{"id":2190,"date":"2017-05-26T11:21:47","date_gmt":"2017-05-26T11:21:47","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/05\/26\/materializacija\/"},"modified":"2017-05-26T11:21:47","modified_gmt":"2017-05-26T11:21:47","slug":"materializacija","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/05\/26\/materializacija\/","title":{"rendered":"Materializacija"},"content":{"rendered":"


\nTarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201817\u201c, kaip ir kasmet, buvo spalvingas. Skirting\u0173 k\u016brini\u0173 gausa, visgi, da\u017enai pasi\u017eym\u0117jo savojo identiteto paie\u0161komis: kas tai beb\u016bt\u0173 \u2013 nei\u0161sipild\u017eiusi baleto svajon\u0117, ukrainieti\u0161ka tapatyb\u0117 arba, kaip kad Austrijos \u0161oki\u0173 trup\u0117s atveju, sprogdinamas ir nei\u0161vengiamas moteri\u0161kumas.<\/em><\/p>\n

\"\"
\nNuotrauk\u0173 autorius – Dmitrijus Matvejevas<\/p>\n

Pirmoji mintis, kuri \u012fkyriai \u0117m\u0117 suktis stebint trup\u0117s \u201eLiquid Loft\u201c k\u016brin\u012f \u201eCANDY\u2018S CAMOUFLAGE Imploding Portrais Inevitable\u201c, buvo keistas disonansas, kil\u0119s stebint moter\u0173 atliekam\u0105 k\u016brin\u012f apie moteri\u0161kum\u0105 ir jo dekonstrukcij\u0105, o galvoje nenumaldomai skamb\u0117jo trys vyri\u0161kos pavard\u0117s \u2013 arba Freudo, Voneguto ir Dali sintez\u0117. Nesuderinamo suderinamumas arba siurrealistinis min\u010di\u0173 srautas, implikuotas laisvo nuo socialini\u0173 ir asmenini\u0173 r\u0117m\u0173 k\u016brybos perteikimas. Galb\u016bt tod\u0117l, kad choreografij\u0105 apie moteri\u0161kum\u0105 k\u016br\u0117 vyras, vyri\u0161ko kvapo \u0161iame k\u016brinyje buvo itin gausu. <\/p>\n

FREUDAS arba libido d\u017eiaugsmai<\/strong><\/p>\n

Sav\u0119s kaip daugialyp\u0117s asmenyb\u0117s konstravimas arba sav\u0119s nepa\u017einumas, m\u0117ginimas perprasti s\u0105mon\u0117s ir pas\u0105mon\u0117s niuansus, knaisiotis vaikyst\u0117s traum\u0173 raizgalyn\u0117je ir, be abejo, u\u017espaustas seksualumas, sublimuojamas menine k\u016bryba, vienas i\u0161 t\u0173 trij\u0173 pyrago sluoksni\u0173, kuri\u0173 \u0161iame k\u016brinyje net nereikia akylai ie\u0161koti. Dekonstruodamos moteri\u0161kum\u0105 po gabal\u0117l\u012f, j\u012f projektuodamos savo judesiuose, online vaizdo projekcijose, trys atlik\u0117jos demonstruoja moteri\u0161kumo \u0161ablonus, tipa\u017eus, kartais net tabu. Murmesys, kuriuo pradedamas spektaklis, \u012fsuka \u012f skirting\u0173 asmenybi\u0173 savyje paie\u0161k\u0173 lauk\u0105. <\/p>\n

\"\"<\/p>\n

Autokorpografijos praktika, dar kitaip apibr\u0117\u017eiama kaip sav\u0119s tyrin\u0117jimas ir (m\u0117ginimas) ap(si)br\u0117\u017eti, \u017ei\u016brovams leid\u017eia panirti \u012f \u0161ok\u0117j\u0173 sav\u0119s suvokim\u0105. Ka\u017ein ar nuostabu, kad personalin\u0117 identifikacija gr\u012fsta sav\u0119s suvokimu per kit\u0105. Tai yra moteri\u0161kais \u0161ablonais, kuriais mus apipina visuomen\u0117 ir visa jos istorin\u0117 atmintis \u2013 seksuali amazon\u0117, viliok\u0117, \u201edaddy\u2018s girl\u201c, deiv\u0117, stipri kovotoja. Kartu m\u0117ginama \u0161i\u0173 \u0161ablon\u0173 atsikratyti, juos nuneigti ir pa\u010diai savaranki\u0161kai kurti arba pasirinkti sav\u0105j\u0105 b\u016bt\u012f. \u0160iuo atveju, grupiniame psichoterapijos seanse palaikant, prilaikant, ap\u010diuopiant, paguod\u017eiant viena kit\u0105, m\u0117ginti perprasti kuo dar \u2013 be deiv\u0117s, femme fatalle, ikonos \u2013 galima b\u016bti. Kiek ir koki\u0173 vaidmen\u0173 moteris sp\u0117ja suvaidinti gyvenimo scenoje ir kuris tur\u0117t\u0173 b\u016bti priimtiniausias? Ar \u012fmanoma sukurti autenti\u0161k\u0105j\u012f \u201ea\u0161\u201c? Kiek fiziologin\u0117 b\u016btis gali apibr\u0117\u017eti tavo vidin\u0119 savast\u012f? Ar apnuogintas k\u016bnas visada asocijuojasi su seksualumu? Kok\u012f moteri\u0161kumo konstrukt\u0105 puosel\u0117ja m\u016bs\u0173 fiziologin\u0117s savyb\u0117s? Kod\u0117l kartais u\u017esikertame savosios praeities rate? Kaip atsikratyti patirt\u0173 traum\u0173? Kiek garsiai i\u0161sakyta patirtis tave i\u0161laisvina? \u012e \u0161i\u0173 paie\u0161k\u0173 atsakymus pasitelkiamos vaizdo projekcijos, tiesiogiai transliuodamos real\u0173 vaizd\u0105 ir \u010dia \u012f scen\u0105 moteri\u0161k\u0173 rank\u0173 apsupty atvesdindamos dar vien\u0105 vyr\u0105. <\/p>\n

VONEGUTAS arba ne\u017einomo numerio skerdykla
\n<\/strong><\/p>\n

Pasineriant \u012f keliones laiku, atlik\u0117j\u0173 sav\u0119s projektavimas \u010dia ir dabar fizin\u0117je ir virtualaus vaizdo realyb\u0117je vienu metu kuria paraleles su Voneguto laiko keliautojais. Tai, k\u0105 i\u0161gyvename, m\u016bs\u0173 praeitis niekada i\u0161 tikro ramiai net\u016bno savojoje kertel\u0117je. Kitaip tariant, laiko vienov\u0117 suvokiama per \u0161ios vienov\u0117s nebuvim\u0105. Tai, k\u0105 mes prisimename, tai kaip m\u016bs\u0173 praeitis su mumis \u017eaid\u017eia, ima ir tampa dabartimi. Turb\u016bt vienas \u017eavesni\u0173 \u010dia tinkam\u0173 termin\u0173 b\u016bt\u0173 D\u00e9j\u00e0 vu. <\/p>\n

\"\"<\/p>\n

B\u016btent \u017eaidimas vaizdo projekcijomis, kuomet moters k\u016bnas, jos gestai ir mimikos matomi gyvai scenoje ir projekcijoje ant did\u017eiulio ekrano tuo pat metu yra absoliu\u010diai neidenti\u0161kos. Ir visai ne tod\u0117l, kad b\u016bt\u0173 naudojama kokia nors kreivo veidrod\u017eio technika, vaizdas transliuojamas i\u0161 ankstesni\u0173 \u012fra\u0161\u0173, bet tiesiog realyb\u0117 ne visada yra tokia, kokia atrodo. Nes tai, kokia esi ir tai, kokia tave gali matyti kiti, ne visada yra vienas ir tas pats. \u017daidimas laiku, \u017eaidimas tikrove, \u017eaidimas pa\u017einimu. Realyb\u0117s perkirtimas i\u0161 3D \u012f 2D dimensij\u0105 vienu metu, k\u016bno dali\u0173, odos tyrin\u0117jimas einant \u012f t\u0105 nepa\u017ein\u0173 sav\u0119s\/moteri\u0161kumo mi\u0161k\u0105. <\/p>\n

\"\"<\/p>\n

Filmuojam\u0173 vaizd\u0173 pagalba moterys sugeba savo judesius, veiksmus, b\u016bv\u012f dekonstruoti \u012f skirtingas dimensijas, kurias esamu momentu perduoda \u017ei\u016brovui. Vienu metu atlik\u0117jos i\u0161gyvena skerdykl\u0105 ir apie j\u0105 pasakoja, vienu metu sav\u0119s ie\u0161ko ir save demonstruoja. \u010cia pat transliuodamos vaizd\u0105, ta\u010diau artikuliuodamos jau \u012fra\u0161ytus garso \u012fra\u0161us, \u012fvald\u017eius sinchronizacijos men\u0105, ateina laikas, kuomet tikrov\u0117 tampa s\u0105lyginiu terminu ir viskas aplink pasipuo\u0161ia beproti\u0161ko siurrealizmo spalvomis. <\/p>\n

DALI arba tirpstantis laikas<\/strong><\/p>\n

Moteri\u0161kumo kokofonijoje vienu metu i\u0161 berniuki\u0161kos mergait\u0117s tampant deive, kurios galvos apdangalas yra kitos moters liemen\u0117l\u0117, tikrov\u0117 nuslysta \u012f tuos magi\u0161kuosius arba siurrealius pakra\u0161\u010dius. Nuo euforijos iki tylaus murm\u0117jimo, nuo \u017eavingos gra\u017euol\u0117s iki pervargusios moters. Kuri\u0173 pasaulis neturi tolygumo, kurios vienu metu tirpdo, kitu \u2013 \u012fkalina laik\u0105. \u010cia pat transformuodamos ne tik ir ne tiek r\u016bbus, kiek savo k\u016bnus. Nenuolankios, neperprantamos (turb\u016bt net pa\u010dios sau), nenusp\u0117jamos ir neb\u016btinai logi\u0161kos ar privalomai funkcionaliai sudaiktintos, bet visada meno k\u016briniai (kaip omaras vietoj telefono ragelio, arba l\u016bpos, ant kuri\u0173 si\u016bloma pris\u0117sti).<\/p>\n

\"\"<\/p>\n

Saldusis kamuflia\u017eas<\/strong><\/p>\n

Spektaklio \u201eCANDY\u2018S CAMOUFLAGE Imploding Portrais Inevitable\u201c k\u016brybin\u0117s komandos keliami klausimai: tai kas yra moteri\u0161kumas? Kiek daugialypi\u0173 veid\u0173 jame atrandame? Ar galime j\u012f apibr\u0117\u017eti, standartizuoti, \u012fkalinti r\u0117muose? Nemanau, kad bent \u012f vien\u0105 \u0161i\u0173 klausim\u0173 galime rasti vienareik\u0161mi\u0161k\u0105 atsakym\u0105. Galime kalb\u0117ti apie laikme\u010dio diktuojamus standartus, kli\u0161es, stereotipus, kuriuos sukuria visuomen\u0117, kuriuos kuriame patys, bet ar tai nusako, kas yra \u017emogi\u0161kumas? Abejoju. Kaip kad ir freudisti\u0161kas libido neb\u0117ra vienintelis pas\u0105mon\u0117s atrakinimo raktas, skerdykla d\u016blo subombarduoto Dresdeno atsiminimuose, o tirpstantis laikas seniai puo\u0161ia ki\u010do fabrik\u0117lius.<\/p>\n

Trup\u0117 \u201eLiquid Loft\u201c atstovai pirm\u0105j\u012f festivalio \u201eNaujasis Baltijos \u0161okis\u201c vakar\u0105 dekonstravo moteri\u0161kumo mit\u0105, nuspalvint\u0105 b\u016btomis ir neb\u016btomis viltimis, \u012fsitikinimais, lau\u017eydami r\u0117mus ir stereotipus, primygtinai nesi\u016blydami kurti vieno ir teisingo atsakymo. Vietomis mai\u0161taudami prie\u0161 patriarchatin\u012f moteri\u0161kumo vaizdin\u012f, ta\u010diau jo nepaneigiantys, gal grei\u010diau \u012ftraukiantys \u012f disputo lauk\u0105. K\u016brinys be \u012fkyrios didaktikos, lengvai praskriejantis \u017ei\u016brov\u0173 laiko para\u0161t\u0117se. <\/p>\n

\"\"<\/p>\n

Ir, taip \u017eavingai su\u017eaidus gyvenimi\u0161kam ir k\u016brybi\u0161kam laikui, vien\u0105 i\u0161 \u0161ok\u0117j\u0173 scenoje mat\u0117me besilaukian\u010di\u0105. Tokiu b\u016bdu k\u016brybin\u0117 komanda tik dar labiau prapl\u0117t\u0117 m\u016bs\u0173 moteri\u0161kumo stereotip\u0173 sienas \u2013 trapios princes\u0117s, besiglostan\u010dios pilvuk\u0105 prie\u0161 led\u0173 ir \u0161okolado klodus seniai nebelik\u0119. Laikas stipri\u0173 ir dr\u0105si\u0173 moter\u0173 materializacijai. <\/p>\n

Visgi, der\u0117t\u0173 nepamir\u0161ti, kad visi m\u016bs\u0173 spektaklyje ie\u0161koti ir rasti atsakymai t\u0117ra saldus kamuflia\u017eas. K\u0105 galime atrasti j\u012f nuvalius, jau tur\u0117s atsakyti kiekvienas sau asmeni\u0161kai. <\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.
\n\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201817\u201c, kaip ir kasmet, buvo spalvingas. Skirting\u0173 k\u016brini\u0173 gausa, visgi, da\u017enai pasi\u017eym\u0117jo savojo identiteto …<\/p>\n","protected":false},"author":1,"featured_media":2191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nMaterializacija - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/05\/26\/materializacija\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Materializacija - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201817\u201c, kaip ir kasmet, buvo spalvingas. 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