{"id":1851,"date":"2015-09-24T16:57:26","date_gmt":"2015-09-24T16:57:26","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/09\/24\/turiu-vadinasi-esu\/"},"modified":"2015-09-24T16:57:26","modified_gmt":"2015-09-24T16:57:26","slug":"turiu-vadinasi-esu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/09\/24\/turiu-vadinasi-esu\/","title":{"rendered":"Turiu vadinasi esu"},"content":{"rendered":"

being an athlete grown old
\nis one of the cruelest of
\nfates,
\nto be replaced by others,
\nto no longer hear the cheers and the
\nplaudits,
\nto no longer be
\nrecognized,
\njust to be an old man
\nlike other old
\nman.<\/p>\n

Ch. Bukowski betting on the muse<\/em><\/p>\n

I\u0161treniruoti k\u016bnai, stilingi vardiniai r\u016bbai ir nuolat blizgantis gyvenimas. Tiesiai tarsi nuo elitinio \u017eurnalo su dar vienos elitin\u0117s vakarien\u0117s elitin\u0117mis nuotraukomis. Visi gra\u017e\u016bs, d\u0117l to ir laimingi. Savoti\u0161ka prostitucijos forma, parsiduodant daiktams. E. Frommas gali pamir\u0161ti sav\u0105j\u012f svarstyt\u0105 tur\u0117ti<\/em> ar b\u016bti<\/em> princip\u0105. \u0160\u012fkart, \u017einoma, triumfuoja tur\u0117ti, tur\u0117ti ir dar kart\u0105 tur\u0117ti, o dar geriau b\u016bti turimam.<\/p>\n

Choreograf\u0117 Liza Beliasnaja \u201eAura+\u201c erdv\u0117je \u201eBekulminacij\u0173\/Klymaxless\u201c ima ir i\u0161meta tur\u0117jimo<\/em> d\u017eiaugsm\u0173 kortas. Ir rodos, jog tema jau \u017einoma bei nuvalkiota iki begalyb\u0117s, vartojimo baubais g\u0105sdin\u0119s ne vienas, tik Liza pasirenka toli gra\u017eu nepamokslaujant\u012f ton\u0105, bet \u017ei\u016brovams pa\u017eeria esteti\u0161kai gra\u017ei\u0105 auksinio jaunimo pus\u0119. Jauni i\u0161treniruoti k\u016bnai (\u0161ok\u0117jai Paulius Prievelis, Oksana Griaznova, Nielsas Claesas ir Love\u2018as Hellgrenas), kurie tik tarp kitko apsireng\u0117 treningus (\u017einoma, b\u016btinai su Nike<\/em>, Puma<\/em> arba Adidas<\/em> \u017eenklais), priderin\u0119 blizgan\u010dius akinius, d\u017eiaugiasi patys savimi ir savo plastmasine kasdienybe. Kiekvienas j\u0173 momentas tarpsta tu\u0161\u010dioje, bet stilingai spalvotoje savo egzistencijoje. Prasid\u0117jus performansui ak\u012f patraukia it ekspozicijai sud\u0117lioti daiktai: plastmasiniai triu\u0161iai, keli popieriaus lapai, ra\u0161ikliai. Visa tai \u2013 kiekvieno \u0161ok\u0117jo atributai, i\u0161 kuri\u0173 kaskart galima save papildyti ar pakeisti. U\u017esid\u0117ti balt\u0105 popieriaus lap\u0105 it kauk\u0119 ir b\u016bti kit\u0173 i\u0161pai\u0161ytam, pabaigtam kurti. Tobulam. U\u017esimesti savo plastmasin\u012f triu\u0161\u012f, parodyti save ir savo i\u0161 kit\u0173 i\u0161siskiriant\u012f judes\u012f. Tai gali teb\u016bti \u017eingsniai: viens du trys \u012f vien\u0105 pus\u0119, viens du trys \u012f kit\u0105 pus\u0119, pajudinam u\u017epakaliuk\u0105 arba plastmasin\u012f \u0161vie\u010diant\u012f \u017eaisl\u0105, mikrofon\u0105, gal net pirkini\u0173 s\u0105ra\u0161\u0105. Demonstruojama sava b\u016btis priklausant prek\u0117ms ir patiems tokiems b\u016bnant. Be jokio tragizmo ir, \u017einoma, be jokios kulminacijos.<\/p>\n

\"\"<\/p>\n

Auksiniai, jauni ir be abejo stilingi. Smalsiems \u017ei\u016brovams \u0161ok\u0117jai pristato save, t. y. pasako, kiek firmini\u0173 \u017eenkl\u0173 \u0161iandien ant sav\u0119s \u201esusikrov\u0117\u201c. Nes daiktai esti tu<\/strong> ir toks tu<\/strong> ka\u017ekod\u0117l esi itin svarbus. Visiems turi b\u016bti \u012fdomu, k\u0105 darai, k\u0105 perki, kaip judi, kok\u012f veid\u0105 nusipie\u0161i. \u201eBekulminacijos\/Klymaxless\u201c, tai it kokia facebook<\/em> ar twiter<\/em> siena \u2013 nuolat pildoma beprasmiais pasisakymais ir niekada niekur nevedanti. Jokio dramatizmo, joki\u0173 pakilim\u0173 ar nuopuoli\u0173. Susiburiant draug\u0117n ar demonstruojant save asmeni\u0161kai, tai vienodai (ne)svarbu. <\/p>\n

Be abejo, \u0161ioje blizgan\u010dioje svajon\u0117je turi vyrauti angl\u0173 kalba. Nors du i\u0161 keturi\u0173 \u0161ok\u0117j\u0173 yra lietuviai \u2013 Paulius Prievelis ir Oksana Griaznova \u2013 lietuvi\u0161kai prabilti dr\u012fsta sav\u0105j\u012f pirkimo \u010dek\u012f skaitantis Love\u2018as Hellgrenas. Globalizacijos d\u017eiaugsm\u0173 burbulas tik dar labiau pu\u010diasi, visiems b\u016bnant \u0161iek tiek vienodiems, nes Nike<\/em> ir Afrikoje, ir Lietuvoje Nike<\/em>, susikalbant universali\u0105j\u0105 angl\u0173 kalba. Tik reikia nepamir\u0161ti, jog madinga ir truput\u012f pasigilinti \u012f kitos tautos subtilybes, i\u0161mokti pasakyti \u201ea\u010di\u016b\u201c ar \u201elabas\u201c. O tikr\u0105j\u0105 tautos b\u016bt\u012f perprantant ir atsikleid\u017eiant ne kuo kitu, bet irgi prek\u0117mis, daiktais, \u010dekiais. Perku vadinasi esu. <\/p>\n

Kiekvienam \u0161ok\u0117jui pademonstravus save asmeni\u0161kai, pasirod\u017eius grupin\u0117se ekspozicijose \u2013 vakar\u0117lio \u0161\u0117lsme, kuriame net u\u017epakalis judinamas stilingai, pabaigoje pusnuogiai n\u016bdienos pusdieviai sus\u0117da scenos gale \u012f vienas populiariausi\u0173 poz\u0173 i\u0161 apatini\u0173 trikota\u017e\u0173 reklam\u0173 arba vakar\u0117li\u0173 li\u016btams skirt\u0173 \u017eurnal\u0173. \u0160vie\u010diant vaiki\u0161kiems mikrofonams, scen\u0105 padeng\u0119 savo nusimestais r\u016bbais, jauni ir gra\u017e\u016bs triumfuoja. Nesvarbu, kad infantil\u016bs, nesvarbu, kad laikini ir netikri, vis d\u0117lto jie \u0161io laikme\u010dio dievai. Vienam vakarui, tol, kol jauni, kol turi savo daiktus nudabintus \u017einomomis etiket\u0117mis, tol jie savo gyvenimo valdovai. <\/p>\n

\"\"<\/p>\n

Tokio blizgan\u010dio tarpkult\u016bri\u0161ko performanso nudailinti gali pasijusti ir \u017ei\u016brovai. Koks paprastas sud\u0117tingumas plastikiniame gyvenime, kuomet vienintelis jaudulys yra i\u0161orinis \u2013 ar teisingai pasirinkta etiket\u0117, ar tavo k\u016bnas vis dar jaunas ir stangrus, ar dar turi k\u0105 parodyti. O a\u0161 \u0117miau ir prisiminiau \u010dia visai, rodos, nederant\u012f purvin\u0105j\u012f Ch. Bukowski. Dar vien\u0105 savoti\u0161k\u0105 ekshibicionist\u0105, jau da\u017enai nuvalkiot\u0105 \u0161iuolaikin\u0117s kult\u016bros. Autorius, kuris savo pilk\u0105 ir ne\u0161var\u0173 gyvenim\u0105 pavert\u0117 knygomis, o \u010dia prie\u0161ais \u2013 jaunimas, kurio auksinis gyvenimas gali tapti spektakliu. Ir vienintelis bujojan\u010dio jaunimo tragizmas bei paskutinis kulminacijos spingtel\u0117jimas yra tas, jog anks\u010diau ar v\u0117liau k\u016bnas nuvils. K\u016bnas pasens, mados praeis. O juk nieko n\u0117ra li\u016bdniau nei b\u016bti neatpa\u017e\u012fstamam savo senatv\u0117je. Ir tada jie visi taps truput\u012f paniurusiais, niurzgan\u010diais ir pilkai gyvenim\u0105 matan\u010diais bukowskiais<\/em>.<\/p>\n

Bet \u0161i tragedija aplanko tik tuos nelaim\u0117lius, kurie pasensta. Performanse \u201eBekulminacijos\/Klymaxless\u201c visi d\u017eiaukim\u0117s \u0161iandienos triumfu. Senatv\u0117 tik nevyk\u0117liams. \u010cia toki\u0173 n\u0117ra. <\/p>\n

Lizos Beliasnajos nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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