{"id":18248,"date":"2026-03-09T13:55:39","date_gmt":"2026-03-09T11:55:39","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18248"},"modified":"2026-03-09T13:56:31","modified_gmt":"2026-03-09T11:56:31","slug":"jokios-tragedijos","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/","title":{"rendered":"Jokios tragedijos"},"content":{"rendered":"

Prad\u017eioje buvo garsas. Stipr\u016bs d\u016b\u017eiai, gyvyb\u0119 i\u0161\u0161aukiantis ritmas, ne atkartojantis, o skatinantis \u0161irdies plakim\u0105. Buvo prietema, o joje \u2013 i\u0161 tamsos po vien\u0105 i\u0161nyrantys k\u016bnai, kol kas \u201eapsireng\u0119\u201c blausios \u0161viesos kuriama perregima skraiste. Ir jau labai greitai scen\u0105 u\u017epildys \u0161viesa ir \u017emon\u0117s, vilkintys savo k\u016bnais ant Dievo podiumo.<\/p>\n

Steb\u0117dama Olivier Dubois \u201eTrag\u00e9die\u201c, atidarius\u012f 2026-\u0173j\u0173 tarptautinio \u0161iuolaikinio \u0161okio festivalio \u201eNew Baltic Dance\u201c program\u0105, nema\u017eai galvojau apie Diev\u0105, kaip m\u0105stymo strukt\u016br\u0105; Diev\u0105, kaip \u012fprot\u012f tur\u0117ti sykiu ir pateisinim\u0105, ir moralin\u012f vedl\u012f. Diev\u0105, kaip ne\u017einomyb\u0119, kurioje kadaise susik\u016br\u0117 \u017dem\u0117 ir i\u0161sivyst\u0117 \u017emogus, iki \u0161iandien \u017eingsniuojantis jos pavir\u0161iumi.<\/p>\n

Gro\u017eiuosi k\u016bnu. Artimu ir subtiliu, kiekvienu \u017eingsniu u\u017eburian\u010diu, ir, kaip sak\u0117 Adolphe\u02bcas Appia, judesiu kurian\u010diu erdv\u0119 aplink save. Juk daugiau nieko n\u0117ra, tik \u017emoni\u0173 \u201ene\u0161ami\u201c k\u016bnai, kiekvienu nauju pasirodymu auginantys sav\u0105j\u0105 od\u0105, lyg \u0161arv\u0105. Kiekvienas \u017eingsnis ver\u010dia visus mus sal\u0117je, kartu su tais, esan\u010diais scenoje, vis tvir\u010diau \u012ftempti raumenis, vis ry\u0161kiau justi bendr\u0105 ritm\u0105, kur\u012f toliau mu\u0161a Fran\u00e7ois Caffenne\u02bc\u0117s garso kompozicija.<\/p>\n

\"\"<\/a>Spektaklis \u201eTrag\u00e9die\u201c, Francois Stemmerio nuotr.<\/em><\/p>\n

 <\/p>\n

Scenos gilumoje pakabinta juod\u0173 virvi\u0173 siena trumpam \u201epagauna\u201c kelis \u0161ok\u0117jus \u2013 lyg dievi\u0161koji ranka, primindama j\u0173 marioneti\u0161k\u0105 prigimt\u012f. K\u016bnai, nors ir nuogi, ritmi\u0161ki, n\u0117ra laisvi, kol kas jie n\u0117ra individual\u016bs ar netgi s\u0105moningi. Juose \u017eymiai daugiau mechani\u0161kumo, ma\u017eai pasirinkimo. Jie keliauja Dievo ar evoliucijos nutiestais takais, kol pagaliau vienas i\u0161dr\u012fsta stabtelti ir trumpam \u0161elmi\u0161kai \u017evilgtel\u0117ti \u012f mus per pet\u012f. \u017dmogi\u0161kai, lyg savo noru.<\/p>\n

Ir jau \u010dia viskas pradeda byr\u0117ti, nors mums dar taip neatrodo. Ilg\u0105 laik\u0105 tik priekiu ir nugara matyti k\u016bnai \u012fgyja galutin\u012f trimat\u012f t\u016br\u012f, formuodami tai, kas tarytum atkartoja antikines fig\u016bras. Prisijungia ir Patricko Riou \u0161viesos. Iki tol daugiausiai fokusuotos i\u0161 vir\u0161aus, jos jau siekia k\u016bnus ir i\u0161 \u0161onini\u0173 pozicij\u0173, dar prid\u0117damos \u0161ilt\u0173 ton\u0173. Paradoksalu, nes t\u016br\u012f \u012fgyjan\u010dios fig\u016bros primena pie\u0161inius ant amfor\u0173 ir pirm\u0105 kart\u0105 iki \u0161iol vienakrypt\u0119 k\u016bn\u0173 mas\u0119 perskelia \u012f dvi stovyklas.<\/p>\n

Kol \u0161is, pirmasis, konfliktas atrodo tolimas ir poeti\u0161kas, choreografas jau ruo\u0161iasi kitam \u0117jimui ir ka\u017ekur u\u017e scenos \u017eudo Diev\u0105. Jau labai greitai, nors k\u016bnai v\u0117l atgims ir i\u0161 naujo ims demonstruoti savo \u017emogi\u0161kuosius kostiumus ant matyto podiumo, \u0161i dievi\u0161koji tvarka grius vis da\u017eniau ir grei\u010diau. Ma\u017ea to, \u010dia nebereik\u0117s n\u0117 dviej\u0173 stovykl\u0173, \u2013 \u017emogi\u0161koji (pa)klaida tampa individuali ir lemia masin\u012f chaos\u0105.<\/p>\n

Nors istori\u0161kai mes atkeliaujame \u012f b\u016bt\u012f po Nietzsche\u02bc\u0117s, nenuilstantis \u012fvyki\u0173 pasikartojimas veda ie\u0161koti vis kit\u0173 atsakym\u0173, gr\u012f\u017eti ar net suktis laiko ratu. Ir \u010dia veikia paties spektaklio istori\u0161kumas, m\u0105stant apie tai, kaip jis buvo priimtas 2012 metais: kaip tuomet \u017evelg\u0117me \u012f nuog\u0105 k\u016bn\u0105 scenoje, kiek tuomet save, \u201eauk\u0161tesn\u012f\u201c u\u017e gyvulius, buvome link\u0119 kritikuoti, kaip sunku ar lengva t\u0105 buvo daryti buvusioms imperijoms? Juk viskas \u012fvyko v\u0117liau: dauguma \u0161iandienos \u017ei\u016bros ta\u0161k\u0105 formuojan\u010di\u0173 jud\u0117jim\u0173, kar\u0173 ir net pandemija skiria mus, 2026 m. vasar\u012f \u017evelgusius \u012f \u201eTragedij\u0105\u201c, nuo tos 2012-\u0173j\u0173 Avinjono publikos.<\/p>\n

\"\"<\/a>Spektaklis \u201eTrag\u00e9die\u201c, Francois Stemmerio nuotr.<\/em><\/p>\n

\u010cia atsiskleid\u017eia poeti\u0161kos spektaklio prigimties impresijos galia, kurioje prasm\u0117s savaime nekisdamos, gali b\u016bti performuluojamos paties \u017ei\u016brovo. Pirmiausia, reikia li\u016bdnai pripa\u017einti, kad tarp nepakitusi\u0173 i\u0161liko matantieji k\u016bn\u0105, kaip seksualini\u0173 aistr\u0173 ir vertinimo objekt\u0105. \u0160iandien, vie\u0161umoje matomi ne tik nuo realaus k\u016bno nutol\u0119 kosmetiniai objektai, jau, regis, pildosi praeities etape pasilikusiais \u201egro\u017eio\u201c badu u\u017esiiman\u010diais k\u016bnais. Tokiame fone skirtingo sud\u0117jimo, proporcij\u0173 fig\u016bros scenoje tampa lengvu priminimu apie tai, koks individualus ir i\u0161 ties\u0173 i\u0161tvermingas yra \u017emogaus k\u016bnas.<\/p>\n

Kalb\u0117dami apie k\u016bno \u012fvairov\u0119 \u0161iandien \u017eengiame \u012f kiek kitoki\u0105 kasdienyb\u0119. Kaip sak\u0117 pats choreografas, atnaujinant spektakl\u012f, trup\u0119 pakeit\u0117 ir dalis \u0161ok\u0117j\u0173, siekiant matyti dabarties k\u016bn\u0105 scenoje. Nicholas Baffoni, Taos Bertrand, Camerone Bida, Eve Bouchelot, Steven Bruneau, Jacquelyn Elder, Steven Hervouet, Aim\u00e9e Lagrange, Sophie L\u00e8bre, Sebastien Ledig, Matteo Lochu, Nicola Manzoni, Thierry Micouin, Aur\u00e9lie Mouilhade, Mateusz Piekarski, Elsa Tagawa, Emiko Tamura \u2013 kiekvienas j\u0173 yra labai savitas ir ry\u0161kus, atrodo tik Dubois kartot\u0117s vald\u017eioje galintis tapti \u0161io mechanizmo sraigteliu.<\/p>\n

Galvodama apie reprezentacij\u0105 scenoje, priart\u0117ju prie kitos minties: kiek \u0161is k\u016brinys yra europocentristinis, o kiek t\u0105 europocentrizm\u0105 jis kritikuoja? Net nesu iki galo \u012fsitikinusi, kiek \u0161i mintis egzistavo kuriant spektakl\u012f. Pamatin\u0117mis \u017emogaus-\u017emogi\u0161kumo temomis kalbantis choreografas ir jo k\u016brinys \u0161iandien \u017evelgia \u012f pasikeitus\u012f pasaul\u012f, kuriame, pradedu abejoti, ar dar liko vietos jauduliui d\u0117l \u017emogi\u0161kumo, juolab jo liku\u010di\u0173 suvokimo tragedijai.<\/p>\n

\"\"<\/a>Spektaklis \u201eTrag\u00e9die\u201c, Francois Stemmerio nuotr.<\/em><\/p>\n

Vis d\u0117lto tai nerei\u0161kia, kad garso, \u0161viesos ir k\u016bn\u0173 intensyvumui pasiekiant auk\u0161\u010diausius spektaklio \u012ftampos ta\u0161kus, jis neveikia. Anaiptol. \u0160iandienos fone tragi\u0161k\u0105 suvokim\u0105 apie \u017emogaus nebuvim\u0105 \u017emogi\u0161ku pralenkia \u017emogaus universalios kalt\u0117s liudijimas. Tam tikru po\u017ei\u016briu, \u0161iedu dalykai, \u017einoma, yra susij\u0119, ta\u010diau formuluot\u0117s labai kei\u010dia suvokimo poveik\u012f. Kai vertyb\u0117, kurios siekiama, \u012fvardijama savuoju vardu \u2013 \u201e\u017emogi\u0161kumas\u201c, m\u0105stome apie save kaip siekiamyb\u0117s, net abstraktaus tobulumo i\u0161rai\u0161k\u0105. O jei tiesiog sakytume, kad d\u0117l visko visgi kaltas \u017emogus?<\/p>\n

Dubois scena t\u0117ra juoda erdv\u0117, kurioje egzistuojantys k\u016bnai patys sau kuria tragedijas. Mes ne\u017einome, i\u0161 kur jie ateina ir kur b\u016bna, kai j\u0173 nematome, ta\u010diau savo gro\u017eiu mus nuolat stebina j\u0173 atsiradimo ir pranykimo procesas. Su ar be Dievo, mes ne\u017einome, kas yra tame daugiaprasmiame \u201eanapus\u201c, juo \u017eavim\u0117s ir bijome, bet, matyt, d\u0117l jo vienintelio sutariame. Viskas, kas egzistuoja tarp \u012f\u0117jimo ir i\u0161\u0117jimo, su dievyb\u0117s esatimi ar be jos, vyksta tik su mumis ir m\u016bs\u0173 k\u016bnais, kyla i\u0161 j\u0173. Tik mes vis atskiriame savo mintis nuo k\u016bno, da\u017enai naudodami daugiausiai nesusipratim\u0173 keliant\u012f verbalin\u0117s kalbos \u012frank\u012f. M\u016bs\u0173 k\u016bn\u0105 paliekantys \u017eod\u017eiai tarsi leid\u017eia atsiriboti, keisti istorijas, neigti veiksm\u0173 autenti\u0161kum\u0105. \u017dod\u017eiais br\u0117\u017eiame skirt\u012f tarp dvasinio ir k\u016bni\u0161ko, protinio-fizinio, kaip ir \u017emogaus-\u017emogi\u0161kumo, ar net kult\u016brinio ir politinio.<\/p>\n

Jei kliautum\u0117m\u0117s Dubois choreografija, skirtis apsigyvena \u017emoguje, o ne tarp \u017emoni\u0173. Matyt, vienintel\u0117 viltis lieka kartojime, i\u0161\u0117jime \u012f tams\u0105 tam, kad v\u0117l bandytume sugr\u0105\u017einti \u0161vies\u0105, nes jei tik mes galime kurti tragedij\u0105, juk turi b\u016bti ir atvirk\u0161\u010dio veiksmo galimyb\u0117?..<\/p>\n

Tekstas publikuotas \u201eMen\u0173 fakt\u016broje\u201c 202\u0161 m. kovo 3 d. Tekst\u0105 galite rasti \u010dia.<\/a>\u00a0<\/em><\/p>\n

Projekt\u0105 \u201eMen\u0173 fakt\u016bra\u201c, 2025 m. skyr\u0119s 34 t\u016bkst. eur\u0173, i\u0161 dalies finansuoja Medij\u0173 r\u0117mimo fondas.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Prad\u017eioje buvo garsas. Stipr\u016bs d\u016b\u017eiai, gyvyb\u0119 i\u0161\u0161aukiantis ritmas, ne atkartojantis, o skatinantis \u0161irdies plakim\u0105. Buvo prietema, o joje \u2013 i\u0161 …<\/p>\n","protected":false},"author":2,"featured_media":18197,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nJokios tragedijos - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jokios tragedijos - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Prad\u017eioje buvo garsas. Stipr\u016bs d\u016b\u017eiai, gyvyb\u0119 i\u0161\u0161aukiantis ritmas, ne atkartojantis, o skatinantis \u0161irdies plakim\u0105. Buvo prietema, o joje \u2013 i\u0161 ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-09T11:55:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-09T11:56:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/02\/Francois-Stemmer-11-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1254\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/02\/Francois-Stemmer-11-scaled.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/02\/Francois-Stemmer-11-scaled.jpg\",\"width\":2560,\"height\":1254},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/\",\"name\":\"Jokios tragedijos - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#primaryimage\"},\"datePublished\":\"2026-03-09T11:55:39+00:00\",\"dateModified\":\"2026-03-09T11:56:31+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Jokios tragedijos\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\",\"name\":\"dance\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"caption\":\"dance\"},\"url\":\"https:\/\/dance.lt\/new\/author\/dance\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Jokios tragedijos - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/","og_locale":"lt_LT","og_type":"article","og_title":"Jokios tragedijos - Lithuanian Dance Centre","og_description":"Prad\u017eioje buvo garsas. Stipr\u016bs d\u016b\u017eiai, gyvyb\u0119 i\u0161\u0161aukiantis ritmas, ne atkartojantis, o skatinantis \u0161irdies plakim\u0105. Buvo prietema, o joje \u2013 i\u0161 ...","og_url":"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2026-03-09T11:55:39+00:00","article_modified_time":"2026-03-09T11:56:31+00:00","og_image":[{"width":2560,"height":1254,"url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/02\/Francois-Stemmer-11-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"dance","Est. reading time":"6 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#primaryimage","inLanguage":"lt-LT","url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/02\/Francois-Stemmer-11-scaled.jpg","contentUrl":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/02\/Francois-Stemmer-11-scaled.jpg","width":2560,"height":1254},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#webpage","url":"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/","name":"Jokios tragedijos - Lithuanian Dance Centre","isPartOf":{"@id":"https:\/\/dance.lt\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#primaryimage"},"datePublished":"2026-03-09T11:55:39+00:00","dateModified":"2026-03-09T11:56:31+00:00","author":{"@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252"},"breadcrumb":{"@id":"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#breadcrumb"},"inLanguage":"lt-LT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dance.lt\/new\/2026\/03\/09\/jokios-tragedijos\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dance.lt\/new\/en\/"},{"@type":"ListItem","position":2,"name":"Jokios tragedijos"}]},{"@type":"Person","@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252","name":"dance","image":{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/#personlogo","inLanguage":"lt-LT","url":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","caption":"dance"},"url":"https:\/\/dance.lt\/new\/author\/dance\/"}]}},"_links":{"self":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/18248"}],"collection":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/comments?post=18248"}],"version-history":[{"count":2,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/18248\/revisions"}],"predecessor-version":[{"id":18250,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/18248\/revisions\/18250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media\/18197"}],"wp:attachment":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media?parent=18248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/categories?post=18248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/tags?post=18248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}