{"id":1822,"date":"2015-07-17T20:13:06","date_gmt":"2015-07-17T20:13:06","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/07\/17\/keliaujancios-baznycios\/"},"modified":"2015-07-17T20:13:06","modified_gmt":"2015-07-17T20:13:06","slug":"keliaujancios-baznycios","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/07\/17\/keliaujancios-baznycios\/","title":{"rendered":"Keliaujan\u010dios ba\u017eny\u010dios"},"content":{"rendered":"

Vidurdien\u012f per Lietuvos radij\u0105 mu\u0161a Katedros varpai. \u0160ito garso nesumai\u0161ysi su jokiu kitu garsu. Kaip ir ba\u017eny\u010di\u0173 bok\u0161t\u0173, varpini\u0173 nesumai\u0161ysi su eiliniu miestie\u010dio namu. Taip nuo seno krik\u0161\u010dioni\u0161ka ba\u017eny\u010dia \u012fsitvirtino m\u016bs\u0173 vizualiniame ir audialiniame land\u0161afte kaip atskaitos ta\u0161kas m\u0117ginant susiorientuoti erdv\u0117je ar laike. Ba\u017eny\u010dios taip pat yra puikus orientyras siekiant susigaudyti istorijoje ir geografijoje \u2013 juk v\u0117rinys romanini\u0173, gotikini\u0173, barokini\u0173, klasicistini\u0173 ir modernistini\u0173 ba\u017eny\u010di\u0173 neleid\u017eia suabejoti ilga ir turtinga paties miesto istorija.<\/p>\n

O dabar \u012fsivaizduokime, kad m\u016bs\u0173 miestuose nebelieka n\u0117 vienos ba\u017eny\u010dios. Tarsi ne katastrofa, nereikia skelbti specialiosios parengties, bet pabuvus su tokia mintimi ilg\u0117liau turb\u016bt imt\u0173 smelktis li\u016bdesys, tu\u0161tumos jausmas, beprasmyb\u0117, abejon\u0117. Vis re\u010diau bepakeltume galvas pasidairyti \u012f \u017eydrame danguje blyksin\u010dius kry\u017eius, bepris\u0117stume kavos su vaizdu \u012f \u0161ventov\u0117s stogus, bepagautume save susim\u0105stant apie tuos, kurie prie\u0161 du, tris, keturis \u0161imtus met\u0173 lygiai kaip mes b\u0117go pro \u0161onin\u0119 ba\u017eny\u010dios sien\u0105 su (ne)reik\u0161mingais reikalais. Jei suskai\u010diuotume, kiek procent\u0173 turist\u0173 nufotografuot\u0173 Lietuvos vaizd\u0173 matyti ba\u017eny\u010dios, turb\u016bt \u012fsitikintume ir estetine-ekonomine j\u0173 (pa)nauda. Tad nekeista, kai architektai urbanistai piktinasi be tvarkos i\u0161dygstan\u010diais stikliniais dangorai\u017eiais, kurie akimirksniu sumenkina ilg\u0105 laik\u0105 horizonto linijoje dominavusias ba\u017eny\u010di\u0173 smailes. Tiesa, kiti architektai ir toliau galin\u0117jasi su seniai mirusi\u0173 tos pa\u010dios profesijos atstov\u0173 palikimu siekdami juos pralenkti.<\/p>\n

Visgi \u0161\u012f kart\u0105 norisi pakalb\u0117ti ne apie architekt\u016brin\u012f ba\u017eny\u010di\u0173 u\u017ego\u017eim\u0105, bet apie miest\u0105 be ba\u017eny\u010di\u0173. Tam puiki\u0105 prog\u0105 pasi\u016bl\u0117 \u0161okio teatras \u201ePadi Dapi fish\u201c ir choreograf\u0117 Agnija \u0160eiko, \u0161i\u0105 vasar\u0105 kvie\u010dianti Klaip\u0117dos gyventojus ir sve\u010dius \u012f kelion\u0119 po septynias i\u0161nykusias Klaip\u0117dos ba\u017eny\u010dias spektakliu-ekskursija \u201eKeliaujan\u010dios ba\u017eny\u010dios\u201c.<\/p>\n

Bir\u017eelio 20d. netik\u0117tai i\u0161puol\u0117 puiki vasari\u0161ka diena. A\u0161tunt\u0105 valand\u0105 vakaro b\u016brys potyri\u0173 kolekcionieri\u0173 susirinko \u017evyro lauke prie Klaip\u0117dos piliaviet\u0117s, kur visiems buvo i\u0161dalintos didel\u0117s mink\u0161tos ausin\u0117s ir prasid\u0117jo l\u0117ta kelion\u0117 per istorij\u0105. Slenkant gatvel\u0117mis, aik\u0161t\u0117mis, stabtelint prie vitrin\u0173, skver\u0173, prieplauk\u0173, u\u017esukant \u012f kiemus, pasilyp\u0117jant laiptais ir pris\u0117dant ant ma\u017ey\u010di\u0173 medini\u0173 suoliuk\u0173, kuriuos su savimi ne\u0161\u0117si kiekvienas dalyvis, prie\u0161 akis tarsi tapybos ritinys vyniojosi miesto pasakojimas. Patys dalyviai su savo asmeniniais poj\u016b\u010diais, turimais kontekstais, nuotaikomis tarsi si\u016bl\u0173 \u0161p\u016bl\u0117s nard\u0117 skersai po spektaklio k\u016br\u0117j\u0173 pasi\u016blytas i\u0161ilgines Klaip\u0117dos istorijos, religijos, architekt\u016bros pasakojimo linijas. Ausin\u0117se \u012fvairiais vyri\u0161kais ir moteri\u0161kais balsais prabilo istoriniai dokumentai, \u012fvyki\u0173 liudininkai, pa\u010dios i\u0161nykusios ba\u017eny\u010dios. Vaizduot\u0119 kuteno netik\u0117tai i\u0161 u\u017e kampo pasirodantys, aik\u0161t\u0117se laukiantys, sekantys mums i\u0161 paskos arba paskui juos kvie\u010diantys sekti \u0161ok\u0117jai. \u0160iam projektui apsijung\u0117 nema\u017eas b\u016brys profesional\u0173 ir vaik\u0173: \u0161okio teatras \u201ePadi Dapi fish\u201c, Au\u0161ros Krasauskait\u0117s Baleto studijos mergait\u0117s, Lauros Gera\u0161\u010denko \u0161okio studijos \u201eJudesio erdv\u0117\u201c ir \u201e\u017duveliukas\u201c, Ingos Kuznecovos \u201e\u017duvies akies\u201c ir \u201eJazz up\u201c \u0161iuolaikinio \u0161okio studij\u0173 \u0161ok\u0117jai. <\/p>\n

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Por\u0105 valand\u0173 trunkanti kelion\u0117 \u0117m\u0117 hipnotizuoti ma\u017edaug nuo vidurio. Matyt, reik\u0117jo, kad susisinchronizuot\u0173 \u0161ok\u0117j\u0173 ir k\u016br\u0117j\u0173 siun\u010diamos vibracijos ir tarpusavy nepa\u017e\u012fstam\u0173 dalyvi\u0173 energijos, nuvargt\u0173 logika ir \u012fsijungt\u0173 buvimo \u201e\u010dia ir dabar\u201c re\u017eimas. Ilgainiui akmeninio grindinio, m\u016brini\u0173 sien\u0173 m\u016bro ir \u010derpini\u0173 stog\u0173 fone \u012ftartini ir \u012fdom\u016bs tapo ne tik juodais paltais vilkintys \u0161ok\u0117jai ar pilkomis v\u0117jyje besiplaikstan\u010diomis suknut\u0117mis pasipuo\u0161usios \u0161ok\u0117jos-mergait\u0117s, bet ir gatve \u017eingsniuojanti cosplay<\/em> stiliaus mergina, dr\u0105sti\u0161kai persirengusi\u0173 ir mergvakar\u012f \u0161ven\u010dian\u010di\u0173 mergin\u0173 pulkelis, sportin\u0117s aprangos parduotuv\u0117s vitrinoje su manekenu \u0161okanti pardav\u0117ja, kunigas juoda sutana ir d\u017einsais. Galvoje automati\u0161kai \u012fsijung\u0117 \u017eaidimas \u201eatsp\u0117k, kas \u010dia \u017eino, jog yra statistas, o kas eina pro \u0161al\u012f to n\u0117 ne\u012ftardamas\u201c. B\u016btent toks performatyvaus meno, \u017ei\u016brovo ir miesto gyvas susid\u016brimas, susijungiant b\u016bt\u0105jam ir esamajam laikams nepaprastai intrigavo. Tokioje sand\u016broje esama labai daug potencialo atradimams. Tiesa, rizikos nepasiduoti nat\u016braliai kylan\u010diai provokacijai arba kaip tik nesuvaldyti u\u017egimstan\u010di\u0173 publikoje ir praeiviuose proces\u0173 \u2013 dar daugiau. Visgi, jog A. \u0160eiko \u0117m\u0117si tokio eksperimento \u2013 labai sveikintinas dalykas.<\/p>\n

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Norisi pagirti choreograf\u0119, kad spektaklio k\u016brimui pasitelk\u0117 garso specialist\u0105 Kristijon\u0105 Lu\u010dinsk\u0105. Daug kur u\u017eteko vien muzikos ir prie\u0161 akis vykstan\u010dio miesto gyvenimo, kur\u012f permu\u0161davo nat\u016braliai \u012fsiliejantys sure\u017eisuoti \u0161ok\u0117j\u0173 \u012fsiver\u017eimai. Spektakl\u012f neabejotinai praturtino ir archeolog\u0117 Raimonda Naba\u017eait\u0117 bei tekst\u0173 autor\u0117 Sondra Simanaitien\u0117. Puikus ritminis elementas spektaklio prad\u017eioje \u2013 beriamos ba\u017eny\u010di\u0173 pastatymo ir j\u0173 nugriovimo datos, n\u0117 nesigilinant \u012f prie\u017eastis ir kaltininkus. Tai prie\u0161 akis tarsi i\u0161judino istorijos vol\u0105, be atvangos trai\u0161kant\u012f \u017emonijos k\u016brinius ir j\u0173 pa\u010di\u0173 gyvybes, bet vos jam nuried\u0117jus, \u017emogaus noras gyventi ir kurti (\u0161iuo atveju \u2013 statyti) v\u0117l u\u017evaldo. Vis tik spektaklio-ekskursijos metu istorin\u0117s faktologijos, dat\u0173, pavard\u017ei\u0173 ir kito vadov\u0117linio balasto buvo smarkiai per daug. Net nor\u0117dama \u012fd\u0117miai klausytis ir d\u0117tis visk\u0105 \u012f galv\u0105, nes Klaip\u0117dos istorija man ma\u017eiau \u017einoma, sunkiai paj\u0117giau tai daryti. Nes miestas, nes \u0161ok\u0117jai, nes muzika, nes mano pa\u010dios mintys mane kviet\u0117 pasiklysti ir atrasti, steb\u0117ti(s), liesti sienas, u\u017eversti galv\u0105 auk\u0161tyn, bet ne m\u0105styti, ne \u012fsiminti, ne sieti min\u010di\u0173. Tiesiog tyrin\u0117ti vaizdo, garso, kvapo ir jud\u0117jimo sukeliamus impuslus, emocijas, prisiminimus. Labiau eseistinis, poetinis ar memuarinis tekstas b\u016bt\u0173 organi\u0161kiau susiklaus\u0119s, o da\u017enesn\u0117s ir ilgesn\u0117s pauz\u0117s \u2013 leid\u0119 giliau \u012fkv\u0117pti si\u016blom\u0173 istorij\u0173 ir pasakojim\u0173. Tuo tarpu kietas, \u0161altas, nepaslankus, sunkiasvoris, tankus istorinis tekstas k\u0117sinosi v\u0117l visk\u0105 u\u017evo\u017eti stikliniu muziejiniu gaubtu ir gr\u0105\u017einti \u012fprast\u0105, t.y. negyv\u0105 atstum\u0105 tarp \u0161iandienos \u017emogaus ir archeologinio radinio.<\/p>\n

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Nepaisant to \u201eKeliaujan\u010diose ba\u017eny\u010diose\u201c buvo apstu akimirk\u0173, kada tas atstumas iki seniai pra\u017euvusi\u0173, u\u017emar\u0161tin i\u0161keliavusi\u0173 ba\u017eny\u010di\u0173 stebuklingai suma\u017e\u0117davo. Kai pris\u0117dau sankry\u017eoje tarsi savo seneli\u0173 kieme ir klausiausi senstel\u0117jusio primadoni\u0161ko ba\u017eny\u010dios balso, kai visu k\u016bnu jutau, kaip mane beveik liesdama seka \u0161ok\u0117jo k\u016bne materializavusis praeitis, kai u\u017esimir\u0161usi \u012fsistebeilijau \u012f praeiv\u012f, palaikiusi j\u012f \u0161ok\u0117ju, kai praradau laiko nuojaut\u0105 ir vaik\u0161tin\u0117jau po senamiest\u012f tarsi po filmavimo aik\u0161tel\u0119, kai \u0161ok\u0117jai, kuriuos palikdavau u\u017e kampo, staiga v\u0117l l\u016bkuriuodavo priekyje, o j\u0173 techninis perb\u0117gimas likdavo ne\u012f\u017ei\u016brimas kaip ir daugyb\u0117 ne\u017einom\u0173 istorijos akimirk\u0173 tarp \u017einom\u0173 istorijos fakt\u0173, kai \u012f\u017eengiant pro \u017eem\u0105 gyvatvori\u0173 kont\u016br\u0105 \u012f kadaise \u010dia stov\u0117jusi\u0105 ba\u017eny\u010di\u0105 pati ranka kilo \u017eegnotis…<\/p>\n

Labiausiai k\u016br\u0117jams norisi pad\u0117koti u\u017e paskutin\u0119 scen\u0105 Klaip\u0117dos turgaviet\u0117je. Kadangi buvo jau beveik de\u0161imta valanda vakaro, ilgi sunumeruoti raudon\u0173 plyt\u0173 lauko prekystaliai skend\u0117jo paslaptingoje prietemoje. L\u0117tai ant j\u0173 i\u0161nyrantys juodi \u0161ok\u0117j\u0173 siluetai tarsi Henrio Bidstrupo komiksai kino juostoje l\u0117tai slinko pro akis. Prisiminiau Williamo Forsythe\u2018o tobulai nufilmuot\u0105 spektakl\u012f \u201eOne Flat Thing, reprodeced\u201c su stalais \u2013 matyt, d\u0117l pana\u0161aus rakurso (\u0161okis aki\u0173 lygyje), koks \u0161okio spektakliuose retai pasitaiko. Tokia tobula erdv\u0117 kaip Klaip\u0117dos turgaviet\u0117 tur\u0117t\u0173 b\u016bti labiau i\u0161naudojama. Tikiu, kad \u010dia dar pamatysime i\u0161tis\u0105 spektakl\u012f. Gal b\u016bt ne tik vakare, kai \u010dia tu\u0161\u010dia, tik klampi prietema, dulk\u0117s ir sustoj\u0119s laikas, bet ir anksti ryte, kai pilna \u017emoni\u0173 dialog\u0173, \u0161vie\u017ei\u0173 dar\u017eovi\u0173 ir gars\u0173, \u012fstri\u017e\u0173 saul\u0117s spinduli\u0173.<\/p>\n

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Ka\u017ekada teatras ie\u0161kojo b\u016bd\u0173, kaip \u012fveikti vadinam\u0105j\u0105 \u201eketvirt\u0105j\u0105 sien\u0105\u201c, kuri atsiranda tarp aktori\u0173, \u0161ok\u0117j\u0173 ir publikos. \u0160iandien, vaik\u0161tin\u0117dama drauge su spektakliu \u201eKlajojan\u010dios ba\u017eny\u010dios\u201c pajutau, kaip nyksta ne tik ketvirtoji siena, bet ir lubos, ir grindys. Ir jeigu did\u017eiul\u0117je tu\u0161\u010dioje pievoje galiu ir matyti, ir jausti, ir gird\u0117ti i\u0161kylan\u010dias ba\u017eny\u010dios sienas, kolonas ir vargonus, jeigu i\u0161tu\u0161t\u0117jusioje turgaviet\u0117je galiu perskaityti miesto gyventoj\u0173 istorijas, jeigu s\u0117d\u0117dama minioje ant k\u0117dut\u0117s vidury sankry\u017eos galiu pasijusti lyg b\u016b\u010diau tyliausioje bibliotekoje, vadinasi galiu visk\u0105 \u012fsivaizduoti, sukurti, i\u0161gyventi ir papasakoti. Nes ba\u017eny\u010dia gr\u0105\u017eina atgal \u012f Diev\u0105, o \u0161okis \u2013 atgal \u012f \u017dmog\u0173. Kai kasdienyb\u0117 ver\u010dia nuolat i\u0161 \u0161it\u0173 dviej\u0173 tobul\u0173 b\u016bsen\u0173 i\u0161eiti ir tvyroti dulk\u0117se, \u0161e\u0161\u0117liuose, sumai\u0161ty, ka\u017ekur tarp, ka\u017ekur niekur, puikus spektaklio k\u016br\u0117j\u0173 klausimas \u2013 \u201eKas mes esame, kai pamir\u0161tame, ir kas mes esame, kai prisimename?\u201c \u2013 i\u0161tiesina mumyse svyruojant\u012f kry\u017ei\u0173.<\/p>\n

\u0160okio teatro \u201ePadi Dapi Fish\u201c archyvo nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Vidurdien\u012f per Lietuvos radij\u0105 mu\u0161a Katedros varpai. \u0160ito garso nesumai\u0161ysi su jokiu kitu garsu. Kaip ir ba\u017eny\u010di\u0173 bok\u0161t\u0173, varpini\u0173 nesumai\u0161ysi …<\/p>\n","protected":false},"author":1,"featured_media":1823,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nKeliaujan\u010dios ba\u017eny\u010dios - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/07\/17\/keliaujancios-baznycios\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Keliaujan\u010dios ba\u017eny\u010dios - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Vidurdien\u012f per Lietuvos radij\u0105 mu\u0161a Katedros varpai. \u0160ito garso nesumai\u0161ysi su jokiu kitu garsu. 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