{"id":18370,"date":"2026-05-19T11:03:08","date_gmt":"2026-05-19T08:03:08","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18370"},"modified":"2026-05-19T11:04:43","modified_gmt":"2026-05-19T08:04:43","slug":"interviu-su-sokio-menininke-ieva-navickaite-mano-kunas-niekada-nenustoja-buti-mano","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/05\/19\/interviu-su-sokio-menininke-ieva-navickaite-mano-kunas-niekada-nenustoja-buti-mano\/","title":{"rendered":"Interviu su \u0161okio menininke Ieva Navickaite: \u201eMano k\u016bnas niekada nenustoja b\u016bti mano\u201c"},"content":{"rendered":"

Gegu\u017e\u0117s 31 d. Men\u0173 spaustuv\u0117je nepriklausoma \u0161okio meno organizacija \u201eBe kompanijos\u201c pristatys i\u0161skirtin\u0119 premjer\u0105 \u2013 autobiografin\u012f \u0161okio meninink\u0117s Ievos Navickait\u0117s spektakl\u012f \u201eSTRIPPER\u201c. K\u016brinys paremtas daugiau nei de\u0161imtmet\u012f trunkan\u010dia autor\u0117s patirtimi sekso darbo srityje ir lygiagre\u010diai vystoma \u0161iuolaikinio \u0161okio k\u016br\u0117jos karjera. Iki premjeros likus ma\u017eiau nei dviem savait\u0117ms kalbam\u0117s su spektaklio autore.<\/strong><\/p>\n

\"\"<\/a>Ievos Navickait\u0117s spektaklis \u201eSTRIPPER\u201c, Vismant\u0117 Ruzgait\u0117s nuotr.<\/em><\/p>\n

Kaip gim\u0117 id\u0117ja kurti spektakl\u012f \u201eSTRIPPER\u201c?<\/strong><\/p>\n

Sunku pasakyti vien\u0105 konkret\u0173 moment\u0105, nes atrodo, kad \u0161i mintis ilgai kaup\u0117si k\u016bne \u2013 per darbo metus, patirtis, istorijas, nuovarg\u012f, artum\u0105, pykt\u012f ir vis\u0173 \u0161i\u0173 dalyk\u0173 refleksijas. Jau ilg\u0105 laik\u0105 judu tarp dviej\u0173 skirting\u0173 scen\u0173 \u2013 meno ir sekso darbo \u2013 ir mane nuolat lyd\u0117jo jausmas, kad pasikeitus erdvei staiga pasikei\u010dia ir mano vert\u0117 kit\u0173 akyse, nors a\u0161 pati lieku ta pati. Kartu kaup\u0117si ir mano koleg\u0173 bei draug\u0173 istorijos \u2013 kasdienyb\u0117s realyb\u0117, kuri da\u017enai visi\u0161kai neatitinka egzistuojan\u010di\u0173 stereotip\u0173 apie sekso darb\u0105. Turb\u016bt at\u0117jo momentas, kai visa tai jau nebetilpo viduje ir nat\u016braliai prasiver\u017e\u0117 \u012f scen\u0105.<\/p>\n

Spektaklyje remiesi autobiografine patirtimi. Ar buvo sud\u0117tinga savo istorij\u0105 paversti scenine med\u017eiaga?<\/strong><\/p>\n

\u0160iame darbe tikrai daug man\u0119s, ta\u010diau autobiografi\u0161kumas man n\u0117ra \u012fdomus kaip autenti\u0161kumo \u012frodymas. Mane labiau domina tai, kaip galima komplikuoti pa\u010di\u0105 \u201etikros istorijos\u201c id\u0117j\u0105. Kartais fikcija gali pasakyti daugiau tiesos nei dokumentinis tikslumas, nes leid\u017eia priart\u0117ti prie emocin\u0117s, k\u016bni\u0161kos ir socialin\u0117s patirties sluoksni\u0173. Man n\u0117ra svarbu b\u016bti \u201eteisingai\u201c perskaitytai \u2013 grei\u010diau \u012fdomu destabilizuoti l\u016bkest\u012f, kad \u017emog\u0173 ir jo patirt\u012f galima lengvai i\u0161\u0161ifruoti.<\/p>\n

Spektaklyje kalbi apie sekso darb\u0105. K\u0105 tau svarbu apie j\u012f pasakyti?<\/strong><\/p>\n

Man svarbu nekurti nei romantizuoto, nei demonizuoto vaizdinio. \u0160ios patirtys yra labai kompleksin\u0117s \u2013 kaip ir daugelis kit\u0173 darbo form\u0173. Labai svarbu pirmiausia \u012f sekso darb\u0105 pa\u017evelgti kaip \u012f darb\u0105 \u2013 tai u\u017ekoduota pa\u010diame termine \u201esex work\u201c. Mane domina klausimai apie k\u016bno agenti\u0161kum\u0105, pasirinkim\u0105, ekonomines s\u0105lygas ir tai, kod\u0117l vienos darbo formos visuomen\u0117je laikomos priimtinesn\u0117mis u\u017e kitas. \u017dinoma, ne\u0161ant toki\u0105 tem\u0105 \u012f scen\u0105 yra daug pa\u017eeid\u017eiamumo. Buvo ir nerimo, ir klausim\u0173, kaip tai priims artimi \u017emon\u0117s ar profesin\u0117 aplinka. Bet galb\u016bt b\u016btent tas diskomfortas parodo, kod\u0117l apie tai vis dar svarbu kalb\u0117ti.<\/p>\n

Tavo k\u016bryboje svarbus k\u016bnas kaip darbo instrumentas. Kaip j\u012f suvoki \u0161iame spektaklyje?<\/strong><\/p>\n

Nemanau, kad menas ir sekso darbas yra visi\u0161kai skirtingos teritorijos. Abi \u0161ios erdv\u0117s remiasi k\u016bno, d\u0117mesio, tro\u0161kimo ir \u017evilgsnio ekonomikomis.<\/p>\n

Skirtumas da\u017enai n\u0117ra esminis \u2013 jis labiau instituci\u0161kai ir morali\u0161kai sukurtas. Vienos k\u016bni\u0161kumo formos legitimuojamos kaip menas, o kitos stigmatizuojamos. Mano k\u016bnas niekada nenustoja b\u016bti mano, net jei jis tampa darbo dalimi. Mane domina ne klausimas, kada k\u016bnas \u201enustoja priklausyti \u017emogui\u201c, o kokiomis s\u0105lygomis \u017emogus gali i\u0161laikyti agenti\u0161kum\u0105 savo k\u016bno ir darbo at\u017evilgiu.<\/p>\n

\"\"<\/a>Ievos Navickait\u0117s spektaklis \u201eSTRIPPER\u201c, Vismant\u0117 Ruzgait\u0117s nuotr.<\/em><\/p>\n

Spektaklyje svarbus ir \u017evilgsnio klausimas \u2013 kas \u017ei\u016bri ir kas yra stebimas?<\/strong><\/p>\n

Kurdama daug galvojau apie tai, kaip \u017ei\u016brovas nuolat juda tarp kliento, liudininko ir bendrininko pozicij\u0173, ir kaip \u0161ios ribos niekada n\u0117ra stabilios. Mane domina ne tik tai, kas \u017ei\u016bri, bet ir koki\u0105 gali\u0105 tas \u017evilgsnis sukuria. Nemanau, kad scena automati\u0161kai suteikia daugiau kontrol\u0117s ar saugumo nei naktinis klubas. Abi erdv\u0117s turi savo taisykles, projekcijas ir pa\u017eeid\u017eiamumus. Kartais b\u016btent meno institucijoje k\u016bnas tampa dar intensyviau interpretuojamas ir pasisavinamas.<\/p>\n

Tavo k\u016bryboje jau\u010diama queer ir transfeministin\u0117 perspektyva. Kaip ji veikia tavo darb\u0105?<\/strong><\/p>\n

Man tai n\u0117ra tik id\u0117jin\u0117 pozicija. Ji labai tiesiogiai veikia tai, kaip suprantu k\u016bn\u0105, geism\u0105, \u017evilgsn\u012f ir choreografin\u0119 strukt\u016br\u0105. K\u016bnas man n\u0117ra stabilus ar \u201eteisingai perskaitomas\u201c objektas. Jis nuolat kinta, yra socialiai reguliuojamas ir politi\u0161kai \u012fkrautas. Tod\u0117l man atrodo, kad k\u016bnas scenoje gali tapti ne id\u0117j\u0173 iliustracija, o pa\u010dia teorijos forma \u2013 gali id\u0117jas kurti, komplikuoti ar net joms prie\u0161intis.<\/p>\n

Koki\u0105 viet\u0105 \u0161iame k\u016brinyje u\u017eima humoras?<\/strong><\/p>\n

Humoras man yra ne tiek gynybos mechanizmas, kiek i\u0161gyvenimo strategija. Kartais jis leid\u017eia priart\u0117ti prie sud\u0117ting\u0173 ar nepatogi\u0173 tem\u0173 j\u0173 nesupaprastinant. Mane domina, kaip humoras gali trumpam i\u0161ardyti autoriteto ar \u201erimtumo\u201c hierarchijas ir sukurti kitok\u012f santyk\u012f su tuo, apie k\u0105 kalbame.<\/p>\n

Kod\u0117l tau svarbu apie tai kalb\u0117ti b\u016btent Lietuvoje?<\/strong><\/p>\n

Nemanau, kad egzistuoja visi\u0161kai nuo moralini\u0173 filtr\u0173 laisva erdv\u0117 \u2013 jie veikia ir meno lauke, tik kartais subtiliau. Bet man atrodo svarbu, kad tokie darbai atsirast\u0173 b\u016btent vietiniame kontekste. Tada ai\u0161kiausiai pasimato, kokios temos visuomen\u0117je vis dar kelia \u012ftamp\u0105 ar stigmatizacij\u0105. Jeigu ka\u017ekuri tema vietoje yra ypa\u010d jautri ar nepatogi, galb\u016bt b\u016btent ten apie j\u0105 kalb\u0117ti yra labiausiai reikalinga.<\/p>\n

\u0160okio spektaklio \u201eStripper\u201c<\/strong> premjera gegu\u017e\u0117s 31 dien\u0105, 19.00 val. Vilniuje, Men\u0173 spaustuv\u0117je.<\/p>\n

Projekto suk\u016brim\u0105 i\u0161 dalies finansuoja Lietuvos kult\u016bros taryba.<\/p>\n","protected":false},"excerpt":{"rendered":"

Gegu\u017e\u0117s 31 d. Men\u0173 spaustuv\u0117je nepriklausoma \u0161okio meno organizacija \u201eBe kompanijos\u201c pristatys i\u0161skirtin\u0119 premjer\u0105 \u2013 autobiografin\u012f \u0161okio meninink\u0117s Ievos Navickait\u0117s …<\/p>\n","protected":false},"author":2,"featured_media":18373,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nInterviu su \u0161okio menininke Ieva Navickaite: \u201eMano k\u016bnas niekada nenustoja b\u016bti mano\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/05\/19\/interviu-su-sokio-menininke-ieva-navickaite-mano-kunas-niekada-nenustoja-buti-mano\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interviu su \u0161okio menininke Ieva Navickaite: \u201eMano k\u016bnas niekada nenustoja b\u016bti mano\u201c - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Gegu\u017e\u0117s 31 d. 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