{"id":1951,"date":"2016-05-25T23:02:28","date_gmt":"2016-05-25T23:02:28","guid":{"rendered":"http:\/\/dance.lt\/new\/2016\/05\/25\/modernios-apeigos-spektaklyje-sventasis-pavasaris\/"},"modified":"2016-05-25T23:02:28","modified_gmt":"2016-05-25T23:02:28","slug":"modernios-apeigos-spektaklyje-sventasis-pavasaris","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2016\/05\/25\/modernios-apeigos-spektaklyje-sventasis-pavasaris\/","title":{"rendered":"Modernios apeigos spektaklyje \u201e\u0160ventasis pavasaris\u201c"},"content":{"rendered":"<p><strong>Pra\u0117jus daugiau nei \u0161imtme\u010diui jaunosios kartos choreografai, urbanistin\u0117s subkult\u016bros atstovai Laurynas \u017dakevi\u010dius ir Airida Gudait\u0117, dar \u017einomi kaip k\u016brybinis tandemas \u201eLow Air\u201c, \u012fkv\u0117pti kompozitoriaus Igorio Stravinskio k\u016brybos, kvie\u010dia \u012f moderni\u0105 klasikinio baleto \u201e\u0160ventasis pavasaris\u201c premjer\u0105. Gegu\u017e\u0117s 28 d. sostin\u0117s Men\u0173 spaustuv\u0117je bus pristatyta bene pirmoji Lietuvoje urbanistin\u0117 \u0161io k\u016brinio interpretacija.<\/strong><\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Low_Air_Sventasis_pavasaris_490x315.jpg\" width=\"490\" height=\"315\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Low_Air_Sventasis_pavasaris.jpg\" class=\"js-zoom-image\" \/><br \/>\n@ Low Air<\/p>\n<p>I. Stravinskio k\u016brinio partit\u016broje panaudota daugyb\u0117 lietuvi\u0173 liaudies melodij\u0173. Vienas i\u0161 pagrindini\u0173 spektaklio autori\u0173 tiksl\u0173 \u2013 i\u0161ry\u0161kinti tampr\u0173 I. Stravinskio muzikinio teksto ry\u0161\u012f su Lietuvi\u0173 liaudies muzika, atnaujinti ir aktualizuoti k\u016brin\u012f \u0161i\u0173 dien\u0173 \u017ei\u016brovui, parodant, jog tradicijos visada gyvos. Spektaklio scenografija ir choreografija \u2013 pripildytos lietuvi\u0161k\u0173 tradicij\u0173 element\u0173 \u2013 kabantis sodas, atpa\u017e\u012fstami folkloro judesiai, kurie supinami su \u0161iuolaikinio ir gatv\u0117s \u0161okio choreografija.<\/p>\n<p>Spektaklio k\u016br\u0117jai siekia pa\u017einti kompozitoriaus k\u016bryb\u0105, ruo\u0161damiesi spektakliui analizuoja \u012fvairias k\u016brinio \u201e\u0160ventasis pavasaris\u201c versijas, gilinasi \u012f aukojimo ir pasiaukojimo tradicijas, bei \u0161iuolaikin\u0117je visuomen\u0117je vyraujan\u010dio narcisizmo aprai\u0161kas. Spektaklio id\u0117jin\u0117 atrama \u2013 aukojimo ir aukojimosi ritualai. Aukodami naikiname, aukodamiesi \u2013 naikinam\u0117s. <\/p>\n<p>K\u016br\u0117jai atkreipia d\u0117mes\u012f, kad dabar tradicijos kitos, nors vis dar tokios pat \u0161ventos ir svarbios. \u0160iandien mes stengiam\u0117s d\u0117l kit\u0173 vertybi\u0173, aukojame save kitiems dievams: vartojimui, masei. Spektaklyje \u201e\u0160ventasis pavasaris\u201c rodoma ir tuo pa\u010diu stebima, kaip mes elgiam\u0117s, kai galvojame, jog esame laisvi rinktis ir nuo nieko nepriklausome, siekiama pa\u017einti, kokio dyd\u017eio i\u0161 ties\u0173 tie m\u016bs\u0173 \u201enepriklausomyb\u0117s\u201c r\u0117mai.<\/p>\n<p>\u201eSpektaklyje mes \u017evelgiame \u012f \u012fvairias gyvenimi\u0161kas situacijas, perkaldami scen\u0105 \u012f gyvenim\u0105, o gyvenim\u0105 \u012f scen\u0105, keliame klausimus, kas \u0161venta ir svarbu \u0161iandien ne tik \u0161ok\u0117jui, bet kiekvienam m\u016bs\u0173. Nusilenkiame prie\u0161 bendrumo jausmo formuojamus r\u0117mus ir patys save \u012f juos talpiname, darome tai, kas mums primetama i\u0161 \u0161ono, nes esame priklausomi nuo nuomoni\u0173. Bet ar tampame d\u0117l to tu\u0161ti ir banal\u016bs?\u201c \u2013 klausia spektaklio choreografai Airida Gudait\u0117 ir Laurynas \u017dakevi\u010dius.<\/p>\n<p>\u0160okiu spektaklyje apm\u0105stoma, kad ritualas \u2013 tai patirties forma, skirta individualybei niveliuotis, sutapti ar pritapti. O pritapti \u2013 tai nebelikti. Net kai manome, kad turime asmenini\u0173 ritual\u0173, \u012fsteigian\u010di\u0173 mus, tai tik iliuzija. Nes jau vien tai, kad ie\u0161kome ritualo, rodo, kad tiesiog b\u016btis mums nepakankama. I\u0161 \u010dia paradoksas: bet koks siekis suteikti papildomos prasm\u0117s b\u016b\u010diai \u2013 rasti pa\u0161aukim\u0105, eiti \u012f vakar\u0117l\u012f, pirkti kostium\u0105, pritapti prie minios ar siekti nuo jos atsiskirti \u2013 naikina pa\u010di\u0105 b\u016bt\u012f. Ritualas visada perteklius. Da\u017eniausiai tr\u016bkumo perteklius.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Sventasis_pavasaris_490x734.jpg\" width=\"490\" height=\"734\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Sventasis_pavasaris.jpg\" class=\"js-zoom-image\" \/><br \/>\n@ Low Air<\/p>\n<p>Naujojoje spektaklio \u201e\u0160ventasis pavasaris\u201c versijoje susilieja \u0161iuolaikinis ir \u012fvair\u016bs gatv\u0117s \u0161okio stiliai. Kartu su 2014 m. u\u017e geriausi\u0105 met\u0173 choreografij\u0105 apdovanotais A. Gudaite ir L. \u017dakevi\u010diumi scenoje vienas talentingiausi\u0173 M. K. \u010ciurlionio men\u0173 mokyklos mokini\u0173 Lukas Karvelis, specialiai spektaklio premjerai atvyk\u0119s i\u0161 Roterdamo, kur \u0161iuo metu studijuoja presti\u017einiame Codarts men\u0173 universitete. Bene pirm\u0105 kart\u0105 profesionalioje teatro scenoje vogue \u0161okio stiliaus puosel\u0117tojas Lietuvoje, \u017eymiausias \u0161io stiliaus \u0161ok\u0117jas ir mokytojas Raidas Petrauskas bei viena pirm\u0173j\u0173 waacking \u0161okio puosel\u0117toj\u0173 \u0161alyje Brigida Gruodyt\u0117. \u0160iuolaikiniam \u0161okiui atstovauja \u0161ok\u0117ja Agniet\u0117 Lisi\u010dkinait\u0117,  spektaklio re\u017eis\u016briniais sprendimais r\u016bpinasi vienas populiariausi\u0173 \u0161i\u0173 dien\u0173 re\u017eisieri\u0173 Vidas Bareikis.<\/p>\n<p><strong>Gatv\u0117s ir \u0161iuolaikinio \u0161okio spektaklio \u201e\u0160ventasis pavasaris\u201c premjera Men\u0173 spaustuv\u0117je gegu\u017e\u0117s 28 d. 18.00 ir 21.00 val. Bilietus platina Tiketa.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pra\u0117jus daugiau nei \u0161imtme\u010diui jaunosios kartos choreografai, urbanistin\u0117s subkult\u016bros atstovai Laurynas \u017dakevi\u010dius ir Airida Gudait\u0117, dar \u017einomi kaip k\u016brybinis tandemas &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1952,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Modernios apeigos spektaklyje \u201e\u0160ventasis pavasaris\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2016\/05\/25\/modernios-apeigos-spektaklyje-sventasis-pavasaris\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Modernios apeigos spektaklyje \u201e\u0160ventasis pavasaris\u201c - 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