{"id":2169,"date":"2017-05-13T14:48:49","date_gmt":"2017-05-13T14:48:49","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/05\/13\/stichiju-ir-realybiu-kovos\/"},"modified":"2017-05-13T14:48:49","modified_gmt":"2017-05-13T14:48:49","slug":"stichiju-ir-realybiu-kovos","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/05\/13\/stichiju-ir-realybiu-kovos\/","title":{"rendered":"Stichij\u0173 ir realybi\u0173 kovos"},"content":{"rendered":"

Gegu\u017e\u0117s 12 dien\u0105 atidarytas 21-asis tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c, kur\u012f \u0161\u012fmet pristat\u0117 ne dvide\u0161imt met\u0173 festivaliui vadovav\u0119s jo \u012fk\u016br\u0117jas ir simbolis Audronis Imbrasas, o nauja festivalio vadov\u0117 Gintar\u0117 Masteikait\u0117, pama\u017eu per\u0117musi visas Lietuvos scenos men\u0105 labiausiai praturtinusias A. Imbraso pareigas. Bet koki\u0173 \u012fstaig\u0173 vadov\u0173 pasikeitimas neretai sutinkamas abejon\u0117mis, ta\u010diau ilgalaikiai festivalio myl\u0117tojai ir dalyviai, regis, nekvestionuoja nei tolesni\u0173 festivali\u0173 kokyb\u0117s, nei naujos vadov\u0117s kompetencij\u0173. Po pirmos festivalio dienos daryti i\u0161vadas yra pernelyg anksti, nors jau ai\u0161k\u0117ja, kad festivalis ir toliau i\u0161liks nepaprastai \u012fvairialypis formos, id\u0117j\u0173, tem\u0173 ir stili\u0173 prasm\u0117mis.<\/p>\n

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Gegu\u017e\u0117s 12-\u0105j\u0105 festival\u012f atidar\u0117 stipriausia Azijos \u0161iuolaikinio \u0161okio trupe tituluojama \u201eCloud Gate\u201c i\u0161 Taivano, parodydama spektaklius \u201eBaltas vanduo\u201c ir \u201eDulk\u0117\u201c. Dvi vakaro dalys \u012fk\u016bnijo tris stichijas \u2013 vanden\u012f, or\u0105 ir \u017eem\u0119. Vanduo \u2013 su kli\u016btimis ir ribomis nesusiduriantis tyrumas. Oras ir \u017eem\u0117 \u2013 dulk\u0117s, \u012f kurias galiausiai pavirsta kiekvieno \u017emogaus k\u016bnas. Nenugalima j\u0117ga ir tai, kas lieka, kai j\u0117ga palau\u017eiama. Am\u017einas vandens tek\u0117jimas prie\u0161 nus\u0117dusias ir nesitraukian\u010dias dulkes. Taivanas n\u0117ra Kinija, ta\u010diau toks prie\u0161ingybi\u0173 kaip viena be kitos neegzistuojan\u010di\u0173 j\u0117g\u0173 sugretinimas scenoje gal\u0117t\u0173 \u012fk\u016bnyti vien\u0105 svarbiausi\u0173 Dao princip\u0173. Tiksliau, j\u012f ir \u012fk\u016bnyja, tik signalas publikai did\u017ei\u0105j\u0105 spektaklio dal\u012f buvo siun\u010diamas kiek per silpnai. Nepaisant neabejotino atlik\u0117j\u0173 meistri\u0161kumo ir disciplinos (b\u016btent \u0161i\u0105, o ne menin\u0119 pus\u0119 akcentavo spauda), nema\u017ea j\u0173 dalis pasirod\u0117 pernelyg panir\u0119 \u012f save, tad judesius ir nuotaik\u0105 da\u017enai paversdavo reikiamos formos demonstravimu. Tuo tarpu b\u016btent skirting\u0173 kryp\u010di\u0173 energijos spinduliavimas reikalingas \u201eBaltame vandenyje\u201c ir \u201eDulk\u0117je\u201c, siekiant dviej\u0173 poli\u0173 jungties, kuri ir sukurt\u0173 i\u0161svajot\u0105 prie\u0161prie\u0161\u0173 vienov\u0119. Tiesa, \u0161iuo at\u017evilgiu labai pad\u0117jo muzikiniai kontrastai \u2013 lyri\u0161ka fortepijono muzika ir I. Stravinskio \u201eRequiem\u201c atliekantys styginiai. Tuo tarpu papildomos scenos priemon\u0117s \u2013 \u012fvairiomis s\u0105lygomis tekan\u010dio vandens vaizd\u0173 projekcijos pirmoje dalyje ir daugyb\u0117 d\u016bm\u0173 antroje dalyje \u2013 anaiptol. Aktori\u0173 k\u016bnai atitinkamas materijas ir stichijas \u012fk\u016bnijo puikiai, tem\u0173 suvokimui \u017ei\u016brovus paruo\u0161\u0117 spektaklio pavadinimai, ta\u010diau analizuojam\u0105 materij\u0105 scenoje iliustruojavo ir vaizdo projekcijos, tuomet \u0117miau svarstyti \u2013 kuo mes, \u017ei\u016brovai, nusipeln\u0117me tokio nepasitik\u0117jimo savo interpretavimo galimyb\u0117mis?<\/p>\n

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Festivalio organizatoriai d\u017eiaug\u0117si, kad trup\u0117s \u201eCloud Gate\u201c atvykimas kilstel\u0117jo festivalio kartel\u0119. Reik\u0117t\u0173 pridurti, kad \u201eCoud Gate\u201c atvykimo faktas taip pat gal\u0117t\u0173 padr\u0105sinti tradici\u0161kesni\u0173 \u0161okio spektakli\u0173 gerb\u0117jus, netgi baleto publik\u0105, lankytis \u012fvairesni\u0173 \u0161okio stili\u0173 spektakliuose. \u012e visai kitoki\u0105 auditorij\u0105 kaip tik nusitaik\u0117 antrasis atidarymo pasirodymas \u2013 trup\u0117s \u201eLiquid Loft\u201c spektaklis \u201eCANDY\u2019S CAMOUFLAGE Imploding Portraits Inevitable\u201c. I\u0161\u0117jus i\u0161 Taivano trup\u0117s spektaklio, kuriame absoliu\u010diai visk\u0105 k\u016br\u0117 \u0161ok\u0117j\u0173 k\u016bnai (pasisl\u0117p\u0119 nebent u\u017e d\u016bm\u0173 antroje dalyje) ir \u017emogaus energija, patekau \u012f aplink\u0105, kurioje gyvas k\u016bnas buvo antraeilis \u201epersona\u017eas\u201c, tarnaujantis technologijoms \u2013 pagrindinei savirai\u0161kos ir komunikacijos priemonei. Ir tai nebuvo nei tema, nei problema, tai buvo tiesiog spektaklio forma, kurioje veik\u0117 trys skirting\u0173 charakteri\u0173 moterys, tarp j\u0173 ir viena i\u0161 trup\u0117s \u201eLiquid Loft\u201c \u012fk\u016br\u0117j\u0173 kanadiet\u0117 \u0161ok\u0117ja Stephanie Cumming. Pastaroji \u012f Vilni\u0173 atvyko n\u0117\u0161\u010dia ir d\u0117l tokios pad\u0117ties spektaklis, pana\u0161u, \u012fgijo nauj\u0173 sluoksni\u0173 \u2013 didel\u0119 spektaklio dal\u012f nepaleido mintis, kad \u0161ok\u0117ja specialiai i\u0161p\u016btusi pilv\u0105 siek\u0117 kvestionuoti tobulo k\u016bno s\u0105vok\u0105. Pasirodo, n\u0117ra k\u0105 kvestionuoti, nes tai ir buvo tobulas k\u016bnas pa\u010dia bendriausia ir nat\u016braliausia prasme. Beje, nors k\u016br\u0117jai su trimis \u0161ok\u0117jomis scenoje akcentavo i\u0161skirtinai moter\u0173 likimus ir stereotip\u0173 joms kuriam\u0105 nesaugi\u0105 aplink\u0105, spektaklyje ry\u0161kiausiai suskambo \u017emogaus vieni\u0161umo tema. Nesinor\u0117t\u0173 d\u0117l \u017emoni\u0173 vieni\u0161umo kaltinti technologij\u0173, padedan\u010di\u0173 lengviau bendrauti virtualiai nei akis \u012f ak\u012f. Vieni\u0161um\u0105 veikiau nulemia asmens tikrojo ir demonstruojamo charakteri\u0173 neatitikimai. Prie\u0161ingyb\u0117 ir i\u0161siskyrimas, kurio neapjugt\u0173 net Dao.<\/p>\n

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Pirma festivalio diena nubr\u0117\u017e\u0117 perspektyv\u0105 stipraus ir \u012fvairiapusi\u0161ko \u0161okio savaitei. Tiesa, neb\u016btinai tokiai, kuri atimt\u0173 \u017ead\u0105 (kas, anot spaudos, gal\u0117jo \u012fvykti \u201eCloud Gate\u201c spektakli\u0173 metu); ta\u010diau norisi tik\u0117ti, jog sulauksime ir kvap\u0105 gniau\u017eian\u010di\u0173 pasirodym\u0173.<\/p>\n

Liu Chen-hsiang ir Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.
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Gegu\u017e\u0117s 12 dien\u0105 atidarytas 21-asis tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c, kur\u012f \u0161\u012fmet pristat\u0117 ne dvide\u0161imt met\u0173 festivaliui vadovav\u0119s …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nStichij\u0173 ir realybi\u0173 kovos - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/05\/13\/stichiju-ir-realybiu-kovos\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Stichij\u0173 ir realybi\u0173 kovos - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Gegu\u017e\u0117s 12 dien\u0105 atidarytas 21-asis tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c, kur\u012f \u0161\u012fmet pristat\u0117 ne dvide\u0161imt met\u0173 festivaliui vadovav\u0119s ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2017\/05\/13\/stichiju-ir-realybiu-kovos\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2017-05-13T14:48:49+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/dance.lt\/files\/images\/782377\/White_water_Liu_Chen-hsiang_nuotr._3_copy_490x326.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/05\/13\/stichiju-ir-realybiu-kovos\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"http:\/\/dance.lt\/files\/images\/782377\/White_water_Liu_Chen-hsiang_nuotr._3_copy_490x326.jpg\",\"contentUrl\":\"http:\/\/dance.lt\/files\/images\/782377\/White_water_Liu_Chen-hsiang_nuotr._3_copy_490x326.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/05\/13\/stichiju-ir-realybiu-kovos\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2017\/05\/13\/stichiju-ir-realybiu-kovos\/\",\"name\":\"Stichij\\u0173 ir realybi\\u0173 kovos - 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