{"id":2234,"date":"2017-07-05T10:33:11","date_gmt":"2017-07-05T10:33:11","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/07\/05\/smurtas-tukstanciu-veidu\/"},"modified":"2017-07-05T10:33:11","modified_gmt":"2017-07-05T10:33:11","slug":"smurtas-tukstanciu-veidu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/07\/05\/smurtas-tukstanciu-veidu\/","title":{"rendered":"Smurtas t\u016bkstan\u010diu veid\u0173"},"content":{"rendered":"

K\u016brybin\u012f sezon\u0105 Kauno \u0161iuolaikinio \u0161okio teatras \u201eAura\u201c palyd\u0117jo choreograf\u0117s Birut\u0117s Letukait\u0117s spektakliu \u201eNoriu maitinan\u010dios dienos i\u0161 tavo rank\u0173\u201c. Lengvai suprantama net ir ne \u0161iuolaikinio \u0161okio \u017einovui kalba scenoje atveriama viena aktualiausi\u0173 \u0161i\u0173 dien\u0173 tem\u0173 \u2013 smurtas. Lietuvi\u0161koje \u017einiasklaidoje kone kasdien nuskamba kraupokos \u017einut\u0117s apie nesibaigian\u010dius smurto prover\u017eius pa\u010dioje artimiausioje aplinkoje \u2013 \u0161eimoje. Kiekvienas pripa\u017e\u012fstame, kad visai tai yra ne\u017emogi\u0161ka, tuo pa\u010diu lengvai atsidusdami, kad tai vyksta \u201eten ka\u017ekur\u201c. Bet juk smurtas, kaip nematoma ma\u017eyt\u0117 dalel\u0117, gali prasiskverbti \u012f kiekvieno s\u0105mon\u0119 ir taip i\u0161plisti iki paties baisiausio masto \u2013 visi\u0161ko \u017emonijos susinaikinimo. Ir tai ne koks mokslin\u0117s fantastikos filmo siu\u017eetas, o realyb\u0117, kurioje gyvename ir kuri\u0105 kuriame \u0161i\u0105 akimirk\u0105. <\/p>\n

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\nNuotraukos: Laura Vansevi\u010dien\u0117<\/p>\n

\u0160i tiesa scenoje nuskamba kaip visiems puikiai \u017einoma lotyni\u0161ka sentencija memento mori (atmink, kad mirsi). Kaip priminimas, kuriuo virsta pats spektaklis. Kaip dr\u0105sus \u017eingsnis dialogo link, skatinantis neu\u017emerkti aki\u0173 prie\u0161 \u0161i\u0105 problem\u0105, kalb\u0117ti ne tik psicholog\u0173 l\u016bpomis, bet ir meniniu \u017eod\u017eiu, pa\u017evelgiant \u012f visa tai kitu, emociniu, pas\u0105moniniu, rakursu. Kaip \u012fsp\u0117jimas b\u016bti budriam ir atpa\u017einus pa\u010dias slap\u010diausias smurto aprai\u0161kas nedelsiant jas sunaikinti. O ginkl\u0105 su tuo kovoti k\u016br\u0117jai si\u016blo jau puikiai patikrint\u0105 \u017emogi\u0161kos b\u016bties istorijoje \u2013 meil\u0119.<\/p>\n

\"\"<\/p>\n

\u201eBandyti u\u017ekirsti keli\u0105 smurtui yra b\u016btina \u017emonijos i\u0161likimo s\u0105lyga. Pavyksta pa\u0161alinti tokias mirtino smurto formas kaip karai, \u017eudyn\u0117s. Ta\u010diau visuomen\u0117je dar yra smurto form\u0173, kurios sunkiai pripa\u017e\u012fstamos ir paprastai nematomos (psicholog\u0117 Dorota Ole\u0161kevi\u010d, \u201eSmurtas ir smurto s\u0105vokos analiz\u0117\u201c, 2011). B\u016btent i\u0161 \u0161ios pozicijos \u012f smurto s\u0105vok\u0105 \u017evelgiama spektaklyje, judesi\u0173 pagalba perteikiant \u012fvairiausias smurto formas \u2013 fizinio, emocinio, seksualinio, ekonominio ir dar kitokio, kuris grei\u010diausiai nujau\u010diamas intuityviai, bet konkre\u010diu \u017eod\u017eiu dar n\u0117ra \u012fvardytas. Scenoje \u201eveikia\u201c \u0161eima \u2013 ir \u0161iame am\u017eiuje vis dar esanti svarbiausias visuomen\u0117s, tautos, \u017emonijos pagrindas bei siekiamyb\u0117. Lyg apnuoginta \u0161irdis, varin\u0117janti krauj\u0105 po vis\u0105 k\u016bn\u0105, stambiu planu parodant kaip sutrinka toji kraujotaka, \u012fsismelkus nuodingoms smurto l\u0105stel\u0117ms. <\/p>\n

\"\"<\/p>\n

\u0160eimos s\u0105vokos sudedam\u0105sias (moteris, vyrus ir vaikus) scenoje \u012fk\u016bnija \u0161ok\u0117jai: Abel Hernandez Gonzalez (Ispanija), Aime Sanchez (Meksika), Antonia Koluiartseva (Rusija), Evgeniy Kalachov (Rusija), Gintar\u0117 Marija \u0160\u010davinskait\u0117 (Lietuva), Julija Mintaut\u0117 (Lietuva), Juan Madero (Meksika), Mei Chen (Kinija), Marine Fernandez (Pranc\u016bzija), Niels Claes (Belgija), Oksana Griaznova (Lietuva), Julia G\u00f3mez Avil\u00e9s (Ispanija), Alexandre May (Pranc\u016bzija), \u201eAuros\u201c \u0161okio studijos vaikai.<\/p>\n

Spektaklis i\u0161kelia atvir\u0105 klausim\u0105, ar ateityje nedaug\u0117s nauj\u0173, mutavusi\u0173 smurto form\u0173 ir ar \u012fmanoma \u0161\u012f did\u012f blog\u012f \u012fveikti i\u0161 esm\u0117s. K\u0105 tur\u0117tume daryti \u0161i\u0105 akimirk\u0105, kad b\u016bsimos kartos elgt\u0173si kitaip. Ta\u010diau \u0161okis tik diagnozuoja smurto pasekmes, menkai teu\u017e\u010diuopdamas jo prie\u017eastis. Tod\u0117l giluminio sl\u0117piningo ir tuo sukre\u010dian\u010dio poj\u016b\u010dio patirti nepavyksta. <\/p>\n

\"\"<\/p>\n

Nors \u0161ok\u0117jai turin\u012f perteikia i\u0161ie\u0161kotomis esteti\u0161kai vertingomis judesi\u0173 kompozicijomis, itin taikliai, ai\u0161kiai ir nepaprastai jausmingai, lyg patys visai tai b\u016bt\u0173 patyr\u0119 i\u0161 tikr\u0173j\u0173 \u2013 pabuv\u0119 ir auka, ir agresoriumi. O visa tai dar labiau sustiprina emocionaliai abejingam neleid\u017eianti likti Joaqu\u00edno L\u00f3pezo \u201eChas\u201c muzika ir Vladimiro \u0160erstabojevo ekspresyvus ap\u0161vietimas. Toks audiovizualinis reginys virpina \u0161ird\u012f, ver\u010dia lengvai pajusti vaizduojamose tiek santarv\u0117s, tiek prievartos kupinose situacijose atsid\u016brusi\u0173 persona\u017e\u0173 vidines b\u016bsenas. <\/p>\n

\"\"<\/p>\n

Visgi spektaklio naratyvas kuriamas tiesmukoku ir vienakryp\u010diu \u017evilgsniu. Moterys ir vaikai virsta nekvestionuojamu g\u0117rio ir meil\u0117s \u0161altiniu, kur\u012f naikina scenoje pasirod\u017eiusi\u0173 energing\u0173 vyr\u0173 \u0161ok\u0117j\u0173 agresyvi egocentrin\u0117 j\u0117ga. Nors v\u0117liau smurto prover\u017eiai \u012fvyksta ir tarp tos pa\u010dios lyties atstov\u0173, kalt\u0117s pir\u0161tas krypsta \u012f vyri\u0161k\u0105j\u0105 gimin\u0119. T\u0105 b\u016bt\u0173 sunku paneigti, nes statistika byloja, jog daugiausia smurt\u0105 \u0161eimoje patiria b\u016btent moterys ir vaikai. Ta\u010diau scenoje vien \u0161io realyb\u0117s aido neu\u017etenka, siela ver\u017eiasi pamatyti tai, kas yra anapus to. \u201eNoriu maitinan\u010dios dienos i\u0161 tavo rank\u0173\u201c, kartu ir menin\u0117 kalba apskritai, netampa i\u0161ties veiksmingu socialines pikt\u017eaizdes gydan\u010diu vaistu. Dar ne \u0161\u012f kart\u0105. <\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas. <\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

K\u016brybin\u012f sezon\u0105 Kauno \u0161iuolaikinio \u0161okio teatras \u201eAura\u201c palyd\u0117jo choreograf\u0117s Birut\u0117s Letukait\u0117s spektakliu \u201eNoriu maitinan\u010dios dienos i\u0161 tavo rank\u0173\u201c. Lengvai suprantama …<\/p>\n","protected":false},"author":1,"featured_media":2235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nSmurtas t\u016bkstan\u010diu veid\u0173 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/07\/05\/smurtas-tukstanciu-veidu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Smurtas t\u016bkstan\u010diu veid\u0173 - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"K\u016brybin\u012f sezon\u0105 Kauno \u0161iuolaikinio \u0161okio teatras \u201eAura\u201c palyd\u0117jo choreograf\u0117s Birut\u0117s Letukait\u0117s spektakliu \u201eNoriu maitinan\u010dios dienos i\u0161 tavo rank\u0173\u201c. 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