{"id":2075,"date":"2016-12-28T20:43:17","date_gmt":"2016-12-28T20:43:17","guid":{"rendered":"http:\/\/dance.lt\/new\/2016\/12\/28\/scenos-menu-savaite-cinars\/"},"modified":"2016-12-28T20:43:17","modified_gmt":"2016-12-28T20:43:17","slug":"scenos-menu-savaite-cinars","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2016\/12\/28\/scenos-menu-savaite-cinars\/","title":{"rendered":"Scenos men\u0173 savait\u0117 CINARS"},"content":{"rendered":"<p>Tarptautin\u0117 scenos men\u0173 bienal\u0117 CINARS Montrealio mieste Kanadoje \u0161iemet buvo septynioliktoji. Joje antr\u0105 kart\u0105 i\u0161 eil\u0117s Lietuvos \u0161ok\u012f pristat\u0117 Lietuvos \u0161okio informacijos centras su septyni\u0173 \u017emoni\u0173 delegacija: reprezentuoti Lietuvos \u0161okio atvyko Lietuvos \u0161okio informacijos centro direktorius Audronis Imbrasas ir centro projekt\u0173 vadov\u0117 Anastasija Gri\u0161kevi\u010d-Dichtiar, tarptautinio \u0161iuolaikinio cirko festivalio \u201eNaujasis cirko savaitgalis\u201c meno vadov\u0117 ir \u0161okio teatro \u201eDansema\u201c vadybinink\u0117 Gintar\u0117 Masteikait\u0117, \u0160iuolaikinio \u0161okio asociacijos pirminink\u0117 Lina Puod\u017eiukait\u0117-Lanauskien\u0117, Kauno \u0161okio teatro \u201eAura\u201c vadybinink\u0117 Egl\u0117 Mar\u010diulaityt\u0117, Klaip\u0117dos \u0161okio teatro \u201ePADI DAPI Fish\u201c vadybinink\u0117 Greta Seili\u016bt\u0117 ir \u0161okio kritik\u0117, Lietuvos muzikos ir teatro akademijos \u0160okio ir judesio katedros ved\u0117ja Ingrida Gerbutavi\u010di\u016bt\u0117. \u012e \u0161i\u0105 scenos men\u0173 mug\u0119 ir jos menin\u0119 program\u0105 susirinko daugiau nei 1500 dalyvi\u0173 i\u0161 40 \u0161ali\u0173 \u2013 taigi nenuostabu, kad toks renginys kaip bi\u010di\u0173 avilys. \u010cia zujama \u201eperku-parduodu\u201c nuotaikomis ir tikimasi, kad kievienas i\u0161dalins savo atve\u017et\u0105 k\u016brybin\u012f cukr\u0173, o namo parsive\u0161 reikiam\u0105 menini\u0173 produkcij\u0173 kor\u012f.<\/p>\n<p>Septynias dienas vykusi scenos men\u0173 mug\u0117 suva\u017eiavimo dalyviams ir lankytojams nuo ryto iki v\u0117lumos si\u016bl\u0117 apsilankyti \u0161okio, cirko, teatro spektakliuose bei koncertuose, kviet\u0117 tyrin\u0117ti skirtingas miesto erdves, teatr\u0173, \u0161okio centr\u0173 scenas, o trupi\u0173, festivali\u0173, informacijos centr\u0173, fond\u0173 bei \u012fvairi\u0173 organizacij\u0173 stendams skirtoje erdv\u0117je susitikti vis\u0105 eil\u0119 pa\u017e\u012fstam\u0173 ir nauj\u0173 koleg\u0173, stiprinti esamus bendradarbiavimo ry\u0161ius ar kurti naujus.<\/p>\n<p>Visgi ar skaitytojui, pa\u010diam nebuvusiam tokio pob\u016bd\u017eio mug\u0117je, \u012fdomu skaityti apie mezgamas pa\u017eintis, galimybes i\u0161vystyti naujus skirting\u0173 format\u0173 projektus, galim\u0105 trupi\u0173, choreograf\u0173 ar net festivali\u0173 bendradarbiavim\u0105, scenos men\u0173 organizacij\u0173 bendradarbiavimo stiprinim\u0105 ir pl\u0117tr\u0105 bei nepaliaujam\u0105 \u201eidealaus\u201c spektaklio savajai publikai paie\u0161k\u0105? Tikriausiai ne. Ne\u012fdomu, nes galb\u016bt pavydu. Pavydu, nes i\u0161tarti \u201eir a\u0161 ten buvau, al\u0173, mid\u0173 g\u0117riau&#8230;\u201c, deja, nepavyksta. Epochos pikt\u017eol\u0117mis tap\u0119 vartotoji\u0161kumas, nevaldomas pagreitis ir galimybi\u0173 pervir\u0161is stumia skaitytoj\u0105 \u012f kamp\u0105 ir ver\u010dia nor\u0117ti toki\u0173 pat, ne \u2013 geresni\u0173!, menini\u0173 potyri\u0173 nei jas patyr\u0117 ra\u0161ytojas, o ap\u017evalginiai straipsniai, nusi\u017eengiantys nevaldomo pagrei\u010dio \u012fstatymui, tampa praeitos epochos dalimi; vadinasi \u2013 apdulk\u0117jusiais, istorijos t\u0117km\u0119 liudijan\u010diais archyvais. Net ir pats faktas, kad nuo mug\u0117s veiksmo iki ra\u0161ymo akto pra\u0117jo net kelios savait\u0117s, ver\u010dia muistytis prie kompiuterio klaviat\u016bros ir tarsi sau priekai\u0161tauti d\u0117l tokio v\u0117lyvo atgarsio. Mielieji, prisipa\u017einsiu \u2013 esu pel\u0117da, ne vyturys, anksti ryte sunkiai keliuos, ta\u010diau ilgai naktin\u0117ju, meninius potyrius \u201evir\u0161kinu\u201c ir kontempliuoju ilgai, m\u0117gaujuos ra\u0161ymo aktu, nes \u0161io proceso metu meninius potyrius i\u0161gyvenu antr\u0105, tre\u010di\u0105, ketvirt\u0105 kart\u0105&#8230;<\/p>\n<p>Jei perskait\u0117te iki \u0161ios pastraipos \u2013 sveikinu! Vadinasi ir j\u016bs dar \u0161iek tiek mai\u0161taujate prie\u0161 \u0161iandienos \u012fsisiaut\u0117jusio pagrei\u010dio \u012fstatym\u0105 ir tikite atperkan\u010dia laiko investicija. Kitas i\u0161bandymas \u2013 nematyt\u0173 spektakli\u0173, galb\u016bt ir negird\u0117t\u0173 k\u016br\u0117j\u0173, aptarimo skaitymas arba bandymas matyti ra\u0161ytojo akimis. Pa\u017einti ir i\u0161mokti kinestetines \u0161iuolaikinio \u0161okio formules atrodo sunkiai \u012fveikiama u\u017eduotis, o perskaityti \u0161i\u0173 formuli\u0173 vertim\u0105 \u012f verbalin\u0119 kalb\u0105, atrodo kaip nei\u0161painiojama skirting\u0173 fenomen\u0173 raizgalyn\u0117. Kuo toliau \u012f mi\u0161k\u0105, tuo daugiau med\u017ei\u0173? Bandykime! Papildom\u0173 ta\u0161k\u0173 skiriu tiems, kurie perskait\u0119 straipsn\u012f dar asmeni\u0161kai pasidom\u0117s apie vien\u0105 ar kit\u0105 jiems ne\u017einom\u0105 k\u016br\u0117j\u0105 arba spektakl\u012f.<\/p>\n<p>Taigi prad\u0117kime nuo paprastesni\u0173 dalyk\u0173 \u2013 pa\u017e\u012fstam\u0173 meninink\u0173 ir j\u0173 darb\u0173. \u0160i\u0173 met\u0173 menin\u0119 CINARS bienal\u0117s program\u0105 atidar\u0117 Lietuvos publikai jau pa\u017e\u012fstama Kanados \u0161iuolaikinio \u0161okio \u017evaig\u017ed\u0117 Louise Lecavalier. Tarptautiniame \u0161iuolaikinio \u0161okio festivalyje \u201eNaujasis Baltijos \u0161okis\u201816\u201c k\u016br\u0117ja pristat\u0117 duet\u0105 \u201eSo Blue\u201c, pana\u0161iai ir mug\u0117je \u2013 naujausi\u0105 duet\u0105 \u201eBattleground\u201c (liet. \u201eKovos laukas\u201c). Ir ankstesniajame, ir \u0161iame garsioji atlik\u0117ja ilg\u0105 spektaklio dal\u012f \u0161oko viena ir tik v\u0117liau kaip \u0161e\u0161\u0117lis, o dar v\u0117liau \u2013 kaip pagalbinis partneris, pasirod\u0117 \u0161ok\u0117jas Robetras Abubo. Spektaklis, kaip teigiama \u201eBattleground\u201c anotacijoje, \u012ftakotas ital\u0173 ra\u0161ytojo Italo Calvino persona\u017e\u0173 \u2013 neegzistuojan\u010dio riterio Agilulfo ir jo ginklane\u0161io. Nereikia ilgai ie\u0161koti paralelini\u0173 veiksm\u0173, kad suprastume, jog neegzistuojantis riteris \u2013 tai pati L. Lecavalier, o riterio ginklane\u0161ys \u2013 R. Abubo. Tiesa, pastarasis ne\u0161\u0117 ne tik \u012fsivaizduojam\u0105 ginkl\u0105, bet ir pat\u012f riter\u012f \u2013 jo tiesas, tik\u0117jim\u0105, ger\u0105 vali\u0105 ir vis\u0105 neegzistuojan\u010dio riterio esyb\u0119. Du atlik\u0117jai \u010dia \u0117jo i\u0161vien, \u010dia skirtingais keliais, \u010dia palaik\u0117 vienas kit\u0105 riterijos kelyje, \u010dia gr\u016bm\u0117si d\u0117l kilnesnio tikslo. \u017dinoma, metafori\u0161kai. \u0160ie I. Calvino persona\u017eai postmodernizmo literat\u016broje traktuotini kaip nuolatin\u0117 perfektionizmo siekio ir humanistin\u0117s realyb\u0117s kova. Energing\u0105 kov\u0105 mat\u0117me ir scenoje; \u010dia ne\u012fmanoma nesi\u017eav\u0117ti 58-eri\u0173 L. Lecavalier energija ir atlikimo galimyb\u0117mis. Kaskart prad\u0117jus nauj\u0105 spektaklio scen\u0105, L. Lecavalier tarsi u\u017esiplieksdavo nauju j\u0117gos pli\u016bpsniu ir rai\u0161kos prasme atrod\u0117 kur kas stipresn\u0117 u\u017e R. Abubo. Tiesa, jausmin\u0117 skal\u0117 platesn\u0117, paveikesn\u0117, gyvesn\u0117 ir labiau i\u0161kalbinga atrod\u0117 buvusi spektaklyje \u201eSo Blue\u201c, o ne \u201eBattleground\u201c, ta\u010diau ir \u0161iame spektaklyje legendin\u0117 \u0161ok\u0117ja L. Lecavalier su\u017eav\u0117jo kaip ry\u0161ki pasauliniame lygmenyje \u0161okio istorij\u0105 br\u0117\u017eianti asmenyb\u0117.<\/p>\n<p>https:\/\/vimeo.com\/158347794<\/p>\n<p>\u0160tai \u010dia gal\u0117tum\u0117te \u0161yptelti ir klausti man\u0119s, o kaip jums nema\u010diusiems \u201eBattleground\u201c ir galb\u016bt net nema\u010diusiems \u201eSo Blue\u201c pajusti t\u0105 stipr\u0173 \u0161okio meno sukeliam\u0105 i\u0161gyvenim\u0105 ir prisilietim\u0105 prie vienos i\u0161kiliausi\u0173 \u0161okio istorijos asmenybi\u0173. Labai paprastai, \u2013 atsaky\u010diau. \u0160is technologij\u0173 am\u017eius ne tik vagia m\u016bs\u0173 laik\u0105, bet yra d\u0117kingas tuo, jog gali mus perkelti \u012f sve\u010dias \u0161alis, skirting\u0105 laik\u0105, painius kontekstus, futuristines k\u016brybines fantazijas ir pan. Atsakymas gl\u016bdi visagaliame <em>youtube<\/em> arba pusiau visagaliame <em>vimeo<\/em>, kurie ne tik jus, bet ir mane dar kart\u0105 priartina prie k\u016br\u0117jos istorini\u0173 k\u016brybinio kelio aplinkybi\u0173, menini\u0173 id\u0117j\u0173, individualiaus atlikimo brai\u017eo ir galimo estetinio potyrio. Taip, net ir matant nepiln\u0105 vaizdo \u012fra\u0161\u0105. Nes kit\u0105 m\u016bs\u0173 estetinio potyrio dal\u012f sukuria m\u016bs\u0173 nenuilstamai veikianti vaizduot\u0117.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Ursula_Kaufmann__490x626.jpg\" width=\"490\" height=\"626\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Ursula_Kaufmann_.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>CINARS bienal\u0117je nepaprastai lakios vaizduot\u0117s k\u016brin\u012f pristat\u0117 kita \u0161iuolaikinio \u0161okio grand\u0117 choreograf\u0117 Marie Chouinard spektaklio i\u0161traukoje \u201eHieronymus Bosch: The Garden of Earthly Delights\u201c (liet.: \u201eJeronimas Boschas: \u017demi\u0161k\u0173j\u0173 malonum\u0173 sodas\u201c). Choreograf\u0119 tikriausiai pa\u017e\u012fstate i\u0161 to paties tarptautinio \u0161iuolaikinio \u0161okio festivalio \u201eNaujasis Baltijos \u0161okis\u201c programos \u2013 \u0161iemet \u010dia buvo parodytas vienas \u017eymiausi\u0173 k\u016br\u0117jos spektakli\u0173 \u201ebODY_rEMIX\/gOLDBERG_vARIATIONS\u201c. Ir \u0161iame, ir kituose, ir naujausiame spektaklyje M. Chouinard atsiskleid\u0117 kaip skirtingo laiko ir skirting\u0173 kontekst\u0173 \u012fk\u016bnytoja. Spektaklyje \u201eHieronymus Bosch&#8230;\u201c ji tiesiogiai \u012fk\u016bnijo prie\u0161 daugiau nei penkis \u0161imtus met\u0173 sukurt\u0105 Nyderland\u0173 dailininko Jeronimo Boscho altorin\u012f triptik\u0105 \u2013 Edeno sod\u0105 arba Roj\u0173, Geism\u0173 sod\u0105 arba \u017dem\u0119 ir Pragar\u0105. \u0160okio kontekste atgij\u0119 persona\u017eai, j\u0173 veikl\u0173 prie\u017eastys ir gyvos situacijos \u012ftaigiai perteik\u0117 savo laikmet\u012f pranokusio J. Boscho m\u0105stysen\u0105 ir futuristin\u0119 rai\u0161k\u0105. \u0160okis, pateiktas i\u0161didinto ir priartinto triptiko fone, atrod\u0117 kaip geriausias meninis sprendimas, leid\u0119s atgaivinti nesusitepusius ir nuod\u0117minguosius, mistines b\u016btybes, egzotinius \u017ev\u0117ris ir nematyt\u0105 augmenij\u0105, demonus ir pragaro kankinamuosius. Viskas \u010dia pulsavo gyvybe ir \u012ftikinamu \u0161i\u0173 dien\u0173 realizmu.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/PRINCIPALE_RUEL0821-Bosch-par_Nicolas_Ruel_490x303.jpg\" width=\"490\" height=\"303\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/PRINCIPALE_RUEL0821-Bosch-par_Nicolas_Ruel.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>Realizmo estetika pasi\u017eym\u0117jo ir norveg\u0173 trup\u0117s Haugen Produktions spektaklis \u201eSisters 11 Years Later\u201c (liet. \u201eSes\u0117s po vienuolikos met\u0173\u201c). Dvi k\u016br\u0117jos ir atlik\u0117jos ses\u0117s Anne Katrine Haugen ir Liv Hanne Haugen \u017ei\u016brovams pateik\u0117 skaud\u017eios tikrov\u0117s atspind\u017eius: mamos netekt\u012f, seser\u0173 tarpusavio santykius, penki\u0173 gyvenan\u010di\u0173 tet\u0173 kasdienyb\u0117s nuotrupas, sen\u0117jim\u0105, meil\u0119, artumo siek\u012f. Atlik\u0117jos \u0161okdamos, tiesiogiai pasakodamos istorijas ar naudodamos dokumentin\u0117s vaizdo med\u017eiagos intarpus atvirai pasidalijo savo asmenine istorija, jausmais; atviravo apie tai, su kuo kiekvienas i\u0161 m\u016bs\u0173 esame susid\u016br\u0119 arba dar susidursime \u2013 apie gyvenim\u0105, \u0161eimos santykius, ligas ir mirt\u012f. Nesumeluota istorija paveik\u0117 taip, kad spektaklio metu vos tramd\u017eiau a\u0161aras, o jam pasibaigus atsitok\u0117ti prireik\u0117 keli\u0173 valand\u0173. \u0160tai taip visai paprastai nesumeluoti atviri gyvenimi\u0161ki faktai, pasakojami \u0161okio, verbaline, muzikine ir dokumentini\u0173 vaizd\u0173 kalba, suvirpina \u0161ird\u012f, palie\u010dia socialines temas, parodo gyvenimo svor\u012f ir gyvyb\u0117s puls\u0105.<\/p>\n<p><div class=\"flex-video widescreen\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/173762773?app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" title=\"Sisters 11 years later\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/p>\n<p>Toki\u0173 tem\u0173 nor\u0117t\u0173si tur\u0117ti ir m\u016bs\u0173 \u0161okyje \u2013 atvir\u0173, gyvenimi\u0161\u0173, jaudinan\u010di\u0173. K\u016br\u0117jui \u0161i u\u017eduotis \u2013 apnuoginti siel\u0105 scenoje nepaver\u010diant spektaklio savo paties psichoanaliz\u0117s seansu \u2013 nelengva. \u010cia gal\u0117tum\u0117te su manimi gin\u010dytis ir teigti, jog nelygu, koks k\u016br\u0117jas ir nelygu, kokius rai\u0161kos b\u016bdus jis renkasi tam, kad gal\u0117t\u0173 atskleisti skirtingus savosios problematikos lygmenis. A\u0161 argumentuo\u010diau, jog socialin\u0117s tematikos apibr\u0117\u017etis mene yra labai plati. Tai tarsi probleminis straipsnis, ai\u0161kiai artikuliuojantis menininkui r\u016bpim\u0105 problem\u0105, parodantis jos prie\u017eastis, aktualum\u0105, pateikiantis galimus problemos sprendimo b\u016bdus ir leid\u017eiantis pajusti galimus toki\u0173 sprendim\u0173 atgarsius. Dabar gi socialin\u0117s \u0161okio temos m\u016bsuose atrodo arba labai abstrahuotos, arba visuomeni\u0161kai pla\u010dios, arba plevenan\u010dios ka\u017ekur tarp lengvos pramogin\u0117s estetikos ir filosofini\u0173 tezi\u0173. Su konceptualiu \u0161okiu at\u0117jusio saviinscenizacijos metodo Lietuvos \u0161okyje, deja, nematome. O gaila, nes b\u016bt\u0173 labai smalsu, k\u0105 meni\u0161kai asmeni\u0161ko scenoje papasakot\u0173 Birut\u0117 Letukait\u0117, Vytis Jankauskas, Birut\u0117 Banevi\u010di\u016bt\u0117, Aira Naginevi\u010di\u016bt\u0117, apie k\u0105 kalb\u0117t\u0173 Loreta Juodkait\u0117, Agnija \u0160eiko, Andrius Katinas, R\u016bta Butkus, kokias savosios asmenyb\u0117s charakteristikas scenoje apnuogint\u0173 Mantas Staba\u010dinskas, Petras Lisauskas, Giedr\u0117 Kirkilyt\u0117-Jankauskien\u0117, Marius Pinigis ir kt.<\/p>\n<p>\u010cia ir sustokime. Tarptautin\u0117 scenos men\u0173 bienal\u0117 CINARS 2016 jau tapo istorija, o ant kuln\u0173 lipa kita tarptautin\u0117 scenos men\u0173 konferencija ir mug\u0117 APAP 2017. \u010cia v\u0117lgi stiprinsime meninio bendradarbiavimo ry\u0161ius, ie\u0161kosime nauj\u0173 partneri\u0173, kalb\u0117sime apie Lietuvos \u0161ok\u012f ir pa\u017einsime kit\u0173 \u0161ali\u0173 k\u016br\u0117jus \u2013 laukia kitas vertingas \u201emeno avilys\u201c&#8230; <em>Voil\u00e0<\/em>!<\/p>\n<p><em>CINARS ir Lietuvos \u0161okio informacijos centro archyno nuotraukos<\/em><\/p>\n<p>\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas. <\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/logo_srtrf_490x277_3_490x277_14_490x277.jpg\" width=\"490\" height=\"277\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/logo_srtrf.jpg\" class=\"js-zoom-image\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tarptautin\u0117 scenos men\u0173 bienal\u0117 CINARS Montrealio mieste Kanadoje \u0161iemet buvo septynioliktoji. Joje antr\u0105 kart\u0105 i\u0161 eil\u0117s Lietuvos \u0161ok\u012f pristat\u0117 Lietuvos &#8230;<\/p>\n","protected":false},"author":1,"featured_media":2076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Scenos men\u0173 savait\u0117 CINARS - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2016\/12\/28\/scenos-menu-savaite-cinars\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Scenos men\u0173 savait\u0117 CINARS - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Tarptautin\u0117 scenos men\u0173 bienal\u0117 CINARS Montrealio mieste Kanadoje \u0161iemet buvo septynioliktoji. 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