{"id":2267,"date":"2017-09-20T17:12:17","date_gmt":"2017-09-20T17:12:17","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/09\/20\/sokio-festivalio-aura-27-svecias-rachidas-ouramdane-tai-ka-ji-daro-scenoje-yra-uz-fizinio-pasirengimo-ribu\/"},"modified":"2017-09-20T17:12:17","modified_gmt":"2017-09-20T17:12:17","slug":"sokio-festivalio-aura-27-svecias-rachidas-ouramdane-tai-ka-ji-daro-scenoje-yra-uz-fizinio-pasirengimo-ribu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/09\/20\/sokio-festivalio-aura-27-svecias-rachidas-ouramdane-tai-ka-ji-daro-scenoje-yra-uz-fizinio-pasirengimo-ribu\/","title":{"rendered":"\u0160okio festivalio AURA 27 sve\u010dias Rachidas Ouramdane: \u201eTai, k\u0105 ji daro scenoje yra u\u017e fizinio pasirengimo rib\u0173\u201c"},"content":{"rendered":"

Tarptautinio \u0161okio festivalio AURA 27 u\u017edarymo vakar\u0105, spalio 8 d., \u012f Kauno Nacionalinio dramos teatro scen\u0105 sugr\u012f\u0161 prie\u0161 trejus metus festivalio atidaryme neu\u017emir\u0161tam\u0105 \u0161ok\u012f lietuje dovanoj\u0119s pranc\u016bz\u0173 choreografas Rachidas Ouramdane. Tuomet buvo su\u0161oktas jo spektaklis \u201eSfumato\u201d.
\n\u0160iais metais pristatomas dviems moterims jo sukurtas spektaklis \u201eTordre\u201d. Scenoje i\u0161vysime Loros Juodkait\u0117s ir Annie Hanauer, \u0161ok\u0117jos, su rankos protezu, duet\u0105. Dalinam\u0117s choreografo mintimis apie \u0161\u012f darb\u0105.<\/em><\/p>\n

– Kod\u0117l duetas ir kod\u0117l moterimis?<\/em><\/p>\n

Ties\u0105 sakant, tai nebuvo i\u0161 anksto sugalvota. Tiesiog taip susiklost\u0117. Su \u0161iomis atlik\u0117jomis esu dirb\u0119s anks\u010diau. Ko i\u0161 j\u0173 bepapra\u0161ydavau, gaudavau su kaupu: jos atsiduoda iki pat dugno, ypa\u010d improvizacijose. Iki \u0161iol man r\u016bpin\u010dioms temoms atskleisti naudodavau j\u0173 gyl\u012f. Tai pastatymai POLICIES!, \u201eOrdinary Witnesses\u201c ir \u201eSfumato\u201c. Antai spektaklyje \u201eSfumato\u201c daugel\u012f met\u0173 Loros praktikuotas sukinys pad\u0117jo perteikti jausm\u0105, kuomet pametamos nuorodos, rezonuojamas klimato pab\u0117g\u0117li\u0173 bej\u0117gi\u0161kumo jausmas, i\u0161vengiant tiesioginio iliustravimo.<\/p>\n

\"\"
\nFoto: Patrick Imbert<\/p>\n

Vien\u0105 dien\u0105 sum\u0105s\u010diau, kad u\u017euot nagrin\u0117j\u0119s man r\u016bpin\u010dias problemas per \u0161ok\u012f, ver\u010diau prad\u0117siu nuo paties judesio i\u0161tak\u0173, steb\u0117siu, i\u0161 kur gim\u0117 j\u0173 unikalus \u0161okio b\u016bdas. Skirtingai nuo paskutini\u0173 darb\u0173, kurie buvo neatsiejami nuo diskusij\u0173 spektaklio tema, \u0161\u012f kart\u0105 studijavau pat\u012f \u0161ok\u012f, \u0161vies\u0105, erdv\u0119. Panorau elgtis prie\u0161ingai \u2013 kalb\u0117ti j\u0173 \u0161okiu ir steb\u0117ti, kaip judesys atskleid\u017eia asmen\u012f.
\n\u0160ok\u0117j\u0173 santykyje su jud\u0117jimu yra ka\u017ekas esminio, gyvybi\u0161kai svarbaus. Kuriant \u0161i\u0173 moter\u0173 portretus, mane labiausiai ir domina tai, kas yra asmeni\u0161ka ir privatu. <\/p>\n

– Kod\u0117l pasirinkote b\u016btent \u0161ias moteris?<\/em><\/p>\n

Kai Lora sukasi, ji \u0161oka lyg transe. Tai, k\u0105 ji daro scenoje yra u\u017e fizinio pasirengimo, u\u017e virtuozi\u0161kumo rib\u0173. \u017dinoma, Anie ir Lora tiesiogiai nepasakoja savo gyvenim\u0173, ta\u010diau, kai jos \u0161oka, mes atpa\u017e\u012fstame jose ka\u017ek\u0105 asmeni\u0161ko. Ne j\u0173 privat\u0173 gyvenim\u0105 ar asmenines istorijas, o t\u0105 jautri\u0105 b\u016bsen\u0105, atverian\u010di\u0105 poetin\u0119 erdv\u0119, j\u0173 k\u016brybinio kelio kra\u0161tutinumus. <\/p>\n

\"\"
\nFoto: Patrick Imbert<\/p>\n

– Ar \u0161ok\u0117j\u0173 portretai spektaklyje lyginami? <\/em><\/p>\n

Portretai lyginami. Ta\u010diau tai grei\u010diau du solo, nei duetas, su tam tikrais per\u0117jimais. M\u0105stau apie du atskirus b\u016bvius vienoje erdv\u0117je. Ar tai duetas, jei jos dalinasi ta pa\u010dia erdve ir laiku? Bet kokiu atveju, joms susitikti neskirta. Statydamas remiuosi diptiko logika, leid\u017eian\u010dia joms koegzistuoti. <\/p>\n

\"\"
\nFoto: Patrick Imbert<\/p>\n

– Koks buvo J\u016bs\u0173 darbo procesas?<\/em><\/p>\n

Dalis mano darbo buvo dalintis kiekvienos atlik\u0117jos potencialu, per i\u0161silaisvinim\u0105 atveriant j\u0173 maksimalias ribas. Jau\u010diu, kad Lora ir Annie yra asmenyb\u0117s, visada pasiruo\u0161usios transformuotis, jud\u0117ti \u012f priek\u012f. Spektaklis liudija apie \u0161ias galimybes, pasiekiamas kiekvienam \u2013 nugal\u0117ti sunkumus, kovoti prie\u0161 tai, kas mus \u012fkalina, keisti aplinkybes, o ne jas k\u0119sti. Annie ir Lora turi \u0161\u012f gyvyb\u0117s kv\u0117pavim\u0105, kuo, manau, yra b\u016btina dalintis. <\/p>\n

Tarptautinis \u0161okio festivalis AURA 27
\n\u201eTordre\u201c, Rachid Ouramdane (Pranc\u016bzija)
\nSpalio 8 d. 18 val.
\nNacionalinis Kauno dramos teatras (Laisv\u0117s al. 71), Did\u017eioji scena
\nwww.dancefestival.lt<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Tarptautinio \u0161okio festivalio AURA 27 u\u017edarymo vakar\u0105, spalio 8 d., \u012f Kauno Nacionalinio dramos teatro scen\u0105 sugr\u012f\u0161 prie\u0161 trejus metus …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n\u0160okio festivalio AURA 27 sve\u010dias Rachidas Ouramdane: \u201eTai, k\u0105 ji daro scenoje yra u\u017e fizinio pasirengimo rib\u0173\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/09\/20\/sokio-festivalio-aura-27-svecias-rachidas-ouramdane-tai-ka-ji-daro-scenoje-yra-uz-fizinio-pasirengimo-ribu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160okio festivalio AURA 27 sve\u010dias Rachidas Ouramdane: \u201eTai, k\u0105 ji daro scenoje yra u\u017e fizinio pasirengimo rib\u0173\u201c - 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