{"id":2069,"date":"2016-12-23T01:16:03","date_gmt":"2016-12-23T01:16:03","guid":{"rendered":"http:\/\/dance.lt\/new\/2016\/12\/23\/troskulys-apie-tai-ka-primirsome\/"},"modified":"2016-12-23T01:16:03","modified_gmt":"2016-12-23T01:16:03","slug":"troskulys-apie-tai-ka-primirsome","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2016\/12\/23\/troskulys-apie-tai-ka-primirsome\/","title":{"rendered":"\u201eTro\u0161kulys\u201c: apie tai, k\u0105 primir\u0161ome"},"content":{"rendered":"

Garsus XIX a. vokie\u010di\u0173 poetas, dramaturgas Kristianas Frydrichas Hebelis yra pasak\u0119s: \u201eMenas \u2013 \u017emonijos s\u0105\u017ein\u0117.\u201c B\u016btent per men\u0105, kuris dabar tapo ypatingai socialiai aktyvus, yra keliamas \u017emoni\u0173 s\u0105moningumas apsvarstyti \u012fvairias, ne tik asmenines, bet ir globalias problemas bei j\u0173 pasekmes.
\nVienas toki\u0173 pavyzd\u017ei\u0173 \u2013 lapkri\u010dio 20 dien\u0105 Nacionaliniame Kauno dramos teatre vykusiame Baltijos \u0161ali\u0173 teatr\u0173 festivalyje pristatytas \u201eAnt \u201eAuros\u201c batuto\u201c debiutuojan\u010dio choreografo Nielso Claeso spektaklis \u201eTro\u0161kulys\u201c, nukeliantis mus \u012f jauno menininko vizij\u0105 \u2013 pasaul\u012f be vandens.<\/p>\n

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\nNuotrauk\u0173 autor\u0117 – Indr\u0117 Pix <\/p>\n

Nielsas Claesas yra Kauno \u0161okio teatro \u201eAura\u201c \u0161ok\u0117jas, debiutuojantis Lietuvoje kaip choreografas. \u0160is menininkas yra baig\u0119s \u0161okio studijas Olandijoje, dirb\u0119s \u201eProject Sally Maastricht\u201c ir \u201eDansgroep Amsterdam\u201c trup\u0117se, v\u0117liau \u0161oko Lenkijoje, Vokietijoje ir Izraelyje. Vaikinui teko dirbti su tokiais garsiais choreografais kaip Jo Str\u00f8mgrenas, Ohadas Naharinas ir Yossi Bergas.
\nDaug keliav\u0119s choreografas N. Claesas pasteb\u0117jo, jog vandens tr\u016bkumas yra tap\u0119s labai svarbia problema, apie kuri\u0105 reikia kalb\u0117ti: \u201eMano misija, kad spektaklio choreografijos sukurtas \u201ekitas\u201c pasaulis skatint\u0173 \u017ei\u016brovus pagalvoti apie \u0161i\u0105 tem\u0105.\u201c <\/p>\n

Daugeliui gali pasirodyti, kad spektaklyje kuriamos scenos yra sutir\u0161tintos, hiperbolizuotos (atrodan\u010dios per daug fantasti\u0161kai). Deja, kai kuriuose, ypatingai Afrikos, \u0161alyse b\u016btent tokia realyb\u0117 ir yra: nuolatiniai konfliktai d\u0117l vandens, mirtys \u2013 ne gyvenimas, o egzistavimas ir begalinis tro\u0161kulio jausmas…
\nMenininkas id\u0117jos i\u0161pildymui pasirinko choreografini\u0173 jungini\u0173 transformacijas bei vaizdinius. Futuristiniai vaizdiniai ir yra spektaklio raktas. \u0160iandien spart\u0117jant socialiniems interneto tinklams \u017emogus did\u017ei\u0105j\u0105 dienos dal\u012f pasaul\u012f pa\u017e\u012fsta per vaizdinius, juos kuria ir jais bendrauja. Vaizdinys \u2013 tai b\u016bdas pritraukti \u017ei\u016brovo d\u0117mes\u012f, \u012fsibrauti \u012f \u0161i\u0173 laik\u0173 \u017ei\u016brovo s\u0105mon\u0119. <\/p>\n

Menininko vaizdinys \u201eTro\u0161kulyje\u201c pateiktas minimalistiniu stiliumi, erdv\u0117je pasirenkant vos kelis simbolius, kurian\u010dius scenografij\u0105 \u2013 pjuvenas, perteikian\u010dias \u012f dykum\u0105 pavirtusios \u017dem\u0117s vizij\u0105 ir u\u017edraustuoju vaisiumi tap\u0119s vandens akvariumas. Spektaklio metu \u017ei\u016brovams yra kuriama kelion\u0117 laiku, nuolatinis tapsmas, atsigr\u0119\u017eima \u012f tai, k\u0105 turime dabar ir \u017ei\u016brima, kas bus, jei ir toliau netausosime vandens. Laiko t\u0117km\u0117 bei nuolatinis cikli\u0161kas pasikartojimas yra ry\u0161kiai akcentuojami \u0161ok\u0117j\u0173 kuriamais kinetini\u0173 form\u0173 junginiais, o kelis kartus vis kartojamos scenos perteikia rato sukimosi koncepcij\u0105. Spektaklyje stipriai i\u0161vystyta ir vidin\u0117 spektaklio strukt\u016bra; nepertraukiamu ritmu tikslingai einama link kulminacinio ta\u0161ko \u2013 visuomen\u0117s ir \u017emogaus nuolatinio konflikto, vedan\u010dio (savi)desrukcijos link. Taip \u017ei\u016brovas yra \u012ftraukiamas ir tampa keliautoju laike.<\/p>\n

\"\"<\/p>\n

Spektaklio scenografijoje panaudotos pjuvenos ne tik kuria \u201ekito\u201c pasaulio vizij\u0105, bet ir i\u0161pildo spektaklio id\u0117j\u0105. Pasirodymo metu vis labiau stipr\u0117ja i\u0161oriniai dirgikliai: nuo pjuven\u0173 kvapo bei sklaidom\u0173 dulki\u0173 pradeda per\u0161t\u0117ti gerkl\u0119, griau\u017eti akis \u2013 atsiranda vandens poreikis. \u017di\u016brovas tampa toks pat i\u0161tro\u0161k\u0119s kaip ir neva \u201ekito pasaulio\u201c \u017emogus. \u0160is sprendimas naikina rib\u0105 tarp scenos ir \u017ei\u016brovo. Tai geriausias b\u016bdas priversti atsigr\u0119\u017eti \u012f problem\u0105 \u2013 ne tik j\u0105 pamatyti, bet ir pajusti gr\u0117smingai pra\u017e\u016bting\u0105 \u017dmonijos likim\u0105, kurio simboliu tampa i\u0161 pjuven\u0173 kr\u016bvos i\u0161nyranti mergina. Choreografas pabr\u0117\u017eia, jog \u201emes tiesiogine prasme laidojame save po sausa \u017eeme.\u201c<\/p>\n

Spektaklio choreografija apipinta ne tik sud\u0117tingais, bet ir puikiai atliktais judesi\u0173 junginiais. Didel\u012f d\u0117mes\u012f choreografas teikia fizi\u0161kumui, auk\u0161tiems \u0161uoliams ir (pagirtinam) \u0161ok\u0117j\u0173 sinchronui; visa tai kuria nepertraukiam\u0105 dinami\u0161k\u0105 ritm\u0105. Spektaklio judesio stilistikos skal\u0117 labai plati: \u010dia \u0161alia auk\u0161t\u0173 pakilim\u0173 matomi ir kov\u0173 menus primenantys judesiai ar net \u012fvairi\u0173 gen\u010di\u0173 atliekamo lietaus \u0161okio elementai. Taip spektaklis \u012fgauna \u012fvairiapusi\u0161kumo.<\/p>\n

\"\"<\/p>\n

\u0160io jauno choreografo pirmasis bandymas yra rizikingas, ta\u010diau s\u0117kmingas. Pati spektaklio mintis yra aktuali, nauja, pritraukianti savitu po\u017ei\u016briu \u012f aplink\u0105. Spektaklio metu ir vaizdiniais, ir \u012fdomiomis \u0161okio konstrukcijomis efektyviai kuriama vidin\u0117 komunikacija su \u017ei\u016brovu. \u201eTro\u0161kulys\u201c \u2013 tai tarsi savoti\u0161kas manifestas, primenantis, k\u0105 pamir\u0161ome. Gandis teig\u0117: \u201eJei norime pakeisti pasaul\u012f, prad\u0117kime nuo sav\u0119s.\u201c<\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas. <\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Garsus XIX a. vokie\u010di\u0173 poetas, dramaturgas Kristianas Frydrichas Hebelis yra pasak\u0119s: \u201eMenas \u2013 \u017emonijos s\u0105\u017ein\u0117.\u201c B\u016btent per men\u0105, kuris dabar …<\/p>\n","protected":false},"author":1,"featured_media":2070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n\u201eTro\u0161kulys\u201c: apie tai, k\u0105 primir\u0161ome - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2016\/12\/23\/troskulys-apie-tai-ka-primirsome\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eTro\u0161kulys\u201c: apie tai, k\u0105 primir\u0161ome - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Garsus XIX a. vokie\u010di\u0173 poetas, dramaturgas Kristianas Frydrichas Hebelis yra pasak\u0119s: \u201eMenas \u2013 \u017emonijos s\u0105\u017ein\u0117.\u201c B\u016btent per men\u0105, kuris dabar ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2016\/12\/23\/troskulys-apie-tai-ka-primirsome\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-23T01:16:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2069_Lithuanian_Dance_vizualizacija1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"419\" \/>\n\t<meta property=\"og:image:height\" content=\"525\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2016\/12\/23\/troskulys-apie-tai-ka-primirsome\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2069_Lithuanian_Dance_vizualizacija1.png\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2069_Lithuanian_Dance_vizualizacija1.png\",\"width\":419,\"height\":525},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2016\/12\/23\/troskulys-apie-tai-ka-primirsome\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2016\/12\/23\/troskulys-apie-tai-ka-primirsome\/\",\"name\":\"\\u201eTro\\u0161kulys\\u201c: apie tai, k\\u0105 primir\\u0161ome - 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