{"id":18997,"date":"2026-10-05T11:00:29","date_gmt":"2026-10-05T08:00:29","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=18997"},"modified":"2026-10-05T11:00:29","modified_gmt":"2026-10-05T08:00:29","slug":"taciau-tuo-tarpu-trys-nauji-choreografiniai-balsai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/10\/05\/taciau-tuo-tarpu-trys-nauji-choreografiniai-balsai\/","title":{"rendered":"Ta\u010diau, tuo tarpu: trys nauji choreografiniai balsai"},"content":{"rendered":"
\n

\u201eLyg gyvenimo ir galimybi\u0173 <\/span>burbulas i<\/span>\u0161plat\u0117<\/span>jo, o a<\/span>\u0161 suma\u017e\u0117jau<\/span>\u201c<\/span>, \u2013 taip choreograf\u0117 <\/span>Urt<\/span>\u0117 Siniauskait\u0117<\/span> apib\u016bdina jausm\u0105 baigus Lietuvos muzikos ir teatro akademij\u0105 ir staiga atsid\u016b<\/span>rus profesionaliame <\/span>\u0161okio lauke.<\/span><\/p>\n<\/div>\n

\n

Ugn\u0117 Lu\u010dauskait\u0117<\/span> sako stovinti \u201eant balansavimo lyno prad\u017eios<\/span>\u201c<\/span>. Robert Aleksander Vinik<\/span> savo dabartin<\/span>\u0119 b\u016bsen\u0105 vadina audra, kurioje \u201evisko atrodo per daug, bet kartu \u2013 visi\u0161kai tu\u0161\u010dia<\/span>\u201c<\/span>.<\/span><\/p>\n<\/div>\n

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Spalio 10 d. Men<\/span>\u0173 spaustuv\u0117je visi trys pristatys savo darbus BE KOMPANIJOS \u201eMa\u017e\u0173j\u0173 produkcij<\/span>\u0173\u201c <\/span>vakare \u201eTa\u010diau, tuo tarpu<\/span>\u201c<\/span>. K\u016briniai gim\u0117 dar studij\u0173 LMTA metu, ta\u010d<\/span>iau dabar pirm<\/span>\u0105 kart\u0105 i\u0161eina \u012f <\/span>scen<\/span>\u0105 jau ne kaip bakalauro darbai, o kaip savaranki\u0161ki jaun\u0173 k\u016br\u0117j\u0173 k\u016b<\/span>riniai.<\/span><\/p>\n

\"\"<\/a>\u201eUntitled World\u201c<\/span><\/span>, D. Ali\u0161ausko nuotr.<\/em><\/p>\n<\/div>\n

\n

J\u0173 kalbos labai skirtingos. Paklaustas, kokia spalva \u0161<\/span>iandien b<\/span>\u016bt\u0173 jo k\u016b<\/span>rybinis balsas, Robertas atsako: <\/span>\u201eTamsiai m\u0117<\/span>lyna, lyg vandenynas per did<\/span>\u017eiausi\u0105 <\/span>audr<\/span>\u0105.<\/span>\u201c<\/span> Urt<\/span>\u0117s \u2013 spalva, gaunama sumai\u0161ius visas akvareles. Ugn\u0117 renkasi ne spalv\u0105<\/span>, o b<\/span>\u016bsen\u0105: plaukim\u0105, kai dar tik mokaisi plaukti.<\/span><\/p>\n<\/div>\n

\n

Gal tai ir yra tiksliausias \u0161io vakaro apib\u016b<\/span>dinimas <\/span>\u2013 trys \u017emon\u0117s, kurie dar nesako atrad\u0119 <\/span>savo menin<\/span>\u0119 kalb\u0105 ir kol kas nelabai norintys apsimesti, kad j\u0105 <\/span>rado.<\/span><\/p>\n<\/div>\n

\n

Urt<\/span>\u0117s k\u016brinyje \u201e<\/span>Undin\u0117\u201c<\/span><\/span>\u00a0susitinka stipryb\u0117 ir pa\u017e<\/span>eid<\/span>\u017eiamumas. Jai svarbiausias lieka santykis su \u017ei\u016brovu \u2013 aki\u0173 kontaktas, trumpa akimirka, kai tarp scenos ir sal\u0117s atsiranda ka\u017e<\/span>kas asmeni<\/span>\u0161<\/span>ko. <\/span>\u201eScenoje bandau b\u016b<\/span>ti. Persona<\/span>\u017e<\/span>ui irgi leid<\/span>\u017eiu b\u016bti su visomis gra\u017e<\/span>iomis ir negra<\/span>\u017eiomis spalvomis<\/span>\u201c<\/span>, \u2013 sako ji. O i\u0161 \u017ei\u016brovo pra\u0161<\/span>o gana nedaug: <\/span>nesistengti suprasti, o patirti.<\/span><\/p>\n

\"\"<\/a>\u201e<\/span>Undin\u0117\u201c, <\/span><\/span>Martyno Plepio nuotr.<\/em><\/p>\n<\/div>\n

\n

Roberto <\/span>\u201eTarp\u201c<\/span><\/span>\u00a0\u017ei\u016brovui apskritai nenori nurodyti, k\u0105 <\/span>veikti su tuo, k<\/span>\u0105 jis mato. Galima klausytis garso, sekti tekst\u0105<\/span>, steb<\/span>\u0117<\/span>ti judan<\/span>\u010d<\/span>ias formas ar tiesiog kur<\/span>\u012f laik\u0105 <\/span>pab<\/span>\u016b<\/span>ti. <\/span>\u201eNoriu palikti \u017emogui visi\u0161k\u0105 laisv\u0119\u201c, \u2013 sako jis.<\/span><\/p>\n<\/div>\n

\n

Ugn\u0117s \u201eUntitled World<\/span>\u201c<\/span> santykis su scena kitoks. Jos k\u016brybiniai impulsai kyla i\u0161 <\/span>kasdienyb<\/span>\u0117s, k\u016bno, aplink vykstan\u010di\u0173 dalyk\u0173 ir, kaip pati sako, i\u0161 \u201e<\/span>noro mai<\/span>\u0161tauti<\/span>\u201c<\/span>. \u201e\u0160okis, nes k\u016b<\/span>nas. K<\/span>\u016bnuose labai daug informacijos \u2013 <\/span>fiziologin<\/span>\u0117<\/span>s, socialin<\/span>\u0117s, politin\u0117s. Manau, kad k\u016bnas kalba pirmiausia.<\/span>\u201c <\/span>Sugr\u012f\u017eusi prie k\u016brinio po studij\u0173, ji jau\u010diasi pasikeitusi ir pati: \u201eAi\u0161<\/span>kiau jau<\/span>\u010d<\/span>iu, jog neturiu atsipra<\/span>\u0161in\u0117ti u\u017e savo k\u016bryb\u0105 <\/span>ar j<\/span>\u0105 pateisinti kitiems.<\/span>\u201c<\/span><\/p>\n<\/div>\n

\n

Ir turb\u016b<\/span>t d<\/span>\u0117l to \u012fdomu juos pamatyti b\u016b<\/span>tent dabar <\/span>\u2013 ne po penkeri\u0173 met\u0173, kai j\u0173 vardus galb\u016b<\/span>t jau bus lengva apib<\/span>\u016bdinti keliais sakiniais. Dabar jie dar abejoja, kei\u010d<\/span>ia nuomon<\/span>\u0119, eksperimentuoja, ie\u0161<\/span>ko ir kartais visai ne<\/span>\u017eino, kas bus toliau.<\/span><\/p>\n<\/div>\n

\n

Paklausti, kas \u0161iuo metu vyksta j\u0173 pa\u010di\u0173 \u201etuo tarpu<\/span>\u201c<\/span>, visi trys atsako pana\u0161<\/span>iai, nors savais <\/span>\u017eod\u017e<\/span>iais.<\/span><\/p>\n<\/div>\n

\n

Urt<\/span>\u0117: \u201eNe\u017einomyb\u0117, nekonkretumas, savoti\u0161<\/span>ka baim<\/span>\u0117, bet su viltimi.<\/span>\u201c<\/span><\/p>\n<\/div>\n

\n

Ugn\u0117: \u201eBalansavimas viduje ir i\u0161or\u0117je.<\/span>\u201c<\/span><\/p>\n<\/div>\n

\n

Robertas <\/span>\u2013 <\/span>audra<\/span>.<\/span><\/p>\n<\/div>\n

\n

Gal kaip tik i\u0161 toki\u0173 viet\u0173 ir prasideda naujas balsas.<\/span><\/p>\n<\/div>\n

\n

\u201eTa\u010diau, tuo tarpu<\/span>\u201c<\/span>
\n<\/span>Urt<\/span>\u0117 Siniauskait\u0117 \u2013 \u201e<\/span>Undin\u0117<\/span>\u201c
\n<\/span>Robert Aleksander Vinik \u2013 \u201eTarp<\/span>\u201c
\n<\/span>Ugn\u0117 Lu\u010dauskait\u0117 \u2013 \u201eUntitled World<\/span>\u201c<\/span><\/p>\n<\/div>\n

\n

K\u016briniai sukurti LMTA \u0161<\/span>okio meno bakalauro baigiam<\/span>\u0173j\u0173 darb\u0173 pagrindu ir toliau vystomi BE KOMPANIJOS programoje \u201eMa\u017eosios produkcijos<\/span>\u201c<\/span>.<\/span><\/p>\n<\/div>\n

\n

Projekt\u0105 i\u0161 dalies finansuoja Lietuvos kult\u016b<\/span>ros taryba.<\/span><\/p>\n<\/div>\n

\n

Bilietus platina: Bilietai.lt<\/span><\/p>\n<\/div>\n

\n

\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u201eLyg gyvenimo ir galimybi\u0173 burbulas i\u0161plat\u0117jo, o a\u0161 suma\u017e\u0117jau\u201c, \u2013 taip choreograf\u0117 Urt\u0117 Siniauskait\u0117 apib\u016bdina jausm\u0105 baigus Lietuvos muzikos ir …<\/p>\n","protected":false},"author":2,"featured_media":18998,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nTa\u010diau, tuo tarpu: trys nauji choreografiniai balsai - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/10\/05\/taciau-tuo-tarpu-trys-nauji-choreografiniai-balsai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ta\u010diau, tuo tarpu: trys nauji choreografiniai balsai - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u201eLyg gyvenimo ir galimybi\u0173 burbulas i\u0161plat\u0117jo, o a\u0161 suma\u017e\u0117jau\u201c, \u2013 taip choreograf\u0117 Urt\u0117 Siniauskait\u0117 apib\u016bdina jausm\u0105 baigus Lietuvos muzikos ir ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2026\/10\/05\/taciau-tuo-tarpu-trys-nauji-choreografiniai-balsai\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-05T08:00:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/10\/08.05-Undine-Martynas-Plepys-FullSize-56-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2026\/10\/05\/taciau-tuo-tarpu-trys-nauji-choreografiniai-balsai\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/10\/08.05-Undine-Martynas-Plepys-FullSize-56-scaled.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2026\/10\/08.05-Undine-Martynas-Plepys-FullSize-56-scaled.jpg\",\"width\":2560,\"height\":1707},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2026\/10\/05\/taciau-tuo-tarpu-trys-nauji-choreografiniai-balsai\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2026\/10\/05\/taciau-tuo-tarpu-trys-nauji-choreografiniai-balsai\/\",\"name\":\"Ta\\u010diau, tuo tarpu: trys nauji choreografiniai balsai - 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