{"id":1897,"date":"2015-12-22T22:54:20","date_gmt":"2015-12-22T22:54:20","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/12\/22\/svente-ritualas-kosmaras\/"},"modified":"2015-12-22T22:54:20","modified_gmt":"2015-12-22T22:54:20","slug":"svente-ritualas-kosmaras","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/12\/22\/svente-ritualas-kosmaras\/","title":{"rendered":"\u0160vent\u0117. Ritualas. Ko\u0161maras"},"content":{"rendered":"

Gruod\u017eio 17 d. Men\u0173 spaustuv\u0117je buvo galima susipa\u017einti su kolektyvu \u201eStage Strangers\u201c. Pasirodo, jie i\u0161 tikr\u0173j\u0173 n\u0117ra nepa\u017e\u012fstamieji nei scenai, nei scenoje, nei vieni kitiems. O trys i\u0161 keturi\u0173 jau yra dirb\u0119 kartu spektaklyje \u201eContemporary?\u201c. Kurdami nauj\u0105 projekt\u0105 \u201eU\u017es\u0117dimas\u201c Agn\u0117 Ramanauskait\u0117, Mantas Staba\u010dinskas ir Paulius Tamol\u0117 bendradarbiauti pasikviet\u0117 taip pat neblogai pa\u017e\u012fstam\u0105 Dominyk\u0105 Vaitiek\u016bn\u0105.
\nPrie\u0161 por\u0105 met\u0173 be choreografo ar re\u017eisieriaus trijul\u0117, su dramaturg\u0117s Sigitos Iva\u0161kait\u0117s pagalba, pastat\u0117 spektakl\u012f apie \u0161iuolaikin\u012f \u0161ok\u012f. Bene labiausiai papirk\u0119s jo aspektas buvo (auto)ironi\u0161kas apm\u0105stymas apie \u0161iuolaikinio \u0161okio lauk\u0105 Lietuvoje, klausiant kas gi tas \u0161iuolaikinis \u0161oki i\u0161 tikr\u0173j\u0173 yra. Naujam darbui pasirinkta tokia pati strategija: dirbti be choreografo ir re\u017eisieriaus, bet su dramaturgu. \u0160\u012f kart\u0105 \u2013 su Vlada Kalpokaite.<\/p>\n

Sprendimas kurti kolektyviai, netampant garsia pavarde apsiginklavusio re\u017eisieriaus ar choreografo \u012frankiu, vis dar gan\u0117tinai retas rei\u0161kinys dabartiniams re\u017eis\u016brin\u0117s teatro tradicijos u\u017eaugintiems Lietuvos k\u016br\u0117jams. Tod\u0117l kiekvienas toks labiau pavyk\u0119s bandymas \u2013 \u0161vent\u0117. D\u017ei\u016bgauti galima atsiverian\u010diomis platesn\u0117mis galimyb\u0117mis kurti, atlik\u0117jo vaidmens atsisakan\u010diais aktoriais ir \u0161ok\u0117jais. Ta\u010diau Lietuvoje tai ne visada pavyksta: kolektyvin\u0119 k\u016bryb\u0105 deklaruojantis \u201eAtviras ratas\u201c buvo ir teb\u0117ra re\u017eisuojamas savo pedagogo Aido Ginio\u010dio, kolektyviai k\u016brusios jaun\u0173 aktori\u0173 trup\u0117s (pvz., \u201eTrup\u0117 li\u016bdi\u201c, kurioje dirbo prie \u201eStage Strangers\u201c prisijung\u0119s D. Vaitiek\u016bnas, ar savo veiklos prad\u017eioje itin suintrigav\u0119, bet Vido Bareikio re\u017eis\u016brai pasidav\u0119, \u201eNo Theatre\u201c) da\u017eniausiai greitai i\u0161siskirsto pajutusios finans\u0173 arba id\u0117j\u0173 tr\u016bkum\u0105. Bene s\u0117kmingiausiai pastaruoju metu kolektyvine k\u016bryba u\u017esiima \u201eBad Rabbits\u201c, kuri\u0173 gretose vis d\u0117lto yra, nors ir atsiriboj\u0119s nuo re\u017eisieriaus vaidmens, Agnius Jankevi\u010dius. \u201eStage Strangers\u201c yra kiek kitokioje pad\u0117tyje. Jie susib\u016br\u0117 jau b\u016bdami \u017einomi ir pirmuoju savo darbu i\u0161kart u\u017esidirbo Auksin\u012f scenos kry\u017ei\u0173. Tad imtis kurti kartu antr\u0105 kart\u0105, pasikvietus taip pat jau gerai \u017einom\u0105, tik vis\u0173 pirma kaip daininink\u0105 ir TV laid\u0173 ved\u0117j\u0105, D. Vaitiek\u016bn\u0105, netur\u0117jo b\u016bti taip nedr\u0105su, rizikinga ir neai\u0161ku turinio ar formos prasme, kaip nutinka pradedantiesiems. Net per\u0161asi mintis, kad b\u016btent taip ir reikia u\u017esiimti kolektyvine k\u016bryba \u2013 kai menininkai jau turi patirties, skon\u012f ir po\u017ei\u016br\u012f. <\/p>\n

Kolektyvin\u0117 k\u016bryba \u0161iai grupei antr\u0105 kart\u0105 i\u0161 eil\u0117s tampa priemone ne tik provokuoti savo k\u016brybi\u0161kum\u0105, bet ir kalb\u0117ti atviriau, nuo sav\u0119s<\/em> ir apie save. \u0160\u012f kart\u0105 scenoje ir v\u0117l labai konkretus rei\u0161kinys \u2013 vestuv\u0117s. Vestuv\u0117s, kuriose \u0161ven\u010diama, dirbama ir kuri\u0173 tikimasi. Kurios tampa (o spektaklyje beveik be i\u0161im\u010di\u0173 ir yra) sustabar\u0117j\u0119s, negyvas, tu\u0161\u010dias ritualas. \u201eU\u017es\u0117dimas\u201c prasideda jau \u017ei\u016brovams einant \u012f sal\u0119: scenoje ant keturi\u0173 k\u0117d\u017ei\u0173 s\u0117di keturi nuogi atlik\u0117jai \u2013 taigi nuo pat pirm\u0173j\u0173 akimirk\u0173 \u201eStage Strangers\u201c deklaruoja, kad jie prie\u0161 savo \u017ei\u016brovus ketina apsinuoginti ir pam\u0117ginti apnuoginti vestuvi\u0173 ritual\u0105.<\/p>\n

Kad atskleist\u0173 vis\u0105 vestuves gaubiant\u012f tu\u0161\u010di\u0173 tradicij\u0173 ir papro\u010di\u0173, form\u0173 be turinio ir \u201etaip priimta\u201c taisykli\u0173 absurdi\u0161kum\u0105, pirmiausiai aktoriai apsirengia vakariniais r\u016bbais. Nes taip vestuv\u0117se priimta. Pasijuok\u0119 i\u0161 \u201etaip reikia\u201c taisykl\u0117s sukeliam\u0173 situacij\u0173 (nuo maisto ne\u0161iojimo, jaunaved\u017ei\u0173 pasitikim\u0173 iki prievartinio linksminimo bei kardinalaus turinio ir formos neatitikimo), spektaklio autoriai nepagaili kritikos ir \u0161ventimo kult\u016brai, ritual\u0105 paver\u010dian\u010diai ko\u0161maru. Bene ry\u0161kiausia tokia scena D. Vaitiek\u016bno, apsimetan\u010dio pietie\u010diu \u0161oki\u0173 mokytoju ir jo vedama \u0161okio pamoka. Spektaklio \u017ei\u016brovai-vestuvi\u0173 sve\u010diai yra kvie\u010diami kartu \u0161okti. Tam nereikia net atsistoti i\u0161 savo viet\u0173, nereikia joki\u0173 sugeb\u0117jim\u0173, u\u017etenka veikian\u010di\u0173 s\u0105nari\u0173: patreps\u0117ti pamojuoti, pasi\u0161ypsoti. Apmokyti \u0161okio judesi\u0173, \u017ei\u016brovai-sve\u010diai kvie\u010diami \u0161okti pagal an\u010diuk\u0173 \u0161okio muzik\u0105. Premjeros metu tai netapo prievartinio linksminimo ko\u0161maru, ta\u010diau scenoje prie Dominyko prisijung\u0119 kiti aktoriai \u0161\u012f \u0161ok\u012f u\u017eaugino iki visi\u0161kos vestuvi\u0173 \u0161vent\u0117s parodijos ir rod\u0117 organizatori\u0173 ir sve\u010di\u0173 kartu kuriam\u0105 tu\u0161tyb\u0119 ir beskonyb\u0119.<\/p>\n

\"\" <\/p>\n

Pastar\u0105j\u0105 scenoje papild\u0117 ir pora sprendim\u0173, neleidusi\u0173 pamir\u0161ti, kad pirmasis \u0161ios grup\u0117s spektaklis buvo apie \u0161iuolaikin\u012f \u0161ok\u012f. Apsireng\u0119 vakariniais r\u016bbais keturi aktoriai vis\u0105 spektakl\u012f taip ir liko basi. O ap\u0161vietimas, \u017einoma, dominavo i\u0161 \u0161on\u0173. Tai \u2013 dvi jau gerokai \u012fsipykusios lietuvi\u0161ko \u0161iuolaikinio \u0161okio kli\u0161\u0117s i\u0161 neskoning\u0173 sprendim\u0173 besijuokian\u010diame spektaklyje, regis, atsiradusios neatsitiktinai.<\/p>\n

Vis d\u0117lto ty\u010dia ar nevisai ne itin skoningai prilinksmintiems \u017ei\u016brovams (rodant nemokan\u010dius \u0161okti, banalias eiles skaitan\u010dius ir prastai jas \u012f angl\u0173 kalb\u0105 ver\u010dian\u010dius, mil\u017eini\u0161k\u0105 fal\u0105 ne vietoje pie\u0161ian\u010dius, \u201ePurvinus \u0161okius\u201c cituojan\u010dius) gali pritr\u016bkti \u017ead\u0117to atvirumo, apsinuoginimo, nes visas ironi\u0161kas situacijas kurti, matyti ir pasakoti gal\u0117jo bet kas i\u0161 s\u0117din\u010di\u0173 sal\u0117je (matyt, atpa\u017e\u012fstamumas ir suteik\u0117 tiek daug d\u017eiaugsmo \u017ei\u016brovams), tad ne visai ai\u0161ku, kod\u0117l apie tai scenoje kalb\u0117jo b\u016btent \u0161ie keturi \u0161ok\u0117jai ir aktoriai. Tikrai asmeni\u0161ki spektaklyje buvo vos keli epizodai: M. Staba\u010dinsko lop\u0161in\u0117, A. Ramanauskait\u0117s prisipa\u017einimas apie trok\u0161tamas vestuves bei D. Vaitiek\u016bno pasisakymas, kad jo mama netur\u0117s mar\u010dios. Atvirauti m\u0117ginta, regis, ir D. Vaitiek\u016bno monologu apie \u0161lapius batus (o \u0161lapi jie, nes \u012f bat\u0105 i\u0161 baim\u0117s primy\u017eta<\/em>), kuriais eiti nepatogu, bet ir nusiauti nesmagu, nes aplinkiniai gali u\u017euosti nemalon\u0173 kvap\u0105. Deja, nes\u0117kmingai \u2013 metaforos banalumas visi\u0161kai nokautavo vis\u0105 monologe gal\u0117jus\u012f gl\u016bd\u0117ti nuo\u0161irdum\u0105. Ir apskritai, kalbant apie D. Vaitiek\u016bn\u0105, prisijungus\u012f prie \u201eContemporary?\u201c k\u016brusios trijul\u0117s, atrodo, kad \u201eU\u017es\u0117dime\u201c buvo pabijota naudotis jo stipryb\u0117mis. Jis, \u017einoma, neblogai prisijung\u0117 prie \u0161okio ir vaidybos, bet nepanaudojo savo muzikini\u0173 geb\u0117jim\u0173. O kalbant apie vestuves muzika gal\u0117jo suvaidinti kur kas ry\u0161kesn\u012f vaidmen\u012f nei vaidina \u201eU\u017es\u0117dime\u201c.<\/p>\n

\"\" <\/p>\n

Gal\u0173 gale, galvojant apie vis\u0105 spektakl\u012f, bene did\u017eiausias tr\u016bkumas \u0161\u012f kart\u0105 atrodo bes\u0105s probleminio klausimo netur\u0117jimas. Kaip beb\u016bt\u0173 smagu, kaip besinor\u0117t\u0173 paatvirauti apie save vestuv\u0117se, nei\u0161ry\u0161kinant konkre\u010dios problemos imama tu\u0161\u010diai linksminti(s). Tai nerei\u0161kia, kad su vestuv\u0117mis susijusi\u0173 problem\u0173 k\u016br\u0117jai nepamini. Nutinka net prie\u0161ingai: t\u0173 problem\u0173 per daug, kad b\u016bt\u0173 susikoncentruota \u012f vien\u0105 ir pabandyta kokybi\u0161kai apm\u0105styti, kad ir vien\u0105 ry\u0161kiausi\u0173 \u0161iame spektaklyje \u2013 ritualo nuvert\u0117jim\u0105. Ta\u010diau \u010dia pat \u017euvis te\u0161loje, beveik desperati\u0161kas noras i\u0161tek\u0117ti ir nei vieno \u017eod\u017eio apie pasirinkim\u0105 tuoktis (t.y. dalyvauti rituale ir jame matom\u0105 prasm\u0119) i\u0161 vienintelio spektaklyje vaidinan\u010dio vedusio aktoriaus \u2013 P. Tamol\u0117s.<\/p>\n

Tad \u0161\u012f kart\u0105 tvarkingesniame, geriau \u0161ok\u012f ir vaidyb\u0105 jungian\u010diame spektaklyje ketveriuk\u0117 dar labiau linksmina ir ironizuoja. Ta\u010diau kalbama nebe taip atvirai ir asmeni\u0161kai, tad rizikuojama \u201eU\u017es\u0117dim\u0105\u201c paversti vestuvini\u0173 situacij\u0173 parodij\u0173 vakaru arba, kaip ir vestuves, i\u0161 kuri\u0173 spektaklyje juokiamasi, tu\u0161\u010diu ritualu, forma be turinio, teatriniu, gra\u017eiai \u012fpakuotu pasipuo\u0161usi\u0173 \u017emoni\u0173 ko\u0161maru.<\/p>\n

\u201eStage strangers\u201c archyvo nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Gruod\u017eio 17 d. Men\u0173 spaustuv\u0117je buvo galima susipa\u017einti su kolektyvu \u201eStage Strangers\u201c. Pasirodo, jie i\u0161 tikr\u0173j\u0173 n\u0117ra nepa\u017e\u012fstamieji nei scenai, …<\/p>\n","protected":false},"author":1,"featured_media":1898,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n\u0160vent\u0117. Ritualas. Ko\u0161maras - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/12\/22\/svente-ritualas-kosmaras\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160vent\u0117. Ritualas. Ko\u0161maras - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Gruod\u017eio 17 d. 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