{"id":18204,"date":"2026-02-10T10:30:39","date_gmt":"2026-02-10T08:30:39","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18204"},"modified":"2026-02-10T13:26:13","modified_gmt":"2026-02-10T11:26:13","slug":"choreografe-erika-vizbaraite-meiles-daugeja-kai-ja-daliniesi","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/02\/10\/choreografe-erika-vizbaraite-meiles-daugeja-kai-ja-daliniesi\/","title":{"rendered":"Choreograf\u0117 Erika Vizbarait\u0117: \u201eMeil\u0117s daug\u0117ja, kai ja daliniesi\u201c"},"content":{"rendered":"

\u0160iuolaikinio operos festivalio <\/b>\u201eNOA\u201c (Naujosios operos akcija)\u00a0<\/strong>r\u0117muose \u012fvyko spektaklio \u201e<\/span>LLLLOVE\u201c<\/span> premjera, nagrin\u0117janti meil\u0119 be istorijos. Jo re\u017eisier\u0117 ir choreograf\u0117 Erika Vizbarait\u0117 sako, kad tai buvo pirmas kartas kai ji \u0117m\u0117si re\u017eisuoti darb\u0105, apimant\u012f \u0161ok\u012f, muzik\u0105 ir oper\u0105. Interviu Erika pasakoja apie k\u016brybin\u012f spektaklio proces\u0105, kuris jai padovanojo nauj\u0105 perspektyv\u0105 ir po\u017ei\u016br\u012f \u012f meil\u0119.\u00a0<\/b><\/p>\n

Su choreografe kalb\u0117josi Aist\u0117 Audickait\u0117.<\/p>\n

Nuo ko prasid\u0117jo \u201e<\/span>LLLLOVE\u201c <\/span>istorija?\u00a0<\/b><\/p>\n

Opera yra \u012fkv\u0117pta Karen Reimer romano \u201eLegendary Lexical Loquacious Love\u201c, kuriame meil\u0117s romano tekstas i\u0161ardomas ir i\u0161 naujo sud\u0117liojamas grie\u017eta ab\u0117c\u0117l\u0117s tvarka. \u012edomu tai, kad pati autor\u0117 neatskleid\u017eia pirminio romano. Nors ji leido naudoti k\u016brin\u012f ir po premjeros para\u0161\u0117 bei pasveikino.<\/span><\/p>\n

Prie \u0161io projekto mane pakviet\u0117 prisijungti \u201eOperomanijos\u201c prodiuser\u0117 Ana Ablamonova, kuriai apie <\/span>\u0161i\u0105 knygos id\u0117j\u0105 <\/span>papasakojo spektaklio kompozitorius Jonas Jurk\u016bnas.<\/span><\/p>\n

Prad\u0117jusi skaityti \u0161i\u0105 knyg\u0105 nustebau, nes ji netur\u0117jo jokio siu\u017eeto, <\/span>ta\u010diau skaitant <\/span>vis d\u0117lto ai\u0161kiai jutau, kad tai knyga apie meil\u0119. <\/span>Skaityti buvo nelengva, nes tekst\u0105 sudaro pavieniai ar besikartojantys, tarpusavyje visai nesusij\u0119 \u017eod\u017eiai, taip pat begal\u0119 kart\u0173 pasikartojantys jungtukai, i\u0161tiktukai ir pana\u0161\u016bs elementai. <\/span>Ta\u010diau kartu suvokiau, jog tai puiki med\u017eiaga k\u016brybai \u2014 tai gal\u0117t\u0173 b\u016bti nesibaigiantis gyvenimo darbas, su ja b\u016bt\u0173 galima dirbti, konstruoti k\u016brinius i\u0161 daugyb\u0117s perspektyv\u0173. <\/span>Taip pat tapo ai\u0161ku, kad meil\u0117s romano teksto alfabetizavimas nepanaikina galimyb\u0117s romano reik\u0161m\u0117ms gyvuoti \u012fvairiuose lygmenyse.<\/span><\/p>\n

\"\"<\/a>Spektaklis \u201eLLLLOVE\u201c, Ilm\u0117s Vy\u0161niauskait\u0117s nuotr.<\/em><\/p>\n

Kas tapo operos k\u016brimo atspirties ta\u0161ku? Kaip atrod\u0117 k\u016brybos procesas?<\/b><\/p>\n

Kurdama stengiausi laikytis konceptualios knygos trajektorijos kaip kelrod\u017eio \u2013 nieko per daug neprid\u0117ti ir jud\u0117ti palaipsniui nuo A iki Z. Viso ko esm\u0117 buvo ab\u0117c\u0117l\u0117, \u017eod\u017eiai ir j\u0173 seka. \u017dod\u017ei\u0173 sek\u0105 bei subjektyviai suvokiamas reik\u0161mes naudojau kaip pagrindin\u0119 atspirt\u012f \u2013 informacin\u0119 ir jutimin\u0119 med\u017eiag\u0105 judesio paie\u0161koms bei choreografijos k\u016brimui.<\/span><\/p>\n

Kartu su k\u016brybine komanda atlikome i\u0161sam\u0173 analitin\u012f alfabeto tyrim\u0105. Jo metu \u012fvairiuose archyviniuose \u0161altiniuose ie\u0161kojome raid\u017ei\u0173, \u017eod\u017ei\u0173 kilmi\u0173, reik\u0161mi\u0173, asociacij\u0173 ir s\u0105saj\u0173, o savo interpretacijas bei sukurtas naujas reik\u0161mes \u012fgalinome k\u016brinyje jungtis \u012f vis naujas konsteliacijas.<\/span><\/p>\n

Knyga, jos med\u017eiagi\u0161kumas ir tekstas tapo ir spektaklio scenografijos dalimi \u2013 panaudojome juos kaip vizual\u0173, grafin\u012f ir skulpt\u016bri\u0161k\u0105 element\u0105, scenografij\u0105 spektakliui k\u016br\u0117 Ona Juciut\u0117.\u00a0<\/span><\/p>\n

Be abejo, kadangi tai \u0161iuolaikin\u0117 opera, k\u016brybinio proceso metu prisijung\u0117 operos solistai ir muzikantai. Dirbti su jais buvo nepaprastai malonu \u2013 man pasisek\u0117 susipa\u017einti ir kartu kurti su \u0161iais nuostabiais muzikos pasaulio \u017emon\u0117mis. Nuo pat prad\u017ei\u0173 nor\u0117jau, kad muzikantai b\u016bt\u0173 ne tik atlik\u0117jai, bet ir lygiaver\u010diai spektaklio dalyviai. J\u0173 entuziastingas \u012fsitraukimas \u012f proces\u0105 leido \u0161i\u0105 id\u0117j\u0105 \u012fgyvendinti. Spektaklyje jie nebuvo izoliuoti savo \u201emuzikiniuose ta\u0161kuose\u201c \u2013 prie\u0161ingai, jie aktyviai jud\u0117jo erdv\u0117je, \u0161oko, jung\u0117si \u012f \u0161ok\u0117j\u0173 trajektorijas ir tapo ne tik garsiniais, bet ir pilnaverti\u0161kais k\u016bni\u0161kais spektaklio veik\u0117jais.<\/span><\/p>\n

Man atrodo, kad did\u017eiausias \u0161io projekto d\u017eiaugsmas ir buvo b\u016btent jame dirb\u0119 ir kartu k\u016br\u0119 \u017emon\u0117s. <\/span>Kartais procesas buvo itin chaoti\u0161kas, bet jau\u010diau didel\u012f komandos palaikym\u0105, kuris ved\u0117 \u012f priek\u012f.<\/span><\/p>\n

Kaip spektaklyje atsirado be\u017ed\u017eioni\u0173 motyvas?\u00a0<\/b><\/p>\n

Be\u017ed\u017eioni\u0173 \u012fvaizd\u012f \u012f spektakl\u012f \u012fved\u0117 skulptorius Donatas Jankauskas \u2013 Duonis. K\u016brybinio proceso metu kartu su k\u016brybine komanda nuvykome \u012f jo \u012fkurt\u0105 \u201eBe\u017ed\u017eioni\u0173 muziej\u0173\u201c pasisemti \u012fkv\u0117pimo.\u00a0<\/span><\/p>\n

Man taip pat buvo \u012fdomu spektaklyje m\u0105styti apie esmines jungtis ir skirtumus tarp k\u016brinyje veikian\u010di\u0173 \u201ebe\u017ed\u017eion\u017emogi\u0173\u201c ir \u201e\u017emogbe\u017ed\u017eioni\u0173\u201c. I\u0161 prad\u017ei\u0173 siekiau atskleisti primityvi\u0105, gyv\u016bni\u0161k\u0105, instinktyvi\u0105 meil\u0119, o v\u0117liau, vystantis spektakliui, transformuoti j\u0105 ir prisiliesti prie \u0161iuolaikin\u0117s romanti\u0161kos meil\u0117s aspekt\u0173, pavyzd\u017eiui, speed-dating ar kit\u0173 pana\u0161i\u0173 praktik\u0173.<\/span><\/p>\n

Manau, kad daugeliu aspekt\u0173 mes vis dar esame labai artimi savo pirmyk\u0161tei prigim\u010diai ir ne tiek jau daug pasikeit\u0119 nuo be\u017ed\u017eioni\u0173. Nors dabar gyvename apsupti daugyb\u0117s socialini\u0173 ir technologini\u0173 stimul\u0173, m\u016bs\u0173 esminiai jausmai, instinktai ir santykiai i\u0161 esm\u0117s i\u0161liko tie patys.<\/span><\/p>\n

\"\"<\/a>Spektaklis \u201eLLLLOVE\u201c, Ilm\u0117s Vy\u0161niauskait\u0117s nuotr.<\/em><\/p>\n

Kaip tau pavyko laviruoti tarp skirting\u0173 sri\u010di\u0173 ir vienu metu dirbti su operos solistais, muzikantais ir \u0161ok\u0117jais?<\/b><\/p>\n

I\u0161 esm\u0117s, lygiagre\u010diai \u0161iam projektui k\u016briau ir dirbau su dar dviem sceniniais pastatymais: LNDT \u2013 spektakl\u012f\u00a0<\/span>\u201e<\/b>Ronja pl\u0117\u0161iko dukt\u0117<\/span>\u201c<\/b>\u00a0ir \u0160iauli\u0173 dramos teatre \u2013\u00a0<\/span>\u201e<\/b>Anonimi\u0161ki \u0161okiai<\/span>\u201c<\/b>.<\/span> Be to, \u012fstojau \u012f doktorant\u016br\u0105 ir lankiau paskaitas, tad kr\u016bvis i\u0161ties buvo labai didelis. Gan greitai supratau, kad visko apr\u0117pti ir sukontroliuoti fizi\u0161kai tiesiog ne\u012fmanoma. Tod\u0117l stengiausi paleisti kontrol\u0119 ir leisti dalykams vykti nat\u016braliai, neperspaud\u017eiant. Nors prisipa\u017einsiu, tai nebuvo lengva, nes mes, \u0161ok\u0117jai, \u012fprat\u0119 repetuoti iki \u201enegaliu\u201c. Ta\u010diau \u0161iuo atveju procesas vyko kitaip: i\u0161 lengvumo, o ne i\u0161 kan\u010dios. Man atrodo, taip ir tur\u0117t\u0173 b\u016bti \u2013 tai buvo svarbus atradimas man.<\/span><\/p>\n

\u012edomu ir tai, kad spektaklio apie meil\u0119 \u2013 jausm\u0105, kuris nepasiduoda kontrolei, \u2013 k\u016brimas pats tapo lengvu procesu b\u016btent paleidus kontrol\u0119. <\/span>B\u016bna, kad ji ateina ir visk\u0105 \u201ei\u0161dau\u017eo\u201c, i\u0161eina ir v\u0117l sugr\u012f\u017eta \u2013 kartais pasilieka, kartais ne. <\/span>Tikiu, kad meil\u0117 turi savyb\u0119 keisti formas ir neb\u016btinai ji gali pasirodyti romanti\u0161ku meil\u0117s pavidalu. Tod\u0117l manau, kad labai svarbu ta<\/span>s skirtingas jos formas pasitikti ir leisti joms b\u016bti.<\/span><\/p>\n

K\u0105 nor\u0117jai apie meil\u0119 papasakoti \u017ei\u016brovams?\u00a0<\/b><\/p>\n

Prad\u017eioje tikslas buvo i\u0161siai\u0161kinti, ar meil\u0117 i\u0161lieka tuomet, kai i\u0161ardoma istorija, strukt\u016bra ir naratyvas. \u0160iame k\u016brinyje ji tikrai lieka. Po spektaklio premjeros gavau daug \u017einu\u010di\u0173, kuriose \u017emon\u0117s ra\u0161\u0117, kad nieko nesuprato, bet buvo paliesti, i\u0161\u0117jo su meil\u0117s jausmu, galvojo apie meil\u0119 \u2013 ir to pakanka. Tai i\u0161ties d\u017eiugina.<\/span><\/p>\n

Manau, kad \u0161is darbas n\u0117ra apie meil\u0117s supratim\u0105, o labiau apie jos poj\u016bt\u012f. Nors k\u016brinyje judesys tur\u0117jo savo tiesiogines ar metaforines reik\u0161mes, paradoksalu tai, kad b\u016btent primityvus pri\u0117jimas prie meil\u0117s tem\u0173, j\u0173 nesureik\u0161minimas ir nesiekimas \u201egyli\u0173\u201c, tapo raktu, atrakinusiu daugelio \u017ei\u016brov\u0173 \u0161irdis. Nes manau ir tikiu, kad meil\u0117 i\u0161ties yra labai paprasta.<\/span><\/p>\n

\"\"<\/a>Spektaklis \u201eLLLLOVE\u201c, Ilm\u0117s Vy\u0161niauskait\u0117s nuotr.<\/em><\/p>\n

K\u0105 tu naujo su\u017einojai apie meil\u0119?<\/b><\/p>\n

Kai prad\u0117jau \u0161\u012f projekt\u0105, mano po\u017ei\u016bris \u012f meil\u0119 buvo gana sarkasti\u0161kas. \u0160i tema man buvo \u012fdomesn\u0117 i\u0161 analitin\u0117s ir pragmatin\u0117s pus\u0117s nei i\u0161 jausmin\u0117s. Ta\u010diau, kaip nekeista,\u00a0 \u0161iame procese gavau jos labai daug. At\u0117jau beveik tu\u0161\u010dia, o i\u0161\u0117jau pripildyta.<\/span><\/p>\n

Supratau, kad meil\u0117s formos yra labai \u012fvairios: tai gali b\u016bti sutikto \u017emogaus \u0161ypsena, maistas, muzika, ar akys pakeltos \u012f dang\u0173. Man atrodo, \u0161iais laikais ypa\u010d svarbu tai pasteb\u0117ti \u2013 leisti, imti, duoti. Taip pat tikiu, kad meil\u0117s daug\u0117ja, kai ja daliniesi.<\/span><\/p>\n

Kod\u0117l, tavo nuomone, meil\u0117s dalinimasis j\u0105 sustiprina? Gal pateiktum pavyzd\u017ei\u0173?<\/b><\/p>\n

Esu tikra, kad meil\u0117 \u2013 visomis savo formomis \u2013 stipr\u0117ja tik per patirt\u012f ir dalijim\u0105si ja. Kuo da\u017eniau j\u0105 \u012fveikliname, tuo labiau ji veikia kaip u\u017ekre\u010diamas rei\u0161kinys, ir taip jos daug\u0117ja \u2013 tokia paprasta magija. Manau, labai svarbu suvokti meil\u0119 kaip veiksm\u0105, kurio kiekvienas galime tur\u0117ti daugiau savo kasdienyb\u0117je tik per jos praktikavim\u0105.<\/span>
\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160iuolaikinio operos festivalio \u201eNOA\u201c (Naujosios operos akcija)\u00a0r\u0117muose \u012fvyko spektaklio \u201eLLLLOVE\u201c premjera, nagrin\u0117janti meil\u0119 be istorijos. Jo re\u017eisier\u0117 ir choreograf\u0117 Erika …<\/p>\n","protected":false},"author":2,"featured_media":18206,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nChoreograf\u0117 Erika Vizbarait\u0117: \u201eMeil\u0117s daug\u0117ja, kai ja daliniesi\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/02\/10\/choreografe-erika-vizbaraite-meiles-daugeja-kai-ja-daliniesi\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Choreograf\u0117 Erika Vizbarait\u0117: \u201eMeil\u0117s daug\u0117ja, kai ja daliniesi\u201c - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u0160iuolaikinio operos festivalio \u201eNOA\u201c (Naujosios operos akcija)\u00a0r\u0117muose \u012fvyko spektaklio \u201eLLLLOVE\u201c premjera, nagrin\u0117janti meil\u0119 be istorijos. 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