuose \u0161iuolaikinio \u0161okio ir cirko duetas Adrian Carlo Bibiano ir D\u017eiugas Kunsmanas t\u0119s\u0117 kelion\u0119 Meksikoje, kur pasirodymas atsid\u016br\u0117 visi\u0161kai kitame kult\u016briniame kontekste, atskleisdamas naujus savo sluoksnius. Kaip ir Lietuvoje, menininkai kviet\u0117 \u017ei\u016brovus tapti ne pasyviais steb\u0117tojais, o aktyviais bendrak\u016br\u0117jais, patiriant, kad tikrasis ry\u0161ys gimsta ne virtualioje erdv\u0117je, o \u010dia ir dabar \u2013 i\u0161 \u017evilgsnio, judesio ir trapios akimirkos. Apie tai, k\u0105 menininkai atsine\u0161\u0117 i\u0161 Lietuvos scen\u0173 ir k\u0105 atrado Meksikoje, kalbam\u0117s su D\u017eiugu ir Carlo.<\/strong><\/p>\n

Kalbina Ilona Ellen Askey ir Guoda Terleckyt\u0117.<\/span><\/p>\n

\"\"<\/a>Adrian Carlo Bibiano ir D\u017eiugas Kunsmanas spektaklyje \u201eWhere Do I Connect?\u201c, festivalio \u201eEspontaneo\u201c archyvas.\u00a0<\/em><\/p>\n

\u201eWhere Do I Connect?\u201c pasi\u017eymi stipriu interaktyvumu ir fiziniu artumu tarp atlik\u0117j\u0173 ir \u017ei\u016brov\u0173. Kaip Meksikos publika reagavo \u012f \u0161\u012f intymum\u0105? Ar pasteb\u0117jote kult\u016brini\u0173 skirtum\u0173 j\u0173 \u012fsitraukime, dr\u0105soje ar emocijose?<\/b><\/p>\n

Carlo:<\/b> Nors paprastai \u0161is pasirodymas ant tikros scenos nevyksta, m\u016bs\u0173 debiutas Meksikoje buvo b\u016btent toks. Nusprend\u0117me sutikti su \u0161iuo formatu, nes tai buvo festivalio atidarymas ir, kalbant atvirai, a\u0161 pasitik\u0117jau Meksikos publika, tik\u0117jausi, kad ji nesivar\u017eys. Ir oho\u2026 buvau teisus.<\/span><\/p>\n

Nuo pirmojo \u017emogaus \u012fsitraukimo atrod\u0117, lyg jie vis\u0105 laik\u0105 b\u016bt\u0173 lauk\u0119 m\u016bs\u0173 kvietimo. Vyresnio am\u017eiaus vyras n\u0117 sekund\u0117s nesudvejoj\u0119s \u017eeng\u0117 \u012f scen\u0105, prisijung\u0117 prie veiksmo ir <\/span>u\u017edav\u0117<\/span> nuostab\u0173 ton\u0105 viskam, kas vyko toliau. Paprastai pasirodome aik\u0161t\u0117se, parkuose \u2013 tame pa\u010diame lygyje kaip ir \u017ei\u016brovai, ta\u010diau net ir mums b\u016bnant ant amfiteatro \u201eLos Arcos del Malec\u00f3n\u201c scenos, ry\u0161ys u\u017esimezg\u0117 akimirksniu, ypa\u010d su vaikais. J\u0173 atvirumas, dr\u0105sumas \u2013 jaut\u0117m\u0117s, lyg visa auditorija sutartinai pasak\u0117: \u201eS\u00ed, vamos! (Va\u017eiuojam!)\u201c. Tai buvo labai gra\u017eu.<\/span><\/p>\n

D\u017eiugas:<\/b> \u012e scen\u0105 \u017eeng\u0117me po kit\u0173 festivalyje \u201eEspontaneo\u201d pasirod\u017eiusi\u0173 atlik\u0117j\u0173 ir i\u0161 karto pasteb\u0117jome, kad m\u016bs\u0173 pasirodymo konceptas visai kitoks \u2013 nuo pat pirmos akimirkos mes k\u016br\u0117me ry\u0161\u012f su \u017ei\u016brovais. \u201eWhere Do I Connect?\u201d t\u0117km\u0117 visi\u0161kai priklauso nuo to, kaip stipriai jie \u012fsitraukia \u012f pasirodym\u0105 ir jame dalyvauja.<\/span><\/p>\n

Carlo, tau \u0161i i\u0161vyka buvo asmeni\u0161ka \u2013 gr\u012f\u017eai \u012f savo kult\u016brin\u012f kontekst\u0105 jau kaip k\u016br\u0117jas, pristatantis tarptautin\u012f darb\u0105. Kaip tai paveik\u0117 tavo emocin\u0119 b\u016bsen\u0105 ir santyk\u012f su pa\u010diu spektakliu?<\/b><\/p>\n

Carlo:<\/b> Festivalio atidarymo diena buvo labai intensyvi. M\u016bs\u0173 palaikyti susirinko mano broliai, seniai matyti draugai, kiti i\u0161 sen\u0173 laik\u0173 pa\u017e\u012fstami menininkai. Buvau i\u0161vargintas kelion\u0117s, paveiktas laiko juost\u0173 skirtumo, o pasirodyti tur\u0117jome t\u0105 pa\u010di\u0105 dien\u0105, kai atvykome. Buvo likusios keturios valandos nusimesti lagaminus, kart\u0105 \u012fkv\u0117pti ir lipti tiesiai \u012f scen\u0105. Bet tai, kad \u0161alia buvo D\u017eiugas, mane stabilizavo, kartu pavyko \u012f visk\u0105 pa\u017evelgti ramiau. D\u017eiugas gr\u0105\u017eino mane \u012f pat\u012f pasirodym\u0105, net jo metu primindamas, kad tikroji atrama yra \u017ei\u016brov\u0173 buvimas.<\/span><\/p>\n

Sugr\u012f\u017eimas \u012f viet\u0105, kuri\u0105 kadaise vadinai namais, pakei\u010dia tavo vidin\u0119 chemij\u0105\u2026 o daryti tai pristatant tarptautin\u012f darb\u0105 \u2013 tai sustiprino visk\u0105.<\/span><\/p>\n

D\u017eiugai, kaip sek\u0117si \u012fsilieti \u012f Carlo gimt\u0105j\u0105 kult\u016brin\u0119 aplink\u0105? Ar Meksikos energija, \u017emon\u0117s ir tempas ka\u017ekaip pakeit\u0117 j\u016bs\u0173 pasirodymo atlikim\u0105 ar tarpusavio ry\u0161\u012f scenoje?<\/b><\/p>\n

D\u017eiugas:<\/b> Pasirodymai vykdavo vidury nakties Lietuvos laiku, o Meksikoje tuo metu dar b\u016bdavo visi\u0161kai \u0161viesu ir kar\u0161ta, tad buvo \u012fdomu steb\u0117ti, kaip \u012f pakitusi\u0105 aplink\u0105 reaguoja k\u016bnas. Tai buvo itin svarbu, nes pasirodym\u0173 metu k\u016bnas tampa minties ne\u0161\u0117ju \u2013 ry\u0161io ir bendravimo \u012frankiu. Meksika buvo tikrai i\u0161skirtin\u0117, labai spalvinga patirtis.<\/span><\/p>\n

\"\"<\/a>Adrian Carlo Bibiano ir D\u017eiugas Kunsmanas spektaklyje \u201eWhere Do I Connect?\u201c, festivalio \u201eEspontaneo\u201c archyvas.\u00a0<\/em><\/p>\n

Kuo \u0161i kelion\u0117 \u012f Puerto Valjart\u0105 buvo ypatinga j\u016bs\u0173 duetui? Ar pasirodymas tokioje aplinkoje atne\u0161\u0117 nauj\u0173 k\u016brybini\u0173 \u012f\u017evalg\u0173?<\/b><\/p>\n

Carlo: <\/b>Puerto Valjarta yra vieta, kur b\u016bdamas paauglys a\u0161 atradau \u0161iuolaikin\u0119 scen\u0105 \u2013 \u0161ok\u012f, cirk\u0105, teatr\u0105. \u010cia gim\u0117 mano aistra \u012fvairioms menin\u0117ms i\u0161raikoms.<\/span><\/p>\n

Atsive\u017e\u0119s \u010dia D\u017eiug\u0105 jau\u010diausi taip, lyg bandy\u010diau sutalpinti daugyb\u0119 savo gyvenimo met\u0173 \u012f vien\u0105 savait\u0119. Nor\u0117jau jam parodyti visk\u0105: \u017emones, vietas, skonius, energij\u0105\u2026 Kaskart, kai kas nors paklausdavo: \u201eAr jis jau paragavo to?\u201c arba \u201eAr nuvedei j\u012f ten?\u201c, greitai supratau, kad ne\u012fmanoma per tok\u012f trump\u0105 laik\u0105 parodyti D\u017eiugui vis\u0173 gra\u017eiausi\u0173 regiono element\u0173 \u2013 j\u0173 tiesiog per daug. Bet mano noras pristatyti jam, viet\u0105, kurioje a\u0161 pats pirm\u0105 kart\u0105 pajutau ry\u0161\u012f su \u0161iuo pasauliu, pavert\u0117 kelion\u0119 nepaprastai ypatinga. Net tie dalykai, kuri\u0173 jis nesp\u0117jo pamatyti ar i\u0161bandyti d\u0117l laiko stokos tapo \u0161ios istorijos dalimi.<\/span><\/p>\n

Kokia akimirka i\u0161 viso turo \u012fsimin\u0117 labiausiai \u2013 tiek scenoje, tiek u\u017e jos rib\u0173?<\/b><\/p>\n

D\u017eiugas: <\/b>Man labai pasisek\u0117, kad \u012f Meksik\u0105 atvykome b\u016btent po Mirusi\u0173j\u0173 dienos <\/span>(ispan. D\u00eda de los Muertos)<\/span><\/i>, tai suteik\u0117 galimyb\u0119 i\u0161 arti pamatyti kaip \u0161i\u0105 tradicij\u0105 i\u0161gyvena vietos bendruomen\u0117. Tai, k\u0105 iki tol buvau mat\u0119s tik filmuose ar \u012fsivaizdavau, atsiv\u0117r\u0117 prie\u0161 akis kaip tikra, \u012fsp\u016bdinga kult\u016brin\u0117 patirtis. Tikiuosi, kad kit\u0105 kart\u0105 gal\u0117siu dar labiau \u012fsitraukti ir praturtinti patirt\u012f patobulin\u0119s ispan\u0173 kalbos \u017einias.<\/span><\/p>\n

Carlo: <\/b>\u012esimintina akimirka nutiko prie\u0161 paskutin\u012f m\u016bs\u0173 pasirodym\u0105 Puerto Valjartos mokykloje. Moksleiviai savo telefonuose ie\u0161kojo Lietuvos, smalsaudami, i\u0161 kur atvyk\u0119 b\u016bsimi atlik\u0117jai \u2013 tarsi b\u016btume tiesiogiai \u012f j\u0173 akirat\u012f atne\u0161\u0119 Lietuv\u0105.<\/span><\/p>\n

Ar teko adaptuoti spektakl\u012f Meksikos erdv\u0117ms, klimatui ar vietos publikai? Kiek \u201eWhere Do I Connect?\u201c kinta priklausomai nuo konteksto, ir kiek i\u0161lieka toks pats?<\/b><\/p>\n

D\u017eiugas: <\/b>Teko prisitaikyti prie ne\u012fprast\u0173 erdvi\u0173, ie\u0161kant geriausio sprendimo pasirodym\u0105 skaidyti \u012f kelias dalis. Tai tapo puikia galimybe i\u0161 kitos perspektyvos pa\u017evelgti \u012f spektakl\u012f, kur\u012f atliekame ir tobuliname jau penkerius metus. Visame chaoti\u0161kame, intensyviame Meksikos kontekste, vienas geriausi\u0173 sprendim\u0173, labiausiai palengvinusi\u0173 kasdienyb\u0119, buvo vietiniam klimatui pritaikyti kostiumai \u2013 visi\u0161kai kitokie, nei rengiam\u0117s pasirodant Lietuvoje.<\/span><\/p>\n

Carlo:<\/b> Paskutinis pasirodymas Puerto Valjartos parengiamojoje mokykloje buvo ne\u012ftik\u0117tinas. Nauja erdv\u0117, nauji apribojimai, nauja energija. Bet jeigu k\u0105 per \u0161iuos metus tikrai \u012fvald\u0117me, tai reagavim\u0105 \u012f aplink\u0105. Spektaklis \u201eklauso\u201c vietos, o vieta atsako. Galiausiai net mokyklos direktorius prad\u0117jo \u0161okti \u2013 tai laikau puikiu pasirodymo \u012fvertinimu.<\/span><\/p>\n

Festivalyje taip pat dalyvavo keli menininkai i\u0161 Ispanijos, vienas j\u0173 \u2013 festivalio, vykstan\u010dio Ispanijoje, direktorius. Jam m\u016bs\u0173 pasirodymas i\u0161 ties\u0173 labai patiko, tad kitais metais \u201eWhere Do I Connect\u201c pristatysime ir ten.<\/span><\/p>\n

Spektaklio sklaid\u0105 finansavo: Lietuvos kult\u016bros taryba.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Spektaklis \u201eWhere Do I Connect?\u201c \u2013 k\u016brybin\u0117 kelion\u0117, nagrin\u0117janti \u017emogi\u0161kojo ry\u0161io trapum\u0105 pasaulyje, kuriame nuotolis tapo kasdienybe. Po pasirodym\u0173 septyniuose …<\/p>\n","protected":false},"author":2,"featured_media":18095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nTikro ry\u0161io paie\u0161kos nuotolinio pasaulio fone: \u0161okio dueto kelion\u0117 Meksikoje - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/12\/12\/tikro-rysio-paieskos-nuotolinio-pasaulio-fone-sokio-dueto-kelione-meksikoje\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tikro ry\u0161io paie\u0161kos nuotolinio pasaulio fone: \u0161okio dueto kelion\u0117 Meksikoje - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Spektaklis \u201eWhere Do I Connect?\u201c \u2013 k\u016brybin\u0117 kelion\u0117, nagrin\u0117janti \u017emogi\u0161kojo ry\u0161io trapum\u0105 pasaulyje, kuriame nuotolis tapo kasdienybe. 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