{"id":19022,"date":"2026-10-17T13:51:48","date_gmt":"2026-10-17T10:51:48","guid":{"rendered":"https:\/\/dance.lt\/new\/?p=19022"},"modified":"2026-10-19T14:25:50","modified_gmt":"2026-10-19T11:25:50","slug":"jaunosios-sokio-kartos-kurejos-barbora-groblyte-ir-beatrice-saltenyte-ar-svelnumas-gali-buti-slykstus","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2026\/10\/17\/jaunosios-sokio-kartos-kurejos-barbora-groblyte-ir-beatrice-saltenyte-ar-svelnumas-gali-buti-slykstus\/","title":{"rendered":"Jaunosios \u0161okio kartos k\u016br\u0117jos Barbora Groblyt\u0117 ir Beatri\u010d\u0117 \u0160altenyt\u0117: ar \u0161velnumas gali b\u016bti \u0161lyk\u0161tus?"},"content":{"rendered":"

\u201e<\/em>Kartu kurti \u2013 tai lyg koks stebuklas nutik\u0119s, viskas taip lengva, kaip meil\u0117je \u2013 drugeliai pilve\u201c, \u2013 sako jaunosios kartos \u0161okio k\u016br\u0117jos Barbora Groblyt\u0117 ir Beatri\u010d\u0117 \u0160altenyt\u0117. J\u0173 \u0161okio spektaklis \u201eRujoja. Dusliai loja. Dvesia\u201c \u2013 tai intensyvus ir k\u016bni\u0161kas pasakojimas apie meil\u0119, instinkt\u0105 ir artum\u0105. K\u016br\u0117jos judesio kalba tyrin\u0117ja meil\u0119 per k\u016bn\u0105, jo impulsus ir instinktus. Ar \u0161velnumas gali b\u016bti \u0161lyk\u0161tus? Artumas atstumti? O agresyvumas \u2013 b\u016bti \u017eaismingas? Darbas gim\u0117 i\u0161 to paties pavadinimo \u0161okio filmo ir jau peln\u0117 apdovanojim\u0105 LMTA scenos meno konkurse \u201eBalkono okupacija\u201c, taip pat buvo pristatytas tarptautiniuose festivaliuose Bratislavoje ir Valmieroje.<\/strong><\/p>\n

\u00a0Apie k\u016bn\u0105, instinktus, judesio kalb\u0105, bendrak\u016bryb\u0105 su k\u016br\u0117jomis prie\u0161 spektakl\u012f kalb\u0117josi Lina Kukyt\u0117. Kvie\u010diame patirti spektakl\u012f spalio 25 d. Vilniaus miesto \u0161okio teatro \u201eLow Air\u201c 15-met\u0173 jubiliejin\u0117s programos dalyje \u201ePlatforma atei\u010diai\u201c Vilniuje.<\/p>\n

\"\"<\/a>Stop kadras i\u0161 spektaklio treilerio, Operator\u0117: August\u0117 Norbutait\u0117, Monta\u017eas: Tim\u016bras Baranauskas.<\/em><\/p>\n

Spektaklio pavadinime susitinka gyvybin\u0117 energija ir nykimas. Kas tapo k\u016brinio atspirties ta\u0161ku?<\/strong><\/p>\n

Beatri\u010d\u0117:<\/strong> Man atrodo, k\u016bryba prasid\u0117jo gerokai anks\u010diau, kai dar netur\u0117jome tikslo k\u0105 nors kurti. Ji prasid\u0117jo nuo m\u016bs\u0173 su Barbora buvimo kartu, pokalbi\u0173, plep\u0117jimo, dalijimosi patirtimis ir j\u0173 analizavimo.<\/p>\n

Barbora: <\/strong>T\u0105 vasar\u0105 m\u016bs\u0173 gyvenimuose meil\u0117s tema buvo opi ir svarbi. Atrodyt\u0173, banali meil\u0117s tema, ta\u010diau ie\u0161kojome kitokios perspektyvos \u012f j\u0105. Daug apie tai kalb\u0117jome, tarsi atliktume tyrim\u0105, tik visi\u0161kai neformal\u0173. Tada lank\u0117me \u0161okio filmo paskaitas su Greta Grinevi\u010di\u016bte ir tur\u0117jome sukurti film\u0105. Su Beatri\u010de pajutome, kad sutampa temos, apie kurias norime kalb\u0117ti,\u00a0 tod\u0117l i\u0161 pokalbi\u0173 per\u0117jome prie bendro filmo k\u016brimo tuo pa\u010diu pavadinimu kaip ir spektaklis.<\/p>\n

Kas kito perkeliant id\u0117j\u0105 i\u0161 ekrano \u012f teatro scen\u0105?<\/strong><\/p>\n

Barbora:<\/strong> Film\u0105 filmavome spal\u012f. Buvo labai \u0161alta, o mes buvome nuogos durpi\u0173 lauke. Nors buvome pasiruo\u0161usios, grie\u017etos choreografijos netur\u0117jome, tod\u0117l procese buvo daug spontani\u0161kumo ir gyvumo. B\u016btent \u0161\u012f gyv\u0105 jausm\u0105 ir energij\u0105 nor\u0117jome perkelti \u012f scen\u0105.<\/p>\n

Filme \u017ei\u016brovo \u017evilgsn\u012f gali pakreipti kameros pagalba, kaip kamera \u017evelgia \u012f k\u016bn\u0105, kaip arti priart\u0117ja prie jo, kad net sunku suprasti, kuri k\u016bno dalis tai yra \u2013 matosi gana gyvuli\u0161kas vaizdas, lyg m\u0117sos gabalai.<\/p>\n

Beatri\u010d\u0117:<\/strong> O \u0161okant scenoje \u017ei\u016brovo \u017evilgsnio nesukontroliuosi. Tur\u0117jome rasti sprendim\u0173, kaip filme i\u0161reik\u0161t\u0105 ver\u017eli\u0105 energij\u0105 perteikti gyvai auditorijai ir k\u0105 i\u0161 durpi\u0173 lauko gal\u0117tume perkelti \u012f teatr\u0105. Taip scenoje atsirado akmuo, turintis daugyb\u0119 simbolini\u0173 reik\u0161mi\u0173.<\/p>\n

Taip pat i\u0161gryninome judes\u012f. Nors jis i\u0161lieka paremtas k\u016bno tyrin\u0117jimu ir ne iki galo apibr\u0117\u017eta judesio med\u017eiaga, ta\u010diau filmuojant durpi\u0173 lauke \u0161altyje judes\u012f diktavo tiek tekst\u016bros, tiek oro s\u0105lygos, tiek erdv\u0117 \u2013 gal\u0117jome voliotis, instinktyviai reaguoti \u012f aplink\u0105 ir gamt\u0105.<\/p>\n

Scenoje neb\u0117ra purvo ir \u0161al\u010dio, tod\u0117l ie\u0161kojome b\u016bd\u0173, kaip instinktyv\u0173, gyvuli\u0161k\u0105 jud\u0117jim\u0105 perkelti \u012f teatr\u0105, kaip \u012f scen\u0105 atne\u0161ti purv\u0105 ir tam tikra prasme \u0161lyk\u0161tum\u0105.<\/p>\n

Kaip ie\u0161kojote judesio kalbos, leid\u017eian\u010dios scenoje atskleisti \u017emogaus instinktus?<\/strong><\/p>\n

Beatri\u010d\u0117:<\/strong> Prad\u0117jome nuo technini\u0173 dalyk\u0173, o v\u0117liau per\u0117jome prie vidini\u0173 b\u016bsen\u0173, \u017emogi\u0161kojo buvimo ir i\u0161jautimo. Ie\u0161kojome b\u016bd\u0173, kaip pajusti gyvuli\u0161kum\u0105 k\u016bne ir kas gal\u0117t\u0173 mus \u012fkv\u0117pti. \u017di\u016br\u0117jome \u201eNational Geographic\u201c, gyv\u016bn\u0173 vaizdo \u012fra\u0161us, steb\u0117jome, kaip jie poruojasi, fiksavome judesio elementus ir tikrinome, ar jie veikia, kaip atrodo.<\/p>\n

Taip pat daug dirbome su literat\u016bra ir poezija. I\u0161 \u0161i\u0173 paie\u0161k\u0173 atsirado labai taktili\u0161kas spektaklio apra\u0161ymas. Steb\u0117jome, kok\u012f poj\u016bt\u012f k\u016bne sukelia tam tikras \u017eodis ir kaip t\u0105 poj\u016bt\u012f i\u0161reik\u0161ti judesiu, kad jis b\u016bt\u0173 impulsyvus ir gyvas.<\/p>\n

V\u0117liau tyrin\u0117jome savo impulsus, kaip jie pasirei\u0161kia k\u016bne ir judesyje, ir ie\u0161kojome, kaip scenoje juos atskleisti taip pat ver\u017eliai ir gyvai.<\/p>\n

Barbora:<\/strong> Pavyzd\u017eiui, \u017eodis \u201erujoja\u201c, esantis spektaklio pavadinime, turi nevalingumo. Jis \u012fkv\u0117p\u0117 mus kurti rujojimo praktik\u0105. Ta\u010diau mums buvo svarbu ne imituoti gyvuli\u0161kum\u0105, o j\u012f \u012fk\u016bnyti metafori\u0161kai. Pats \u017eodis sukelia stipr\u0173 geism\u0105, impuls\u0105, purvo poj\u016bt\u012f, tod\u0117l tiesiog pradedi rujoti erdv\u0117je: scenoje, ant kito \u017emogaus, nebesuprasdamas, kur baigiasi grindys ir prasideda kito \u017emogaus k\u016bnas.<\/p>\n

\u2013 K\u016brinyje k\u016bnas vaizduojamas ir geid\u017eiantis, ir pa\u017eeid\u017eiamas, bet kartu galintis atstumti. Kaip judesiu ie\u0161kojote ribos tarp to, k\u0105 norisi paliesti, ir to, nuo ko norisi atsitraukti?<\/strong><\/p>\n

Beatri\u010d\u0117:<\/strong> K\u016brinio tema organi\u0161kai pl\u0117tojosi mums tyrin\u0117jant meil\u0119 ir artum\u0105. Jie b\u016bna ne tik paprasti, sald\u016bs ir gra\u017e\u016bs, bet ir op\u016bs, konflikti\u0161ki. Kartais jauti trauk\u0105, bet kartu ir atst\u016bmim\u0105. \u017dmoguje kyla gyvuli\u0161ki instinktai, ta\u010diau \u012fprastai jie n\u0117ra tiesmukai i\u0161rei\u0161kiami. Tod\u0117l klausiame: o kas, jei j\u0173 neu\u017eglaistytume?<\/p>\n

Barbora:<\/strong> Spektaklyje sluoksniuojame artum\u0105 ir atstumim\u0105, \u0161velnum\u0105 ir \u0161lyk\u0161tum\u0105. Net jei esame \u0161velnios, nor\u0117jom sukurti kontekst\u0105, kad tai nepersiskaityt\u0173 \u201e\u0161velniai\u201c, kad jis tur\u0117t\u0173 potekst\u0119.<\/p>\n

Gal kartais ir banalus \u0161velnumas meil\u0117je turi konflikto element\u0105? O gal agresyvumas gali b\u016bti \u017eaismingas? \u0160okiu bandome laviruoti tarp \u0161i\u0173 b\u016bsen\u0173 ir tyrin\u0117ti rib\u0105: ar tai dar juokinga, ar jau agresija?<\/p>\n

\"\"<\/a>Dainiaus Putino nuotr.<\/em><\/p>\n

Kuriate dviese, tad susitinka ne tik du k\u016bnai, bet ir dvi k\u016brybin\u0117s energijos. Kaip keit\u0117si j\u016bs\u0173 tarpusavio santykis kuriant kartu?<\/strong><\/p>\n

Barbora:<\/strong> Pati prad\u017eia buvo labai lengva, tarsi b\u016bt\u0173 \u012fvyk\u0119s koks stebuklas! Viskas vyko taip skland\u017eiai, lyg skaitytume viena kitos mintis. Prad\u0117jusi studijuoti LMTA ir susipa\u017einusi su Beatri\u010de jau\u010diau, kad mums daug kas artima, ta\u010diau tik pra\u0117jusiais metais, prad\u0117jusios kurti kartu, i\u0161 ties\u0173 susijung\u0117me. Visai kaip meil\u0117je \u2013 drugeliai pilve.<\/p>\n

Atrodydavo, kad susitinkame ir abi pasi\u016blome t\u0105 pa\u010di\u0105 id\u0117j\u0105, pavyzd\u017eiui: \u201eAkmuo scenoje!\u201c Kartais sunku suprasti, kaip viskas gali b\u016bti taip lengvai, taip paparastai i\u0161sivemti.<\/p>\n

Beatri\u010d\u0117:<\/strong> Visada jau\u010diau, kad su Barbora \u012f dalykus \u017ei\u016brime i\u0161 tos pa\u010dios perspektyvos, pana\u0161iai juos suprantame, mus \u012fkvepia tie patys dalykai. Net m\u016bs\u0173 po\u017ei\u016bris \u012f \u0161ok\u012f ir judes\u012f sutampa. Galb\u016bt d\u0117l to \u0161iek tiek priveng\u0117me i\u0161 ties\u0173 susitikti k\u016bryboje: o kas, jeigu kartu kurti nepavyks?<\/p>\n

Ta\u010diau kuriant \u0161okio film\u0105 pajutome bendr\u0105 t\u0117km\u0119, atsirado gaivos, \u012fkv\u0117pimo ir dr\u0105sos, kuri\u0105 suteikia k\u016bryba dviese, kai u\u017esimezga santykis. O susid\u016brusios su sunkumais supratome, kad galime b\u016bti kartu ir \u0161iame bendrak\u016brybos procese, ne tik tada, kai viskas lengva ir smagu, bet ir ie\u0161kodamos b\u016bd\u0173 susikalb\u0117ti, sprendim\u0173 ar i\u0161ei\u010di\u0173. Taip auga m\u016bs\u0173 k\u016brybinis ry\u0161ys.<\/p>\n

Kaip \u012f j\u016bs\u0173 intensyvi\u0105, k\u016bni\u0161k\u0105 judesio kalb\u0105 reagavo skirting\u0173 \u0161ali\u0173 \u017ei\u016brovai?<\/strong><\/p>\n

Barbora:<\/strong> Slovakijoje did\u017ei\u0105j\u0105 auditorijos dal\u012f sudar\u0117 studentai. Po pasirodymo jie dalijosi, kad spektaklis labai \u012fkv\u0117p\u0117. Kartu su jais ilgai diskutavome, kalb\u0117jom\u0117s apie LMTA, choreografij\u0105, technik\u0105 ir meil\u0117s tem\u0105. Po spektaklio liko jausmas, kad net jei m\u016bs\u0173 po\u017ei\u016bris \u012f \u0161ok\u012f skiriasi, per \u0161\u012f darb\u0105 vis tiek susikalb\u0117jome, pajutome vieni kitus.<\/p>\n

Beatri\u010d\u0117:<\/strong> Latvijoje patyriau netik\u0117t\u0105 akimirk\u0105, kurios Barbora gal net nepasteb\u0117jo. Kai apnuoginome kr\u016btin\u0119, kelios mo\u010diut\u0117s akivaizd\u017eiai u\u017esideng\u0117 akis ir taip prabuvo likusi\u0105 spektaklio dal\u012f. Jos tik link\u010diojo galva ir \u0161ypsojosi sarkasti\u0161kai.<\/p>\n

Tai buvo visi\u0161kai nauja patirtis. Spektaklio metu tur\u0117jau leisti sau i\u0161b\u016bti su tuo jausmu, \u012fsileisti emocij\u0105 ir jos neignoruoti. Vis d\u0117lto organizatori\u0173 gr\u012f\u017etamasis ry\u0161ys buvo pozityvus: jie sak\u0117, kad darbas \u012fkv\u0117p\u0117 ir stebino.<\/p>\n

O ar j\u016bs siekiate stebinti? Ar veikiau atverti tai, nuo ko \u012fprastai nusukame \u017evilgsn\u012f?<\/strong><\/p>\n

Beatri\u010d\u0117:<\/strong> Darbe yra radikali\u0173 aspekt\u0173: pats spektaklio pavadinimas, apra\u0161ymas, apnuoginta kr\u016btin\u0117. Ta\u010diau nesiekiame atkreipti d\u0117mesio nuogumu. Galb\u016bt \u017ei\u016brovui nuogumas sukelia vidin\u012f konflikt\u0105, stipr\u0173 \u012fsp\u016bd\u012f ar nuostab\u0105, bet mums nuogas \u017emogus yra ne vien tas, kuris neturi drabu\u017ei\u0173. Jis nuogas tada, kai yra pa\u017eeid\u017eiamas.<\/p>\n

Norisi rodyti tikr\u0105 k\u016bn\u0105, tok\u012f, koks jis yra. K\u016bn\u0105, kuris juda, per kur\u012f jau\u010diu dalykus ir kuris gali b\u016bti visoks.<\/p>\n

Barbora:<\/strong> Spektaklyje rujojame, prakaituojame, b\u016bname arti viena kitos. O tada, tarsi paskutin\u012f kart\u0105 bandydamos priart\u0117ti, labai simboli\u0161kai apsinuoginame.<\/p>\n

Ta\u010diau mums dar dr\u0105sesn\u0117 ir daugiau i\u0161\u0161\u016bki\u0173 kelianti yra kita, fizi\u0161kai sunki scena: b\u016bdamos nuogos ir pa\u017eeid\u017eiamos, sukame sunk\u0173 akmen\u012f ir bandome save dar labiau i\u0161provokuoti, kad gal\u0117tume b\u016bti kartu. Spektaklis yra apie \u0161i\u0105 dr\u0105s\u0105, o ne apie nuogum\u0105.<\/p>\n

Studijuojate Lietuvos muzikos ir teatro akademijoje, kuriate ir pristatote savo darbus festivaliuose. Kaip \u0161iandien formuojasi j\u016bs\u0173, kaip k\u016br\u0117j\u0173, balsas?<\/strong><\/p>\n

Beatri\u010d\u0117:<\/strong> Galvoje skamba senelio \u017eod\u017eiai: reikia \u201eties\u0105 sakyt\u201c. Man svarbu b\u016bti atvirai ir suprasti, kas man yra tiesa, kaip j\u0105 i\u0161reik\u0161ti ir kokiais k\u016brybos \u012frankiais tai galiu padaryti. Norisi kurti laisvai, reaguoti \u012f nepastovum\u0105, ie\u0161koti to, kas \u012fdomu \u0161iame momente, leisti sau nukrypti ir v\u0117l sugr\u012f\u017eti, ne\u012fsprausti sav\u0119s \u012f kokius nors r\u0117mus.<\/p>\n

Barbora:<\/strong> Tikiu, kad temos ir dalykai, kylantys i\u0161 vidaus \u012fvairiais k\u016brybos etapais, yra svarbios. Man svarbu b\u016bti atvirai sau ir ateinan\u010dioms k\u016brybin\u0117ms id\u0117joms. Tikiu, kad jeigu kuriu i\u0161 savo patirties, i\u0161 to, k\u0105 esu i\u0161jautusi, k\u016brinys bus \u012ftaigus, tikras ir palie\u010diantis \u017ei\u016brov\u0105.<\/p>\n

Svarbi informacija: spektaklyje rodomas nuogas k\u016bnas. <\/em><\/p>\n

Spektaklis sukurtas Lietuvos muzikos ir teatro akademijoje.<\/p>\n

Vilniaus miesto \u0161okio teatro \u201eLow Air\u201c veikl\u0105 finansuoja Vilniaus miesto savivaldyb\u0117 ir Lietuvos kult\u016bros taryba.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eKartu kurti \u2013 tai lyg koks stebuklas nutik\u0119s, viskas taip lengva, kaip meil\u0117je \u2013 drugeliai pilve\u201c, \u2013 sako jaunosios kartos …<\/p>\n","protected":false},"author":2,"featured_media":19026,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nJaunosios \u0161okio kartos k\u016br\u0117jos Barbora Groblyt\u0117 ir Beatri\u010d\u0117 \u0160altenyt\u0117: ar \u0161velnumas gali b\u016bti \u0161lyk\u0161tus? - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2026\/10\/17\/jaunosios-sokio-kartos-kurejos-barbora-groblyte-ir-beatrice-saltenyte-ar-svelnumas-gali-buti-slykstus\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jaunosios \u0161okio kartos k\u016br\u0117jos Barbora Groblyt\u0117 ir Beatri\u010d\u0117 \u0160altenyt\u0117: ar \u0161velnumas gali b\u016bti \u0161lyk\u0161tus? 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