{"id":2236,"date":"2017-07-05T11:35:05","date_gmt":"2017-07-05T11:35:05","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/"},"modified":"2017-07-05T11:35:05","modified_gmt":"2017-07-05T11:35:05","slug":"is-ko-juokiasi-legendos","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/","title":{"rendered":"I\u0161 ko juokiasi legendos"},"content":{"rendered":"<p>Jeigu Lietuvoje kiekvien\u0105 savait\u0119 gal\u0117tume steb\u0117ti ka\u017ek\u0105 pana\u0161aus \u012f tai, k\u0105 apie 800 \u017emoni\u0173 mat\u0117 bir\u017eelio 18 dien\u0105 Lietuvos nacionaliniame dramos teatre, tik\u0117tina, kad m\u016bs\u0173 tautos skonis ir kritinis m\u0105stymas prad\u0117t\u0173 stipriai progresuoti. Vieninteliame savo pasirodyme Lietuvoje Nyderland\u0173 \u0161okio teatro antroji trup\u0117 (Nederlands Dans Theater 2) pristat\u0117 keturis nedidel\u0117s trukm\u0117s spektaklius, kuriuose supyn\u0117 klasikin\u0119 technik\u0105 ir \u0161iuolaikin\u0119 i\u0161rai\u0161k\u0105, elitin\u012f men\u0105 ir lengv\u0105 pramog\u0105, ly\u010di\u0173 stereotipus ir belyt\u012f \u017emoni\u0161kum\u0105 bei daugyb\u0119 kit\u0173 prie\u0161inguose poliuose egzistuojan\u010di\u0173 rei\u0161kini\u0173, kurie trup\u0117s k\u016bryboje ne kontrastuoja, bet maitina vienas kit\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/2_26_489x326_2_490x326.jpg\" width=\"490\" height=\"326\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/2_26_489x326_2.jpg\" class=\"js-zoom-image\" \/><br \/>\nNuotraukos autorius: Rahi Rezvani<\/p>\n<p>Per vakar\u0105 parodyti keturi \u0161iuolaikinio baleto darbai, kuri\u0173 trumpiausias tetruko 7-ias minutes, o ilgiausias nevir\u0161ijo 25-i\u0173 minu\u010di\u0173, sukurti skirtingu metu per pastaruosius trylika met\u0173. Seniausias j\u0173 \u2013 pirmasis vakaro spektaklis \u201eSH-BOOM\u201c, sukurtas NDT meno vadovo Paulo Lightfooto ir jo asistent\u0117s Sol Leon, buvusi\u0173 NDT pirmosios trup\u0117s \u0161ok\u0117j\u0173. Po 20-ies minu\u010di\u0173 pertraukos sek\u0117 kur kas \u201e\u0161vie\u017eesnis\u201c Edwardo Clugo spektaklis \u201eApibusis komfortas\u201c (Mutual Comfort), o i\u0161kart po jo \u2013 \u0161\u012fmet 85-eri\u0173 met\u0173 sulauksian\u010dio legendinio \u0161ok\u0117jo ir choreografo Hanso van Maneno kompozicija \u201eSolo\u201c. Pasibaigus antrajai pertraukai \u017ei\u016brovai steb\u0117jo tarptautin\u0117s s\u0117km\u0117s sulaukus\u012f spektakl\u012f \u201eKaktusai\u201d (Cacti), kuriame pasirod\u0117 visa \u0161e\u0161iolikos \u0161ok\u0117j\u0173 NDT 2 trup\u0117. 2010 m. spektakl\u012f suk\u016br\u0117 tuo metu n\u0117 30-ies netur\u0117j\u0119s trup\u0117s \u0161ok\u0117jas ir choreografas \u0161vedas Alexanderis Ekmanas.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/1_55_490x769_1_490x769.jpg\" width=\"490\" height=\"769\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/1_55.jpg\" class=\"js-zoom-image\" \/><br \/>\nNuotraukos autorius: Joris-Jan Bos<\/p>\n<p>Pa\u017eintis su trupe, tituluojama viena stipriausi\u0173 pasaulyje, prasid\u0117jo spektakliu \u201eSH-BOOM\u201c (pavadinimas pasiskolintas i\u0161 spektaklyje skamban\u010dios pra\u0117jusio am\u017eiaus \u0161e\u0161tojo de\u0161imtme\u010dio dainos \u201eSh Boom Sh Boom\u201c). Scenos pasaulis \u010dia padalintas \u012f dvi dalis: balt\u0105 \u2013 vyri\u0161k\u0105j\u012f ir juod\u0105 \u2013 moteri\u0161k\u0105j\u012f. Balta \u010dia i\u0161ry\u0161kina individ\u0105, o juoda \u2013 mas\u0119, visuomen\u0119. Spektaklyje i\u0161ry\u0161k\u0117ja dar konkretesn\u0117s asociacijos: vyrai \u2013 \u0161viesus humoras, lengvos paty\u010dios; moterys \u2013 juodas humoras, agresijos inspiruotas juokas. Ilg\u0105 laik\u0105 \u0161ios dvi \u017emoni\u0173 grup\u0117s veikia atskirai \u2013 vyr\u0173 solo pasirodymus kei\u010dia moter\u0173 kvartetas. Ilgainiui vyrai pama\u017eu \u012fsilieja \u012f moter\u0173 b\u016br\u012f, ilgai kovoja ir s\u0105junga \u012fvyksta. S\u0105junga, po kurios gimsta naujas \u017emogus \u2013 \u010dia prasideda nuogo \u017emogaus solo pasirodymas. B\u016btent \u017emogaus \u2013 ne vyro, ne moters, nes, nors ir tur\u0117damas lyt\u012f, \u0161is asmuo dar n\u0117ra suvar\u017eytas visuomen\u0117s primest\u0173 stereotip\u0173, jis at\u0117jo \u012f pasaul\u012f laisvas ir be i\u0161ankstini\u0173 nusistatym\u0173. Kaip ir kiekvienas m\u016bs\u0173.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/1_54_489x685_2_490x686.jpg\" width=\"490\" height=\"686\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/1_54_489x685_2.jpg\" class=\"js-zoom-image\" \/><br \/>\nNuotraukos autorius: Rahi Rezvani <\/p>\n<p>Spektaklio k\u016br\u0117jai teigia, balta ir juoda spalvomis iliustruojantys ir tamsi\u0105j\u0105 bei \u0161viesi\u0105j\u0105 juoko puses \u2013 ironij\u0105 ir humor\u0105. \u0160i\u0173 rei\u0161kini\u0173 susid\u016brim\u0105 ir konflikt\u0105 \u017emoguje \u017eaviai iliustruoja viena pirm\u0173j\u0173 spektaklio scen\u0173: scenos centre pakabintas mikrofonas, \u0161alia jo stovi \u0161ok\u0117jas su kostiumu, kurio kair\u0117 pus\u0117 juoda, o de\u0161in\u0117 \u2013 balta; skambant \u012fra\u0161ytam vyro ir moters dialogui, \u0161ok\u0117jas, nuolat apeidamas mikrofon\u0105 ir pasisukdamas tai de\u0161ine, tai kaire puse, atlieka atitinkamai vyro ir moters vaidmenis, kurdamas nepaprastai komi\u0161k\u0105 \u012fsp\u016bd\u012f. Kuklesnis, savimi ne itin pasitikintis vyras bando susikalb\u0117ti su kiek isteri\u0161ka ir pasity\u010dioti nevengian\u010dia moterimi (ironi\u0161ka, kad \u0161i scena tiesiogiai perteikia posakio \u201esusirasti antr\u0105 pus\u0119\u201c reik\u0161m\u0119). Vaidmenys kuriame ne tik kostiumo, bet ir besikei\u010dian\u010dios plastikos pagalba, siu\u017eet\u0105 diktuoja dialogo \u012fra\u0161as. \u0160i scena leid\u017eia \u017ei\u016brovui atsipalaiduoti ir tiesiog pasijuokti i\u0161 puikiai pa\u017e\u012fstamos buitin\u0117s situacijos, drauge \u017eavintis \u0161ok\u0117jo meistri\u0161kumu ir efektingu vos milisekundes trunkan\u010diu charakteri\u0173 pasikeitimu. Dviej\u0173 prad\u0173 susid\u016brimas \u017emoguje \u2013 beb\u016bt\u0173 tai skirtingos lytys, juoko formos ar vienas kitam prie\u0161taraujantys tro\u0161kimai \u2013 yra viena pagrindini\u0173 \u201eSH-BOOM\u201c tem\u0173.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/3_27_489x736_1_490x737.jpg\" width=\"490\" height=\"737\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/3_27_489x736_1.jpg\" class=\"js-zoom-image\" \/><br \/>\nNuotraukos autorius: Rahi Rezvani<\/p>\n<p>Viduriniosios vakaro dalies antrasis spektaklis \u2013 septyni\u0173 minu\u010di\u0173 trij\u0173 \u0161ok\u0117j\u0173 pasirodymas \u201eSolo\u201c. \u0160is spektaklis \u2013 tai \u017emogaus savirefleksija nuolat judan\u010diame pasaulyje. Tam, kad suvoktum savo viet\u0105, privalai i\u0161mokti m\u0105styti ir daryti sprendimus nesustodamas, neatsitraukdamas nuo bendro pasaulio jud\u0117jimo ritmo. Choreografo Hanso van Maneno pasirinkta muzika (J. S. Bacho \u201ePartita\u201c smuikui antroji dalis) itin d\u0117kinga tokios id\u0117jos \u012fgyvendinimui \u2013 nenutr\u016bkstanti, n\u0117 milisekundei atsikv\u0117pti neleid\u017eianti melodija \u012fsuka \u017ei\u016brovus \u012f verpet\u0105, neleisdama nei atsitraukti, nei \u012fkv\u0117pti. <\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/3_29_490x682_2_490x682.jpg\" width=\"490\" height=\"682\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/3_29.jpg\" class=\"js-zoom-image\" \/><br \/>\nNuotraukos autorius: Joris-Jan Bos <\/p>\n<p>Miniati\u016bra labiausiai \u017eavi savo ritmu. Iki pat paskutin\u0117s minut\u0117s, kuomet scenoje pasirodo visi trys \u0161ok\u0117jai, prie\u0161 \u017ei\u016brovus egzistuoja tik vienas \u017emogus. N\u0117 sekund\u0117s scena nelieka tu\u0161\u010dia, n\u0117 sekund\u0117s joje nesusiduria du \u0161ok\u0117jai. Taip tercetas tampa solo pasirodymu, vieno \u017emogaus bandymu suvokti savo viet\u0105 ir paskirt\u012f pasaulyje \u2013 prisitaikyti ar stoti prie\u0161 visa nune\u0161an\u010di\u0105 t\u0117km\u0119? Regis, prisitaikymas \u010dia laimi ir vidin\u0117 kova i\u0161sivysto \u012f bandym\u0105 pasiduoti srovei ir susiliejant su pasaulio ritmu atsitraukti nuo diktuojam\u0173 taisykli\u0173. \u0160ok\u0117jai pa\u017einti save bando per erdv\u0117s, aplink esan\u010dios materijos ir savo k\u016bno geb\u0117jim\u0173 patyrim\u0105. Prisiglaudimai prie \u017eem\u0117s, tarsi siekiant susijungti su pagrindu, prie kurio ri\u0161a \u017eem\u0117s trauka, ir drauge bandymas tai paneigti atliekant sukinius, \u0161uolius \u012f auk\u0161t\u012f. \u017dinoma, visa tai galima taikyti ir kalbant apie \u0161okio rei\u0161kin\u012f apskritai. \u201eSolo\u201c remiasi \u012f bendresnes \u0161okio id\u0117jas (pa\u017einti save ir i\u0161silaisvinti), \u012f stipri\u0105, \u012fsp\u016bding\u0105 technik\u0105 bei min\u0117t\u0105 ritm\u0105 \u2013 b\u016btent tai leid\u017eia transliuoti savirefleksijos nesustojan\u010diame pasaulyje tem\u0105 \u017ei\u016brovams, kurie vis\u0173 pirma tur\u0117t\u0173 patys pajusti scenoje veikian\u010dio \u017emogaus panik\u0105, o ne vien teori\u0161kai apm\u0105styti vaizduojam\u0105 situacij\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/1_56_489x686_1_490x687.jpg\" width=\"490\" height=\"687\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/1_56_489x686_1.jpg\" class=\"js-zoom-image\" \/><br \/>\nNuotraukos autorius: Joris-Jan Bos <\/p>\n<p>Paskutinis vakaro pasirodymas \u201eKaktusai\u201c tapo ry\u0161kia kulminacija, kurioje pasirod\u0117 visa NDT 2 komanda \u2013 \u0161e\u0161iolika \u0161ok\u0117j\u0173. Jaunas choreografas Alexanderis Ekmanas savo spektaklio tematika i\u0161 esm\u0117s prisijung\u0117 prie kit\u0173 choreograf\u0173 kurt\u0173 darb\u0173, rodyt\u0173 t\u0105 pat\u012f vakar\u0105. Anot A. Ekmano, \u201eKaktusai\u201c vis\u0173 pirma kalba apie meno kritik\u0105 \u2013 kaip profesional\u016bs ir neprofesional\u016bs \u017ei\u016brovai suvokia men\u0105 ir kas daro svarbiausi\u0105 \u012ftak\u0105 j\u0173 percepcijai? Ar savirefleksija \u012fmanoma tik susid\u016brus su sunkios, dramati\u0161kos formos k\u016briniu? O kas, jei spektaklis lengva humoro forma si\u016blo pa\u017evelgti \u012f save reflektuojant savo santyk\u012f su komi\u0161ku pramoginiu darbu? NDT 2 \u201eKaktusai\u201c \u2013 tai ironi\u0161ka komedija, tam tikra prasme net pramoginis spektaklis. Klausdamas, ar ne per rimtai kartais \u017evelgiame \u012f meno k\u016brinius, ir gindamas kokybi\u0161k\u0105 pramog\u0105, choreografas teigia, jog pramoginiai spektakliai prikausto \u017ei\u016brov\u0173 d\u0117mes\u012f, o b\u016btent to ir reikia, kad \u017ei\u016brovas i\u0161 ties\u0173 gyvent\u0173 spektakliu ir suvokt\u0173 save \u010dia ir dabar.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/2_29_489x692_1_490x693.jpg\" width=\"490\" height=\"693\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/2_29_489x692_1.jpg\" class=\"js-zoom-image\" \/><br \/>\nNuotraukos autorius: Rahi Rezvani <\/p>\n<p>Scenoje i\u0161d\u0117liota \u0161e\u0161iolika skirtingo auk\u0161\u010dio pakyl\u0173, kuri\u0173 pagrindai \u2013 vienodo dy\u017eio balti kvadratai. Ant kiekvieno s\u0117di \u017emogus, d\u0117vintis juodas kelnes, k\u016bno spalvos mar\u0161kin\u0117lius ir slepiantis plaukus po juoda prigludusia kepuraite \u2013 tarsi 3D paveikslai, i\u0161lind\u0119 u\u017e baltos drob\u0117s rib\u0173. Tokia vizualizacija leid\u017eia suvokti spektakl\u012f ir kaip dail\u0117s ar architekt\u016bros meno i\u0161rai\u0161k\u0105 \u0161okio priemon\u0117mis \u2013 \u010dia ir scenografijos, ir plastikos prasme itin svarbus geometri\u0161kumas, fig\u016bri\u0161kumas, simetrija. Vaizdas neretai primena nespalvot\u0105 kaleidoskop\u0105, kur\u012f kiek pakreipus detal\u0117s lieka tos pa\u010dios, ta\u010diau susid\u0117lioja \u012f kit\u0105 ornament\u0105. Pauz\u0117 choreografo pasirinktoje F. Schuberto muzikoje \u010dia tampa pauze judesyje, \u0161ok\u0117jams sustingstant \u012f gyvuosius paveikslus ir keletui sekund\u017ei\u0173 sustabdant laik\u0105 tobuloje tyloje, nutraukian\u010dioje garsi\u0105 muzik\u0105 ir aktyv\u0173 \u0161ok\u0117j\u0173 ritmo mu\u0161im\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/1_57_490x326_2_490x326.jpg\" width=\"490\" height=\"326\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/1_57.jpg\" class=\"js-zoom-image\" \/><br \/>\nNuotraukos autorius: Rahi Rezvani <\/p>\n<p>Ironi\u0161kas spektaklio k\u016br\u0117j\u0173 po\u017ei\u016bris \u012f men\u0105 kaip i\u0161skirtinai rafinuot\u0105 rei\u0161kin\u012f stipriai i\u0161ry\u0161k\u0117ja vienoje paskutini\u0173 spektaklio scen\u0173. Kvadratines pakylas susta\u010dius \u012f \u201e\u0161iuolaikinio meno\u201c skulpt\u016br\u0105 prie\u0161ais j\u0105 nutiesiamas kilimas, ant kurio pradeda repetuoti \u0161ok\u0117j\u0173 pora. Kolon\u0117l\u0117se skambant \u012fra\u0161ytam vyro ir moters dialogui, pasiruo\u0161imas \u0161okiui pristatomas kaip \u017eaidimas, nerei\u0161kiantis nieko kito kaip tik choreografo u\u017eduot\u0173 form\u0173 vykdym\u0105, interpretuojant u\u017eduotis taip, kad pa\u010diam b\u016bt\u0173 lengviau ir papras\u010diau jas atlikti. Vaikinui skund\u017eiantis, kad jis negali atsiminti sud\u0117ting\u0173 judesi\u0173, mergina juos atlieka \u012fvardindama s\u0105sajas, padedan\u010dias atsiminti judesius: \u201emai\u0161yk, mai\u0161yk, apsuk aplink, atidaryk skardin\u0119, padaryk v\u0117duokl\u0119\u201c. Toks buities sureik\u0161minimas \u0161ioje scenoje ry\u0161kiausiai atskleid\u017eia fakt\u0105, kad k\u016brybos procesas n\u0117ra viena auk\u0161tomis materijomis paremta analiz\u0117 \u2013 \u010dia nuolat mezgasi konfliktai, inspiruojami rutinos, \u017emoni\u0161k\u0173 tro\u0161kim\u0173 bei silpnybi\u0173. \u017dinoma, tokia tema gali nuskamb\u0117ti tik stipraus spektaklio kontekste, kur kalbant apie \u201e\u017eemi\u0161k\u0105j\u0105\u201c k\u016brybos pus\u0119 k\u016br\u0117j\u0173 meistri\u0161kumas neleid\u017eia diskredituoti meno rei\u0161kinio.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/3_30_489x693_1_490x694.jpg\" width=\"490\" height=\"694\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/3_30_489x693_1.jpg\" class=\"js-zoom-image\" \/><br \/>\nNuotraukos autorius: Rahi Rezvani <\/p>\n<p>Nyderland\u0173 \u0161okio teatro antrosios trup\u0117s atvykimas \u012f Lietuv\u0105 neabejotinai yra vienas svarbiausi\u0173 pastar\u0173j\u0173 met\u0173 \u0161iuolaikinio \u0161okio projekt\u0173 Lietuvoje. Itin auk\u0161tos kokyb\u0117s darbai, raginantys \u017ei\u016brov\u0105 reflektuoti savo po\u017ei\u016br\u012f \u012f men\u0105, \u017emonijos kuriamus rei\u0161kinius, aplinkinius bei save pa\u010dius, gali ne tik ugdyti \u017ei\u016brov\u0173 skon\u012f ar auginti Lietuvos kaip geros kokyb\u0117s men\u0105 vertinan\u010dios \u0161alies \u012fvaizd\u012f. Tokios gastrol\u0117s taip pat tampa paskatinimu menininkams, kurie d\u0117l nuolat \u201ekarpomo\u201c kult\u016bros biud\u017eeto neturi pakankamai galimybi\u0173 keliauti ir steb\u0117ti naujausi\u0173 scenos men\u0173 tendencij\u0173 visame pasaulyje. NDT 2 atve\u017e\u0117 Lietuvai \u0161iuolaikinio baleto pasaul\u012f ir nor\u0117t\u0173si, kad kokia nors forma \u0161is pasaulis \u010dia u\u017esib\u016bt\u0173.<\/p>\n<p>\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas. <\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/678_fa044950eac6eb87e3cbce964f4f1836_4_490x277.jpg\" width=\"490\" height=\"277\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/678_fa044950eac6eb87e3cbce964f4f1836_4.jpg\" class=\"js-zoom-image\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeigu Lietuvoje kiekvien\u0105 savait\u0119 gal\u0117tume steb\u0117ti ka\u017ek\u0105 pana\u0161aus \u012f tai, k\u0105 apie 800 \u017emoni\u0173 mat\u0117 bir\u017eelio 18 dien\u0105 Lietuvos nacionaliniame &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>I\u0161 ko juokiasi legendos - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I\u0161 ko juokiasi legendos - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Jeigu Lietuvoje kiekvien\u0105 savait\u0119 gal\u0117tume steb\u0117ti ka\u017ek\u0105 pana\u0161aus \u012f tai, k\u0105 apie 800 \u017emoni\u0173 mat\u0117 bir\u017eelio 18 dien\u0105 Lietuvos nacionaliniame ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2017-07-05T11:35:05+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/dance.lt\/files\/images\/920077\/2_26_489x326_2_490x326.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"http:\/\/dance.lt\/files\/images\/920077\/2_26_489x326_2_490x326.jpg\",\"contentUrl\":\"http:\/\/dance.lt\/files\/images\/920077\/2_26_489x326_2_490x326.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/\",\"name\":\"I\\u0161 ko juokiasi legendos - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#primaryimage\"},\"datePublished\":\"2017-07-05T11:35:05+00:00\",\"dateModified\":\"2017-07-05T11:35:05+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"I\\u0161 ko juokiasi legendos\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20\",\"name\":\"maksimas\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g\",\"caption\":\"maksimas\"},\"url\":\"https:\/\/dance.lt\/new\/author\/maksimas\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"I\u0161 ko juokiasi legendos - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/","og_locale":"lt_LT","og_type":"article","og_title":"I\u0161 ko juokiasi legendos - Lithuanian Dance Centre","og_description":"Jeigu Lietuvoje kiekvien\u0105 savait\u0119 gal\u0117tume steb\u0117ti ka\u017ek\u0105 pana\u0161aus \u012f tai, k\u0105 apie 800 \u017emoni\u0173 mat\u0117 bir\u017eelio 18 dien\u0105 Lietuvos nacionaliniame ...","og_url":"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2017-07-05T11:35:05+00:00","og_image":[{"url":"http:\/\/dance.lt\/files\/images\/920077\/2_26_489x326_2_490x326.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"maksimas","Est. reading time":"8 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#primaryimage","inLanguage":"lt-LT","url":"http:\/\/dance.lt\/files\/images\/920077\/2_26_489x326_2_490x326.jpg","contentUrl":"http:\/\/dance.lt\/files\/images\/920077\/2_26_489x326_2_490x326.jpg"},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#webpage","url":"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/","name":"I\u0161 ko juokiasi legendos - Lithuanian Dance Centre","isPartOf":{"@id":"https:\/\/dance.lt\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#primaryimage"},"datePublished":"2017-07-05T11:35:05+00:00","dateModified":"2017-07-05T11:35:05+00:00","author":{"@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20"},"breadcrumb":{"@id":"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#breadcrumb"},"inLanguage":"lt-LT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dance.lt\/new\/2017\/07\/05\/is-ko-juokiasi-legendos\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dance.lt\/new\/en\/"},{"@type":"ListItem","position":2,"name":"I\u0161 ko juokiasi legendos"}]},{"@type":"Person","@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20","name":"maksimas","image":{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/#personlogo","inLanguage":"lt-LT","url":"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g","caption":"maksimas"},"url":"https:\/\/dance.lt\/new\/author\/maksimas\/"}]}},"_links":{"self":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/2236"}],"collection":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/comments?post=2236"}],"version-history":[{"count":0,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/2236\/revisions"}],"wp:attachment":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media?parent=2236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/categories?post=2236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/tags?post=2236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}