{"id":18400,"date":"2026-06-01T14:36:07","date_gmt":"2026-06-01T11:36:07","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18400"},"modified":"2026-06-01T15:13:13","modified_gmt":"2026-06-01T12:13:13","slug":"stripper-tarp-teatro-scenos-ir-naktinio-klubo-gimsta-autobiografinis-sokio-spektaklis-apie-kuna-intymuma-ir-pasirinkima","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/06\/01\/stripper-tarp-teatro-scenos-ir-naktinio-klubo-gimsta-autobiografinis-sokio-spektaklis-apie-kuna-intymuma-ir-pasirinkima\/","title":{"rendered":"\u201eSTRIPPER\u201c: tarp teatro scenos ir naktinio klubo \u2013 gimsta autobiografinis \u0161okio spektaklis apie k\u016bn\u0105, intymum\u0105 ir pasirinkim\u0105"},"content":{"rendered":"

2026 m. gegu\u017e\u0117s 31 d. 19 val. Vilniaus Men\u0173 spaustuv\u0117je nepriklausoma \u0161okio organizacija BE KOMPANIJOS pristat\u0117 naujausi\u0105 premjer\u0105 \u2013 Ievos Navickait\u0117s autobiografin\u012f \u0161iuolaikinio \u0161okio solo spektakl\u012f \u201eSTRIPPER\u201c. K\u016brinys pakvies \u017ei\u016brovus \u012f asmeni\u0161k\u0105, politi\u0161kai s\u0105moning\u0105 ir kartu humoru persmelkt\u0105 kelion\u0119, kurioje k\u016bnas tampa darbo vieta, politiniu lauku ir k\u016brybiniu instrumentu.<\/strong><\/p>\n

Spektaklio id\u0117jos autor\u0117, choreograf\u0117 ir atlik\u0117ja Ieva Navickait\u0117 k\u016brin\u012f kuria remdamasi daugiau nei de\u0161imtmet\u012f trunkan\u010dia patirtimi \u201esex work\u201c srityje bei lygiagre\u010diai vystoma \u0161iuolaikinio \u0161okio k\u016br\u0117jos karjera. Egzistuodama tarp teatro scenos ir erotinio naktinio klubo, meninink\u0117 \u0161iame autobiografiniame solo tyrin\u0117ja perkamo intymumo, k\u016bno autonomijos ir galios santykius, atsisakydama tiek moralizavimo, tiek romantizavimo.<\/p>\n

\"\"<\/a>Ieva Navickait\u0117, Vismant\u0117s Ruzgait\u0117s nuotr.<\/em><\/p>\n

K\u016brinio k\u016brybin\u012f proces\u0105 kartu formuoja plati meninink\u0173 ir prodiuseri\u0173 komanda: kompozitor\u0117 Agn\u0117 Matulevi\u010di\u016bt\u0117, dramaturgas Bush Hartshorn, kostium\u0173 dailinink\u0117 R\u016bta Kyguolyt\u0117, \u0161vies\u0173 dailininkas Povilas Laurinaitis, vaizdo projekcij\u0173 autor\u0117 Sofija Laurusonyt\u0117, mentor\u0117 Liza Baliasnaja bei prodiuseri\u0173 komanda \u2013 Agniet\u0117 Lisi\u010dkinait\u0117 ir Edita Martinavi\u010di\u016bt\u0117. Skirtingos j\u0173 menin\u0117s perspektyvos k\u016brybinio proceso metu tapo ne tik techniniu ind\u0117liu \u012f spektakl\u012f, bet ir savoti\u0161ku tyrimu apie k\u016bn\u0105, intymum\u0105, galios santykius bei visuomen\u0117je egzistuojan\u010dias normas.<\/p>\n

Nors \u201eSTRIPPER\u201c remiasi asmenine patirtimi, k\u016brinio k\u016brybinis procesas i\u0161sipl\u0117t\u0117 \u012f bendr\u0105 skirting\u0173 menini\u0173 perspektyv\u0173 tyrim\u0105. Dramaturgas Bush Hartshorn pasakoja, kad darbas prasid\u0117jo nuo ilgo ir iki \u0161iol besit\u0119sian\u010dio pokalbio apie tai, k\u0105 Ieva \u012fvardijo kaip \u201eintymumo industrializacij\u0105\u201c.<\/p>\n

\"\"<\/a>Agn\u0117 Matulevi\u010di\u016bt\u0117, I. Vy\u0161niauskait\u0117s nuotr.\u00a0<\/em><\/p>\n

\u201eMano darbas n\u0117ra kurti savo k\u016brin\u012f \u2013 mano darbas yra pad\u0117ti menininkui sukurti jo geriausi\u0105 k\u016brin\u012f\u201c, \u2013 pasakoja dramaturgas. Pasak jo, asmenin\u0117 patirtis scenoje tampa universaliu pasakojimu tuomet, kai leid\u017eiama tik\u0117ti, jog vieno \u017emogaus istorija gali netik\u0117tai paliesti kit\u0105. K\u016brinio tema Lietuvos scenos menuose vis dar i\u0161lieka reta. Bush Hartshorn pripa\u017e\u012fsta, kad nors \u201esex work\u201c tema jam nebuvo visi\u0161kai nauja, dirbdamas su Ieva jis pirm\u0105 kart\u0105 taip nuosekliai susid\u016br\u0117 su konkre\u010dia industrija \u2013 striptizu. K\u016brybinio proceso metu dramaturg\u0105 labiausiai domino darbo s\u0105lygos, teisiniai aspektai, profesin\u0117s strukt\u016bros bei \u017emoni\u0173 istorijos. \u201eJeigu ka\u017eko i\u0161mokau, tai turb\u016bt to, kad \u017emon\u0117s yra labai sud\u0117tingos b\u016btyb\u0117s, ypa\u010d kalbant apie seks\u0105 ir intymum\u0105\u201c, \u2013 teigia jis.<\/p>\n

Spektaklio garsin\u012f pasaul\u012f kuria kompozitor\u0117 Agn\u0117 Matulevi\u010di\u016bt\u0117. Jos teigimu, muzikinis audinys gimsta i\u0161 skirting\u0173 sluoksni\u0173 \u2013 nuo striptizo klubo garsovaizd\u017ei\u0173 ir scenografijos objekt\u0173 iki labai asmeni\u0161ko santykio su pa\u010dia Ieva. \u201e\u0160iame k\u016brinyje susitinka muzika, gars\u0173 kompozicijos, akustinis garsas ir tyla. Mane domina ne klubin\u0117s kult\u016bros perk\u0117limas \u012f teatr\u0105 kaip iliustracija, o jos dekonstrukcija\u201c, \u2013 pasakoja kompozitor\u0117.<\/p>\n

\"\"<\/a>Bush Hartshorn, I. Vy\u0161niauskait\u0117s nuotr.\u00a0<\/em><\/p>\n

Tuo metu kostium\u0173 dailinink\u0117 R\u016bta Kyguolyt\u0117 k\u016brinyje tyrin\u0117ja seksualizuoto moters k\u016bno reprezentacij\u0105, ta\u010diau ne siekdama kartoti egzistuojan\u010dius stereotipus, o juos \u012ftempti iki ribos. Kuriant kostiumus susitinka dvi i\u0161 pirmo \u017evilgsnio skirtingos temos \u2013 striptizas ir boksas. \u201eAbi \u0161ios erdv\u0117s remiasi tais pa\u010diais principais \u2013 scena, \u0161viesa, k\u016bnu ir nuolatine kova. \u0160ioje \u012ftampoje kostiumas tampa ne dekoracija, o dramaturginiu \u012frankiu \u2013 jis gali sl\u0117pti, atidengti, suvar\u017eyti ar i\u0161laisvinti\u201c, \u2013 teigia meninink\u0117.<\/p>\n

Spektaklio prodiuser\u0117 Agniet\u0117 Lisi\u010dkinait\u0117 sako, kad nors k\u016brinio tema n\u0117ra pati lengviausia ar patogiausia kalbant apie auditorijas ir pristatym\u0105, b\u016btent tokie k\u016briniai ir atspindi \u201eBE KOMPANIJOS\u201c veiklos krypt\u012f. \u201eNuo pat BE KOMPANIJOS \u012fk\u016brimo prad\u017eios siek\u0117me kurti erdv\u0119 dr\u0105siems meninink\u0173 pasirinkimams ir temoms, kurios da\u017enai lieka para\u0161t\u0117se. Ieva ir \u0161is k\u016brinys b\u016btent tai ir reprezentuoja\u201c, \u2013 sako ji.<\/p>\n

\u201eSTRIPPER\u201c s\u0105moningai flirtuoja su akademine kalba, ta\u010diau j\u0105 transformuoja pasitelkdamas humor\u0105, ironij\u0105 ir asmenin\u0119 patirt\u012f. Tai k\u016brinys, kvie\u010diantis ne teisti, o perm\u0105styti \u2013 kas \u017ei\u016bri, kas vertina ir kas turi teis\u0119 apibr\u0117\u017eti k\u016bn\u0105 bei jo pasirinkimus.<\/p>\n

Bilietus \u012f premjer\u0105 platina \u201eBilietai.lt<\/a>\u201c.<\/p>\n

Projekt\u0105 i\u0161 dalies finansuoja Lietuvos kult\u016bros taryba.<\/p>\n","protected":false},"excerpt":{"rendered":"

2026 m. gegu\u017e\u0117s 31 d. 19 val. Vilniaus Men\u0173 spaustuv\u0117je nepriklausoma \u0161okio organizacija BE KOMPANIJOS pristat\u0117 naujausi\u0105 premjer\u0105 \u2013 Ievos …<\/p>\n","protected":false},"author":2,"featured_media":18403,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n\u201eSTRIPPER\u201c: tarp teatro scenos ir naktinio klubo \u2013 gimsta autobiografinis \u0161okio spektaklis apie k\u016bn\u0105, intymum\u0105 ir pasirinkim\u0105 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/06\/01\/stripper-tarp-teatro-scenos-ir-naktinio-klubo-gimsta-autobiografinis-sokio-spektaklis-apie-kuna-intymuma-ir-pasirinkima\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eSTRIPPER\u201c: tarp teatro scenos ir naktinio klubo \u2013 gimsta autobiografinis \u0161okio spektaklis apie k\u016bn\u0105, intymum\u0105 ir pasirinkim\u0105 - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"2026 m. gegu\u017e\u0117s 31 d. 19 val. 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