{"id":18218,"date":"2026-02-12T10:48:59","date_gmt":"2026-02-12T08:48:59","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18218"},"modified":"2026-02-12T10:48:59","modified_gmt":"2026-02-12T08:48:59","slug":"30-metu-be-saugiu-sprendimu-new-baltic-dance26-programa","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/02\/12\/30-metu-be-saugiu-sprendimu-new-baltic-dance26-programa\/","title":{"rendered":"30 met\u0173 be saugi\u0173 sprendim\u0173: \u201eNew Baltic Dance\u201926\u201c programa"},"content":{"rendered":"

\u0160iuolaikinio \u0161okio festivalis \u201eNew Baltic Dance\u201c (NBD) Vilniuje vyks jau 30-\u0105j\u012f kart\u0105 vasario 26 – baland\u017eio 29 dienomis. Festivalis, kaip neatsiejama \u0161iuolaikinio \u0161okio ekosistemos dalis, \u0161iandien klausia \u2013 koki\u0105 viet\u0105 valstyb\u0117je u\u017eima \u0161iuolaikinis \u0161okis ir kokios \u0161ios srities ateities perspektyvos?<\/strong><\/p>\n

Tris de\u0161imtme\u010dius NBD puosel\u0117jama kryptis \u2013 kasmet i\u0161 naujo kelti klausimus apie tai, kur \u0161iandien yra \u0161okio a\u0161trumas, kaip k\u016bnas per\u017eengia ribas ir koki\u0173 meno form\u0173 reikia dabar\u010diai.\u00a0<\/span><\/p>\n

\u0160i laikysena ai\u0161kiai atsiskleid\u017eia vasario 26 ir 27 dienomis vyksian\u010diame atidaryme \u2013 vieno ry\u0161kiausi\u0173 Pranc\u016bzijos choreograf\u0173 Olivier Dubois spektaklyje \u201eTrag\u00e9die\u201c. Tai k\u016brinys, kuriame k\u016bnas tampa komunikacijos ir pasiprie\u0161inimo forma, o \u0161iuolaikinis pasaulis apm\u0105stomas per \u0161ok\u012f. Choreografas daugiau nei de\u0161imtmet\u012f laikomas viena radikaliausi\u0173 fig\u016br\u0173 Pranc\u016bzijos \u0161iuolaikinio \u0161okio scenoje, o \u017eurnalas \u201eDance Europe\u201c j\u012f yra \u012ftrauk\u0119s \u012f 25 geriausi\u0173 pasaulio \u0161ok\u0117j\u0173 s\u0105ra\u0161\u0105.<\/span><\/p>\n

Antroji festivalio programos dalis, kaip \u012fprasta, prasid\u0117s pavasar\u012f: kovo m\u0117nes\u012f festivalis apsilankys Garg\u017eduose bei Marijampol\u0117je. O baland\u017eio m\u0117nes\u012f programa pilnai i\u0161siskleis Vilniuje ir pasieks Ukmerg\u0119.<\/span><\/p>\n

\u201e\u0160iemet \u201eNew Baltic Dance\u201c \u017eymi trisde\u0161imties met\u0173 kelion\u0119, kuri niekada nebuvo apie patog\u0173 t\u0119stinum\u0105. Kiekvienais metais festivalis gimdavo i\u0161 klausimo: kas \u0161iandien yra svarbu, kas dar nepasakyta ir kur k\u016bnas kalba garsiau nei \u017eod\u017eiai. Svarbiausia, kad festivalis visada ry\u017edavosi tam, kas tuo metu atrod\u0117 ne\u012fmanoma\u201c, \u2013 sako festivalio vadov\u0117 Gintar\u0117 Masteikait\u0117.<\/span><\/p>\n

Pasak jos, \u0161i\u0173 met\u0173 programa yra ir asmenini\u0173 svajoni\u0173 i\u0161sipildymas \u2013 vardai, kuri\u0173 atvykimo teko laukti de\u0161imtmet\u012f, pagaliau susitinka \u201eNew Baltic Dance\u201c scenoje. \u201eFestivalis pristato choreografus, kurie ne tik kuria esteti\u0161kai paveikius darbus, bet ir dr\u0105siai reflektuoja socialinius, politinius bei kult\u016brinius procesus. Kuriame tiems, kurie \u0161okyje ie\u0161ko daugiau \u2013 prasm\u0117s, vilties ir bendros j\u0117gos poj\u016b\u010dio, ir kurie nepavargsta klausti: o kas toliau?\u201c<\/span><\/p>\n

\"\"<\/a>Gintar\u0117 Masteikait\u0117,<\/em> D. Matvejevo nuotr.<\/em><\/p>\n

Tylos premjera<\/b><\/p>\n

Pavasarin\u0119 festivalio program\u0105 prad\u0117s premjera \u201eSuperthing\u201c, kuri\u0105 suk\u016br\u0117 Annamari Keskinen ir Ryan Mason i\u0161 Suomijos drauge su atlik\u0117jais. Tai k\u016brinys apie laukim\u0105 kaip veiksm\u0105 ir apie galimyb\u0119 triuk\u0161mo pertekliuje patirti bendr\u0105 buvim\u0105 \u2013 ne deklaruojam\u0105, o i\u0161gyvenam\u0105.<\/span> \u0160iame darbe savo dal\u012f k\u016br\u0117 ir \u017einomi Lietuvos \u0161okio ir scenos meistrai <\/span>Agnija \u0160eiko, Giedr\u0117 Kirkil\u0117, Mantas Staba\u010dinskas, Andrius Katinas, Erika Vizbarait\u0117, bei dailinink\u0117s Sandra Straukait\u0117 ir Sigita \u0160imk\u016bnait\u0117.<\/span><\/p>\n

K\u016bnas, ma\u0161ina ir mitas apie ateit\u012f<\/b><\/p>\n

I\u0161 tylios, vidin\u0117s scenos logikos festivalis persijungs \u012f didel\u0117s energijos re\u017eim\u0105. Scen\u0105 u\u017eims \u201eU>N>I>T>E>D\u201c \u2013 naujausias Australijos \u0161iuolaikinio \u0161okio kompanijos \u201eChunky Move\u201c k\u016brinys, sukurtas trup\u0117s meno vadovo Antony Hamiltono, gars\u0117jan\u010dio dr\u0105siais eksperimentais, jungian\u010diais \u0161ok\u012f, technologijas, vizual\u0173j\u012f men\u0105 ir gars\u0105.<\/span><\/p>\n

Viena ry\u0161kiausi\u0173 \u0161iuolaikinio \u0161okio trupi\u0173 Australijoje pasi\u017eymi stipriu fiziniu intensyvumu, konceptualumu ir jautriu santykiu su erdve. \u201eU>N>I>T>E>D\u201c jungia precizi\u0161k\u0105 judes\u012f, galing\u0105 senovin\u0117s ir \u0161iuolaikin\u0117s technologijos susitinka su \u017eemi\u0161komis formomis, o ma\u0161inos \u012fgyja savoti\u0161k\u0173 \u201edievybi\u0173\u201c bruo\u017e\u0173.<\/span><\/p>\n

K\u016brinio mast\u0105 dar labiau sustiprina prie spektaklio prisid\u0117j\u0119 Balio eksperimentin\u0117s muzikos k\u016br\u0117jai \u201eGabber Modus Operandi\u201c, gatv\u0117s mados \u017eenklas \u201eFuture Loundry\u201c, animatronikos studija \u201eCreature Technology Co.\u201c ir apdovanojimais \u012fvertintas \u0161vies\u0173 dizaineris Benjamin Cisterne.<\/span><\/p>\n

\"\"<\/a>\u201eChunky Move\u201c spektaklis \u201eU>N>I>T>E>D\u201c , Cheng yu chen nuotr.<\/span><\/em><\/p>\n

K\u016bnas d\u0117\u017e\u0117je, miestas kaip spaudimas<\/b><\/p>\n

Festivalio programoje i\u0161skirtin\u0119 viet\u0105 u\u017eima Robyn Orlin \u2013 Piet\u0173 Afrikos choreograf\u0117, siejama su politi\u0161kai anga\u017euotu, a\u0161triu ir teatrali\u0161ku \u0161iuolaikiniu \u0161okiu. \u012e Vilni\u0173 ji atve\u017ea atnaujint\u0105 solo \u201eIN A CORNER THE SKY SURRENDERS \u2013 Unplugging Archival Journeys \u2026 #3 (for Volmir <3)\u201c, kur\u012f \u0161\u012fkart atlieka brazil\u0173 \u0161ok\u0117jas Volmiras Cordeiro, perimantis \u0161ios istorijos fizin\u012f ir emocin\u012f svor\u012f. Tai spektaklis apie i\u0161likim\u0105, izoliacij\u0105 ir pa\u017eeid\u017eiamum\u0105, kuriame asmenin\u0117 patirtis virsta universalia politine b\u016bsena. Neatsitiktinai Orlin, Piet\u0173 Afrikoje vadinama \u201enepaliaujamu dirgikliu\u201c, jau daugiau nei tris de\u0161imtme\u010dius nuosekliai kvestionuoja vakarieti\u0161ko \u0161okio normas.<\/span><\/p>\n

Meil\u0117 kaip \u012fstri\u017ea b\u016bsena<\/b><\/p>\n

Festivalio geografija, kaip ir kasmet, ple\u010diasi u\u017e Vilniaus rib\u0173. Marijampol\u0117je, Garg\u017eduose ir Ukmerg\u0117je bus rodomas latvi\u0173 k\u016br\u0117j\u0173 spektaklis \u201eOblicus\u201c, sukurtas meninink\u0173 dueto \u201eIevaKrish\u201c ir prodiusuojamas organizacijos \u201eTuvumi\u201c. \u201eOblicus\u201c \u2013 \u0161iuolaikin\u0117 meil\u0117s istorija, pasakojama ne per siu\u017eet\u0105, o per k\u016bn\u0173 santyk\u012f laike. \u012ekv\u0117ptas lietuvi\u0173 sutartini\u0173 polifonijos, \u201eOblicus\u201c j\u0105 perkelia \u012f choreografij\u0105: daugiasluoksn\u0119, paremt\u0105 skirtingais ritmais ir perspektyvomis.<\/span><\/p>\n

Gatv\u0117 kaip scena ir pasiprie\u0161inimo vieta<\/b><\/p>\n

Festivalio temin\u0119 linij\u0105 \u2013 k\u016bn\u0105 kaip politin\u012f veik\u0117j\u0105 \u2013 prat\u0119sia Volmiro Cordeiro solo \u201eStreet\u201c. Brazilijoje gim\u0119s, Pary\u017eiuje gyvenantis Cordeiro laikomas vienu ry\u0161kiausi\u0173 <\/span>queer<\/span><\/i> ir politi\u0161ko \u0161iuolaikinio \u0161okio k\u016br\u0117j\u0173 Europoje. \u201eStreet\u201c \u2013 tai k\u016brinys, patiriamas tarsi i\u0161\u0117jimas \u012f gatv\u0119: ne\u017einant, k\u0105 sutiksi, bet suvokiant, kad gr\u012f\u0161i pasikeit\u0119s. Solo atliekamas gyvai pritariant Washington Timb\u00f3 perkusijai, o choreografin\u0117je kalboje susilieja samba, kapueira, klajon\u0117s po miest\u0105 ir Bertolto Brechto poezija apie kar\u0105.<\/span><\/p>\n

D\u017eiaugsmo disciplina<\/b><\/p>\n

Festivalio pabaigoje \u017ei\u016brov\u0173 laukia Christos Papadopoulos \u2013 jau kart\u0105 vie\u0161\u0117j\u0119s \u201eNew Baltic Dance\u201c vie\u0161\u0117j\u0119s choreografas i\u0161 Graikijos, pra\u0117jusiais metais peln\u0119s \u0161okio Oskaru vadinam\u0105 \u201eRose Prize\u201c. Jis pristato naujausi\u0105 darb\u0105 \u201eMy Fierce Ignorant Step\u201c.<\/span><\/p>\n

Tai k\u016brinys apie d\u017eiaugsm\u0105 b\u016bti gyvam. De\u0161imt \u0161ok\u0117j\u0173 scenoje kuria bendr\u0105 gars\u0173 ir judesi\u0173 sistem\u0105, kurioje judesys gimsta i\u0161 garso, o garsas \u2013 i\u0161 k\u016bno. \u0160io darbo impulsas kyla i\u0161 dabarties realyb\u0117s \u2013 politin\u0117s \u012ftampos, kar\u0173, korupcijos ir aplinkos niokojimo. Atsakydamas \u012f tai, Papadopoulos gr\u012f\u017eta prie paauglyst\u0117s ver\u017elumo ne kaip nostalgijos, o kaip j\u0117gos \u0161altinio.<\/span><\/p>\n

Festivalio u\u017edarymu tampantis \u201eMy Fierce Ignorant Step\u201c gr\u0105\u017eina vilt\u012f ir primena, kad net nestabilioje realyb\u0117je bendras tikslas, \u010dia ir dabar gimstanti energija bei i\u0161 jos kylantis d\u017eiaugsmas gali tapti stipria pasiprie\u0161inimo j\u0117ga.<\/span><\/p>\n

\"\"<\/a>Christos Papadopoulos spektaklis \u201eMy Fierce Ignorant Step\u201c, Pinelopi Gerasimou nuotr.<\/em><\/p>\n

Apie festival\u012f<\/b><\/p>\n

B\u016bdamas did\u017eiausiu tokio pob\u016bd\u017eio renginiu Baltijos \u0161alyse, NBD atlieka trigub\u0105 misij\u0105: informuoti, edukuoti ir telkti \u0161okio menu besidomin\u010dius \u017emones. Festival\u012f kiekvienais metais aplanko vir\u0161 7000 \u017ei\u016brov\u0173.\u00a0\u201eNew Baltic Dance\u201c<\/span> festivalis tampa vieta, kuri suburia menininkus, augina nauj\u0105 \u0161okio profesional\u0173 kart\u0105 ir kartu publik\u0105, teikdamas galimyb\u0119 pamatyti pasaulinius auk\u0161\u010diausio lygio k\u016brinius ir premjeras bei Lietuvos k\u016br\u0117j\u0173 darbus. Festival\u012f finansuoja Lietuvos kult\u016bros taryba, Vilniaus miesto savivaldyb\u0117, Lietuvos kult\u016bros institutas ir ES.<\/span><\/p>\n



<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160iuolaikinio \u0161okio festivalis \u201eNew Baltic Dance\u201c (NBD) Vilniuje vyks jau 30-\u0105j\u012f kart\u0105 vasario 26 – baland\u017eio 29 dienomis. Festivalis, kaip …<\/p>\n","protected":false},"author":2,"featured_media":18220,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n30 met\u0173 be saugi\u0173 sprendim\u0173: \u201eNew Baltic Dance\u201926\u201c programa - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/02\/12\/30-metu-be-saugiu-sprendimu-new-baltic-dance26-programa\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"30 met\u0173 be saugi\u0173 sprendim\u0173: \u201eNew Baltic Dance\u201926\u201c programa - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u0160iuolaikinio \u0161okio festivalis \u201eNew Baltic Dance\u201c (NBD) Vilniuje vyks jau 30-\u0105j\u012f kart\u0105 vasario 26 – baland\u017eio 29 dienomis. 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