{"id":18378,"date":"2026-05-21T16:36:34","date_gmt":"2026-05-21T13:36:34","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18378"},"modified":"2026-05-21T16:39:08","modified_gmt":"2026-05-21T13:39:08","slug":"italu-teatro-kritikas-stefano-casi-lietuviu-sokio-spektakliai-vienudu-ir-po-saule-veikia-stipriai-ir-hipnotiskai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/05\/21\/italu-teatro-kritikas-stefano-casi-lietuviu-sokio-spektakliai-vienudu-ir-po-saule-veikia-stipriai-ir-hipnotiskai\/","title":{"rendered":"Ital\u0173 teatro kritikas Stefano Casi: lietuvi\u0173 \u0161okio spektakliai \u201eVienudu\u201c ir \u201ePo saule\u201c veikia stipriai ir hipnoti\u0161kai"},"content":{"rendered":"<p style=\"font-weight: 400;\"><strong>Gegu\u017e\u0119 Bolonijoje \u201eTeatri di Vita\u201c festivalyje \u201eCuore di Lituania\u201c surengtas susitikimas su lietuvi\u0173 \u0161okio k\u016br\u0117jais leido atrasti nedidel\u0117s apimties spektaklius, kurie publik\u0105 paveikia stipriai ir kone hipnoti\u0161kai. Id\u0117jos ir koncepcijos autor\u0117s Airidos Gudait\u0117s bei k\u016br\u0117j\u0173, \u0161ok\u0117j\u0173 Lauryno \u017dakevi\u010diaus ir Roko \u0160altenio \u0161okio spektaklis \u201eVienudu\u201c \u2013 ir kartu panyrame \u012f vienio ir dvylipumo alchemij\u0105. \u201ePo saule\u201c \u2013 ir kartu su Oksana Griaznova skriejame aplink saul\u0119.<\/strong><\/p>\n<p><em>Teksto autorius: Stefano Casi<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>\u201eVienudu\u201c \u2013 vyri\u0161kumo fenomenologija<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>\u00a0<\/strong>Spektaklio pavadinimas angl\u0173 kalba \u2013 <em>Together Alone<\/em>, ta\u010diau tikrasis raktas \u012f Airidos Gudait\u0117s, Lauryno \u017dakevi\u010diaus ir Roko \u0160altenio k\u016brin\u012f slypi originaliame pavadinime \u2013 \u201eVienudu\u201c. \u0160is terminas, sudarytas i\u0161 lietuvi\u0161k\u0173 \u201evienas\u201c ir \u201edu\u201c. Tai pavadinimas, kuriame telpa, tiksliau, susilieja \u201evienas\u201c ir \u201edu\u201c \u012f neatskiriam\u0105 terminologin\u0119 visum\u0105, kuri atsispindi scenoje.<\/p>\n<p style=\"font-weight: 400;\">Scenoje abu \u0161ok\u0117jai veikia apsupti \u017ei\u016brov\u0173. Tai lyg ringas. Lyg aik\u0161t\u0117. Perimetras, apibr\u0117\u017eiantis santyk\u012f tarp vienumo ir dualumo. \u0160ioje erdv\u0117je du k\u016bnai sukasi pla\u010diais arba siaurais ratais \u2013 tarsi fiziniu s\u016bkuriu, matuojamu centripetin\u0117s ir i\u0161centrin\u0117s j\u0117gos, ie\u0161kan\u010diu centro \u0161ioms nedalomoms hendiadij\u0117ms, bet kartu ir kitokios formos, galin\u010dios u\u017epildyti vis\u0105 erdv\u0119.<\/p>\n<p style=\"font-weight: 400;\">\u0160okis \u010dia slypi ne tik judesyje ar gestuose \u2013 rankose, kurios griebia ar grasina, \u2013 bet ir (galb\u016bt net svarbiausia) akyse ir \u017evilgsniuose, tikrojoje nei\u0161narpliojamos \u012ftampos jungtyje, kuri siekia dualum\u0105 sujungti \u012f monad\u0105. Kaip neutronai atome, kaip atomai molekul\u0117je, galiausiai \u2013 kaip dvi \u0161irdys santykyje.<\/p>\n<p><a href=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-1.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-18379 size-full\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-1.jpg\" alt=\"\" width=\"1417\" height=\"943\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-1.jpg 1417w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-1-710x472.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-1-1100x732.jpg 1100w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-1-768x511.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-1-560x373.jpg 560w\" sizes=\"(max-width: 1417px) 100vw, 1417px\" \/><\/a><em>Spektaklis \u201eVienudu\u201c, Dmitrijaus Matvejevo nuotr.<\/em><\/p>\n<p>Tai, k\u0105 matome, i\u0161 ties\u0173 yra dvikova ir kartu \u2013 pir\u0161lybos, chemin\u0117 epifanija arba alcheminis eksperimentas: hegelin\u0117s filosofijos tez\u0117s ir antitez\u0117s susitikimas, kvie\u010diantis \u017ei\u016brovus patirti scenoje vykstan\u010di\u0105 materiali\u0173 ir dvasini\u0173 element\u0173 sintez\u0119. Du atlik\u0117jai yra du ir kartu \u2013 vienas. Vienas, padalytas \u012f du, arba vienas, sudarytas i\u0161 dviej\u0173 jungties. Ir du, tampantys vienu, arba du vieniai, kurie susiduria, traukia vienas kit\u0105, atstumia.<\/p>\n<p style=\"font-weight: 400;\">Ta\u010diau \u201eVienudu\u201c vis\u0173 pirma kalba apie vyri\u0161kum\u0105 \u2013 jo fenomenologij\u0105, elgesio modelius ir ritualus, ambivalencij\u0105 ir prie\u0161taras, kurios pasirei\u0161kia draugyst\u0117s, brolyb\u0117s, kamaradyst\u0117s, maskulini\u0161kumo, fizinio susid\u016brimo, konflikto, \u012f\u017eeidimo, liguisto potraukio, pulsuojan\u010dios ir neigiamos (homo)seksualumo \u012ftampos bei moteri\u0161kumo vyri\u0161kume dinamikoje.<\/p>\n<p style=\"font-weight: 400;\">Beveik traktatas apie vyr\u0105 stereotip\u0173 kriz\u0117s epochoje, taigi, savoti\u0161ki \u201emeil\u0117s dialogo fragmentai\u201c, kurie vis\u0173 pirma yra individualaus \u201ea\u0161\u201c susigr\u0105\u017einimas per veidrodin\u012f kito atpa\u017einim\u0105: tas kitas yra paties sav\u0119s atspindys ir kartu papildantis \u201ekitas\u201c. Gudait\u0117, \u017dakevi\u010dius ir \u0160altenis efektyviai ir giliai i\u0161pl\u0117toja bei valdo konceptualiai sud\u0117tingos, ta\u010diau skubios ir aktualios temos sud\u0117tingum\u0105, tuo pa\u010diu metu kurdami \u012ftaig\u0173 ir emoci\u0161kai paveik\u0173 spektakl\u012f, kuriame k\u016bno kalbos pasirinkimas, regis, atspindi pa\u010di\u0105 dvigubos vienyb\u0117s koncepcij\u0105.<\/p>\n<p><a href=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-3.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-18384 size-full\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-3.jpg\" alt=\"\" width=\"1181\" height=\"787\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-3.jpg 1181w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-3-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-3-1100x733.jpg 1100w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-3-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/low-air-Vienudu-D.Matvejev-3-560x373.jpg 560w\" sizes=\"(max-width: 1181px) 100vw, 1181px\" \/><\/a><em>Spektaklis \u201eVienudu\u201c, Dmitrijaus Matvejevo nuotr.<\/em><\/p>\n<p style=\"font-weight: 400;\">I\u0161 ties\u0173, \u201eVienudu\u201c remiasi \u0161okiu, kuris (pasitelkiant galing\u0105 konceptuali\u0105 intuicij\u0105) sujungia Baltijos \u0161alies etninio ir liaudies \u0161okio \u0161aknis su pasauline, bet taip pat populiaria breiko estetika, pereidamas per \u0161iuolaikinio \u0161okio disciplin\u0105. Kitaip tariant, ta pati dialektika tarp sav\u0119s ir kito, kuri veda prie dviej\u0173 fig\u016br\u0173 susiliejimo \u012f vyri\u0161k\u0105 singuliarum\u0105, yra pasakojama per liaudies \u0161okio ir breiko dialog\u0105. Tobulai subalansuot\u0105 (kartais su subtiliomis u\u017euominomis, be lipnaus \u012fkyrumo ar demonstratyvumo, o veikiau \u2013 precizi\u0161kai sukalibruotoje), kad galiausiai i\u0161siliet\u0173 \u012f vientis\u0105 \u0161okio sraut\u0105, kuris perkuria choreografin\u0119 kalb\u0105.<\/p>\n<p style=\"font-weight: 400;\"><strong>\u201ePo saule\u201c \u2013 vieno metro visata<\/strong><\/p>\n<p style=\"font-weight: 400;\">Retai pasitaiko spektaklis, toks paprastas ir minimalistinis, bet kartu toks sud\u0117tingas savo sluoksniais ir interpretacijomis, kaip Oksanos Griaznovos k\u016brinys. Viso pasirodymo metu ji be perstojo juda ant kvadratin\u0117s, vieno metro platformos, po lempute, lydima intensyvios, pulsuojan\u010dios muzikos. Viskas. Ar tikrai viskas?<\/p>\n<p style=\"font-weight: 400;\">\u201ePo saule\u201c \u2013 tai spektaklis apie erdv\u0119. \u0160i erdv\u0117 \u2013 tai platforma, kuri riboja galimybes, o jos kra\u0161tai tampa neper\u017eengiama riba. Atlik\u0117ja ant jos stovi tarsi neoklasicistin\u0117 Artemid\u0117s ar nimfos statula, netik\u0117tai atgyjanti ir besistengianti jud\u0117ti ar i\u0161tr\u016bkti, ta\u010diau \u0161iuos impulsus slopina platforma, prie kurios ji tarsi prikaustyta nenugalimos traukos j\u0117gos.<\/p>\n<p style=\"font-weight: 400;\">Tai subtiliai politi\u0161kas veiksmas: suvar\u017eymas, u\u017edarymas, negal\u0117jimas per\u017eengti rib\u0173 ir sien\u0173 tampa vis aktualesniu geopolitin\u0117s kasdienyb\u0117s atspind\u017eiu. Nuolatinis atlik\u0117jos jud\u0117jimas (fizikoje vadinamas \u201erevoliucija\u201c, ta\u010diau kartu turintis ir politin\u0119 reik\u0161m\u0119) \u010dia virsta paklusimu geometrin\u0117ms erdv\u0117s taisykl\u0117ms, atspindin\u010diu neperprantam\u0105 auk\u0161tesn\u012fj\u012f d\u0117sn\u012f.<\/p>\n<p><a href=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-2.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-18380 size-full\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-2.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-2.jpg 1200w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-2-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-2-1100x733.jpg 1100w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-2-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-2-560x373.jpg 560w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><em>Spektaklis<\/em> <em>\u201ePo saule\u201c, Vismant\u0117s Ruzgait\u0117s \/ Nona stopped pictures\u00a0nuotr.<\/em><\/p>\n<p style=\"font-weight: 400;\">\u0160is jud\u0117jimas primena besikartojant\u012f cikl\u0105, kuris nuolat nutr\u016bksta ir v\u0117l prasideda i\u0161 naujo: rankos ima skleistis, ritmas intensyv\u0117ja, o judesys \u012fgauna besisukan\u010di\u0173 dervi\u0161\u0173 dinamik\u0105, kur revoliucija tampa s\u016bkuriu, kur fizika ir metafizika randa pusiausvyr\u0105 \u2013 o gal, Oksanos atveju, veikiau nepusiausvyr\u0105, kaip rodo pasikartojantys svyravimai, suteikiantys \u0161iam fiziniam, kone gimnastikos treniruot\u0119 primenan\u010diam veiksmui, ry\u0161kesn\u012f choreografin\u012f atspalv\u012f. Ir tuomet viskas, nepaisant savo vienodumo, \u012fgauna daugyb\u0119 pavidal\u0173: vaiki\u0161ko \u017eaidimo, savo uodeg\u0105 besivejan\u010dio \u0161uns, vilkelio, robotinio mechanizmo, centrifugos, u\u017euominos \u012f piruet\u0105, tu\u0161\u010dio sukimosi, gyvos muzikos d\u0117\u017eut\u0117s\u2026<\/p>\n<p style=\"font-weight: 400;\">Spektaklio pavadinimas suteikia objektyvi\u0105 nuorod\u0105: atlik\u0117ja yra \u201epo saule\u201c, kuri yra lemput\u0117, kabanti ma\u017eiau nei metro atstumu vir\u0161 Oksanos galvos, po kuria ji br\u0117\u017eia savo orbit\u0105 palei platformos kra\u0161tus. \u201ePo saule\u201c taip pat yra spektaklis apie laik\u0105, primenantis m\u016bs\u0173 sistemos \u017evaig\u017ed\u0117s funkcij\u0105, kuri suteikia chronologin\u012f ir astronomin\u012f mat\u0105. Laikas n\u0117ra tik veiksmo t\u0117km\u0117, bet ir atlik\u0117jos revoliucija (tiek fizine, tiek konceptualia prasme) aplink saul\u0119-lemput\u0119: pirmoje dalyje prie\u0161 laikrod\u017eio rodykl\u0119, antroje \u2013 pagal laikrod\u017eio rodykl\u0119 (tarsi judant pirmyn ir atgal per laik\u0105). Taip atlik\u0117ja tampa \u017dem\u0117s alegorija, besisukan\u010dia cikli\u0161kai, ta\u010diau kreivai ir netiksliai: ratai virsta kvadratais, o paskui \u2013 \u012fvairi\u0173 kryp\u010di\u0173 ir dyd\u017ei\u0173 geometriniais ir antigeometriniais pj\u016bviais aplink \u017evaig\u017ed\u0119-lemput\u0119, kuri stebi i\u0161 vir\u0161aus ir skleid\u017eia \u0161vies\u0105.<\/p>\n<p style=\"font-weight: 400;\">Pro\u017eektori\u0173 \u0161viesos ap\u0161vie\u010dia vis\u0105 aplink\u0105 platformai esant centre, o publikai \u2013 aplinkui. Beveik viso spektaklio metu \u0161viesos ap\u0161vie\u010dia pasaul\u012f aplink Saul\u0117s-\u017dem\u0117s por\u0105, tarsi publika b\u016bt\u0173 dar viena \u0161ios sistemos orbita \u2013 galaktika, kurioje kiekvienas elementas stebi t\u0105 Saul\u0119 ir t\u0105 \u017dem\u0119 kaip visatos centrus. Ta\u010diau pabaigoje \u0161viesos silpsta, kol visai i\u0161nyksta, palikdamos tik lemput\u0117s \u0161vies\u0105, kuri\u0105 atlik\u0117ja (beveik vis\u0105 laik\u0105 ignoravusi) pliauk\u0161teli, priversdama j\u0105 smarkiai svyruoti, sklaidant \u0161viesos blyksnius ir atveriant tamsos bedugnes toje beform\u0117je visatoje, kurioje esame mes, \u017ei\u016brovai, vis dar nepaai\u0161kinamai stebintys visi\u0161kai i\u0161balansuot\u0105 ir pakrikus\u012f centr\u0105. Po saule kosmosas virsta chaosu, o \u0161viesa atskleid\u017eia tams\u0105.<\/p>\n<p style=\"font-weight: 400;\">\u201eVienudu\u201c: id\u0117jos, koncepcijos autor\u0117: Airida Gudait\u0117; choreografija: Laurynas \u017dakevi\u010dius, Rokas \u0160altenis, Airida Gudait\u0117; atlik\u0117jai: Laurynas \u017dakevi\u010dius, Rokas \u0160altenis; muzika: Agn\u00e9s M, Marta Finkel\u0161tein; \u0161vies\u0173 dailininkas Eugenijus Sabaliauskas; \u0161vies\u0173 operatorius Edgaras Varkulevi\u010dius; kostium\u0173 dailinink\u0117 R\u016bta Kyguolyt\u0117;\u00a0 kostium\u0173 dailinink\u0117s asistent\u0117 Asami Imanishi; prodiuseris Vilniaus miesto \u0161okio teatras \u201eLow Air\u201c. Pasaulin\u0117 premjera: Nicos Dail\u0117s muziejus, \u201eLietuvos sezonas Pranc\u016bzijoje\u201c, Nicoje, 2024 m. spalio 6 d.<\/p>\n<p><a href=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-1.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-18382 size-full\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-1.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-1.jpg 1200w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-1-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-1-1100x733.jpg 1100w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-1-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/05\/be-company-under-the-sun-Vismante-Ruzgaite-Nona-stopped-pictures-1-560x373.jpg 560w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><em>Spektaklis<\/em> <em>\u201ePo saule\u201c, Vismant\u0117s Ruzgait\u0117s \/ Nona stopped pictures\u00a0nuotr.<\/em><\/p>\n<p style=\"font-weight: 400;\">\u201ePo saule\u201c: id\u0117ja, choreografija ir atlikimas Oksana Griaznova; dramaturgija Liza Baliasnaja; muzika Ar\u016bnas Periokas; \u0161vies\u0173 dailininkas Povilas Laurinaitis; kostium\u0173 ir scenografijos dailinink\u0117 Morta Nakait\u0117; prodiuseris: \u201eBe kompanijos\u201c. Pasaulin\u0117 premjera: Vilnius, 2025 m. rugpj\u016btis.<\/p>\n<p style=\"font-weight: 400;\">Spektakliai matyti \u201eTeatri di Vita\u201c festivalyje \u201eLietuvos \u0161irdis\u201c Bolonijoje, Italijoje. Festivalis \u2013 \u201eLietuvos kult\u016bra Italijoje 2025\u20132026\u201c programos dalis, kuri\u0105 organizuoja Lietuvos kult\u016bros institutas ir Lietuvos Respublikos ambasada Italijoje. Nacionalin\u0117s premjeros \u012fvyko 2026 m. gegu\u017e\u0117s 7\u20138 d.<\/p>\n<p style=\"font-weight: 400;\">Stefano Casi yra ital\u0173 teatro kritikas, \u201eTeatri di Vita\u201c meno vadovas, dramaturgas ir eseistas, daugiausia dirbantis \u0161iuolaikinio teatro ir performanso srityje.<\/p>\n<p style=\"font-weight: 400;\">\n","protected":false},"excerpt":{"rendered":"<p>Gegu\u017e\u0119 Bolonijoje \u201eTeatri di Vita\u201c festivalyje \u201eCuore di Lituania\u201c surengtas susitikimas su lietuvi\u0173 \u0161okio k\u016br\u0117jais leido atrasti nedidel\u0117s apimties spektaklius, &#8230;<\/p>\n","protected":false},"author":2,"featured_media":18380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ital\u0173 teatro kritikas Stefano Casi: lietuvi\u0173 \u0161okio spektakliai \u201eVienudu\u201c ir \u201ePo saule\u201c veikia stipriai ir hipnoti\u0161kai - 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