{"id":2130,"date":"2017-03-23T12:07:13","date_gmt":"2017-03-23T12:07:13","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/03\/23\/drugelio-sapnas\/"},"modified":"2017-03-23T12:07:13","modified_gmt":"2017-03-23T12:07:13","slug":"drugelio-sapnas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/03\/23\/drugelio-sapnas\/","title":{"rendered":"Drugelio sapnas"},"content":{"rendered":"

\u201eSapnuoti atmerktomis akimis\u201c. Turb\u016bt taip apib\u016bdin\u010diau Petro Lisausko i\u0161kelt\u0105 u\u017eduot\u012f \u017ei\u016brovams savuoju interaktyviu judesio performansu \u201eSMS suggest me Service\u201c. Pastaruoju metu, skendint banalybi\u0173 j\u016broje (\u201ebanalyb\u0117\u201c gal b\u016bt\u0173 per skambus \u017eodis), ta\u010diau matant vis didesn\u012f polink\u012f \u012f sentimentalum\u0105, gyvenimo vertybi\u0173 nu(si)statymus, pavir\u0161in\u012f gailest\u012f ir pana\u0161ius niuansus, P. Lisauskas \u0117m\u0117si b\u016bti visuomen\u0117s veidrod\u017eiu. Paradoksalu, ta\u010diau \u0161iuolaikinis \u0161okis, rodos, gr\u012f\u017eo prie klasikini\u0173 aristoteli\u0161k\u0173j\u0173 i\u0161tak\u0173. Tik \u010dia neverta apsigauti, \u017einoma, nerasime realistini\u0173 peiza\u017e\u0173, bet drauge su \u0161ok\u0117ju tur\u0117tume kurti vie\u0161\u0105j\u012f potyr\u012f, kuris, kad ir koki\u0173 pretenzij\u0173 tur\u0117t\u0173, visgi, vienaip ar kitaip, tampa ne kuo kitu kaip \u0161iuolaikin\u0117s visuomen\u0117s (\u017ei\u016brov\u0173, \u0161ok\u0117j\u0173, atklydusi\u0173, gal pretenzing\u0173 b\u016bsim\u0173j\u0173 k\u016br\u0117j\u0173, kritik\u0173) atspind\u017eiu. Prie\u0161 prasidedant spektakliui, \u0161ok\u0117jas paai\u0161kina \u201e\u017eaidimo taisykles\u201c \u2013 kursime visi. Jei tr\u016bksta id\u0117j\u0173, kurias gal\u0117tume pritaikyti \u010dia ir dabar atsirandan\u010diam spektakliui, \u012f pagalb\u0105 galime pasitelkti \u0161alimais i\u0161d\u0117stytas knygas, papai\u0161yti lapuose, padiskutuoti tarpusavyje, paie\u0161koti trok\u0161tamos muzikos, suderinti ap\u0161vietim\u0105, \u017eod\u017eiu, b\u016bti i\u0161lepintais spektaklio dalyviais, dr\u0105siai \u012fsitraukian\u010diais ir iman\u010diais diktuoti tolimesnio veiksmo taisykles. <\/p>\n

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\nNuotrauk\u0173 autorius – Audrius Kacelavi\u010dius<\/p>\n

Ir, nors pats darbas, kartais atrodo labiau tinkamas, tarkim, plenero formatui, negu i\u0161baigtam spektakliui (\u201ei\u0161baigtumas\u201c taip pat n\u0117ra tinkamas \u017eodis kalbant apie \u0161\u012f k\u016brin\u012f, bet kol kas pasilikime b\u016btent id\u0117jos i\u0161baigtumo suvokimo princip\u0105), visgi, \u012fdomiausia buvo matyti \u0161iuo atveju ne \u0161ok\u0117j\u0105, bet \u017ei\u016brov\u0105. T\u0105kart, kuomet steb\u0117jau pasirodym\u0105, \u017ei\u016brov\u0173 buvo negausiai ir, did\u017eioji dalis atrod\u0117 vienaip ar kitaip pa\u017e\u012fstanti \u0161ok\u0117j\u0105, tod\u0117l dr\u0105siau pasiduodantys k\u016br\u0117jo eksperimentui. Trumpai ir paprastai tariant \u2013 P. Lisauskas tapo moliu auditorijos rankose, kuris \u0161okio istorij\u0105 k\u016br\u0117 remdamasis (santykiu) su \u017ei\u016brovu, jo \u010dia ir dabar paliekamais u\u017era\u0161ais, kei\u010diama muzika, ap\u0161vietimu, diktuojamu spektaklio ritmu. <\/p>\n

Stebint \u0161\u012f kolektyvin\u012f meno k\u016brin\u012f kyla klausimai, ar galime vertinti tik \u0161ok\u0117jo atlikim\u0105, ar, \u0161iuo atveju, ir \u017ei\u016brovai tampa lygiaver\u010diais k\u016br\u0117jais, o tai rei\u0161kia ir kritikos lauko objektu. Gal tod\u0117l taip nenumaldomai \u012fkyriai sukasi mintis, jog visgi \u010dia tur\u0117t\u0173 b\u016bti sapnas. Kitaip tariant, ka\u017ekas pana\u0161aus \u012f froidistin\u012f kolektyvin\u012f seans\u0105, kuomet sublimacij\u0105 galime i\u0161gyventi drauge ir dargi m\u0117ginti \u201e\u012fvaldyti\u201c spektaklio vyksm\u0105. <\/p>\n

\"\"<\/p>\n

Bet, deja, taip jau sur\u0117dytas gyvenimas, kad ir kaip mums pastaruoju metu b\u016bt\u0173 kartojama, jog kiekvienas esame k\u016brybingos visuomen\u0117s dalis (\u0161tai ir dar viena retrospektyvioji k\u016brinio pus\u0117 \u201eKiekvienas yra menininkas!\u201c), bet ne kiekvienas yra \u012fdomus menininkas. \u010cia \u012fkyriai ima suktis E. Frommo mintis: \u201eMes veikiame ir stebime; \u012f aplinkinius daiktus, ko gero, \u017evelgiame taip, kaip gal\u0117tume jais pasinaudoti ar manipuliuoti, o ne taip, kad suprastume, kokie jie yra i\u0161 tikr\u0173j\u0173. Bet kartu mes nelabai k\u016brybingi ir retai \u2013 nebent vaikyst\u0117je, arba jei esame poetai \u2013 m\u016bs\u0173 vaizduot\u0117 nukrypsta u\u017e \u012fprast\u0173 gyvenimi\u0161k\u0173 \u012fvyki\u0173 rib\u0173. Nors mes veikl\u016bs, ta\u010diau ka\u017ekokie pilki. Dienini\u0173 steb\u0117jim\u0173 sfer\u0105 mes vadiname \u201etikrove\u201c ir did\u017eiuojam\u0117s savo \u201etikrovi\u0161kumu\u201c bei geb\u0117jimu ta \u201etikrove\u201c manipuliuoti.\u201c (E. Fromm \u201ePamir\u0161ta kalba. \u012evadas \u012f sapn\u0173, pasak\u0173 ir mit\u0173 supratim\u0105\u201c). Taip ir manipuliuojame P. Lisausko vaizduote, k\u016bryba ir visomis i\u0161gal\u0117mis m\u0117giname patys ja pasisotinti. Keis\u010diausia, kokia kolektyvine simbolika mes drauge manevruojame. Prie\u0161 spektakl\u012f gavome instrukcij\u0105, jog galime ra\u0161yti trump\u0105sias \u017einutes ant permatom\u0173 lap\u0173 ir j\u0173 vaizd\u0105 projektuoti scenoje, taip ne tik siunt\u0117me savo id\u0117j\u0105 \u0161ok\u0117jui, bet ir k\u016br\u0117me scenovaizd\u012f. Susumavus ir apibendrinus siun\u010diam\u0173 \u017einu\u010di\u0173 temas, galime pasteb\u0117ti, jog m\u016bs\u0173 simboliniame vaizduot\u0117s kapitale vyrauja meil\u0117, vaikyst\u0117 ir, \u017einoma, juokas. <\/p>\n

\"\"<\/p>\n

Verta nulenkti galv\u0105 prie\u0161 k\u016br\u0117jo dr\u0105s\u0105 leisti absoliu\u010di\u0105 \u017ei\u016brov\u0173 intervencij\u0105 (nuo \u017einu\u010di\u0173 siuntimo iki muzikos, ap\u0161vietimo keitimo, \u012fsitraukimo \u012f \u0161ok\u012f). K\u016br\u0117jas tro\u0161ko, kad ketvirtoji siena gri\u016bt\u0173. Ji griuvo, jos gal net ir nebuvo tokiame kameriniame pasis\u0117d\u0117jime, tik ne\u017einau kur link nu\u0117jome. Ar drauge suk\u016br\u0117me istorij\u0105? Ar \u012fvykd\u0117me psichoanalitin\u012f apsivalymo akt\u0105? Ar tiesiog praleidome vakar\u0105? Suprantama, kad atsakym\u0173 k\u016br\u0117jai nepateikia, bet \u0161iuo atveju nor\u0117t\u0173si ka\u017eko ie\u0161koti. Juk potencialiai tema ir atlikimas met\u0117 i\u0161\u0161\u016bk\u012f. I\u0161\u0161\u016bk\u012f tiek k\u016br\u0117jui, tiek ir \u017ei\u016brovams\/dalyviams. <\/p>\n

\"\"<\/p>\n

Galb\u016bt \u0161ok\u0117jas i\u0161 skirting\u0173 spektakli\u0173 patir\u010di\u0173 pasisems id\u0117j\u0173 naujam k\u016briniui? Galb\u016bt. O gal ir liksime tokiame atvirame klausim\u0173 lauke, besid\u017eiaugiantys bendraautoryst\u0117s id\u0117ja. Nors ir 40-\u010diai minu\u010di\u0173. <\/p>\n

Pabaigoje i\u0161girstame P. Lisausko istorij\u0105 apie \u0161ok\u012f Indijoje su drugeliu. Tuomet rodos, kad k\u016brinio filosofija sutelpa garsiojoje kin\u0173 filosofo Zhuangzi citatoje: \u201eVakar sapnavau, kad esu drugelis ir dabar ne\u017einau, ar esu \u017emogus, kuris sapnavo, kad yra drugelis, o galb\u016bt esu drugelis, \u0161iuo metu sapnuojantis, kad jis \u017emogus\u201c. Gal ir mes tik drauge susapnavome vienas kito sapnus. <\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eSapnuoti atmerktomis akimis\u201c. Turb\u016bt taip apib\u016bdin\u010diau Petro Lisausko i\u0161kelt\u0105 u\u017eduot\u012f \u017ei\u016brovams savuoju interaktyviu judesio performansu \u201eSMS suggest me Service\u201c. Pastaruoju …<\/p>\n","protected":false},"author":1,"featured_media":2131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nDrugelio sapnas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/03\/23\/drugelio-sapnas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drugelio sapnas - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u201eSapnuoti atmerktomis akimis\u201c. 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