{"id":1859,"date":"2015-10-05T21:20:20","date_gmt":"2015-10-05T21:20:20","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/10\/05\/niekas-nieko-niekam-nieka-ne-su-kuo-niekada\/"},"modified":"2015-10-05T21:20:20","modified_gmt":"2015-10-05T21:20:20","slug":"niekas-nieko-niekam-nieka-ne-su-kuo-niekada","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/10\/05\/niekas-nieko-niekam-nieka-ne-su-kuo-niekada\/","title":{"rendered":"Niekas nieko niekam niek\u0105 n\u0117 su kuo \u2013 niekada"},"content":{"rendered":"

Ar prisimenate kultin\u0119 Vytauto Kernagio \u201eNiek\u0173 dainel\u0119\u201c? J\u0105 nor\u0117josi klausytis valand\u0173 valandas. Kod\u0117l? Nes ji apie niek\u0105! Nieko kaip meno objekto turinio apibr\u0117\u017eimas yra toks pat patrauklus kaip ir absurdo s\u0105voka. Niekas yra neap\u010diuopiamas, sunkiai sudaiktinamas, apib\u016bdinamas ar atvaizduojamas, nekritikuojamas, neturintis prasm\u0117s, bet \u010dia pat ir absoliu\u010diai teisingas. Taigi toks u\u017edarai atviras arba atvirai u\u017edaras rei\u0161kinys yra tikras \u012fkv\u0117pimo \u0161altinis menininkams. \u0160\u012f rei\u0161kin\u012f kaip absoliu\u010diai teis\u0117t\u0105 id\u0117j\u0105 pasirinko Men\u0173 spaustuv\u0117s programos \u201eAtvira erdv\u0117 jauniesiems menininkams\u201c dalyv\u0117s lietuv\u0117s Marija Baranauskait\u0117 ir Giedr\u0117 Mal\u016bkait\u0117 bei portugal\u0117 Sara Ch\u00e9u teatriniame vyksme \u201eThanks God I\u2018m not an Artist\u201c.<\/p>\n

Trijul\u0117, apsibr\u0117\u017eusi performatyvaus vyksmo turin\u012f \u2013 beprasmius ir laikinus dalykus kaip vartotoji\u0161kos visuomen\u0117s atspind\u012f, \u2013 kritikuoti nor\u0117jo ne mus supan\u010di\u0105 (pop)kult\u016br\u0105, bet meno k\u016brini\u0173, tarnaujan\u010di\u0173 tai pa\u010diai kapitalizmo ma\u0161inerijai, gaus\u0105. Tod\u0117l band\u0117 sukurti vyksm\u0105 apie niek\u0105. Ta\u010diau niekas, materializav\u0119sis popkult\u016bros artefaktuose, Coca Coloje<\/em>, Adidas<\/em> sportin\u0117je aprangoje, blizgiame nag\u0173 lake, asmenuk\u0117se ir kitokiame ki\u010de, pernelyg priart\u0117jo prie grie\u017eto meninio parei\u0161kimo, kuris subliu\u0161ko tarsi muilo burbulas. <\/p>\n

Prie\u0161 prasidedant teatriniam vyksmui \u017ei\u016brovai gavo \u201eThanks God I\u2018m not an Artist\u201c anotacijas, atspaustas ant auksu \u017evilgan\u010dio popieriaus. Pirma pus\u0117 ak\u012f trauk\u0117 \u0161ved\u0173 choreografo ir filosofo M\u00e5rteno Sp\u00e5ngbergo vardu ir pavarde \u2013 jis \u012fkv\u0117p\u0119s k\u016br\u0117jas imtis \u0161io eksperimento. Gaila, jog M. Sp\u00e5ngbergas tik \u012fkv\u0117p\u0117, o ne pilnaverti\u0161kai (re\u017eis\u016bri\u0161kai, dramaturgi\u0161kai ar choreografi\u0161kai) prisid\u0117jo prie teatrinio veiksmo pl\u0117tot\u0117s, nes \u0161is, \u201eapaugintas\u201c geromis id\u0117jomis pakrypus\u012f performanso stubur\u0105 sl\u0117p\u0117 vien puikia vie\u0161\u0173j\u0173 ry\u0161i\u0173 strategija. Bananas, atvaizduotas ir anotacijoje, ir valgytas teatrinio vyksmo metu, ai\u0161kiai koreliavo su poparto atstovo Andy Warholo meniniais simboliais. Ta\u010diau didel\u0117s \u012ftakos pa\u010diam performansui netur\u0117jo ir liko tik kaip savitiksl\u0117 poparto<\/em> citata. Antra anotacijos pus\u0117 \u017ei\u016brovams pateik\u0117 de\u0161imt \u0161maik\u0161\u010di\u0173 taisykli\u0173 tarsi de\u0161imt vartotoji\u0161kum\u0105 kritikuojan\u010dio menininko \u012fsakym\u0173, pvz., \u201eDon\u2018t create. Art is for nothing\u201c, \u201eDon\u2018t be someone. To avoid it just start to be nobody\u201c, \u201eAvoid emotions. Love starts from nothing\u201c, \u201eDo nothing as much as possible. You need nothing to be happy\u201c<\/em>, etc. Teatrinio vyksmo metu \u0161iuos sakinius tarsi mantras kartoti teko ir \u017ei\u016brovams. Gal tam, kad geriau suprastume teatrinio vyksmo tikslus? O gal ir tam, kad suvok\u0119, jog \u0161is vyksmas yra savitikslis, neie\u0161kotume jame ap\u010diuopiamo turinio?<\/p>\n

\"\"<\/p>\n

Beveik valand\u0105 truk\u0119s performatyvus reginys buvo blizgiai nepatrauklus, sprangus tarsi neprinok\u0119s bananas, kvepiantis acetonu ir putojantis tu\u0161\u010diais burbulais tarsi suplakta Coca Cola<\/em>. Kod\u0117l? Nes viskas, k\u0105 dar\u0117 atlik\u0117jos (meditavo, \u0161oko pagal Rihannos hitus, lakavo nagus, g\u0117r\u0117 Coc\u0105 Col\u0105<\/em>, flirtavo su publika ir t.t.) tur\u0117jo b\u016bti niekas, ta\u010diau niekas \u010dia virto ka\u017ekuo, kuris ai\u0161kiai nuslydo \u012f popkult\u016bros kritikos gretas, o \u0161ios teatrinio vyksmo metu visi\u0161kai i\u0161skydo, nes trijul\u0117s atlikimas rod\u0117si lyg ta nevykusi asmenuk\u0117, kuri\u0105 \u010dia pat norisi i\u0161trinti. Gaila, jog k\u016brybinis \u201eThanks God I\u2018m not an Artist\u201c kontekstas pranoko pat\u012f vyksmo turin\u012f, nes menin\u0117 u\u017euomazga gal\u0117jo tapti tikru hitu kaip toji \u201eNiek\u0173 dainel\u0117\u201c. <\/p>\n

K\u016br\u0117jas norisi pagirti u\u017e pasirinkt\u0105 menin\u012f format\u0105, kurio Lietuvoje labai tr\u016bksta, ir, \u017einoma, u\u017e dr\u0105s\u0105. Nes rizikuoti susimauti menin\u0117je formoje, kuri Lietuvos publikai dar gan\u0117tinai svetima, yra did\u017eiulis \u017eingsnis \u012f menin\u0117s \u201ene\u017einomyb\u0117s\u201c platybes. Taigi, linkiu, kad niekas<\/em> (M. Baranauskait\u0117, G. Mal\u016bmait\u0117 ir S. Ch\u00e9u) nieko<\/em> (stipriau vedamos M. Sp\u00e5ngbergo) niekam<\/em> (Lietuvos \u017ei\u016brovams ir ne tik) niek\u0105<\/em> (kaskart sukurt\u0173 vis kitok\u012f menin\u012f vyksm\u0105, o ne produkt\u0105 kaip vartotoji\u0161kos ma\u0161inerijos prie\u0161prie\u0161\u0105) n\u0117 su kuo<\/em> (su ry\u0161kesniais vartotoji\u0161kum\u0105 menan\u010diais ar j\u012f \u012fk\u016bnijan\u010diais vaizdais bei simboliais) \u2013 niekada<\/em> (…). Visi!<\/em><\/p>\n

Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Ar prisimenate kultin\u0119 Vytauto Kernagio \u201eNiek\u0173 dainel\u0119\u201c? J\u0105 nor\u0117josi klausytis valand\u0173 valandas. Kod\u0117l? Nes ji apie niek\u0105! Nieko kaip meno …<\/p>\n","protected":false},"author":1,"featured_media":1860,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nNiekas nieko niekam niek\u0105 n\u0117 su kuo \u2013 niekada - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/10\/05\/niekas-nieko-niekam-nieka-ne-su-kuo-niekada\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Niekas nieko niekam niek\u0105 n\u0117 su kuo \u2013 niekada - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Ar prisimenate kultin\u0119 Vytauto Kernagio \u201eNiek\u0173 dainel\u0119\u201c? J\u0105 nor\u0117josi klausytis valand\u0173 valandas. Kod\u0117l? 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