{"id":2014,"date":"2016-10-20T15:04:40","date_gmt":"2016-10-20T15:04:40","guid":{"rendered":"http:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/"},"modified":"2016-10-20T15:04:40","modified_gmt":"2016-10-20T15:04:40","slug":"atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/","title":{"rendered":"Atmintin \u012fsir\u0117\u017e\u0119 potyriai: queer, the art of disgust &#038; film noir"},"content":{"rendered":"<p>Prasid\u0117jus did\u017eiausiam Vokietijos \u0161iuolaikinio \u0161okio festivaliui \u201e\u0160okis rugpj\u016bt\u012f\u201c (<em>Tanz im August<\/em>) supranti, jog vasara jau persirito \u012f antr\u0105 pus\u0119 ir greit pasibaigs. Prasid\u0117jus tarptautinei Diuseldorfo \u0161okio mugei (<em>Internationale Tanzmesse nrw<\/em>), matai ne tik ruden\u0117jan\u010di\u0105 gamt\u0105, bet ir su spalvotais lapais tav\u0119s tykan\u010di\u0105 melancholij\u0105, o Berlyno meno savait\u0117 (<em>Berlin Art Week<\/em>) tik patvirtina nauj\u0105 scenos men\u0173 sezon\u0105, atplukdant\u012f eil\u0119 darb\u0173 tarsi rudenini\u0173 lap\u0173, su\u0161luot\u0173 \u012f kr\u016bv\u0105. K\u0105 gi \u2013 skirting\u0173 jausm\u0173 fone bandau surasti meno \u201esuoliukus\u201c, ant kuri\u0173 vis norisi sugr\u012f\u017eti ir pas\u0117d\u0117ti, prisiminti stipriausius \u012fsp\u016bd\u017eius ir patirtis suk\u0117lusius spektaklius.<\/p>\n<p>Ilgai ie\u0161koti netenga: mano pasibaigusios vasaros ir prasid\u0117jusio rudens favoritas \u2013 ital\u0173 teatro grup\u0117s MOTUS monospektaklis \u201eMDLSX\u201c, parodytas did\u017eiausiame Vokietijos \u0161iuolaikinio \u0161okio festivalyje \u201e\u0160okis rugpj\u016bt\u012f\u201c. \u0160iek tiek u\u017ekoduotas spektaklio pavadinimas nurodo \u012f traplyti\u0161kum\u0105 ir kelia smalsum\u0105. Scenoje matome lies\u0105, kaul\u0117t\u0105, berniuki\u0161k\u0173 bruo\u017e\u0173 aktor\u0119 Silvij\u0105 Calderoni. Ji \u010dia \u012fk\u016bnija biologinio ir socialinio tarplyti\u0161kumo problematik\u0105, socialin\u012f atmetim\u0105, vieni\u0161um\u0105, vidinius tapatumo konfliktus, biologin\u0117s lyties apibr\u0117\u017etus socialinius vaidmenis. Dramaturgin\u0117 linija br\u0117\u017eiama ai\u0161kiai, bet pama\u017eu: vartotoji\u0161ka vaizdo kamera u\u017efiksuoti paauglyst\u0117s vaizdai nenorom ver\u010dia konstatuoti, jog Calo persona\u017eas i\u0161 ties\u0173 pana\u0161us ir \u012f vyr\u0105, ir \u012f moter\u012f, viena po kitos pa\u010dios aktor\u0117s tarsi disk\u017eok\u0117jos paleid\u017eiamos dainos perteikia vidin\u012f persona\u017eo pasaul\u012f, o S. Calderoni buvimas scenoje, \u010dia apnuoginant nedidel\u0119 kr\u016btin\u0119, \u010dia j\u0105 v\u0117l slepiant vyri\u0161k\u0173 mar\u0161kini\u0173 audiniuose ir briti\u0161ko rock\u2018n\u2018rollo manierose, provokuoja matym\u0105 ir suvokim\u0105.<\/p>\n<p>Spektaklis remiasi 2002 m. Jeffrey\u2018aus Eugenideso knyga \u201eMiddlesex\u201c apie su vyri\u0161kosios ir moteri\u0161kosios lyties po\u017eymiais gimus\u012f Cal\u0105 Stephanides\u0105. Nuo gimimo iki 14-os met\u0173 am\u017eiaus Calas augo kaip mergait\u0117 Calliope, ta\u010diau po automobilio avarijos Calas su\u017einojo apie tarpin\u0119 savo lyties b\u016bkl\u0119 \u2013 jo vyri\u0161kos lyties organai es\u0105 nei\u0161sivyst\u0119, taigi hormon\u0173 gydymo pagalba rekomenduojama Cal\u0105 ir toliau auginti kaip mergait\u0119. Paauglyst\u0117je patirto knygos persona\u017eo tapatumo konflikt\u0105 scenoje atliepia asmenin\u0117s S. Calderoni istorijos apie nuolatinius klausimus \u2013 \u201eKas tu?\u201c, \u201eTu vyras ar moteris?\u201c. Pasakojimai apie nesibaigian\u010dius barnius ir \u012ftamp\u0105 \u0161eimoje, apie paty\u010dias mokykloje ir primygtinai visuomen\u0117s brukamus r\u0117mus nedvejotinai priklausyti vienai ar kitai biologinei ir socialinei ly\u010diai stiprina spektaklio tragizm\u0105. \u012e pasakojim\u0105 \u012fpinamos ir garsiosios ly\u010di\u0173 filosof\u0117s Judithos Butler bei ra\u0161ytojo, filosofo, Pary\u017eiaus VIII-ojo universiteto profesoriaus, pakeitusio tapatum\u0105 i\u0161 moteri\u0161kosios \u012f vyri\u0161k\u0105j\u0105, Paulo B. Preciado citatos. Spektaklis taip sunertas, kad atsipalaiduoti n\u0117ra kada \u2013 ap\u010diuopiama istorija nejaukiai apnuoginama, o spektaklio persona\u017eo emocijos nutrenkia tarsi elektra.<\/p>\n<p>S\u0117d\u017eiu, panirusi spektaklio prisiminimuose, ir galvoju, jog \u201eMDLSX\u201c yra puikus edukacinis projektas apie anatomin\u012f tarplyti\u0161kum\u0105, apie siauri\u0105 dvinarin\u0117s socialin\u0117s lyties apibr\u0117\u017et\u012f, apie tolerancij\u0105, meil\u0119, pasirinkto tapatumo padiktuot\u0105 vienatv\u0119 ir \u017emog\u0173 apskritai. Tai n\u0117ra tiesiogin\u0117 socialin\u0117 kritika, bet duria taip stipriai ir taip giliai, jog svajoju, kad toks d\u016bris pervert\u0173 visus homofobus, ksenofobus, visus religinius fanatikus ir visus kitus bukapro\u010dius, gyvenim\u0105 dalijan\u010dius tik \u012f juoda ir balta.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/14396_motus_mdlsx_credit_diane_ilariascarpa_489x326.jpg\" width=\"489\" height=\"326\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/14396_motus_mdlsx_credit_diane_ilariascarpa.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>Kitas mano rudeninis favoritas \u2013 tai pranc\u016bz\u0173 choreografo J\u00e9r\u00f4mo Belio spektaklis \u201eJ\u00e9r\u00f4me Bel (1995)\u201c, publikai pristatytas kaip Berlyno meno savait\u0117s renginys. Daugiau nei prie\u0161 dvide\u0161imt met\u0173 sukurtas darbas dekonstruoja \u0161iuolaikinio \u0161okio spektakl\u012f iki pat esmini\u0173 sudedam\u0173j\u0173 jo dali\u0173 \u2013 k\u016bno, \u0161vies\u0173 ir muzikos. Scenoje matome keturis nuogus atlik\u0117jus: vyras niuniuoja garso takel\u012f, moteris laiko lemput\u0119, \u017eaisdama \u0161viesos ir \u0161e\u0161\u0117li\u0173 kontrastu, o kiti du \u2013 vyras ir moteris \u2013 atlieka \u0161okio spektaklio protagonist\u0173 vaidmenis. Tyliai, susikaup\u0119, sutelk\u0119 d\u0117mes\u012f \u012f tai, k\u0105 daro. O daro jie nedaug \u2013 prietemoje tyrin\u0117ja k\u016bn\u0105 kaip spektaklio materij\u0105 ir kaip choreografin\u012f instrument\u0105. Atlik\u0117jai lie\u010dia savo ir vienas kito plaukus, od\u0105, apgamus, raudonu l\u016bpda\u017eiu ant k\u016bno br\u0117\u017eia linijas ir ra\u0161o \u017eod\u017eius, tokius kaip \u201echristian\u201c (liet. \u201ekrik\u0161\u010dionis\u201c) ir \u010dia pat prideda \u2013 \u201eDior\u201c. Toks choreografinis vyksmas dekonstruoja ir galim\u0105 spektaklio naratyv\u0105 \u2013 ap\u010diuopiamos reik\u0161m\u0117s \u010dia pat i\u0161trinamos ar kei\u010diamos kitomis prid\u0117jus \u017eod\u012f, pakeitus raid\u0119. Viskas ne nauja ir da\u017enai matyta, ta\u010diau atlik\u0117j\u0173 susitelkimas virsta savoti\u0161ka konceptualaus \u0161okio poezija, o ji \u017eavi.<\/p>\n<p>Gerai, nieko \u010dia naujo ar \u0161okiruojan\u010dio, \u2013 pasakytum\u0117te. Beveik&#8230; J\u00e9r\u00f4mas Belis spektaklyje tiria ne tik k\u016bn\u0105, bet ir k\u016bno syvus. Spektaklio pabaigoje prie juodos sienos stovintis Fr\u00e9d\u00e9ricas Seguette\u2018is primiausia leid\u017eia b\u0117gti seil\u0117ms, v\u0117liau \u2013 \u0161lapimui. Mano nuostab\u0105, jog \u010dia pat scenoje \u0161lapinamasi, u\u017ego\u017eia malonus komparatyvinis potyris: jei dabar \u0161lapinimosi aktas scenoje sukelia kad ir nedidel\u0119 nuostab\u0105, kokius jausmus tuomet tur\u0117jo patirti 1995 m. publika? Nuo\u0161ird\u017eiai d\u017ei\u016bgauju d\u0117l to meto publikos patirto \u0161oko. Ir \u0161tai visai netik\u0117tai k\u016br\u0117jas \u0161okiruoja ir mane \u2013 \u0161lapimas spektaklyje panaudojamas kaip plovimo, nykimo, trynimo, taigi ir kaip dekonstravimo, elementas. Rie\u0161kut\u0117mis nuo \u017eem\u0117s pas\u0117m\u0119s savo k\u016bno syvus F. Seguette\u2018is \u0161lapalu trina ant juodos sienos kreida para\u0161ytus savo vard\u0105, pavard\u0119, \u016bg\u012f, k\u016bno svor\u012f, banke esan\u010di\u0105 pinig\u0173 sum\u0105 ir savo telefono numer\u012f. T\u0105 pat\u012f atlieka ir Claire Haenni, kurios \u0161lapinimosi proceso nemat\u0117me ir negird\u0117jome, bet jis \u012fvyko ir atlik\u0117ja taip pat \u0161lapim\u0105 naudoja savo fiziniams ir socialiniams domenims nutrinti. Paprasta, originalu, keista ir \u010dia pat nemalonu. Nemalonu tod\u0117l, kad rankomis lei\u010diama tai, k\u0105 k\u016bnas paprastai perdirba ir i\u0161skiria kaip nebereikaling\u0105 skyst\u012f. Taigi \u0161is aktas tampa pavyzdiniu pasibjaur\u0117jimo meno (angl. \u201ethe art of disgust\u201c) artefaktu. Ir teisingai \u2013 nereikia li\u016bliuoti publikos, reikia j\u0105 stebinti, stumti i\u0161 komforto zonos, \u0161okiruoti. Bravo J. Beliui, kurio dviej\u0173 de\u0161imtme\u010di\u0173 senumo k\u016brinys vis dar sugeba nustebinti, per\u017eengti fizines ribas, sulau\u017eyti kult\u016brines normas, i\u0161judinti dirginan\u010dias patirtis.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/jerome_bel_jb1_herman_sorgeloos_490x275.jpg\" width=\"490\" height=\"275\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/jerome_bel_jb1_herman_sorgeloos.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>Tre\u010dias atmintin \u012fstrig\u0119s spektaklis \u2013 tai austr\u0173 trup\u0117s \u201eLiquid Loft\u201c darbas \u201eCandy\u2018s Camouflage \u2013 Imploding Portraits Inevitable\u201c,  \u0161okio bendruomenei pristatytas tarptautin\u0117je \u0161okio mug\u0117je nrw. Valand\u0105 truk\u0119s spektaklis \u017eaid\u017eia matymo ir vaizdo perspektyvomis. Ir t\u0105 daro labai subtiliai. Trys atlik\u0117jos, kelios vaizdo kameros ir did\u017eiulis ekranas scen\u0105 paver\u010dia ir repeticij\u0173 sale, ir film\u0173 k\u016brimo studija, ir kino teatru, ir interaktyv\u0173 vyksm\u0105 eksponuojan\u010dia galerija. D\u0117mesio centre \u2013 moters portretas, pateikiamas kaip nespalvoto kino kadrai, \u010dia viliojantis, \u010dia patrauklus, \u010dia g\u0105sdinantis, \u010dia nuosaikus, tylus, i\u0161rai\u0161kingas ar perd\u0117m \u0161ar\u017euotas, ta\u010diau visuomet trapus ir gyvas. Taip choreografas Chrisas Haringas palie\u010dia stereotipin\u012f moters vaizdavim\u0105 mene. J\u012f k\u016br\u0117jas publikai pateikia kaip i\u0161didint\u0173, suskaidyt\u0173 ir tr\u016bk\u010diona\u010di\u0173 nespalvoto kino vaizd\u0173 samplaik\u0105, o karts nuo karto ekrane i\u0161ry\u0161kin\u0119s veiksmo protagonistes priartina jas prie <em>pop arto<\/em> ikon\u0173. Taigi spektaklis ne tik \u012ftakotas Andy Warholo film\u0173 bandym\u0173 \u201eExploding Plastic Inevitable\u201c ir jo pop m\u016bzos, transseksualios aktor\u0117s Candy Darling, bet ir tiesiogiai referuoja praeito am\u017eiaus \u0161e\u0161to de\u0161imtme\u010dio populiariosios kult\u016bros men\u0105 ekranuose rodydamas daugialypes \u0161ok\u0117j\u0173 vaizd\u0173 reprodukcijas.<\/p>\n<p>\u201eCandy\u2018s Camouflage\u201c nery\u0161kina skaud\u017ei\u0173 tapatumo klausim\u0173 ir ne\u0161okiruoja sav\u0105ja bjaurumo estetika, spektaklis tiesiog leid\u017eia atlik\u0117joms \u0161okti, juoktis, verkti, dainuoti, kalb\u0117ti, apsirengti ar nusirengti, o i\u0161didintas ar suma\u017eintas, i\u0161kreiptas bei sudubliuotas realus ir virtualus vaizdai sukuria kinestetin\u0119 vizualin\u0119 patirt\u012f \u2013 puik\u0173 iliuzin\u012f judesio, nespalvoto kino ir vizuali\u0173j\u0173 men\u0173 kolia\u017e\u0105.<\/p>\n<p><div class=\"flex-video widescreen\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/160807289?app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" title=\"Candy&#039;s Camouflage (Teaser)\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/p>\n<p>\u0160ie ir pana\u0161\u016bs spektakliai, lau\u017eydami kult\u016brinius kodus ir socialinius normatyvyus, ple\u010dia sustabar\u0117jus\u012f po\u017ei\u016br\u012f \u012f visuomen\u0119 ir \u017emog\u0173, vadinasi estetinio potyrio procese atlieka ir edukacin\u0119 funkcij\u0105. Smagu, jei socialin\u012f nerv\u0105 dirginanti \u0161iuolaikin\u0117 estetika i\u0161judina stabiliame tradicij\u0173 pasaulyje gyvenant\u012f individ\u0105, ir li\u016bdna, jei estetin\u0117s patirtys jo atmetamos kaip \u201esvetimos\u201c nekvescionuojant galimo reik\u0161mi\u0173 ir simboli\u0173, vadinasi ir pasaul\u0117\u017ei\u016bros, prapl\u0117timo lauko.<\/p>\n<p>Vis dar nardau apm\u0105stymuose apie \u0161okio spektakli\u0173 gali\u0105 geb\u0117ti parodyti \u012fvairiaspalvius tikrov\u0117s vaizdus ir laukiu menini\u0173 tolesnio rudens ir art\u0117jan\u010dios \u017eiemos potyri\u0173.<\/p>\n<p><em>Festivalio \u201e\u0160okis rugpj\u016bt\u012f\u201c ir teatro Hebbel am Ufer nuotraukos<\/em><\/p>\n<p>\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas <\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/logo_srtrf_490x277_3_490x277_3_490x277.jpg\" width=\"490\" height=\"277\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/logo_srtrf.jpg\" class=\"js-zoom-image\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prasid\u0117jus did\u017eiausiam Vokietijos \u0161iuolaikinio \u0161okio festivaliui \u201e\u0160okis rugpj\u016bt\u012f\u201c (Tanz im August) supranti, jog vasara jau persirito \u012f antr\u0105 pus\u0119 ir &#8230;<\/p>\n","protected":false},"author":1,"featured_media":2015,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Atmintin \u012fsir\u0117\u017e\u0119 potyriai: queer, the art of disgust &amp; film noir - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Atmintin \u012fsir\u0117\u017e\u0119 potyriai: queer, the art of disgust &amp; film noir - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Prasid\u0117jus did\u017eiausiam Vokietijos \u0161iuolaikinio \u0161okio festivaliui \u201e\u0160okis rugpj\u016bt\u012f\u201c (Tanz im August) supranti, jog vasara jau persirito \u012f antr\u0105 pus\u0119 ir ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-20T15:04:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2014_14394_motus_mdlsx_credit_diane_ilariascarpa.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"850\" \/>\n\t<meta property=\"og:image:height\" content=\"565\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2014_14394_motus_mdlsx_credit_diane_ilariascarpa.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2014_14394_motus_mdlsx_credit_diane_ilariascarpa.jpg\",\"width\":850,\"height\":565},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/\",\"name\":\"Atmintin \\u012fsir\\u0117\\u017e\\u0119 potyriai: queer, the art of disgust & film noir - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#primaryimage\"},\"datePublished\":\"2016-10-20T15:04:40+00:00\",\"dateModified\":\"2016-10-20T15:04:40+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Atmintin \\u012fsir\\u0117\\u017e\\u0119 potyriai: queer, the art of disgust &#038; film noir\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20\",\"name\":\"maksimas\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g\",\"caption\":\"maksimas\"},\"url\":\"https:\/\/dance.lt\/new\/author\/maksimas\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Atmintin \u012fsir\u0117\u017e\u0119 potyriai: queer, the art of disgust & film noir - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/","og_locale":"lt_LT","og_type":"article","og_title":"Atmintin \u012fsir\u0117\u017e\u0119 potyriai: queer, the art of disgust & film noir - Lithuanian Dance Centre","og_description":"Prasid\u0117jus did\u017eiausiam Vokietijos \u0161iuolaikinio \u0161okio festivaliui \u201e\u0160okis rugpj\u016bt\u012f\u201c (Tanz im August) supranti, jog vasara jau persirito \u012f antr\u0105 pus\u0119 ir ...","og_url":"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2016-10-20T15:04:40+00:00","og_image":[{"width":850,"height":565,"url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2014_14394_motus_mdlsx_credit_diane_ilariascarpa.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"maksimas","Est. reading time":"7 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#primaryimage","inLanguage":"lt-LT","url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2014_14394_motus_mdlsx_credit_diane_ilariascarpa.jpg","contentUrl":"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2014_14394_motus_mdlsx_credit_diane_ilariascarpa.jpg","width":850,"height":565},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#webpage","url":"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/","name":"Atmintin \u012fsir\u0117\u017e\u0119 potyriai: queer, the art of disgust & film noir - Lithuanian Dance Centre","isPartOf":{"@id":"https:\/\/dance.lt\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#primaryimage"},"datePublished":"2016-10-20T15:04:40+00:00","dateModified":"2016-10-20T15:04:40+00:00","author":{"@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20"},"breadcrumb":{"@id":"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#breadcrumb"},"inLanguage":"lt-LT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dance.lt\/new\/2016\/10\/20\/atmintin-isireze-potyriai-queer-the-art-of-disgust-film-noir\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dance.lt\/new\/en\/"},{"@type":"ListItem","position":2,"name":"Atmintin \u012fsir\u0117\u017e\u0119 potyriai: queer, the art of disgust &#038; film noir"}]},{"@type":"Person","@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20","name":"maksimas","image":{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/#personlogo","inLanguage":"lt-LT","url":"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g","caption":"maksimas"},"url":"https:\/\/dance.lt\/new\/author\/maksimas\/"}]}},"_links":{"self":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/2014"}],"collection":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/comments?post=2014"}],"version-history":[{"count":0,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/2014\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media\/2015"}],"wp:attachment":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media?parent=2014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/categories?post=2014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/tags?post=2014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}