{"id":18667,"date":"2026-06-11T11:41:18","date_gmt":"2026-06-11T08:41:18","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18667"},"modified":"2026-06-11T11:41:18","modified_gmt":"2026-06-11T08:41:18","slug":"tarp-kontroles-ir-paleidimo-adrian-carlo-bibiano-apie-kuna-jame-nusedancias-traumas-ir-atminti","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/06\/11\/tarp-kontroles-ir-paleidimo-adrian-carlo-bibiano-apie-kuna-jame-nusedancias-traumas-ir-atminti\/","title":{"rendered":"Tarp kontrol\u0117s ir paleidimo: Adrian Carlo Bibiano apie k\u016bn\u0105, jame nus\u0117dan\u010dias traumas ir atmint\u012f"},"content":{"rendered":"

Adrian Carlo Bibiano \u0161okio performansas \u201eman niekada nepriklausiusi kalt\u0117\u201c, kurio premjera \u012fvyks bir\u017eel\u012f, tyrin\u0117ja kalt\u0119, traumas ir k\u016bno geb\u0117jim\u0105 savyje kaupti atmint\u012f. Atsispirdamas nuo asmenin\u0117s patirties, \u0161ok\u0117jas choreografij\u0105 supranta ne kaip fiksuot\u0105 form\u0105, o kaip kintan\u010di\u0105 b\u016bsen\u0105, kurioje praeitis ir dabartis susitinka realiu laiku. K\u016brinys palie\u010dia vyri\u0161kumo, perimt\u0173 elgesio modeli\u0173 ir \u012ftampos paleidimo temas, keldamas klausim\u0105, kiek patirties gali i\u0161laikyti k\u016bnas, prie\u0161 prad\u0117damas l\u016b\u017eti. \u0160iame pokalbyje Adrian Carlo Bibiano dalinasi mintimis apie traumin\u0117s patirties perk\u0117lim\u0105 \u012f scen\u0105, to rizik\u0105 ir pastangas i\u0161likti s\u0105\u017einingam performanso metu.<\/strong><\/p>\n

\"\"<\/a>Performanso eskizo pristatymas Tel\u0161iuose, Ovidijus Adomavi\u010dius nuotr.<\/em><\/p>\n

Tavo \u0161okio performansas nagrin\u0117ja k\u016bno atminties, vyri\u0161kumo ir traumini\u0173 patir\u010di\u0173 temas. Apie k\u0105 jis tau pa\u010diam?<\/b><\/p>\n

Man jis apie baim\u0117s \u012fveikim\u0105. Kiekvien\u0105 kart\u0105 pasirodydamas, a\u0161 j\u0105 patiriu, bet pasirodymui pasibaigus galiu nusimesti streso ir baim\u0117s na\u0161t\u0105.\u00a0<\/span><\/p>\n

Jei k\u016bn\u0105 laikytume archyvu, ar jauti, kad scenoje jis nuolat \u201eperra\u0161omas\u201c?<\/b><\/p>\n

Performanso metu tarsi nutiesiu tilt\u0105 \u012f praeit\u012f ir parne\u0161u dalel\u0119 jos \u012f dabart\u012f \u2013 dabartiniu k\u016bnu i\u0161 naujo i\u0161gyvenu tai, k\u0105 patyriau jau seniai. Priklausomai nuo to, kokioje b\u016bsenoje esu, sprend\u017eiu, kiek praeities galiu \u012fsileisti ir suvaldyti scenoje realiu laiku. Ta\u010diau reikia b\u016bti atsargiam: fiziniai i\u0161gyvenimai patiriami pasirodymo metu \u2013 hiperventiliacija, \u012ftampa \u2013 tampa tikri, juos reikia filtruoti, kad neperspaus\u010diau.\u00a0<\/span><\/p>\n

Kokie po\u017eymiai rodo, kad pernelyg pasin\u0117rei \u012f i\u0161gyvenim\u0105?\u00a0<\/b><\/p>\n

Tame slypi tam tikras atvirumas. Kinta kv\u0117pavimas, \u012fsitempia \u017eandikaulis, susiaur\u0117ja rega, rankos juda grei\u010diau u\u017e prot\u0105. Mintys susilieja \u012f vien\u0105 ritm\u0105 ir, nors trumpam, nustoju gird\u0117ti i\u0161orinius signalus. Jei apima asmeninio \u017elugimo, o ne transformacijos, poj\u016btis \u2013 tai \u017eenklas. Kai nepavyksta nusiraminti, net kai mano paties k\u016bnas siun\u010dia \u0161velnius pavojaus signalus, suprantu, kad per\u017eengiau nauding\u0105 rib\u0105.<\/span><\/p>\n

\"\"<\/a>Performanso eskizo pristatymas Tel\u0161iuose, Ovidijus Adomavi\u010dius nuotr.<\/em><\/p>\n

Kaip po toki\u0173 intensyvi\u0173 b\u016bsen\u0173 fizi\u0161kai ir emoci\u0161kai gr\u012f\u017eti \u012f save?<\/b><\/p>\n

Pats k\u016brinys savyje turi l\u0117t\u0105, taktili\u0161k\u0105 ritual\u0105, kuris tarnauja ne tik k\u016brinio pasakojimui ir \u017ei\u016brovo kelionei, bet ir man sugr\u012f\u017etant \u012f save. \u012esi\u017eeminimas \u012fvyksta per kv\u0117pavim\u0105, jutimus, pama\u017eu sugr\u012f\u017etant \u012f \u012fprast\u0105 laik\u0105 per \u0161velnius per\u0117jimus, atjaut\u0105 ir kantryb\u0119.<\/span><\/p>\n

K\u016brinys tyrin\u0117ja labai asmeni\u0161kas ir jautrias, visuomen\u0117je vis dar stigmatizuojamas, temas, tokias kaip vyr\u0173 patiriamas smurtas. Ar buvo sunku apie tai kalb\u0117ti scenoje?\u00a0<\/b><\/p>\n

Kalb\u0117ti apie tai verbaliai b\u016bt\u0173 labai lengva. Gal\u0117\u010diau tiesiog i\u0161po\u0161kinti \u017eod\u017eius. Bet kai bandau proces\u0105 apversti, tampa labai sud\u0117tinga. Tada supratu, kiek daug svarbos skiriu k\u016bnui. Kalb\u0117ti apie patirt\u0105 traum\u0105 \u017eod\u017eiais neprilygsta k\u016bno poj\u016b\u010diams ir tam, kaip k\u016bnas visk\u0105 prisimena. Jei kalbame apie fizin\u012f smurt\u0105 \u0161eimoje ar seksualin\u0119 prievart\u0105, ne \u017eod\u017eiai, o poj\u016b\u010diai, prisilietimai, konkretus k\u016bni\u0161kas kontaktas kelia jausmus. Tai mane ir paskatino kalb\u0117ti \u0161ia tema k\u016bno kalba.\u00a0<\/span><\/p>\n

K\u0105 rei\u0161kia sugr\u012f\u017eti prie praeities patir\u010di\u0173, turint jau kitok\u012f k\u016bn\u0105 nei tas, kuris jas i\u0161gyveno?\u00a0<\/b><\/p>\n

Tai tarsi sugr\u012f\u017eti \u012f kambar\u012f, kuris buvo perda\u017eytas \u2013 architekt\u016bra ta pati, ta\u010diau pasikeitusi \u0161viesa. Kitoks k\u016bnas atsine\u0161a naujas \u012ftampas, naujas galimybes, kitokias jutim\u0173 ir atminties ribas. Praeitis i\u0161lieka tarsi \u017eem\u0117lapis, ta\u010diau dabar galiu j\u012f skaityti kitaip, i\u0161ry\u0161kinti kitus mar\u0161rutus, pasteb\u0117ti detales, kurios anks\u010diau buvo nematomos.<\/span><\/p>\n

Ar, kurdamas \u0161\u012f \u0161okio performans\u0105, gilinaisi \u012f kokias nors teorijas ar tyrimus apie k\u016bno atmint\u012f? Kaip tai paveik\u0117 tavo po\u017ei\u016br\u012f \u012f darb\u0105?<\/b><\/p>\n

Taip, dom\u0117jausi \u012f traum\u0105 orientuotais judesio tyrimais, \u012fk\u016bnyto prisiminimo filosofija ir, kiek netik\u0117tai susijusiais, meksikieti\u0161ko folkloro padarais. Naudojau strukt\u016bras, kvie\u010dian\u010dias \u012f empirin\u012f bei somatin\u012f prisiminim\u0105, ta\u010diau paliekan\u010dias k\u016bnui erdv\u0117s atsisakyti, transformuoti ar neteisingai prisiminti. Darbas tapo pokalbiu tarp teorijos, k\u016bni\u0161kai i\u0161gyvenamos praktikos ir fantazijos.<\/span><\/p>\n

Nors k\u016brinys paremtas tavo asmenine patirtimi, jis perskaitomas labai universaliai. Kod\u0117l, tavo manymu, svarbu kalb\u0117ti \u0161iomis temomis?<\/b><\/p>\n

Yra keli sluoksniai. Vienas j\u0173 \u2013 vyri\u0161kumo suvokimas. Egzistuoja tarsi tylus kodas, kuriame pa\u017eeid\u017eiamumo parodymas laikomas silpnumu. Tai kuria atsitraukim\u0105, kuris gali vesti \u012f depresij\u0105 ar net savi\u017eudyb\u0119. Kalbu ne apie koki\u0105 nors konkre\u010di\u0105 traumos form\u0105. Viskas gali prasid\u0117ti nuo fizinio smurto, peraugti \u012f emocin\u0119 ar psichologin\u0119 traum\u0105, o galiausiai kristalizuotis \u012f tyl\u0105. \u017dmon\u0117s toliau gyvena \u012fprastai \u2013 dirba, b\u016bna u\u017esi\u0117m\u0119 \u2013 bet nebesprend\u017eia to, kas nus\u0117da giliau. Laikui b\u0117gant tai i\u0161kyla \u012f pavir\u0161i\u0173 \u0161eimose, santykiuose. Betyrin\u0117damas \u0161i\u0105 tem\u0105, su\u017einojau, kad toki\u0173 atvej\u0173 yra labai daug ne tik Lietuvoje, bet ir visame regione.\u00a0<\/span><\/p>\n

Kitas sluoksnis \u2013 kaip smurtas toleruojamas i\u0161 kartos \u012f kart\u0105.\u00a0 Jaunesn\u0117 karta \u0161iandien yra emoci\u0161kai s\u0105moningesn\u0117, ji nebepriima smurto \u0161eimoje taip lengvai. A\u0161 kil\u0119s i\u0161 \u0161eimos, kurioje verbalinis ir fizinis smurtas buvo stiprus ir \u012fprastas.\u00a0<\/span><\/p>\n

Man \u012fdomiausia yra pasekm\u0117s. Kartais pats \u012fvykis n\u0117ra sunkiausia dalis. Kai kas nors nutinka, ne visada esame pakankamai brand\u016bs suprasti, kas tikrai \u012fvyko. Tik v\u0117liau, kai atsiranda daugiau s\u0105moningumo, pradeda ry\u0161k\u0117ti \u201etrigeriai\u201c. Supranti, kad tam tikri dalykai tau netinka, bet neturi \u012franki\u0173 su tuo susitvarkyti. Tada tenka mokytis nustatyti ribas, pasakyti \u201ene\u201c, suprasti i\u0161 kur kyla kalt\u0117s jausmas. B\u016btent \u0161is procesas mane domina. Jame vis reikia sau priminti, kad \u0161i kalt\u0117 n\u0117ra tavo ir, kad yra i\u0161eitis.<\/span><\/p>\n

\"\"<\/a>Performanso eskizo pristatymas Tel\u0161iuose, Ovidijus Adomavi\u010dius nuotr.<\/em>\u00a0<\/span><\/p>\n

K\u016brinys kalba apie vyri\u0161kum\u0105 jo grie\u017etai neapibr\u0117\u017edamas. Kuo \u0161is klausimas tau svarbus?<\/b><\/p>\n

Kalb\u0117ti apie vyri\u0161kum\u0105 yra tas pats kaip kalb\u0117ti apie \u017emogi\u0161kum\u0105. Nemanau, kad jam reikia tikslaus apibr\u0117\u017eimo. Bet kartu suprantu, kad reikalingas ka\u017ekoks atspirties ta\u0161kas. Kaip ir kalboje \u2013 norint apie k\u0105 nors kalb\u0117tis, reikia bendro supratimo.\u00a0<\/span><\/p>\n

Bet kai bandai vyri\u0161kum\u0105 apibr\u0117\u017eti, viskas tampa labai sud\u0117tinga. \u017dod\u017eiai jo iki galo neperteikia. O jei bandai paai\u0161kinti per daug, prarandi esm\u0119. Nebent visk\u0105 suvedi \u012f anatomij\u0105, bet tada kalbi tik apie lytinius organus, o ne apie tai, k\u0105 rei\u0161kia b\u016bti \u201evyru\u201c ar \u201emoterimi\u201c platesne prasme.<\/span><\/p>\n

Ma\u010diau nema\u017eai k\u016br\u0117j\u0173, kurie vyri\u0161kum\u0105 nagrin\u0117ja per fizinio teatro logik\u0105 \u2013 per stereotipus, j\u0173 i\u0161ry\u0161kinim\u0105 ir dekonstravim\u0105. Bet a\u0161 nor\u0117jau eiti kitu keliu. Vizualumas man svarbus, bet nenor\u0117jau prie to prieiti vien per choreografij\u0105 ar atlikim\u0105. Mane labiau domino i\u0161gyvenimas, o ne vaidyba.<\/span><\/p>\n

Kaip k\u016brei choreografij\u0105?<\/b><\/p>\n

Band\u017eiau \u012fvairius metodus, bet jie neatrod\u0117 s\u0105\u017einingi. Atrod\u0117, lyg sek\u010diau ka\u017ekieno instrukcijomis. Tod\u0117l prad\u0117jau tai matyti kaip b\u016bsen\u0173 \u017eem\u0117lap\u012f, kur\u012f turiu pereiti. Kuo giliau \u012feinu \u012f i\u0161gyvenim\u0105, tuo labiau atsisakau formos. Choreografija vietomis grubi, techni\u0161kai ne\u0161vari, ta\u010diau labiau \u017emogi\u0161ka.<\/span><\/p>\n

Koks garso vaidmuo k\u016brinyje?<\/b><\/p>\n

Garsas labai asmeni\u0161kas. Esu i\u0161 Meksikos ir ilg\u0105 laik\u0105 tur\u0117jau sud\u0117ting\u0105 santyk\u012f su meksikieti\u0161ka muzika, nes ji man asocijavosi su t\u0117vu. Jos klausymas keldavo nejauki\u0173 jausm\u0173. Tik i\u0161 prad\u017ei\u0173 nesupratau kod\u0117l taip yra. Kai \u0161iek tiek atsiribojau nuo nemaloni\u0173 patir\u010di\u0173, prad\u0117jau v\u0117l \u012fsileisti \u0161i\u0105 savo kult\u016bros dal\u012f.<\/span><\/p>\n

Performanse nor\u0117jau subtiliai \u012ftraukti meksikieti\u0161k\u0105 muzik\u0105. Jei ji dominuot\u0173, keist\u0173 nuotaik\u0105 ir perkelt\u0173 mane \u012f b\u016bsen\u0105, kuriose esu dabar, o ne ten kur buvau praeityje. Tod\u0117l ji turi b\u016bti girdima tik fone.\u00a0<\/span><\/p>\n

Taip pat performanse gird\u0117ti skai\u010diavimas. Daugel\u012f \u017emoni\u0173 jis ramina. Man jis buvo susij\u0119s su bausme. Tod\u0117l jis \u012fgauna kit\u0105 prasm\u0119 \u2013 lieka dviprasmi\u0161kas.<\/span><\/p>\n

Bendradarbiavai su psichologe Agniete Kairyte. Kod\u0117l tai buvo svarbu?\u00a0<\/b><\/p>\n

Tai buvo svarbu abiem pus\u0117ms \u2013 ir man, ir \u017ei\u016brovui. Agniet\u0117 pad\u0117jo man geriau suprasti, k\u0105 pats i\u0161gyvenu, bet taip pat reflektavo, kaip tai gali b\u016bti priimta \u017ei\u016brovo. Ji galvojo apie \u017emones, kurie yra patyr\u0119 traum\u0105 \u2013 apie \u017emones su PTSD. Tam tikri elementai \u2013 \u0161viesa, garsas, stipr\u016bs vaizdai \u2013 gali veikti kaip \u201etrigeriai\u201c. Tai, kas vienam atrodo lengva, kitam gali b\u016bti labai intensyvu.<\/span><\/p>\n

Koki\u0105 atsakomyb\u0119 menininkas prisiima dirbdamas su trauma?<\/b><\/p>\n

R\u016bpest\u012f dalyviais, auditorija ir pa\u010diu savimi \u2013 tai rei\u0161kia pasiruo\u0161im\u0105, \u012fsp\u0117jimus ir paramos priemoni\u0173 u\u017etikrinim\u0105. Svarbu ai\u0161kiai apibr\u0117\u017eti ketinimus ir ribas. Taip pat reikia sudaryti galimyb\u0119 pasitraukti tiems \u017ei\u016brovams, kuriems reikia i\u0161laikyti atstum\u0105. Galiausiai tai ir etin\u0117 atsakomyb\u0117 \u2013 trauma netur\u0117t\u0173 b\u016bti naudojama vien \u0161okiravimui, be konteksto ar v\u0117lesnio r\u016bpes\u010dio.<\/span><\/p>\n

K\u0105 tikiesi, kad \u017ei\u016brovai i\u0161sine\u0161 su savimi po pasirodymo?\u00a0<\/b><\/p>\n

Man itin sunku atsakyti \u012f \u0161\u012f klausim\u0105. Ta\u010diau tikiuosi, kad jie i\u0161eis su tam tiktu vaizdiniu ar fiziniu poj\u016b\u010diu, kuris kit\u0105 dien\u0105 toliau sluoksniuosis j\u0173 viduje, kviesdamas susim\u0105styti apie tai, kaip k\u016bnai ne\u0161iojasi tai, kas i\u0161 prad\u017ei\u0173 jiems nepriklaus\u0117.<\/span><\/p>\n

Premjera:\u00a0\u00a0<\/b><\/p>\n

Bir\u017eelio 17 d.,\u00a0 Galerija \u201eArka\u201c, Vilnius<\/span><\/p>\n

Bir\u017eelio 18 d., Kauno \u0104\u017euolyno biblioteka<\/span><\/p>\n



<\/p>\n","protected":false},"excerpt":{"rendered":"

Adrian Carlo Bibiano \u0161okio performansas \u201eman niekada nepriklausiusi kalt\u0117\u201c, kurio premjera \u012fvyks bir\u017eel\u012f, tyrin\u0117ja kalt\u0119, traumas ir k\u016bno geb\u0117jim\u0105 savyje …<\/p>\n","protected":false},"author":2,"featured_media":18668,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nTarp kontrol\u0117s ir paleidimo: Adrian Carlo Bibiano apie k\u016bn\u0105, jame nus\u0117dan\u010dias traumas ir atmint\u012f - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/06\/11\/tarp-kontroles-ir-paleidimo-adrian-carlo-bibiano-apie-kuna-jame-nusedancias-traumas-ir-atminti\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tarp kontrol\u0117s ir paleidimo: Adrian Carlo Bibiano apie k\u016bn\u0105, jame nus\u0117dan\u010dias traumas ir atmint\u012f - 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