{"id":1942,"date":"2016-04-29T14:47:15","date_gmt":"2016-04-29T14:47:15","guid":{"rendered":"http:\/\/dance.lt\/new\/2016\/04\/29\/ode-melancholijai\/"},"modified":"2016-04-29T14:47:15","modified_gmt":"2016-04-29T14:47:15","slug":"ode-melancholijai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2016\/04\/29\/ode-melancholijai\/","title":{"rendered":"Od\u0117 melancholijai"},"content":{"rendered":"

Pagal dabartin\u0117s lietuvi\u0173 kalbos \u017eodyn\u0105, melancholija \u2013 (1) psichin\u0117 liga, pasirei\u0161kianti li\u016bdnumu be prie\u017easties; (2) sunki, prisl\u0117gta nuotaika, li\u016bdesys, nusiminimas. Anot brit\u0173 \u017eodyno, melancholija taip pat gali reik\u0161ti svajingum\u0105, susim\u0105stym\u0105, o viena i\u0161 archai\u0161k\u0173 \u0161io \u017eod\u017eio reik\u0161mi\u0173 yra juoda tul\u017eis<\/em>, kuri gali sukelti emocin\u0119 b\u016bsen\u0105, kai \u017emog\u0173 apima ni\u016brumas ir netgi prasideda agresyvaus pyk\u010dio protr\u016bkiai.<\/p>\n

\u201eAiros\u201c \u0161okio teatro premjeros \u201eMelancholijos bok\u0161tai\u201c apra\u0161yme teigiama, jog nepaisant to, kad melancholija daug kur apib\u016bdinama kaip galima depresijos prie\u017eastis, spektaklyje ji interpretuojama kaip apsivalymas, kuris \u2013 prie\u0161ingai \u2013 padeda apsisaugoti nuo depresijos. \u201eMelancholijos bok\u0161tai\u201c, kaip ir kiti iki \u0161iol matyti choreograf\u0117s Airos Naginevi\u010di\u016bt\u0117s spektakliai, nardina \u012f gilius apm\u0105stymus \u2013 vis\u0173 pirma, steb\u0117damas pradedi m\u0105styti, kas vyksta scenoje, v\u0117liau nusiramini ir pradedi svarstyti apie savo paties b\u016bsenas, kol galiausiai m\u0105stymas eliminuojamas, kai leidi sau panirti \u012f muzikos, judesio ir, \u0161iuo atveju, eili\u0173 si\u016blom\u0105 nuotaik\u0105. Procesas, regis, kiek primena meditacij\u0105, ta\u010diau \u201eMelancholijos bok\u0161tai\u201c neleid\u017eia \u017emogui visi\u0161kai nusiraminti, nuolat i\u0161laikydami ka\u017ek\u0105 trikdan\u010dio, netgi erzinan\u010dio, palikdami \u017ei\u016brov\u0105 nuolatin\u0117je bud\u0117jimo b\u016bsenoje. Ir \u010dia norisi pasvarstyti \u2013 k\u0105 \u0161io spektaklio melancholija saugo nuo depresijos? Pana\u0161u, kad tikslas yra (ar tur\u0117t\u0173 b\u016bti) \u201esaugoti\u201c \u017ei\u016brovus. Ta\u010diau spektaklyje nestinga destrukcijos \u017eenkl\u0173, kurie, matyt, ir i\u0161laiko \u017emog\u0173 nuolatiniame b\u016bdravime, neleid\u017eian\u010diame pasiekti i\u0161 ties\u0173 apvalan\u010di\u0173, skaidri\u0173 b\u016bsen\u0173.<\/p>\n

Patiems spektaklio k\u016br\u0117jams \u201eMelancholijos bok\u0161t\u0173\u201c melancholija yra ribin\u0117 situacija tarp grimzdimo \u012f depresij\u0105 ir atitolimo nuo depresijos sukelt\u0173 b\u016bsen\u0173. Spektaklio scenografas Ar\u016bnas Adomaitis vir\u0161 scenos sukabino bok\u0161t\u0173 konstrukcijas, \u012f kurias \u012fkomponavo manekenus, sukonstruotus i\u0161 galvos ir torso. Kai kurie manekenai jau paskend\u0119 bok\u0161tuose, kiti yra jungtys tarp atsiskyrusi\u0173 bok\u0161to dali\u0173. Beveik visi tiesia rankas \u012f vir\u0161\u0173 ir \u010dia gimsta prie\u0161prie\u0161os \u2013 ko jie siekia rankomis? Ar b\u016bti bok\u0161t\u0173 jungtimis, ar prie\u0161ingai \u2013 nustumti j\u0173 dalis vien\u0105 nuo kitos, ir i\u0161silaisvinti nuo spaudimo? Kas yra bok\u0161tuose paskend\u0119 fig\u016bros \u2013 depresijos u\u017evaldyti k\u016bnai, nebeturintys galimyb\u0117s i\u0161sivaduoti, ar harmonijoje skendin\u010dios, pilnatv\u0119 pasiek\u0119 fig\u016bros? Ne kart\u0105 spektaklyje balansuojama tarp laisv\u0117s ir priklausomyb\u0117s id\u0117j\u0173. Juk ir transo b\u016bsena, kurioje atrodo (bet, \u017einoma, n\u0117ra) paskend\u0119s Benas \u0160arka, yra kvestionuotina. Viena vertus, ji i\u0161laisvina \u017emog\u0173 ir leid\u017eia nebejausti rib\u0173. Kita vertus, toki\u0105 b\u016bsen\u0105 pasiek\u0119s \u017emogus n\u0117ra s\u0105moningas, jis u\u017evaldytas j\u0117g\u0173, kuri\u0173 nesupranta, ir grei\u010diausiai negali sav\u0119s kontroliuoti. Tai n\u0117ra laisv\u0117.<\/p>\n

\"\"<\/p>\n

Vis\u0173 atlik\u0117j\u0173 k\u016bnai \u010dia pa\u0161v\u0119sti tam tikroms formoms, b\u016bsenoms \u012fk\u016bnyti. Neretai formos gimsta i\u0161 muzikos (kompozitorius Vladas Dieninis), tiksliau, muzika pirmoji padiktuoja nuotaik\u0105, kuri\u0105 v\u0117liau perima ir toliau vysto atlik\u0117j\u0173 k\u016bnai. Nepaisant keturi\u0173 absoliu\u010diai skirting\u0173, scenoje veikian\u010di\u0173 asmenybi\u0173 \u2013 \u0161ok\u0117j\u0173 Godos Laurinavi\u010di\u016bt\u0117s ir Gretos Grinevi\u010di\u016bt\u0117s, performanso k\u016br\u0117jo Beno \u0160arkos ir dramaturg\u0117s Gabriel\u0117s Labanauskait\u0117s \u2013 pana\u0161u, kad visi jie pakankamai nuosekliai vykdo choreograf\u0117s nurodymus, kurie j\u0173 asmenybes, deja, kiek apriboja. \u017dinoma, atlik\u0117j\u0173 skirtyb\u0117s akivaizd\u017eios, tad j\u0173 individualumas tikrai n\u0117ra slopinamas. Ta\u010diau kai kurie sprendimai kiek trikdo, pavyzd\u017eiui choreograf\u0117s bandymas abi \u0161ok\u0117jas kai kuriose scenose traktuoti kaip veikiant\u012f vien\u012f. G. Laurinavi\u010di\u016bt\u0117s ir G. Grinevi\u010di\u016bt\u0117s plastika labai skirtinga \u2013 pirmosios lengvumas, t\u0119stiniai, vienas \u012f kit\u0105 nat\u016braliai pereinantys judesiai, sudarantys nuolatinio tek\u0117jimo \u012fsp\u016bd\u012f, neretai kontrastuoja su antrosios fragmenti\u0161ku jud\u0117jimu, sunkesniais judesiais. \u0160i\u0173 skirtum\u0173 i\u0161ry\u0161kinimas nepaprastai tikt\u0173 spektakliui, kuriame kontrastai bei dviprasmi\u0161ki simboliai sutinkami kiekviename \u017eingsnyje. Ta\u010diau scenose, kuriose abiems \u0161ok\u0117joms skiriamos tos pa\u010dios u\u017eduotys, pradeda atrodyti, jog viena yra prana\u0161esn\u0117 u\u017e kit\u0105, jog spektalis truput\u012f ne\u0161varus, nei\u0161valytas.<\/p>\n

\"\"<\/p>\n

A. Naginevi\u010di\u016bt\u0117s ir G. Labanauskait\u0117s k\u016brybin\u0117 partneryst\u0117 d\u017eiugina vis\u0173 pirma d\u0117l s\u0117kmingos men\u0173 sintez\u0117s \u2013 nors pastaruoju metu Lietuvoje vis daugiau \u0161ok\u0117j\u0173 dirba su dramaturgais, \u0161is atvejis i\u0161skirtinis. Dramaturg\u0117 \u010dia ne tik padeda laikytis login\u0117s strukt\u016bros (o galb\u016bt tokio vaidmens ji netgi netur\u0117jo \u2013 juk spektaklio apra\u0161yme \u012fvardinta, kad \u201ejudesio, teksto ir garso elementus \u012f vientis\u0105 \u0161okio spektaklio mozaik\u0105 d\u0117lioja\u201c \u0161ok\u0117jos ir performanso menininkas), bet vis\u0173 pirma \u012fkvepia darbui. Jos tekstai \u2013 ne dramos, bet poezijos \u2013 yra \u012fkv\u0117pimo \u0161altinis choreografei, tad \u201eMelancholijos bok\u0161tus\u201c galima b\u016bt\u0173 pavadinti tam tikra eil\u0117ra\u0161\u010dio interpretacija. Kaip \u017ei\u016brovai skatinami patirti, suvokti tam tikras b\u016bsenas ir \u012f jas panirti, taip ir A. Naginevi\u010di\u016bt\u0117 kurdama spektakl\u012f kontempliuoja savo b\u016bsenas, atsiradusias susijungus eil\u0117ra\u0161\u010dio interpretacijai ir asmenin\u0117ms patirtims. Tad \u017ei\u016brovas kvie\u010diamas patirti t\u0105 pa\u010di\u0105 suvokimo grandin\u0119, kuri\u0105 anks\u010diau patyr\u0117 choreograf\u0117.<\/p>\n

Melancholija veda \u012f depresij\u0105, melancholija tolina nuo depresijos. Kryptis, ko gero, priklauso nuo to, kas yra \u017ei\u016brovo viduje, ir k\u0105 jis randa savyje pasidav\u0119s diktuojamai nuotaikai. \u017dinoma, yra dar viena kryptis \u2013 nepasiduoti tvyran\u010diai melancholijai ir tiesiog steb\u0117ti esteti\u0161k\u0105 regin\u012f, kuris bent jau netrunka ilgai. Galb\u016bt prisn\u016bsti. Nes \u201eMelancholijos bok\u0161tai\u201c i\u0161 ties\u0173 nieko i\u0161 \u017ei\u016brovo nereikalauja \u2013 steb\u0117damas jis gali i\u0161gyventi ir interpretuoti arba ne. Ir beveik jokios provokacijos.<\/p>\n

Martyno Aleksos nuotraukos<\/em><\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Pagal dabartin\u0117s lietuvi\u0173 kalbos \u017eodyn\u0105, melancholija \u2013 (1) psichin\u0117 liga, pasirei\u0161kianti li\u016bdnumu be prie\u017easties; (2) sunki, prisl\u0117gta nuotaika, li\u016bdesys, nusiminimas. …<\/p>\n","protected":false},"author":1,"featured_media":1943,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nOd\u0117 melancholijai - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2016\/04\/29\/ode-melancholijai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Od\u0117 melancholijai - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Pagal dabartin\u0117s lietuvi\u0173 kalbos \u017eodyn\u0105, melancholija \u2013 (1) psichin\u0117 liga, pasirei\u0161kianti li\u016bdnumu be prie\u017easties; 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