{"id":2025,"date":"2016-11-10T23:06:50","date_gmt":"2016-11-10T23:06:50","guid":{"rendered":"http:\/\/dance.lt\/new\/2016\/11\/10\/deja-vu\/"},"modified":"2016-11-10T23:06:50","modified_gmt":"2016-11-10T23:06:50","slug":"deja-vu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2016\/11\/10\/deja-vu\/","title":{"rendered":"Deja vu"},"content":{"rendered":"

2016 m. tarptautinis \u0161okio festivalis \u201eAura\u201c prasid\u0117jo Birut\u0117s Letukait\u0117s spektakliu \u201eLabirintas\u201c. \u012e\u0117j\u0119 \u012f buvus\u012f \u201ePieno centro\u201c bendrov\u0117s pastat\u0105 \u017ei\u016brovai gal\u0117jo klaid\u017eioti atminties, praeities, \u0161okio ir vizuali\u0173j\u0173 men\u0173 labirintais. Ariadn\u0117 buvo ginkluota \u017eirkl\u0117mis ir nebuvo paruo\u0161usi si\u016blo kiekvienam. Bet sau skirt\u0105 radau. Si\u016blas ved\u0117 ne tik po Pieno centro patalpas, kuriose kab\u0117jo Sigi Gabrie (Sigito Gabrijolavi\u010diaus) paveikslai ir \u0161oko Kauno \u0161okio teatro \u201eAura\u201c \u0161ok\u0117jai, ne tik pro Lietuvos modernaus \u0161okio prad\u017ei\u0105, bet ir pro vizuali\u0105j\u0105 bei teatrin\u0119 mano pa\u010dios atmint\u012f. <\/p>\n

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\nNuotrauk\u0173 autor\u0117 – Laura Vansevi\u010dien\u0117<\/p>\n

Pirmiausia jis atved\u0117 prie paveiksl\u0173. A\u0161tuoniuose kambariuose \u2013 \u0161okiu iliustruot\u0173 paveiksl\u0173 ciklas. Juose buvo galima atpa\u017einti istorijos apie Minotauro labirint\u0105 ir Ariadn\u0117s si\u016bl\u0105 nuorodas ir karnavalo ar cirko, ta\u010diau i\u0161kreipto, tarsi atspind\u0117to kreivame veidrodyje, nuotaik\u0105. Sudvejinimai, cirko palapin\u0117s ir ry\u0161kios spalvos \u010dia atrod\u0117 labiau bauginan\u010diai nei d\u017eiuginan\u010diai.
\nTai, kas vyko kiekvienoje i\u0161 a\u0161tuoni\u0173 Pieno centro patalp\u0173, taip pat primin\u0117 paveiksluose dominuojan\u010di\u0173 keistum\u0105, netikrum\u0105 ir net \u012ftamp\u0105. \u0160ok\u0117jai \u010dia buvo apsitemp\u0119 galvas skirting\u0173 spalv\u0173 kauk\u0117lmis ir apsireng\u0119 ry\u0161kiaspalviais kostiumais (dailinink\u0117 Monika \u017daltauskait\u0117 Gra\u017eien\u0117, kostiumai \u2013 Oles\u0117 Kekien\u0117 ir Kauno kolegijos student\u0117s) arba prie\u0161ingai \u2013 monochromi\u0161ki, \u0161okantys sinchroni\u0161kai arba improvizuojantys. Visa tai buvo jungiama nuolat skamban\u010dios Antano Jasenkos muzikos.<\/p>\n

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Si\u016blas neleido atsikv\u0117pti ties paveiksl\u0173 ciklu ir greitai nuved\u0117 kitais keliais. Pasukus u\u017e kampo pro akis l\u0117k\u0117 trumpi \u0161okio fragmentai. Vos sp\u0117jus \u012f juos pasi\u017ei\u016br\u0117ti \u012f sprand\u0105 jau kv\u0117puodavo kiti \u017ei\u016brovai \u2013 nor\u0117tume ir mes pasi\u017ei\u016br\u0117ti. Jud\u0117jimo vystymui, kismui ir netik\u0117tumui \u201eLabirinte\u201c buvo per ma\u017eai laiko ir erdv\u0117s, tad teko tenkintis jau kitur matytomis improvizacijomis ir judesi\u0173 junginiais. Ariadn\u0117s i\u0161temptas si\u016blas leido kiek ilgiau pasim\u0117gauti tik ma\u017eos mergait\u0117s, \u0161okin\u0117jan\u010dios klases, vaizdu. \u0160iose buvo galima u\u017e\u0161okti ne tik ant skai\u010diaus, bet ir ant pragaro ar dangaus. Bet netik\u0117tai si\u016blas nuved\u0117 u\u017e kito kampo, kur ta pati mergait\u0117 (S. Gabrie paveiksle ji sudvejinta veidrod\u017eio atspindyje) melsva suknyte su dvyne seserimi k\u0117l\u0117 \u0161iurp\u0105 Steveno Spielbergo \u201e\u0160vyt\u0117jime\u201c.<\/p>\n

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U\u017e dar kito kampo prie\u0161 akis i\u0161kilo Oskaro Kor\u0161unovo \u201eJelizaveta Bam\u201c (2015). \u010cia O. Kor\u0161unovo vaidybos studentai, veidus apsitemp\u0119 raudonomis kauk\u0117mis, slankiojo teatro foj\u0117, lyd\u0117jo po scena ir ten dalyvavo Jelizavetos persekiojimo (ir prisiminim\u0173 apie OKT) \u0161\u0117lsme. Keisti, beveik mandag\u016bs pl\u0117\u0161ikai, pripildantys scen\u0105 ir atimantys teatro sal\u0117s tamsos teikiam\u0105 saugum\u0105.
\nSi\u016blas ved\u0117 toliau ir dabar prie\u0161 akis i\u0161niro tie patys O. Kor\u0161unovo studentai tarsi nebeveikian\u010dioje Raudonojo kry\u017eiaus ligonin\u0117je. 2016 m. ruduo, \u201eEgl\u0117 \u017eal\u010di\u0173 karalien\u0117\u201c \u2013 spektaklis-performansas-instaliacija. Jo \u017ei\u016brovai su dry\u017euota\u0161varkiu vedliu keliavo trimis pastato auk\u0161tais steb\u0117dami besikei\u010dian\u010dius vaizdus ir veiksm\u0105. Buvo matyti, kad \u012f bendr\u0105 vyksm\u0105 pastang\u0173 \u012fd\u0117ta nema\u017eai, bet akivaizd\u017eiai pritr\u016bko kuratoriaus ar\/ir dramaturgo.<\/p>\n

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\u0160tai ir v\u0117l pos\u016bkis, ir v\u0117l kitas vaizdas prie\u0161 akis. 2011 m. ruduo, Kauno bienal\u0117s (tada dar besivadinusios Kauno tekstil\u0117s bienale) ir \u0161okio teatro \u201eAura\u201c bendradarbiavimas. Tekstil\u0117s menininkai, \u0161ok\u0117jai ir choreografai kartu dirbo kurdami bendras id\u0117jas. \u0160okis gim\u0117 \u012fvairus. Neretai iliustruojantis vaizd\u0105, toks jis ir \u201eLabirinte\u201c, \u012fbrukusiame \u0161\u012f prisiminim\u0173 si\u016bl\u0105 man \u012f rank\u0105.<\/p>\n

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\u010cia pasiekiau si\u016blo mazg\u0105, tod\u0117l gal\u0117jau stabtel\u0117ti. Prie\u0161 akis \u2013 \u201eMelancholijos d\u0117\u017eut\u0117\u201c. Ne Pandoros skrynia, bet vis tiek pavojinga. J\u0105 prav\u0117rus galima u\u017esikr\u0117sti nostalgija ne tik jaukiai apmegztai vaikystei, bet ir tiems laikams kai \u201eAura\u201c buvo kur kas \u012fdomesn\u0117 ir tur\u0117jo kelis \u017emones, kuri\u0173 buvimo scenoje laukdavau. Arba nostalgija tiems atvejams, kai menininkai vieni kitus \u012fkvepia, bendradarbiaudami ple\u010dia ne tik savo, bet ir \u017ei\u016brov\u0173 suvokim\u0105. Tad d\u0117\u017eut\u0117s neatv\u0117riau, tik nu\u017evelgiau i\u0161 tolo ir nu\u0117jau tolyn.
\nToliau pro akis pral\u0117k\u0117 judesio fragmentai, staktos, nus\u0117stos k\u0117d\u0117s, paveiksl\u0173 vaizdiniai. Kaip b\u016bt\u0173 gerai, jei vedlys \u201eLabirinte\u201c b\u016bt\u0173 buv\u0119s ne mano susirastas si\u016blo galas, o kas nors norintis papasakoti kad ir neri\u0161li\u0105 istorij\u0105. Nebesinor\u0117jo \u010dia b\u016bti, tad dairiausi Ariadn\u0117s ir jos \u017eirkli\u0173. Bet Ariadn\u0117s nebebuvo \u2013 ji virto Temide su tamsiai akiniais ir svarstykl\u0117mis rankoje. Teisingoji buvo \u010dia pat, bet tai, kas \u012fvyko \u201eLabirinte\u201c, atrod\u0117 neteisinga. <\/p>\n

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\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas <\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

2016 m. tarptautinis \u0161okio festivalis \u201eAura\u201c prasid\u0117jo Birut\u0117s Letukait\u0117s spektakliu \u201eLabirintas\u201c. \u012e\u0117j\u0119 \u012f buvus\u012f \u201ePieno centro\u201c bendrov\u0117s pastat\u0105 \u017ei\u016brovai gal\u0117jo …<\/p>\n","protected":false},"author":1,"featured_media":2026,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nDeja vu - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2016\/11\/10\/deja-vu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Deja vu - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"2016 m. tarptautinis \u0161okio festivalis \u201eAura\u201c prasid\u0117jo Birut\u0117s Letukait\u0117s spektakliu \u201eLabirintas\u201c. \u012e\u0117j\u0119 \u012f buvus\u012f \u201ePieno centro\u201c bendrov\u0117s pastat\u0105 \u017ei\u016brovai gal\u0117jo ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2016\/11\/10\/deja-vu\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2016-11-10T23:06:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2025_Lithuanian_Dance_vizualizacija1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"419\" \/>\n\t<meta property=\"og:image:height\" content=\"525\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2016\/11\/10\/deja-vu\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2025_Lithuanian_Dance_vizualizacija1.png\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2025_Lithuanian_Dance_vizualizacija1.png\",\"width\":419,\"height\":525},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2016\/11\/10\/deja-vu\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2016\/11\/10\/deja-vu\/\",\"name\":\"Deja vu - 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