{"id":18364,"date":"2026-05-18T17:07:26","date_gmt":"2026-05-18T14:07:26","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18364"},"modified":"2026-05-18T17:08:10","modified_gmt":"2026-05-18T14:08:10","slug":"brazilo-kova-europoje-new-baltic-dance-spektakliai-in-a-corner-the-sky-surrenders-ir-street","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/05\/18\/brazilo-kova-europoje-new-baltic-dance-spektakliai-in-a-corner-the-sky-surrenders-ir-street\/","title":{"rendered":"Brazilo kova Europoje. \u201eNew Baltic Dance\u201c spektakliai \u201eIn a Corner The Sky Surrenders\u201c ir \u201eStreet\u201c"},"content":{"rendered":"

Benamyst\u0117 ir gatv\u0117s chaosas, nesuvar\u017eytas buvimas ir siekis i\u0161judinti \u017ei\u016brovus. Tokius kampus si\u016blo 2026 m. \u0161iuolaikinio \u0161okio festivalyje \u201eNew Baltic Dance\u201c \u012fvyk\u0119 spektakliai \u201eIn A Corner The Sky Surrenders \u2013 Unplugging Archival Journeys… # 3 (For Volmir <3)…\u201c (\u201eMen\u0173 spaustuv\u0117\u201c, baland\u017eio 15, 16 d.) ir \u201eStreet\u201c (Nacionalin\u0117 dail\u0117s galerija, baland\u017eio 17, 18 d.). Pirmajame i\u0161 Brazilijos kil\u0119s ir Pranc\u016bzijoje kuriantis Volomiras Cordeiro tapo choreograf\u0117s Robyn Orlin id\u0117jos atlik\u0117ju, antrajame \u012fgalino savo paties k\u016bryb\u0105.<\/strong><\/p>\n

\"\"<\/a>Spektaklis \u201eIn A Corner The Sky Surrenders \u2013 Unplugging Archival Journeys… # 3 (For Volmir <3), Dmitrijaus Matvejevo nuotr.<\/em><\/p>\n

\u012edomu, kad choreograf\u0117 Robyn Orlin turi lietuvi\u0161k\u0173 \u0161akn\u0173: jos t\u0117vas \u2013 litvakas i\u0161 gausios \u017eyd\u0173 \u0161eimos, mama \u2013 lietuvi\u0173 ir lenk\u0173 kilm\u0117s. \u0160eima d\u0117l \u017eydams kilusios gr\u0117sm\u0117s dar prie\u0161 Antr\u0105j\u012f pasaulin\u012f kar\u0105 i\u0161vyko \u012f Piet\u0173 Afrik\u0105, kur v\u0117liau gim\u0117 Orlin. Tik lietuvyb\u0117 \u0161iuo atveju t\u0117ra \u0161alutinis akcentas. Orlin apie Lietuv\u0105 \u017eino nedaug, jos k\u016bryboje \u0161i detal\u0117 nefig\u016bruoja, tod\u0117l tai ne daugiau nei genealogin\u0117s i\u0161takos. Ir vis d\u0117lto apie stiprios k\u016br\u0117jos s\u0105sajas su Lietuva i\u0161girsti malonu.<\/p>\n

I\u0161 Piet\u0173 Afrikos \u012f Niujork\u0105 atvykusi\u0105 Orlin sukre\u010dia benamyst\u0117s mastas. Steb\u0117dama gatves nuklojusius \u017emones, ji nusprend\u017eia prisijungti, taip tik\u0117damasi susikurti neribot\u0105 k\u016brybin\u0119 erdv\u0119. Susipa\u017einusi su vienu benamiu, Orlin surado jam didel\u0119 kartonin\u0119 \u0161aldytuvo d\u0117\u017e\u0119. Nesitik\u0117jo, kad nuvilkti j\u0105 per miest\u0105 bus ne taip jau paprasta \u2013 kiti band\u0117 karton\u0105 atimti. Nutikimas Orlin nesutrikd\u0117, net prie\u0161ingai \u2013 susi\u017eav\u0117jim\u0105 k\u0117l\u0117 i\u0161likimo instinktas, budrus reagavimas \u012f vyksm\u0105 aplinkoje. Taip 1994-aisiais gim\u0117 Orlin solo \u0161okio spektaklis \u201eIn a Corner The Sky Surrenders\u201c, kur\u012f po keli\u0173 de\u0161imtme\u010di\u0173 ji nusprend\u0117 prikelti. Tik jau ne sau, o kitiems \u0161ok\u0117jams. 2022 m. spektakl\u012f atnaujino Nadiai Beugr\u00e9, 2024 m. \u2013 Martai Izquierdo Munoz, o 2025 m. \u2013 Vilniuje pasirod\u017eiusiam Volomirui Cordeiro. 1994 m. sukurtas ir baigiamuoju magistro darbu tap\u0119s spektaklis i\u0161ry\u0161kina, kad vis\u0105 k\u016brybin\u012f keli\u0105 Orlin \u017eengia nuosekliai laikydamasi principin\u0117s nuostatos kurti apie \u012f para\u0161tes nustumtus rei\u0161kinius, \u017emones, nepatogi\u0105 istorin\u0119 praeit\u012f.<\/p>\n

Benamyst\u0117s simboliu spektaklyje tampa didel\u0117 d\u0117\u017e\u0117. Lyg i\u0161 skeld\u0117jan\u010dio luk\u0161to, i\u0161 jos ky\u0161o ranka, miegmai\u0161io kra\u0161telis. Spektaklio interpretacijose, skirtose kitoms atlik\u0117joms, buvo naudojama \u0161aldytuvo pakuot\u0117 \u2013 rudo kartono d\u0117\u017e\u0117 su buitin\u0117s technikos informacija. Ta\u010diau ji susid\u0117v\u0117jo, tad Vilniuje d\u0117\u017e\u0117 jau kita, balta, sumeistrauta rankomis. D\u0117l to atrodo kaip poetin\u0117 abstrakcija, nebe reali nuoroda, stiprus socialinis \u017eenklas. Savadarb\u0119 atmosfer\u0105 pastiprina ap\u0161vietimui naudojamos stalin\u0117s skaitymo lemput\u0117s, o elektronin\u0117 muzika garso pultais kuriama \u010dia pat, scenos \u0161one.<\/p>\n

\u201eIn a Corner The Sky Surrenders\u201c veikia kaip konceptas, \u012fpareigojantis atlik\u0117j\u0105 palikti esminius kir\u010dius, bet teikiantis laisv\u0119 interpretuoti savaip. \u010cia su\u017eaid\u017eia Cordeiro savastis \u2013 jo auk\u0161ta\u016bg\u0117 psichofizika, sambos judesiai, i\u0161 spalvingo miegmai\u0161io \u012f karnavalin\u012f kostium\u0105 virstantis r\u016bbas. Brazilijoje kalbama brazili\u0161kai, ne portugali\u0161kai, primena Cordeiro, nediduku sakiniu lyg tarp kitko u\u017emetantis mil\u017eini\u0161k\u0105 kolonializmo svor\u012f. Nors atsispiriama nuo opios benamyst\u0117s temos, spektaklis, paradoksalu, suveikia kaip k\u016brybos, identiteto, savirai\u0161kos, k\u016bno i\u0161silaisvinimas. Nesivar\u017eoma nuogumo, erotikos. Spektakliui \u012fpus\u0117jus Cordeiro sustoja, sako \u201epavargau\u201c ir kvie\u010dia kur\u012f nors i\u0161 \u017ei\u016brov\u0173 atlikti masa\u017eo. \u012e scen\u0105 ateina labai \u0161auniai su situacija susitvarkanti mergina, \u012f spektakl\u012f \u012fne\u0161dama savitumo, kuris jau niekad nebepasikartos.<\/p>\n

Nepaisant \u0161maik\u0161\u010di\u0173 intarp\u0173, lengvab\u016bdi\u0161kumo, visk\u0105 lydi li\u016bdesio atspalviai, i\u0161skirtinai brazil\u0173 ir portugal\u0173 perteikiamas saudade<\/em> \u2013 gilios melancholijos b\u016bsena. Viso spektaklio metu scenos priekyje pastatytais plastikiniais b\u0117giais zuja \u017eaislinis traukinys. Cordeiro atsigula \u0161alia ir u\u017emiega.<\/p>\n

\"\"<\/a>Spektaklis \u201eStreet\u201c, Dmitrijaus Matvejevo nuotr.<\/em><\/p>\n

Volmiro Cordeiro darbe \u201eStreet\u201c galima atpa\u017einti jo kaip \u0161ok\u0117jo brai\u017e\u0105, matyt\u0105 \u201eIn a Corner The Sky Surrenders\u201c. Valandai tap\u0119s Nacionalin\u0117s dail\u0117s galerijos pirmo auk\u0161to erdv\u0117s \u0161eimininku, jis su muzikantu i\u0161 Brazilijos Washingtonu Timb\u00f3\u00a0kuria b\u016bgno ritmais kurstom\u0105 \u0161iuolaikinio \u0161okio ir performanso hibrid\u0105 su u\u017euominomis \u012f protest\u0105. Prie\u0161 k\u0105? Patogum\u0105, tyk\u0173 auditorijos steb\u0117jim\u0105, nuolat kariaujant\u012f pasaul\u012f. Valstybin\u0117s meno institucijos erdv\u0119 jis taikosi trumpam paversti netik\u0117tum\u0173 kupina metropolio gatve, gaivali\u0161kos energijos samb\u016briu. \u010cia erdv\u0119, laik\u0105 ir \u017ei\u016brov\u0173-dalyvi\u0173 vietas valdo jis. Suvokdamas: kad ir kaip kukliai ar aistringai publika \u012fsijaus, aktyviau ar pasyviau ji vis tiek leisis \u017eaisti jo diktuojamo \u017eaidimo. \u012eterpdamas paskiras Bertolto Brechto karo poezijos eilutes, pa\u0161iepian\u010dias imperin\u012f siek\u012f u\u017egrobti, Cordeiro pats tai \u012fk\u016bnija \u017eaismingu publikos vaikymu. U\u017esiimti saug\u0173 \u017ei\u016br\u0117jimo kamp\u0105 ir likti nepajudintam viso spektaklio metu nepavyks. Valdydamas publik\u0105, Cordeiro palaipsniui \u201egazuoja\u201c. I\u0161 prad\u017ei\u0173 prieidamas prie vieno kito \u017ei\u016brovo, pasi\u016blo pa\u0161okti, \u012fsidr\u0105sin\u0119s i\u0161 vieno nugvelbia kepurait\u0119, \u0161alik\u0105, tuomet \u012fsijaut\u0119s taikosi \u012f rankin\u0119. Bet \u010dia ir atsiskleid\u017eia netik\u0117tumo, interakcijos su publika \u017eavesys \u2013 moteris nepasiduoda, \u012fsilieja su juo \u012f \u0161ok\u012f, laikydamasi savo aksesuaro.<\/p>\n

Tipendamas kaip Arlekinas, \u0161ok\u0117jas be fizinio kontakto vis pakreipia publik\u0105 i\u0161 \u0161ono \u012f \u0161on\u0105. Cordeiro telkiasi \u012f ritming\u0105 \u017eingsniavim\u0105, i\u0161rai\u0161kingais klub\u0173 judesiais pasi\u017eymin\u010di\u0105 samb\u0105, ant rank\u0173 lyg p\u016bstas \u0161ok\u0117j\u0173 rankoves u\u017esitemp\u0119s kr\u016bv\u0105 plauk\u0173 gumeli\u0173. \u012epina ir kapueiros element\u0173 \u2013 brazili\u0161ko kovos meno, maskuojamo \u0161okiu. Akys i\u0161da\u017eytos raudonai kaip ry\u0161kus karnavalo akcentas, bet tuo pa\u010diu metu primenantis koving\u0105 protesto akcent\u0105. Pagrieb\u0119s megafon\u0105 ragina \u017ei\u016brovus skanduoti \/ dainuoti kartu. Kaip galima tik\u0117tis i\u0161 viso spektaklio, tiesiog u\u017ebaigti ir nusilenkti Cordeiro neketina. I\u0161sived\u0119s \u017ei\u016brovus \u012f lauk\u0105, \u0161ok\u0117jas pab\u0117ga policijos siren\u0173 fone. Palieka perkusinink\u0105 Timb\u00f3 afrikieti\u0161ko b\u016bgno ritmais u\u017eimti \u017ei\u016brovus.<\/p>\n

Visuomet smagu ir vertinga festivalyje pamatyti daugiau kaip vien\u0105 k\u016br\u0117jo darb\u0105, nes taip gali susidaryti bent kiek ai\u0161kesn\u012f vaizd\u0105, koks tai k\u016br\u0117jas, kas jam r\u016bpi, apie k\u0105 jis nori kalb\u0117ti, kokias menines i\u0161rai\u0161kas renkasi. Brazili\u0161ko spalvingumo Cordeiro \u012fliejo ne materija, bet k\u016bnu perteikiamais kult\u016briniais kodais. Tai lyg brazilo kova, per meninius susitikimus stengiantis budinti europie\u010dius i\u0161 patogi\u0173 form\u0173, i\u0161bandant publikos paslankum\u0105.<\/p>\n

Scenos meno \u012fvyki\u0173 ap\u017evalgas i\u0161 dalies finansuoja Vilniaus miesto savivaldyb\u0117.<\/p>\n

Tekstas publikuotas \u201e7md\u201c 2026 m. gegu\u017e\u0117s 8 d. Tekst\u0105 galite rasti \u010dia.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Benamyst\u0117 ir gatv\u0117s chaosas, nesuvar\u017eytas buvimas ir siekis i\u0161judinti \u017ei\u016brovus. Tokius kampus si\u016blo 2026 m. \u0161iuolaikinio \u0161okio festivalyje \u201eNew Baltic …<\/p>\n","protected":false},"author":2,"featured_media":18369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nBrazilo kova Europoje. \u201eNew Baltic Dance\u201c spektakliai \u201eIn a Corner The Sky Surrenders\u201c ir \u201eStreet\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/05\/18\/brazilo-kova-europoje-new-baltic-dance-spektakliai-in-a-corner-the-sky-surrenders-ir-street\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Brazilo kova Europoje. \u201eNew Baltic Dance\u201c spektakliai \u201eIn a Corner The Sky Surrenders\u201c ir \u201eStreet\u201c - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Benamyst\u0117 ir gatv\u0117s chaosas, nesuvar\u017eytas buvimas ir siekis i\u0161judinti \u017ei\u016brovus. 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