{"id":2217,"date":"2017-06-23T12:18:49","date_gmt":"2017-06-23T12:18:49","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/06\/23\/melancholijos-salis\/"},"modified":"2017-06-23T12:18:49","modified_gmt":"2017-06-23T12:18:49","slug":"melancholijos-salis","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/06\/23\/melancholijos-salis\/","title":{"rendered":"Melancholijos \u0161alis"},"content":{"rendered":"

Tarp tarptautinio \u0161okio festivalio \u201eNaujasis Baltijos \u0161okis\u201817\u201c spektakli\u0173 sp\u0117jome su choreografe Aira Naginevi\u010di\u016bte sus\u0117sti kavos puodeliui. T\u0105kart pokalbis buvo apie laukim\u0105 ir kupinas vilties. 2017 m. gegu\u017e\u0117s 19-21 d. \u0161okio teatras \u201eAiros\u201c spektakliu \u201eMelancholijos bok\u0161tai\u201c (tuo metu dar tik ruo\u0161\u0117si) atidaryti IX tarptautin\u0119 \u0161okio bienal\u0119 KAAY FECC Dakare (Senegale). <\/p>\n

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\nNuotraukos i\u0161 asmeninio \u0161okio teatro AIROS archyvo<\/p>\n

Choreograf\u0117 nesl\u0117p\u0117, jog tai ne tik garb\u0117, ta\u010diau ir nemenkas i\u0161\u0161\u016bkis. Pradedant k\u016brybin\u0117mis kibirk\u0161timis \u2013 \u201eMelancholijos bok\u0161tai\u201c bus rodomi lauke, atviroje erdv\u0117je, skirtingomis technin\u0117mis s\u0105lygomis, kitokiame kult\u016briniame kontekste, baigiant labai utilitariais \u2013 skiepai ir vis dar negautos \u017einios apie finansavim\u0105 i\u0161 Lietuvos kult\u016bros tarybos. Visgi, tuo metu A. Naginevi\u010di\u016bt\u0117s nuotaika buvo pakili \u2013 bienal\u0117s menin\u0117 vadov\u0117 Gacirah Diagne patik\u0117jo b\u016btent Lietuvos atstovams tapti festivalio atidarymo sve\u010diais ir atlik\u0117jais. Per tris festivalio dienas buvo ketinama parodyti penkiolika \u012fvairaus \u017eanro nuo \u0161iuolaikinio, tradicinio, hip hopo iki gatv\u0117s \u0161okio pastatym\u0173. <\/p>\n

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IX festivalio KAAY FECC programoje \u2013 profesionalios \u0161okio trup\u0117s i\u0161 Pranc\u016bzijos, Vokietijos, Lietuvos, Senegalo, Burkino Faso, Dramblio Kaulo Kranto, Togo ir kit\u0173 \u0161ali\u0173. \u0160i\u0173 met\u0173 festivalyje \u0161okio ekspert\u0173 ir choreograf\u0173 i\u0161 \u012fvairi\u0173 \u0161ali\u0173 buvo ypatingai daug, nes IX tarptautin\u0117 \u0161okio bienal\u0117 KAAY FECC dedikuota Afrikos \u0161okio legendai Germaine Acogny. Tod\u0117l visos viltys buvo prie\u0161aky, parai\u0161ka Lietuvos Kult\u016bros tarybai priduota, tik\u0117tasi geriausio. \u201eJuk \u0161okiu, id\u0117jomis kv\u0117puojama\u201c, \u2013 sak\u0117 choreograf\u0117 A. Naginevi\u010di\u016bt\u0117.<\/p>\n

Ne paslaptis, jog kelio atradimas \u012f Afrik\u0105 buvo gr\u012fstas ne tik k\u016brybin\u0117s komandos indeliu. Projekto vadov\u0117 Giedr\u0117 Kaba\u0161inskien\u0117 u\u017eklausta, kokiu b\u016bd\u0173 Dakaro ir Vilniaus keliai susikirto, nesl\u0117p\u0117, jog nuo 2005 met\u0173 tenka nema\u017eai keliauti ir pa\u017einti \u012fvairi\u0173 sri\u010di\u0173, institucij\u0173, festivali\u0173 vadovus, ekspertus Balkan\u0173, Afrikos \u0161alyse, o pati G. Kaba\u0161inskien\u0117 d\u0117jo pastangas, kad \u0161ie kontaktai b\u016bt\u0173 i\u0161naudoti Lietuvos menini\u0173 projekt\u0173 sklaidai, bendradarbiavimo projektams. Pa\u017eintis su bienal\u0117s KAAY FECC menine vadove Gacirah Diagne tapo lemtinga \u0161okio teatrui \u201eAiros\u201c. G. Kaba\u0161inskien\u0117s si\u016blymu festivalio vadov\u0117 Gacirah Diagne susidom\u0117jo choreograf\u0117s A. Naginevi\u010di\u016bt\u0117s k\u016bryba, prasid\u0117jo susira\u0161in\u0117jimas, derinimo darbai. Paai\u0161k\u0117jus festivalio programos temai \u201eI\u0161tverm\u0117\u201c, bienal\u0117s menin\u0117 vadov\u0117 atidarymo progai pasirinko \u201eMelancholijos bok\u0161tus\u201c. Po spektaklio Gacirah Diagne i\u0161rei\u0161k\u0117 pad\u0117k\u0105 visai k\u016brybinei komandai ir patikino, kad labai d\u017eiaugiasi \u201erizikingu\u201c sprendimu Senegalo \u017ei\u016brovui parodyti \u201eAfrikoje ma\u017eai \u017einomos \u0161alies konceptual\u0173 \u0161iuolaikinio \u0161okio pastatym\u0105\u201c. <\/p>\n

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Vadybiniu lygmeniu buvo dirbta daug ir nuosekliai, o G. Kaba\u0161inskien\u0117 net galinti \u012fvardinti tiksli\u0105 deryb\u0173 prad\u017eios dat\u0105 \u2013 2017 m. rugs\u0117jo 2 d. \u0160iemet Dakaro festivalis KAAY FECC pirm\u0105 kart\u0105 negavo savo nuolatini\u0173 partneri\u0173 paramos. Visgi, tiek Lietuvos atstovai, tiek ir G. Diagne ne\u017evelg\u0117 \u012f tarpusavio santykius kaip \u012f komercin\u012f projekt\u0105. Tad bienal\u0117s \u012fgyvendinimo, kaip ir \u201eMelancholijos bok\u0161t\u0173\u201c kelion\u0117s, planai ir darbai t\u0119s\u0117si.
\nTuo tarpu ir \u201eMelancholijos bok\u0161t\u0173\u201c komanda neabejojo vienas kito profesionalumu, A. Naginevi\u010di\u016bt\u0117 pabr\u0117\u017e\u0117, jog pasitik\u0117jimas vienas kitu ir \u017einojimas, jog nekils vidini\u0173 nesklandum\u0173, suteik\u0117 ramyb\u0117s. Visi profesionalai, turintys ne vieneri\u0173 met\u0173 patirt\u012f k\u016brybos pasaulyje, visi degantys savo id\u0117ja, kuri \u0161iais metais buvo \u012fvertinta ir Lietuvoje (\u0161iemet spektaklio \u201eMelancholijos bok\u0161tai\u201c pagrindin\u0117 atlik\u0117ja Goda Laurinavi\u010di\u016bt\u0117 u\u017e Melancholijos vaidmen\u012f peln\u0117 auk\u0161\u010diausi\u0105 apdovanojim\u0105 \u2013 Auksin\u012f scenos kry\u017ei\u0173 \u2013 geriausios met\u0173 \u0161ok\u0117jos kategorijoje). <\/p>\n

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\nNuotraukos autor\u0117: Laima Stasiulionyt\u0117<\/p>\n

A. Naginevi\u010di\u016bt\u0117s prisiminimuose Afrika liks kaip \u0161okantis \u017eemynas: \u201etradicinis \u0161okis yra j\u0173 prigimtyje, senegalie\u010diai nuolat groja ir \u0161oka. Ta\u010diau b\u016btent \u0161iuolaikinis \u0161okis \u010dia sunkiai skinasi keli\u0105.\u201c Prie\u0161 pasirodym\u0105 komand\u0105 aplank\u0117 nerimas, kaip \u017ei\u016brovas supras \u201elietuvi\u0161k\u0105 melancholij\u0105\u201c. Po atviru Dakaro nakties dangumi pusvaland\u017eio trukm\u0117s mirties artumo melancholija (spektaklis inspiruotas Paulio Celano \u201eMirties fuga\u201c) Senegalo organizatoriams ir festivalio sve\u010diams paliko nei\u0161dildom\u0105 \u012fsp\u016bd\u012f. \u201eDakaro \u017ei\u016brovas labai atviras, nebijantis kalb\u0117ti ir interpretuoti matyt\u0105 spektakl\u012f, jo judesio, muzikos, gars\u0173, vaizd\u0173 kodus. \u017di\u016brovai spektaklyje atpa\u017eino save, savo \u0161alies likim\u0105, k\u016br\u0117jo stoi\u0161k\u0105 kov\u0105 su b\u016btimi. Totalitarin\u0117 prievarta, milijonai i\u0161ve\u017et\u0173, pa\u017eemint\u0173, nukankint\u0173, po pasaul\u012f didel\u0117se egzil\u0173 bendruomen\u0117se pasiklydusi\u0173 \u017emoni\u0173…\u201c, \u2013 \u012fsp\u016bd\u017eiais dalijosi A. Naginevi\u010di\u016bt\u0117. D\u0117l to choreografei nek\u0117l\u0117 nuostabos faktas, kod\u0117l senegalietis junta simpatij\u0105 Lietuvai, patyrusiai pana\u0161\u0173 likim\u0105. <\/p>\n

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Antrinant i\u0161 vadybos pus\u0117s, G. Kaba\u0161inskien\u0117 pabr\u0117\u017e\u0117 festivalio privalumus, jog sukurta puiki proga reprezentuoti Lietuv\u0105, o s\u0117kmingai \u012fgyvendintas \u0161iuolaikinio \u0161okio projektas be abejon\u0117s prisid\u0117s prie Lietuvos kult\u016bros Afrikos rinkose pl\u0117tros. Tik\u0117ta, jog bienal\u0117 atvers pla\u010dius vartus kitiems festivaliams, dvi\u0161alio bendradarbiavimo projektams. Tokiu b\u016bdu turint \u012ftakos ne vien asmeninei choreograf\u0117s karjerai, bet ir tolimesnei Lietuvos \u0161iuolaikinio \u0161okio raidai. Festivalio metu \u0161okio teatro \u201eAiros\u201c atlik\u0117jai ved\u0117 meistri\u0161kumo kursus jauniesiems Senegalo \u0161ok\u0117jams, mezg\u0117si pa\u017eintys galimai koprodukcijai.
\nBuvo tartasi su Germaine Acogny d\u0117l galimybi\u0173 bendradarbiauti su Afrikoje \u012fkurta garsi\u0105ja neformalia \u0161okio mokykla Ecole de Sable bei prielaid\u0173 Lietuvos \u0161ok\u0117jams joje sta\u017euotis.
\nSpektakl\u012f \u201eMelancholijos bok\u0161tai\u201c mat\u0119 \u017ei\u016brovai, festivalio organizatoriai, Senegalo kult\u016bros ir komunikacijos ministerijos, kult\u016bros centro atstovai i\u0161sak\u0117 komplimentus. Apie spektakl\u012f buvo kalbama dviejuose televizijos laidose, keliose radijo laidose. Festivalio plakatuose ir skrajut\u0117se pirmoje vietoje buvo minimas Lietuvos vardas. Kitaip tariant \u2013 s\u0117km\u0117 ir plojimai lyd\u0117jo lietuvius Afrikoje. <\/p>\n

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\n\u0160okio teatras AIROS kartu su \u012f\u017eymia choreografe ir \u0161ok\u0117ja Germaine Acogny<\/p>\n

Kad ir kaip d\u017eiaugsmingai beskamb\u0117t\u0173 visi ditirambai ir parengti ra\u0161tai (bienal\u0117s organizatoriai pareng\u0117 oficial\u0173 pad\u0117kos ra\u0161t\u0105 Lietuvos kult\u016bros tarybai u\u017e suteikt\u0105 galimyb\u0119 \u0161okio teatrui \u201eAiros\u201c s\u0117kmingai atidaryti IX tarptautin\u0119 \u0161okio bienal\u0119 KAAY FECC), visgi realyb\u0117je ne\u012fmanoma apsieiti ir be antiromanti\u0161kos finansin\u0117s pus\u0117s. Visa dirbusi komanda sutriko susipa\u017ein\u0119 su Lietuvos kult\u016bros tarybos II-ojo etapo rezultatais ir \u0160okio teatro \u201eAiros\u201c teiktos parai\u0161kos dalyvavimui Dakaro bienal\u0117je neigiamu vertinimu. \u0160tai, dabar jau i\u0161au\u0161ta laikas kalboms apie aukcion\u0105, kuriame, gal ir banaliai skambant, i\u0161parduodamos viltys. Arba, be abejo, garsi\u0105j\u0105 mecenatyst\u0117s koncepcij\u0105. Tik teorijoje ji skamba kur kas papras\u010diau ir realiau, nei n\u0117 trij\u0173 milijon\u0173 nebeturin\u010dioje Lietuvoje. Gal kas visgi susigundyt\u0173 pirkti \u0161iuolaikin\u012f \u0161ok\u012f?<\/p>\n

Ta\u010diau, mano skepsiui tiek projekto vadov\u0117, tiek choreograf\u0117 nepasidav\u0117. Pabr\u0117\u017edamos, kad trup\u0117s nariai savo asmenin\u0117mis l\u0117\u0161omis sumok\u0117s u\u017e bilietus ir draudim\u0105. \u201eBe abejo, solidariai visi susitar\u0117me pamir\u0161ti apie honorarus, u\u017emokes\u010dius. Tai bendramin\u010di\u0173 komanda ir kaip beb\u016bt\u0173 absurdi\u0161ka turime blaiviai vertinti susidariusi\u0105 situacij\u0105\u201c, \u2013 po vizito Senegale kalb\u0117jo A. Naginevi\u010di\u016bt\u0117.
\nI\u0161tverminga gaida ir belieka baigti, k\u016brybinei euforijai kovojant su finansiniais nuopuoliais. Lai \u0161okis \u0161\u012fkart b\u016bna penas.<\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas. <\/p>\n

\"\" <\/p>\n","protected":false},"excerpt":{"rendered":"

Tarp tarptautinio \u0161okio festivalio \u201eNaujasis Baltijos \u0161okis\u201817\u201c spektakli\u0173 sp\u0117jome su choreografe Aira Naginevi\u010di\u016bte sus\u0117sti kavos puodeliui. T\u0105kart pokalbis buvo apie …<\/p>\n","protected":false},"author":1,"featured_media":2218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nMelancholijos \u0161alis - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/06\/23\/melancholijos-salis\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Melancholijos \u0161alis - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Tarp tarptautinio \u0161okio festivalio \u201eNaujasis Baltijos \u0161okis\u201817\u201c spektakli\u0173 sp\u0117jome su choreografe Aira Naginevi\u010di\u016bte sus\u0117sti kavos puodeliui. 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