{"id":18799,"date":"2026-07-28T14:45:10","date_gmt":"2026-07-28T11:45:10","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18799"},"modified":"2026-07-28T14:46:00","modified_gmt":"2026-07-28T11:46:00","slug":"i-contempo-atvykstanti-cirko-menininke-p-fremeau-pries-pasirodyma-ilgai-ziuriu-ziurovams-i-akis","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/07\/28\/i-contempo-atvykstanti-cirko-menininke-p-fremeau-pries-pasirodyma-ilgai-ziuriu-ziurovams-i-akis\/","title":{"rendered":"\u012e \u201eConTempo\u201c atvykstanti cirko meninink\u0117 P. Fremeau: \u201ePrie\u0161 pasirodym\u0105 ilgai \u017ei\u016briu \u017ei\u016brovams \u012f akis\u201c"},"content":{"rendered":"

\u201ePrie\u0161 pasirodym\u0105 ilgai \u017ei\u016briu \u017ei\u016brovams \u012f akis \u2013 da\u017eniausiai jos spinduliuoja \u0161ilum\u0105, o tai leid\u017eia juos pakviesti \u012f savo \u201enamus\u201c \u2013 m\u016bs\u0173 pasirodym\u0105, \u2013 sako Pauline Fremeau. Jau netrukus kompozitor\u0117 ir muzikant\u0117, kurianti muzik\u0105 cirko pasirodymams, festivalyje \u201eConTempo\u201c pasirodys kartu su trupe \u201eGratte Ciel\u201c ir meditatyviu spektakliu dideliame auk\u0161tyje \u2013 \u201eRoZ\u00e9O\u201c.<\/strong><\/p>\n

Pranc\u016bz\u0117s pa\u017eintis su cirko scena prasid\u0117jo gerokai anks\u010diau nei \u0161is projektas \u2013 i\u0161 prad\u017ei\u0173 ji prisid\u0117jo prie kit\u0173 cirko pasirodym\u0173 techninio pasiruo\u0161imo ir vadybos, o v\u0117liau \u0117m\u0117 jiems kurti muzik\u0105. Kaip pati sako \u0161iandien, cirkas pad\u0117jo atrasti \u0161eim\u0105 \u2013 bendruomen\u0119, kurioje nebaisu eksperimentuoti ir ry\u017etis tam, kas i\u0161 pirmo \u017evilgsnio atrodo ne\u012fmanoma.<\/p>\n

Pauline, gal gal\u0117tum daugiau papasakoti apie \u201eGratte Ciel\u201c ir tai, kaip tapai \u0161ios trup\u0117s dalimi?<\/strong><\/p>\n

Prie \u201eGratte Ciel\u201c prisijungiau prie\u0161 ketverius metus, nors pati trup\u0117 gyvuoja gerokai ilgiau.\u00a0 \u201eGratte Ciel\u201c specializuojasi akrobatiniuose pasirodymuose dideliame auk\u0161tyje. Viskas prasid\u0117jo nuo spektaklio \u201ePlace des Anges\u201c \u2013 vieno did\u017eiausi\u0173 atvirose erdv\u0117se rodom\u0173 spektakli\u0173, su kuriuo trup\u0117 iki \u0161iol gastroliuoja \u012fvairiose pasaulio \u0161alyse. Trup\u0119 sub\u016br\u0117 kaln\u0173 entuziastai \u2013 alpinistai ir \u017eygeiviai, kurie prad\u0117jo kurti pasirodymus kaln\u0173 aplinkoje. V\u0117liau j\u0173 k\u016bryba persik\u0117l\u0117 \u012f miesto vie\u0161\u0105sias erdves \u2013 rotu\u0161es, aik\u0161tes ir kitas atviras vietas. \u201ePlace des Anges\u201c tapo atspirties ta\u0161ku ir kitiems trup\u0117s projektams.<\/p>\n

Mano kelias \u012f trup\u0119 prasid\u0117jo nuo spektaklio \u201eRoZ\u00e9O\u201c. Iki tol jau daugel\u012f met\u0173 dirbau cirko srityje. Karjer\u0105 prad\u0117jau kaip technin\u0117s komandos nar\u0117 \u2013 r\u016bpinausi vadybiniais darbais, pad\u0117jau statyti palapines ir rengti technin\u0119 \u012frang\u0105. V\u0117liau tai mane atved\u0117 \u012f Jungtin\u0117je Karalyst\u0117je \u012fsik\u016brusi\u0105 cirko trup\u0119 \u201eNoFit State Circus\u201c, kur pama\u017eu prad\u0117jau kurti ir atlikti muzik\u0105 cirko pasirodymams. Anks\u010diau jau buvau dirbusi su viena i\u0161 spektaklio re\u017eisieri\u0173 Camille Beaumier, tod\u0117l ji susisiek\u0117 su manimi ir pakviet\u0117 prisijungti prie \u0161io projekto.<\/p>\n

\"\"<\/a>
SpektakliS \u201eRoZ\u00e9O\u201c, David Levene nuotr.<\/em><\/figcaption><\/figure>\n

Ko per visus \u0161iuos metus i\u0161mok\u0117 cirko gyvenimas?<\/strong><\/p>\n

Kurti didelius dalykus turint labai ma\u017eai. Cirkas kilo i\u0161 aplinkos, kurioje \u017emon\u0117s da\u017eniausiai netur\u0117jo daug finansini\u0173 galimybi\u0173, gyveno netradicin\u012f gyvenim\u0105 \u2013 nuolat keliavo, tur\u0117jo prisitaikyti prie nauj\u0173 aplinkybi\u0173. Nori ar nenori, tai i\u0161moko pasiimti tai, kas yra aplink ir i\u0161naudoti kuo geriau. Tam reikia daug k\u016brybi\u0161kumo ir i\u0161radingumo.<\/p>\n

Dar vienas dalykas, kur\u012f i\u0161mokau \u2013 jei bijai ka\u017ek\u0105 daryti, imk ir daryk. Kalbant apie muzik\u0105, visada buvau labai drovi. Pasirodymai scenoje nebuvo ka\u017ekas, kas man buvo \u012fgimta ar nat\u016bralu \u2013 tai at\u0117jo pama\u017eu. Manau, kad jei ne cirkas, tikriausiai niekada neb\u016b\u010diau prad\u0117jusi groti.<\/p>\n

Galiausiai, cirkas man suteik\u0117 \u0161eim\u0105 \u2013 \u017emoni\u0173 bendruomen\u0119, kuri skatino bandyti, b\u016bti dr\u0105siai ir eksperimentuoti saugioje aplinkoje. Akrobatai nuolat mokosi nauj\u0173 dalyk\u0173, kurie i\u0161 pirmo \u017evilgsnio atrodo ne\u012fmanomi ar net pavojingi. Ir vis d\u0117lto jie pasiry\u017eta. Man tai yra nepaprastai \u012fkvepiantis pavyzdys.<\/p>\n

Netrukus tavo kurt\u0105 muzik\u0105 spektaklyje <\/strong>\u201eRoZ\u00e9O\u201c<\/strong> i\u0161girs \u201eConTempo\u201c publika. \u012edomu, kas tapo pagrindiniu <\/strong>\u201eRoZ\u00e9O\u201c<\/strong> muzikinio takelio \u012fkv\u0117pimo \u0161altiniu?<\/strong><\/p>\n

Muzika \u0161iame spektaklyje u\u017eima labai svarbi\u0105 viet\u0105, nes ji buvo kuriama tuo pa\u010diu metu kaip ir pats pasirodymas, glaud\u017eiai bendradarbiaujant visai k\u016brybinei komandai. Pagrindinis \u012fkv\u0117pimo \u0161altinis buvo kra\u0161tovaizdis \u2013 spektakliui ruo\u0161\u0117m\u0117s \u012fvairiose vietose: mi\u0161kuose, pelk\u0117se, steb\u0117jome gamtos judesius \u2013 med\u017eius, v\u0117j\u0105, debesis. Klausiausi aplinkos ir \u012fra\u0161in\u0117jau joje girdimus garsus.<\/p>\n

Kuriant muzik\u0105, mano cirko namelis ant rat\u0173 stov\u0117jo tiesiai prie\u0161ais artistus, tod\u0117l gal\u0117jau ai\u0161kiai matyti j\u0173 judesius. Nor\u0117jau perteikti emocijas, kurias jau\u010diau steb\u0117dama tiek juos, tiek aplink supant\u012f kra\u0161tovaizd\u012f. B\u016bdavo akimirk\u0173, kupin\u0173 visi\u0161kos ramyb\u0117s, ta\u010diau b\u016bta iri intensyvi\u0173 patir\u010di\u0173 \u2013 jas primindavo ugnikalniai, ugnis, v\u0117jo energija ir j\u0117ga. Nor\u0117\u010diau, kad visa tai pajust\u0173 ir \u017ei\u016brovai \u2013 \u0161is k\u016brinys yra labai emocionalus.<\/p>\n

\"\"<\/a>
Spektaklis \u201eRoZ\u00e9O\u201c,Philippe Didier nuotr.<\/em><\/figcaption><\/figure>\n

Did\u017eioji muzikin\u0117s dalies dalis yra sukurta i\u0161 anksto \u2013 spektaklyje naudojame daugyb\u0119 instrument\u0173 ir i\u0161 anksto \u012fra\u0161yt\u0173 element\u0173. \u010cia susijungia \u012fra\u0161yta muzika ir gyvai mano atliekami k\u016briniai \u2013 groju pianinu, klarnetu, bosu, violon\u010dele, taip pat naudoju savo bals\u0105 ir \u201eloop\u201c stotel\u0119, leid\u017eian\u010di\u0105 sluoksniuoti bei kartoti garsus.<\/p>\n

Atlik\u0117jams reikalingi tam tikri orientyrai, jie turi gerai pa\u017einti muzik\u0105, kad gal\u0117t\u0173 sekti choreografij\u0105. Vis d\u0117lto man lieka ir erdv\u0117s improvizacijai \u2013 tai ypa\u010d ai\u0161kiai galima i\u0161girsti spektaklio pabaigoje.<\/p>\n

\u201eRhozeo\u201c rodomas atvirose erdv\u0117se \u2013 gamtoje ir miestuose. Kaip aplinka veikia pat\u012f pasirodym\u0105?<\/strong><\/p>\n

Tai yra neatsiejama visos patirties dalis. Spektaklis buvo kuriamas dialoge su skirtingomis erdv\u0117mis ir gamtos elementais. Aplinka visuomet daro \u012ftak\u0105 tam, kaip \u017ei\u016brovai patiria pasirodym\u0105. Jei labai v\u0117juota, \u017ei\u016brovai ne tik stebi spektakl\u012f, bet ir patys jau\u010dia v\u0117j\u0105, girdi jo skleid\u017eiamus garsus \u2013 tai sukuria visi\u0161kai kitoki\u0105 atmosfer\u0105 ir pasakoja nauj\u0105 istorij\u0105.<\/p>\n

Jei pasirodymas vyksta prie j\u016bros ar papl\u016bdimio, o aplink vyrauja ramyb\u0117, visa patirtis gali atrodyti kur kas ramesn\u0117 ir lengvesn\u0117. Kart\u0105 pasirod\u0117me per audr\u0105 \u2013 vir\u0161 m\u016bs\u0173 kaup\u0117si juodi debesys, \u017eaibavo, ir tai suk\u016br\u0117 itin dramati\u0161k\u0105 atmosfer\u0105. Visuomet tikime, kad svarbu prisitaikyti ir pasitik\u0117ti tuo, k\u0105 pasi\u016blo aplinka, o ne bandyti jai pasiprie\u0161inti.<\/p>\n

Kas \u0161iame spektaklyje sud\u0117tingiausia?<\/strong><\/p>\n

Vis\u0173 pirma, tai, jog \u201eRoZ\u00e9O\u201c yra spektaklis, o ne koncertas, tod\u0117l turiu prisitaikyti ir tapti viena i\u0161 jo veik\u0117j\u0173. Judu kartu su savo instrumentais, o tai n\u0117ra lengva. Kartu tokia patirtis leid\u017eia pasijusti gyvai ir b\u016bti \u010dia bei dabar \u2013 negaliu visko pernelyg tiksliai suplanuoti ar kontroliuoti. Tai palie\u010dia.<\/p>\n

Su trupe pasirodome pa\u010diomis \u012fvairiausiomis s\u0105lygomis \u2013 kartais pu\u010dia stiprus v\u0117jas ar lietus krinta tiesiai ant pianino \u2013 neturime tradicin\u0117s scenos. Yra buv\u0119 situacij\u0173, kai d\u0117l itin sud\u0117ting\u0173 s\u0105lyg\u0173 netur\u0117jau galimyb\u0117s groti. Pavyzd\u017eiui, Kinijoje lijo taip stipriai, kad net negal\u0117jau i\u0161sitraukti savo instrument\u0173. Ta\u010diau spektaklis vis tiek vyko \u2013 m\u016bs\u0173 id\u0117ja yra patirti aplink\u0105, pajusti gamtos stichijas ir jas priimti, o ne bandyti joms prie\u0161intis.<\/p>\n

Kaip jautiesi prie\u0161 pasirodymus? Vis dar kyla jaudulys?<\/strong><\/p>\n

\u012etamp\u0105 jau\u010diu prie\u0161 kiekvien\u0105 pasirodym\u0105, juk prigimtyje nesu atlik\u0117ja. Anks\u010diau dirbdama cirke prie\u0161 spektaklius visada b\u016bdavau u\u017esi\u0117musi \u2013 tikrindavau, ar viskas veikia tinkamai, r\u016bpindavausi, kad viskas b\u016bt\u0173 savo vietose. Galb\u016bt tai pad\u0117davo u\u017esimir\u0161ti.<\/p>\n

Kiekvienas pasirodymas rei\u0161kia susitikim\u0105 su \u017ei\u016brovais, kuri\u0173 nepa\u017e\u012fsti. Pirm\u0105sias penkias minutes da\u017enai galvoju: kas yra \u0161ie \u017emon\u0117s \u2013 ar m\u016bs\u0173 energijos sutaps? Spektaklio prad\u017eioje vaik\u0161tau tarp \u017ei\u016brov\u0173 ir \u017evelgiu jiems \u012f akis. Jie pa\u017evelgia atgal, nusi\u0161ypso, ir da\u017eniausiai visas stresas tiesiog i\u0161garuoja. Jie trumpam tampa draugais, o tada galiu i\u0161 ties\u0173 pasinerti \u012f pasirodym\u0105.<\/p>\n

Tai savoti\u0161kas kvietimas publikai: \u201eU\u017eeikite \u012f mano namus ir pamatykite, kaip gyvenu.\u201c V\u0117liau \u017ei\u016brovai i\u0161 ties\u0173 pakvie\u010diami \u012f pat\u012f pasirodymo centr\u0105, kur gali i\u0161 arti patirti auk\u0161\u010dio poj\u016bt\u012f. Per vis\u0105 pasirodym\u0105 labai stipriai jau\u010diu bendryst\u0119. O pabaigoje atrodo, kad visi kartu i\u0161gyvename tas pa\u010dias emocijas.<\/p>\n

U\u017esiminei apie publik\u0105 \u2013 kokios b\u016bna \u017ei\u016brov\u0173 reakcijos, kokiomis mintimis ir emocijomis jie dalijasi?\u00a0<\/strong><\/p>\n

\u017dmon\u0117s skirtingose \u0161alyse reaguoja nevienodai \u2013 tai lemia ir kult\u016briniai skirtumai. Ta\u010diau da\u017enai matau \u017emones verkian\u010dius, net jei patys ne visada gali paai\u0161kinti kod\u0117l. \u017di\u016brovai da\u017enai prieina b\u016btent prie man\u0119s, nes pasirodymo metu esu vienintel\u0117 atlik\u0117ja, stovinti ant \u017eem\u0117s. Jie d\u0117koja, kartais graudinasi \u2013 turb\u016bt tai yra stipriausia reakcija ir did\u017eiausia pad\u0117ka, koki\u0105 artistas gali gauti. Da\u017enas ie\u0161ko fizinio ry\u0161io \u2013 paima u\u017e rankos ar apkabina. Kartais tai atrodo beveik kaip dvasin\u0117 patirtis. Nuostabu, kad \u017emones gali paliesti atlik\u0117j\u0173 judesiai ir j\u0173 kuriami vaizdiniai.<\/p>\n

Dar viena tema, apie kuri\u0105 mums svarbu kalb\u0117ti, yra l\u0117t\u0117jimas. \u0160iandien, i\u0161mani\u0173j\u0173 telefon\u0173, interneto ir nuolatinio dirgikli\u0173 srauto pasaulyje, viskas vyksta ne\u012ftik\u0117tinai greitai. Spektaklius, filmus ir vaizdus vartojame kasdien, didel\u0117mis doz\u0117mis. Vienas m\u016bs\u0173 tiksl\u0173 buvo pakviesti \u017emones sustoti, \u012fsi\u017ei\u016br\u0117ti ir tiesiog pajusti. Tod\u0117l spektaklyje n\u0117ra nuolatinio veiksmo \u2013 jis skleid\u017eiasi l\u0117tai, turi ilg\u0105 \u012f\u017eang\u0105. Tai m\u016bs\u0173 kvietimas sul\u0117tinti temp\u0105 ir bent trumpam sustoti.<\/p>\n

Manau, viena i\u0161 prie\u017eas\u010di\u0173, kod\u0117l \u0161is spektaklis taip palie\u010dia \u017emones, yra tai, kad jame beveik n\u0117ra \u017eod\u017ei\u0173 \u2013 tik labai trumpas \u012fvadas prad\u017eioje. Patirtis kuriama daugiausia per muzik\u0105 ir judes\u012f, o tai, regis, pasiekia \u017emones nepaisant kult\u016brini\u0173 skirtum\u0173 ar tautyb\u0117s. Yra dalyk\u0173, kuriais dalinam\u0117s\u00a0 visi \u2013 emocijos, m\u016bs\u0173 \u0161irdys. Galb\u016bt b\u016btent tod\u0117l \u0161is spektaklis leid\u017eia \u017emon\u0117ms i\u0161 naujo prisiliesti prie ka\u017eko labai svarbaus \u2013 pa\u010dios \u017emogi\u0161kumo esm\u0117s<\/p>\n

\u201eRoZ\u00e9O\u201c bus rodomas tarptautiniame scenos men\u0173 festivalyje <\/em>\u201eConTempo\u201c r<\/em>ugpj\u016b\u010dio 1-2 dienomis \u201eKauno gr\u016bdai\u201c gamyklos kieme, Kaune. Festivalio programa: contempofestival.lt<\/em><\/p>\n

Spektaklio pristatym\u0105 \u201eConTempo\u201c festivalyje remia Pranc\u016bz\u0173 institutas Lietuvoje.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201ePrie\u0161 pasirodym\u0105 ilgai \u017ei\u016briu \u017ei\u016brovams \u012f akis \u2013 da\u017eniausiai jos spinduliuoja \u0161ilum\u0105, o tai leid\u017eia juos pakviesti \u012f savo \u201enamus\u201c …<\/p>\n","protected":false},"author":2,"featured_media":18800,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n\u012e \u201eConTempo\u201c atvykstanti cirko meninink\u0117 P. 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