{"id":18318,"date":"2026-04-20T11:28:49","date_gmt":"2026-04-20T08:28:49","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18318"},"modified":"2026-04-20T11:29:46","modified_gmt":"2026-04-20T08:29:46","slug":"dumu-fabrike-sokis-is-kitos-dimensijos-australai-chunky-move-new-baltic-dance-scenoje","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/04\/20\/dumu-fabrike-sokis-is-kitos-dimensijos-australai-chunky-move-new-baltic-dance-scenoje\/","title":{"rendered":"D\u016bm\u0173 fabrike \u2013 \u0161okis i\u0161 kitos dimensijos: australai \u201eChunky Move\u201c NEW BALTIC DANCE scenoje"},"content":{"rendered":"

Baland\u017eio 23\u201325 dienomis Vilniuje, D\u016bm\u0173 fabrike, tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNew Baltic Dance\u201c pakvies \u012f i\u0161skirtin\u0119 patirt\u012f \u2013 \u010dia vie\u0161\u0117s Australijos trup\u0117 \u201eChunky Move\u201c, pristatysianti naujausi\u0105 savo darb\u0105 U>N>I>T>E>D. Tai spektaklis, kuris ne tik ple\u010dia \u0161iuolaikinio \u0161okio ribas, bet ir i\u0161 esm\u0117s perm\u0105sto, kas apskritai yra scena, k\u016bnas ir judesys.<\/strong><\/p>\n

Tarp \u0161okio, mito ir technologijos<\/b><\/p>\n

U>N>I>T>E>D n\u0117ra tradicinis \u0161okio spektaklis. Jis veikiau primena \u012f\u017eengim\u0105 \u012f kit\u0105 dimensij\u0105 \u2013 ma\u0161ini\u0161kai misti\u0161k\u0105 pasaul\u012f, kuriame \u017emogaus k\u016bnai transformuojasi \u012f mitines b\u016btybes, o animatronin\u0117s (mechanizuotos, robotizuotos) fig\u016bros pulsuoja keista, beveik gyva energija. Scenoje susilieja k\u016bnas, technologija ir garsas \u2013 intensyvi\u0105, ritualin\u0119 atmosfer\u0105 kuria Indonezijos duetas \u201eGabber Modus Operandi\u201c.<\/span><\/p>\n

\u0160is darbas \u2013 \u201eChunky Move\u201c meno vadovo Antony Hamiltono vizija. Nuo 2019-\u0173j\u0173 vadovaudamas trupei, jis kryptingai veda j\u0105 \u012f tai, k\u0105 pats vadina \u201espekuliatyvia scenos meno ateitimi\u201c. Po pripa\u017eint\u0173 k\u016brini\u0173 <\/span>Token Armies<\/span><\/i> ir <\/span>Yung Lung<\/span><\/i>, U>N>I>T>E>D tampa dar vienu \u017eingsniu gilyn \u012f choreografijos, dizaino ir mitologijos sankirtas.<\/span><\/p>\n

Ta\u010diau, kaip pats Hamiltonas pabr\u0117\u017eia, viskas prasideda nuo paprastos id\u0117jos \u2013 simbolio \u201e>\u201c.<\/span>
\n<\/span>\u201eTai matematinis \u017eenklas, rei\u0161kiantis progres\u0105, bet man jis taip pat kalba apie ka\u017ek\u0105 daugiau \u2013 apie galimyb\u0119 per\u017eengti \u012fprast\u0105 suvokim\u0105, apie gilesn\u012f \u017emogaus ry\u0161\u012f su aplinka\u201c, \u2013 sako choreografas. B\u016btent \u0161is siekis \u201ei\u0161judinti\u201c kasdienyb\u0117s prasm\u0119 tampa spektaklio a\u0161imi.<\/span><\/p>\n

\"\"<\/a><\/b>U>N>I>T>E>D, Cheng yu Chen nuotr.<\/em><\/p>\n

K\u016bryba kaip rizika<\/b><\/p>\n

Hamiltonas gars\u0117ja k\u016brybiniu principu, kur\u012f pats apib\u016bdina paprastai: \u201e\u012fsikasti \u012f duob\u0119 ir rasti \u012fdom\u0173 b\u016bd\u0105 i\u0161 jos i\u0161lipti\u201c. Tai rei\u0161kia s\u0105moning\u0105 rizik\u0105 \u2013 kurti sud\u0117tingas situacijas, kurios ver\u010dia ie\u0161koti nauj\u0173 sprendim\u0173.<\/span><\/p>\n

Toks po\u017ei\u016bris susiformavo dar ankstyvoje jo karjeroje. Baig\u0119s Vakar\u0173 Australijos scenos men\u0173 akademij\u0105, jis prad\u0117jo dirbti su \u201eAustralian Dance Theatre\u201c, v\u0117liau persik\u0117l\u0117 \u012f Melburn\u0105 ir tapo \u201eChunky Move\u201c \u0161ok\u0117ju \u2013 trup\u0117je, kuri jau tuomet gars\u0117jo eksperimentais ir pasirodymais netradicin\u0117se erdv\u0117se, nuo apleist\u0173 prekybos pasa\u017e\u0173 iki naktini\u0173 klub\u0173.<\/span><\/p>\n

\u201eTai buvo dr\u0105su, energinga, jung\u0117 popkult\u016br\u0105 su tuo, kas tuo metu buvo laikoma auk\u0161tuoju menu\u201c, \u2013 prisimena Hamiltonas. \u201e\u2018Chunky Move\u2019 buvo vieta, kur nor\u0117jau b\u016bti.\u201c<\/span><\/p>\n

\u0160iandien jis pats formuoja trup\u0117s krypt\u012f \u2013 i\u0161laikydamas eksperimentin\u0119 dvasi\u0105, bet kartu pl\u0117sdamas jos galimybes ir auditorij\u0105.<\/span><\/p>\n

Kolektyvin\u0117 vizija<\/b><\/p>\n

U>N>I>T>E>D \u2013 ne vieno autoriaus darbas, o daugiabals\u0117 k\u016brybin\u0117 platforma. Spektaklyje susijungia skirting\u0173 kult\u016br\u0173 ir disciplin\u0173 menininkai.<\/span><\/p>\n

Indonezijos duetas \u201eGabber Modus Operandi\u201c \u012fne\u0161a garsin\u012f pasaul\u012f, kuriame susipina <\/span>gabber, noise<\/span><\/i>, tradiciniai ritmai ir transo elementai. J\u0173 po\u017ei\u016bris \u012f k\u016bryb\u0105 \u2013 kad \u017emogaus sukurti objektai turi dvasi\u0105 \u2013 tampa viena svarbiausi\u0173 spektaklio id\u0117j\u0173.<\/span><\/p>\n

\u201eM\u016bs\u0173 patirtys palieka p\u0117dsak\u0105 daiktuose. Jie n\u0117ra tik funkcional\u016bs \u2013 jie tampa m\u016bs\u0173 buvimo pasaulyje i\u0161rai\u0161ka\u201c, \u2013 sako Hamiltonas.<\/span><\/p>\n

Vizualin\u0119 spektaklio kalb\u0105 kuria Balio mados \u017eenklas \u201eFuture Loundry\u201c, gars\u0117jantis perdirbt\u0173 med\u017eiag\u0173 naudojimu. J\u0173 estetika sustiprina materialumo tem\u0105 \u2013 kaip daiktai gimsta, kei\u010diasi ir \u012fgyja naujas prasmes.<\/span><\/p>\n

Tuo tarpu \u201eCreature Technology Co.\u201c sukurta animatronika suteikia scenai hibridin\u0119 energij\u0105 \u2013 \u010dia organi\u0161kas judesys susilieja su mechanika, o \u0161vies\u0173 dizainas sukuria aplink\u0105, kurioje net \u0161e\u0161\u0117liai tampa veik\u0117jais.<\/span><\/p>\n

\"\"<\/a>U>N>I>T>E>D, Jootz nuotr.<\/em><\/p>\n

K\u016bnas kaip transformacijos vieta<\/b><\/p>\n

Vienas ry\u0161kiausi\u0173 spektaklio element\u0173 \u2013 kostiumai. \u012ekv\u0117pti motocroso ir mokslin\u0117s fantastikos, jie ne tik kei\u010dia \u0161ok\u0117j\u0173 i\u0161vaizd\u0105, bet ir transformuoja pat\u012f judes\u012f.<\/span><\/p>\n

Kiekvienas kostiumas sveria apie 7 kilogramus ir turi judan\u010dius s\u0105narius, leid\u017eian\u010dius i\u0161pl\u0117sti k\u016bno galimybes. Ta\u010diau kartu tai \u2013 ir apribojimas, reikalaujantis i\u0161 naujo mokytis jud\u0117ti.<\/span><\/p>\n

\u201e\u0160ok\u0117jai tur\u0117jo persitreniruoti, ir a\u0161 pats tur\u0117jau i\u0161mokti choreografuoti su tokiais k\u016bnais\u201c, \u2013 pasakoja Hamiltonas. \u201eTai ir yra tas momentas, kai \u2018\u012fsikasi \u012f duob\u0119\u2019 \u2013 o tada turi rasti sprendim\u0105.\u201c<\/span><\/p>\n

Scenoje \u0161ok\u0117jai jungiasi \u012f kolektyvines formas \u2013 kartais primenan\u010dias mitologines b\u016btybes, kartais \u2013 keistas mechanines strukt\u016bras. \u201eAtsiranda santykiai \u2013 tarsi \u0161eimos, hierarchijos, lyderiai ir sek\u0117jai. I\u0161 judesio gimsta i\u0161tisos mitologijos\u201c, \u2013 sako choreografas.<\/span><\/p>\n

Mitas kasdienyb\u0117je<\/b><\/p>\n

Nors U>N>I>T>E>D vizualiai atrodo futuristinis, jo esm\u0117 \u2013 labai \u017emogi\u0161ka. Hamiltonas kalba apie mitus, ritualus ir kasdienyb\u0117s transformacij\u0105.\u201eNet papras\u010diausi dalykai \u2013 atidaryti duris ar i\u0161sivalyti dantis \u2013 gali tapti nepaprasti, jei juos pa\u017evelgi kitaip\u201c, \u2013 teigia jis. \u201eMes norime sugr\u0105\u017einti nuostabos jausm\u0105.\u201c<\/span><\/p>\n

Pasak k\u016br\u0117jo, spektaklis n\u0117ra apie ateit\u012f \u2013 tai dabarties perinterpretavimas. Gyvas pasirodymas, kuriame viskas vyksta \u010dia ir dabar, leid\u017eia i\u0161 naujo pa\u017evelgti \u012f tai, k\u0105 laikome savaime suprantamu.<\/span><\/p>\n

\"\"<\/a>U>N>I>T>E>D, Jootz nuotr.<\/em><\/p>\n

Vienyb\u0117s patirtis<\/b><\/p>\n

Galiausiai U>N>I>T>E>D \u2013 tai k\u016brinys apie susijungim\u0105. \u017dmoni\u0173, id\u0117j\u0173, kult\u016br\u0173 ir k\u016bn\u0173 susitikim\u0105 vienoje erdv\u0117je. \u201eKai visa tai susijungia su energija ir entuziazmu, nutinka nepaprasti dalykai. Noriu, kad \u017ei\u016brovai i\u0161eit\u0173 su jausmu, jog patyr\u0117 tai, ko dar niekada nebuvo mat\u0119. \u201c, \u2013 sako Hamiltonas.<\/span><\/p>\n

NEW BALTIC DANCE pristatomas spektaklis \u2013 reta proga i\u0161 arti pamatyti trup\u0119, kuri jau daugiau nei tris de\u0161imtme\u010dius formuoja \u0161iuolaikinio \u0161okio krypt\u012f pasaulyje, ir patirti k\u016brin\u012f, kuriame \u0161okis tampa viskuo \u2013 nuo k\u016bno iki mito, nuo technologijos iki gyvos, kv\u0117puojan\u010dios vaizduot\u0117s.<\/span><\/p>\n

Parengta naudojant interviu su Tanya MacNaughton (\u201eThe West Australian\u201c) ir interviu su \u201eBakchormeeboy\u201c.<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Baland\u017eio 23\u201325 dienomis Vilniuje, D\u016bm\u0173 fabrike, tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNew Baltic Dance\u201c pakvies \u012f i\u0161skirtin\u0119 patirt\u012f \u2013 \u010dia vie\u0161\u0117s …<\/p>\n","protected":false},"author":2,"featured_media":18319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nD\u016bm\u0173 fabrike \u2013 \u0161okis i\u0161 kitos dimensijos: australai \u201eChunky Move\u201c NEW BALTIC DANCE scenoje - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/04\/20\/dumu-fabrike-sokis-is-kitos-dimensijos-australai-chunky-move-new-baltic-dance-scenoje\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"D\u016bm\u0173 fabrike \u2013 \u0161okis i\u0161 kitos dimensijos: australai \u201eChunky Move\u201c NEW BALTIC DANCE scenoje - 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