{"id":2199,"date":"2017-06-01T01:01:39","date_gmt":"2017-06-01T01:01:39","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/06\/01\/sokis-teatras-sokio-teatras\/"},"modified":"2017-06-01T01:01:39","modified_gmt":"2017-06-01T01:01:39","slug":"sokis-teatras-sokio-teatras","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/06\/01\/sokis-teatras-sokio-teatras\/","title":{"rendered":"\u0160okis? Teatras? \u0160okio teatras?"},"content":{"rendered":"

Turb\u016bt visi, kada nors dalyvav\u0119 Birut\u0117s Letukait\u0117s \u0161okio improvizacijos pamokose, prisimena \u0161ird\u012f veriant\u012f riksm\u0105 \u201ePantomima! Tai pantomima!!\u201c. Pantomimos etiket\u0119 ji klijuodavo (ir, sp\u0117ju, dar vis klijuoja) u\u017e tai, kad improvizuojama tema judesio kalba b\u016bdavo atskleid\u017eiama pernelyg tiesmukai ir per ma\u017eai meni\u0161kai, situacija ir emocijos b\u016bdavo pernelyg tiesiogiai, imitacijos principu perkeliamos i\u0161 realaus gyvenimo. Kitaip sakant, tai buvo riba, kai \u0161okio teatras pavojingai priart\u0117davo prie dramos teatro ir \u0161ok\u012f nuo dramos atskirdavo tik tai, kad \u010dia nevartojama verbalin\u0117 kalba.<\/p>\n

Tarptautinio \u0161iuolaikinio \u0161okio festivalyje \u201eNaujasis Baltijos \u0161okis\u201817\u201c mane, lyg pavyzding\u0105 B. Letukait\u0117s mokin\u0119, nustebino du darbai \u2013 Vy\u010dio Jankausko \u201eAgonija\u201c ir Guy\u2018aus Weizmano bei Roni Haver \u201eLaim\u0117\u201c. S\u0117d\u0117dama \u017ei\u016brovo k\u0117d\u0117je nor\u0117jau visiems i\u0161duoti: \u201ePantomima! Tai pantomima!!\u201c. Negelb\u0117jo ir tai, kad abiejuose spektakliuose netr\u016bko verbalin\u0117s kalbos, kartas nuo karto papildan\u010dios \u0161ok\u0117j\u0173 judesius. Nepad\u0117jo ir tai, kad technin\u0117 \u0161ok\u0117j\u0173 parengtis buvo gera. Tad teko sav\u0119s nuo\u0161ird\u017eiai paklausti: kur a\u0161 pama\u010diau t\u0105 \u201epantomim\u0105\u201c? Ar \u201epantomima\u201c yra prastesn\u0117 u\u017e gryn\u0105 dram\u0105 ar \u0161ok\u012f? Galiausiai \u2013 k\u0105 spektakliui gali duoti tokia, vadinkime, teatrali\u0161ka rai\u0161ka?<\/p>\n

Pirmiausia reik\u0117t\u0173 prad\u0117ti nuo to, kad abiejuose \u0161okio spektakliuose kiekvienas atlik\u0117jas tampa atskiru persona\u017eu. V. Jankausko darbe matome keturias moteris, visas aprengtas vienodo stiliaus drabu\u017eiais \u2013 spalvingomis tampr\u0117mis, ma\u0161kin\u0117liais bei plonomis baltomis striuk\u0117mis. Tai, kad jos \u012fk\u016bnija atskirus persona\u017eus, ry\u0161k\u0117ja i\u0161 j\u0173 tarpusavio santykio. Viena j\u0173 \u2013 akivaizd\u017eiai \u201ekitokia\u201c, j\u0105 \u0161oka-vaidina Greta Grinevi\u010di\u016bt\u0117, vaidybi\u0161kai \u012ftaigi \u0161ok\u0117ja, scenoje savo rai\u0161kai m\u0117gstanti pasirinkti ne tik \u0161ok\u012f.<\/p>\n

Spektaklio prad\u017eioje G. Grinevi\u010di\u016bt\u0117s persona\u017eas atsisako groti, o kitos trys \u0161ok\u0117jos bando j\u0105 \u201epriversti\u201c groti. Tai netgi perteikiama \u017eod\u017eiu: \u201eIt\u2018s starting\u201c (angl. \u201eprasideda\u201c). \u0160ios grumtyn\u0117s sukomponuotos \u012f \u0161okio scen\u0105, o \u201eprievart\u0105\u201c perteikia prievart\u0105 imituojantys gestai ir mimikos. V\u0117liau G. Grinevi\u010di\u016bt\u0117s persona\u017eas garsiai kv\u0117puoja \u012f mikrofon\u0105 ir bando \u201epriversti\u201c garsiai kv\u0117puoti kitas. Kad ir kaip keist\u0173si \u0161ok\u0117j\u0173 fizin\u0117s pad\u0117tys, kad ir kiek jos jud\u0117t\u0173, kit\u0173 \u0161ok\u0117j\u0173 persona\u017eai kv\u0117puoja tyliai. Nors \u0161ioje scenoje kiek daugiau fizi\u0161kumo, i\u0161lieka ta pati prievartos imitacija. Dar kitoje scenoje G. Grinevi\u010di\u016bt\u0117s persona\u017eas atsisako stov\u0117ti ant koj\u0173 ir situacija kartojasi \u2013 mes v\u0117l matome prievartos imitacij\u0105.<\/p>\n

\"\"<\/p>\n

V. Jankausko spektaklyje \u201eAgonija\u201c teatrali\u0161kas daugelio scen\u0173 i\u0161eities ta\u0161kas \u2013 persona\u017e\u0173 konflikti\u0161kumas. Teatrali\u0161ka ir pati konflikto rai\u0161ka. \u0160is teatrali\u0161kumas, kitaip sakant gyvenimo imitacija, lemia, jog spektaklis gali b\u016bti lengviau supratamas platesniam \u017ei\u016brov\u0173 ratui. Vis d\u0117lto \u0161okio meno kontekste a\u0161 mieliau rink\u010diausi abstraktesn\u012f, sunkiau nuskaitomos, bet naujos judesio rai\u0161kos k\u016brin\u012f.<\/p>\n

Trup\u0117s \u201eClub Guy & Roni\u201c i\u0161 Nyderland\u0173 spektaklyje \u201eLaim\u0117\u201c pasirodo visa eil\u0117 skirtingai apsirengusi\u0173 persona\u017e\u0173. Mama, t\u0117tis, d\u0117d\u0117, aukl\u0117, vaikai… I\u0161 prad\u017ei\u0173 visi apsireng\u0119 savo pad\u0117t\u012f \u0161eimoje charakterizuojan\u010diais drabu\u017eiais: mama d\u0117vi g\u0117l\u0117t\u0105 suknel\u0119 ir auk\u0161takulnius, t\u0117tis \u2013 tamsias kelnes ir megztuk\u0105, s\u016bnus \u2013 ro\u017einius d\u017einsus, o dukra apsirengusi melsva \u201eMalvinos\u201c suknele. Mama balsu pristato savo problem\u0105: \u201eMama nori b\u016bti ka\u017ekuo kitu\u201c, ir netrukus ima dominuoti neverbalin\u0117 kalba.<\/p>\n

\"\"<\/p>\n

Kiekvienas persona\u017eas turi savit\u0105 \u0161okio rai\u0161k\u0105 ir save i\u0161rei\u0161kia per \u0161ok\u012f. Ta\u010diau \u0161tai scenoje susirenka \u0161eima \u2013 persona\u017eai vienas kit\u0105 apkabina, bu\u010diuoja. Kitoje scenoje, pana\u0161iai kaip ir V. Jankausko spektaklyje, visi persona\u017eai dukr\u0105 bando \u201epriversti\u201c jud\u0117ti. Kaip ir \u201eAgonijoje\u201c, \u010dia \u201eprievart\u0105\u201c perteikia prievart\u0105 imituojantys gestai. Dar kitoje scenoje matome s\u016bnaus \u0161ok\u012f ir, skambant Christinos Aguileros dainai \u201eBeautiful\u201c, kitus persona\u017eus, imituojan\u010dius susi\u017eav\u0117jim\u0105. Taigi, olandai pasi\u016blo keist\u0105 spektaklio strukt\u016br\u0105 \u2013 spektaklio atlik\u0117jai persona\u017eus i\u0161rei\u0161kia \u0161okiu, ta\u010diau j\u0173 tarpusavio santykiai atskleid\u017eiami per nebyli\u0105 imitacij\u0105 arba vaidyb\u0105.<\/p>\n

Guy\u2018aus Weizmano bei Roni Haver spektaklyje daugelio scen\u0173 i\u0161eities ta\u0161kas \u2013 \u012fvairi\u0173 persona\u017e\u0173 ekspozicija. \u201eLaim\u0117je\u201c ty\u010dia kuriamas chaosas, o skirtingi rai\u0161kos b\u016bdai padeda \u0161\u012f chaos\u0105 sustiprinti. Vis d\u0117lto, kaip ir \u201eAgonijos\u201c atveju, teatrali\u0161kumas lemia, kad spektaklis gali b\u016bti lengviau suprantamas platesniam \u017ei\u016brov\u0173 ratui. Ta\u010diau, tuo pa\u010diu jis apriboja nuo gilesni\u0173, \u012fdomesni\u0173 vienos rai\u0161kos sprendim\u0173.<\/p>\n

\"\"<\/p>\n

Kad ir kaip beb\u016bt\u0173, festivalio program\u0117l\u0117je trup\u0117s \u201eClub Guy & Roni\u201c spektaklio \u017eanras \u012fvardijamas kaip komedija, tad turb\u016bt reik\u0117t\u0173 kelti klausim\u0105 ne \u201ekod\u0117l spektaklis teatrali\u0161kas?\u201c, bet \u201ekod\u0117l kaip viena rai\u0161kos priemoni\u0173 pasirinktas \u0161okis?\u201c. Tuo tarpu V. Jankausko \u201eAgonij\u0105\u201c b\u016bt\u0173 galima laikyti tipi\u0161ku lietuvi\u0161ko \u0161okio teatro pastatymu. Galb\u016bt tokio \u0161okio teatrali\u0161kumo nereikia bijoti, atvirk\u0161\u010diai \u2013 galb\u016bt galima j\u012f \u012fsisamoninti ir puosel\u0117ti?<\/p>\n

Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.
\n\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Turb\u016bt visi, kada nors dalyvav\u0119 Birut\u0117s Letukait\u0117s \u0161okio improvizacijos pamokose, prisimena \u0161ird\u012f veriant\u012f riksm\u0105 \u201ePantomima! Tai pantomima!!\u201c. Pantomimos etiket\u0119 ji …<\/p>\n","protected":false},"author":1,"featured_media":2200,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n\u0160okis? Teatras? \u0160okio teatras? - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/06\/01\/sokis-teatras-sokio-teatras\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160okis? 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