{"id":2067,"date":"2016-12-13T02:11:40","date_gmt":"2016-12-13T02:11:40","guid":{"rendered":"http:\/\/dance.lt\/new\/2016\/12\/13\/nieko-mes-visi-tokie\/"},"modified":"2016-12-13T02:11:40","modified_gmt":"2016-12-13T02:11:40","slug":"nieko-mes-visi-tokie","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2016\/12\/13\/nieko-mes-visi-tokie\/","title":{"rendered":"Nieko, mes visi tokie"},"content":{"rendered":"

Ind\u0173 mitai pasakoja, jog i\u0161 Praam\u017eio Brahma kaktos lyg pyk\u010dio ugnis i\u0161siver\u017e\u0117 Rudra, kuriame \u012fsik\u016bnijo visos griaunan\u010dios j\u0117gos ir pa\u010dios baisiausios ir gr\u0117smingiausios diev\u0173 s\u0105vyb\u0117s. Jam buvo pavesta valdyti \u017ev\u0117ris. Su savimi jis visada tur\u0117davo neatskiriamus atributus \u2013 juod\u0105 lank\u0105 ir str\u0117les. Str\u0117l\u0117s buvo kupinos nuod\u0173, kurie gal\u0117davo nu\u017eudyti tiek \u017ev\u0117r\u012f, tiek \u017emog\u0173, u\u017eleisti ligas, pri\u0161aukti nelaimes. \u201eJis visur esantis. <...> Jis siun\u010dia \u017emon\u0117ms ligas ir kerus gyvuliams, bet jis yra ir didysis gydytojas, gailestingas tiems, kurie maldauja jo pasigail\u0117jimo. Tod\u0117l \u017emon\u0117s paskui vadino j\u012f \u0160yva, tai rei\u0161kia Maloningasis (1).\u201c Taip gim\u0117 teisingumas, savyje talpinantis ne tik banal\u0173 g\u0117r\u012f, ta\u010diau tamsos bei \u0161viesos pusiausvyr\u0105. <\/p>\n

\"\"
\nNuotrauk\u0173 autorius: Benas Navanglauskas<\/p>\n

\u0160okio spektaklis \u201eB ir B dialogas\u201c kaip ir pa\u010dios B ir B turb\u016bt negim\u0117 i\u0161 pyk\u010dio ir netgi ne i\u0161 Praam\u017eio kaktos. Bet turb\u016bt sunku suabejoti, jog k\u016brinys atsirado d\u0117l ne\u017einojimo arba, kitaip tariant, d\u0117l noro pa\u017einti ir ie\u0161koti. Jaun\u0173j\u0173 k\u016br\u0117j\u0173 Gretos Grinevi\u010di\u016bt\u0117s ir Agniet\u0117s Lisi\u010dkinait\u0117 bei dramaturg\u0117s Sigitos Iva\u0161kait\u0117s darbas, mano nuomone, netelpa \u012f vieno vakaro premjeros r\u0117mus. Ties\u0105 sakant net ne\u017einau, k\u0105 gal\u0117tume laikyti \u201eB ir B dialogo\u201c premjera \u2013 ar j\u0173 pasirodym\u0105 \u201eBaltic Pride\u201c parade, ar prie pasimetusios protestuotoj\u0173 minios ties Rus\u0173 dramos teatro durimis, o gal vis socialinio tinklo naujien\u0173 sraut\u0105 pild\u017eiusias vaizdo \u017einutes. <\/p>\n

\"\"<\/p>\n

Manau b\u016btent tai ir yra B ir B \u012fdomioji pus\u0117. Ne tai, k\u0105 suk\u016br\u0117 vien\u0105 vakar\u0105 Men\u0173 spaustuv\u0117s scenoje, bet tai, kaip merginos apsi\u0117m\u0117 iliustruoti ir atskleisti socialiai jautrius savosios kartos ie\u0161kojimus. Nors ir prisidengusos susikurtomis kauk\u0117mis, ta\u010diau tokiu pasirinktu b\u016bdu prabylan\u010dios apie savosios kartos realijas (nes argi mes kiekvienas nepasidailinam savosios kauk\u0117s kaskart praverdami nam\u0173 duris). Pasirinkusios binarin\u0119 pozicij\u0105 \u2013 jaunos ir vyresn\u0117s kartos santykius, am\u017ein\u0105j\u012f \u201evakar\u201c ir \u201erytoj\u201c disputo lauk\u0105, kurio srovei atsipnd\u0117ti scenoje pasakojamos vartotoj\u0173 visuomen\u0117je \u201ei\u0161nykstan\u010di\u0173\u201c specialybi\u0173 istorijos: batsiuvys, bald\u0173 apvilk\u0117jas, rankomis gaminam\u0173 saldaini\u0173 parduotuv\u0117s savininkai. Cituodamos ir mums pateikdamos video vaizdus, kuriuos atrado ir \u012fam\u017eino vie\u0161\u0117damos Did\u017eiojoje Britanijoje, k\u016br\u0117jos prabyla apie kompleksin\u012f laiko suvokim\u0105 \u2013 kei\u010diasi ne laikas, kei\u010diam\u0117s tik mes. Ir, nors temos aktualios dabar nemenkam \u0161iuolaikini\u0173 k\u016br\u0117j\u0173 b\u016briui, svarstymai neapsiriboja pateti\u0161komis i\u0161vadomis apie geb\u0117jim\u0105 (arba negeb\u0117gim\u0105) gyventi \u0161iandienoje. <\/p>\n

\"\"<\/p>\n

Atvira \u0161okio spektaklio strukt\u016bra kiekvienam leid\u017eia pasirinkti savuosius sprendimus. A\u0161 \u0161iuo atveju link\u010diau prie am\u017einosios cikli\u0161kos mito pasaul\u0117jautos ir mergin\u0173 trio pasirinkto sprendimo \u2013 mes augame, br\u0119stame, senstame, kart\u0173 konfliktas banalus nei\u0161vengiamas gyvenimo atributas, ta\u010diau b\u016btent b\u016btis\/egzistencija\/pasaulis\/laikas (vadinkite kiekvienas sau artimesniu vardu) ir n\u0117ra pavaldus laiko\/poky\u010dio srovei. I\u0161 esm\u0117s pasaulio b\u016bties konceptas nesikei\u010dia, jis netampa greitesnis ar l\u0117tesnis d\u0117l pasirinkto m\u016bs\u0173 gyvenimo b\u016bdo ar tempo, o laiko reliatyvumas egzistuoja tik \u017emogui. <\/p>\n

\"\"<\/p>\n

Be vis\u0173 filosofavim\u0173, prisidengus saviironijos kauke, kuri \u017einoma, atpalaiduoja, ne taip \u012fpareigoja ir leid\u017eia kalb\u0117ti dr\u0105siau, lyg prie\u0161 tai i\u0161g\u0117rus ger\u0105 taur\u0119 vyno, B ir B nelieka nuo\u0161aly lietuvi\u0161kosios kasdienyb\u0117s.
\nKol atvykome iki premjeros Men\u0173 spaustuv\u0117s Juodojoje sal\u0117je, gal\u0117jome steb\u0117ti, kaip perukais nudailintos blondin\u0117s savajame disputo lauke nepamir\u0161ta vienaip ar kitaip pamin\u0117ti, kad ir \u017daliojo tilt\u0173 skulpt\u016br\u0173 ar (vis dar?) garsiosios ir iki kaul\u0173 smegen\u0173 nuvalkiotos arkos Vilniuje. Ka\u017ekur savyje vienydamos u\u017esienio istorijas ir lietuvi\u0161k\u0105j\u0105 kasdienyb\u0119, rodos, atlik\u0117jos po truput\u0117l\u012f mus veda i\u0161vados link. Apie galimai pasikeitusi\u0105 viet\u0105, pasikeitusius \u017emones, pasiekeitus\u012f laikotarp\u012f, bet visgi visus vienijant\u012f egzistencijos susikirtimo ta\u0161k\u0105, kuriame identitetas formuojamas atminties d\u0117ka. O juk nieko n\u0117ra nepastoviau ir subjektyviau u\u017e atmint\u012f. Tod\u0117l mums atrodo pasikeitusios vietos, pasikeit\u0119 veidai, pasikeit\u0119 \u017emon\u0117s, pasikeit\u0119s pasaulis. Ir, jei vienas pagridnini\u0173 leitmotyv\u0173 spektaklyje skamba apie tai, kaip pasikei\u010dia \u017emogus, o ne pasaulis, a\u0161 manau gal\u0117tume tai papildyti dar vienu elemenetariu punktu. Mes niekada nieko nesugebame atsiminti subjektyviai. Atmin\u010diai subjektyvumas negalioja, tod\u0117l visk\u0105 matome kaskart kitaip. Arba taip, kaip nor\u0117tume matyti, kad ir per balt\u0173 peruk\u0173 ir pilk\u0173 kostium\u0117li\u0173 bei sporba\u010di\u0173 veidrod\u012f.<\/p>\n

\"\"<\/p>\n

Tad \u0161okio spektakl\u012f kr\u0117tusios kaip rimt\u0105 pok\u0161t\u0105, prisidengusios perukais, raudonais l\u016bpda\u017eiais ir vaizdo kameromis, dr\u0105siau besijausdamos u\u017e alter ego ironijos kauk\u0117s, merginos nesuk\u016br\u0117 ka\u017ekokios sprogstan\u010dios vieno vakaro premjeros\/sensacijos. Jos prad\u0117jo \u012fdom\u0173 menini\u0173 paie\u0161k\u0173 keli\u0105, kurio negalime apibr\u0117\u017eti vienkartiniu premjeros \u012fvykiu. \u0160iuo atveju nenumaldomas ir postmodernist\u0173 i\u0161myl\u0117tas kontekstas yra b\u016btinasis ir j\u0173 k\u016brin\u012f u\u017evald\u0119s rodiklis. Ne\u017einau, kur link jos keliaus toliau, bet manau, kad keliaus ir galb\u016bt \u0161okdins ne tik traukini\u0173 stoties lankytojus. Juk visai nesvarbu, kiek kart\u0173 imtumeisi svarstyti sav\u0105j\u0105 egzistencij\u0105 n\u016bdienos pasaulyje, nes tai, kaip ir \u201ei\u0161minties meil\u0117\u201c, turb\u016bt nei\u0161semiama tema. Kol bus \u017emoni\u0173, kol bus kurian\u010di\u0173 \u017emoni\u0173, tol jie vienaip ar kitaip kurs apie save. <\/p>\n

\"\"<\/p>\n

Taigi, sumasumarum, jeigu jau einate \u017ei\u016br\u0117ti B ir B premjeros, der\u0117t\u0173 nepamir\u0161ti, jog \u010dia kaip ir su miti\u0161kuoju \u0160iva, n\u0117ra vienos geros ar blogos pus\u0117s. Yra tai, k\u0105 pasiry\u017eti pamatyti, o gal dar ir jungtis \u012f diskusij\u0105. (Beje, diskusija su \u017ei\u016brovu matyt ne be reikalo dabar Lietuvos performatyvi\u0173j\u0173 men\u0173 pasaulyje ima u\u017eimti vis svarbesnes gretas. \u0160ok\u0117jos taip pat po premjeros kviet\u0117 pasis\u0117d\u0117ti teatro kavin\u0117je.) Pasakymas, jog diskusijose gimsta tiesa, \u0161iandien skamba banaliai. Ypa\u010d kai da\u017eniausiai kiekvienas ne\u0161iojam\u0117s ne po vien\u0105 (ir \u017einom\u0105 galutin\u0119, vienintel\u0119 ir teising\u0105) ties\u0105. Galb\u016bt spektaklyje galime pasiskai\u010diuoti sav\u0105sias tiesas. Juk ka\u017ekada Bertoldas Brechtas viename i\u0161 savo eil\u0117ra\u0161\u010di\u0173 ra\u0161\u0117:
\n\u201eA\u0161 sakau: jie savoti\u0161ko kvapo \u017ev\u0117rys.\/Ir pridedu: nieko, a\u0161 irgi toks.\u201c O a\u0161 tegaliu paantrinti, jog mes visi tokie, t\u0105 B ir B dialogas tik dar kart\u0105 atskleid\u0117. Truput\u012f savoti\u0161ki, truput\u012f \u017ev\u0117rys, besi\u017eavintys mistika, greitai u\u017emir\u0161tantys. Ir taip toliau. <\/p>\n

\"\"<\/p>\n

(1) E. Tiomkias, V. Eramanas. Senov\u0117s Indijos mitai. Vilnius. Mintis, 1989, p 15.<\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas. <\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Ind\u0173 mitai pasakoja, jog i\u0161 Praam\u017eio Brahma kaktos lyg pyk\u010dio ugnis i\u0161siver\u017e\u0117 Rudra, kuriame \u012fsik\u016bnijo visos griaunan\u010dios j\u0117gos ir pa\u010dios …<\/p>\n","protected":false},"author":1,"featured_media":2068,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nNieko, mes visi tokie - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2016\/12\/13\/nieko-mes-visi-tokie\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nieko, mes visi tokie - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Ind\u0173 mitai pasakoja, jog i\u0161 Praam\u017eio Brahma kaktos lyg pyk\u010dio ugnis i\u0161siver\u017e\u0117 Rudra, kuriame \u012fsik\u016bnijo visos griaunan\u010dios j\u0117gos ir pa\u010dios ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2016\/12\/13\/nieko-mes-visi-tokie\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-13T02:11:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2067_Lithuanian_Dance_vizualizacija1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"419\" \/>\n\t<meta property=\"og:image:height\" content=\"525\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2016\/12\/13\/nieko-mes-visi-tokie\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2067_Lithuanian_Dance_vizualizacija1.png\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2067_Lithuanian_Dance_vizualizacija1.png\",\"width\":419,\"height\":525},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2016\/12\/13\/nieko-mes-visi-tokie\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2016\/12\/13\/nieko-mes-visi-tokie\/\",\"name\":\"Nieko, mes visi tokie - 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