{"id":2287,"date":"2017-10-18T01:24:05","date_gmt":"2017-10-18T01:24:05","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/10\/18\/nerimti-sokiu-zaidimai\/"},"modified":"2017-10-18T01:24:05","modified_gmt":"2017-10-18T01:24:05","slug":"nerimti-sokiu-zaidimai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/10\/18\/nerimti-sokiu-zaidimai\/","title":{"rendered":"(Ne)rimti \u0161oki\u0173 \u017eaidimai"},"content":{"rendered":"

Pana\u0161u, jog pastaruoju metu, pasaulyje, kuriame tur\u0117jo b\u016bti sugriauti visi tik\u0117jimo mitai, o \u017emon\u0117s tur\u0117jo b\u016bti u\u017eli\u016bliuoti postmodernisti\u0161kos hipertikrov\u0117s ir reklamos \u017eavesio, k\u016br\u0117jai vis da\u017eniau i\u0161siilgsta dvasini\u0173 vertybi\u0173 ir tik\u0117jimo. Tarsi prasid\u0117jus misti\u0161kojo gralio paie\u0161koms, vis da\u017eniau scenos men\u0173 padang\u0117se prasiskverbia klausimai apie sav\u0105j\u0105 b\u016bt\u012f, egzistencijos prasm\u0119 ir, gal\u0173 gale, tik\u0117jim\u0105. Tarptautinio \u0161okio festivalio \u201eAura 27\u201c metu lenkiau pir\u0161tus skai\u010diuodama dvasios paie\u0161komis gr\u012fstus k\u016brinius, tuo pat metu svarstydama, ar visgi nusisukame nuo postmodernist\u0173 i\u0161keltos prasm\u0117s nebuvimo v\u0117liavos ir gr\u012f\u017etame prie pamatini\u0173 vertybi\u0173 paie\u0161k\u0173? <\/p>\n

\u0160\u012fkart Liublino \u0161okio teatras ir \u201ePhysical Studio\u201c \u0161ok\u0117jai k\u016brinyje \u201eStalking paradise\u201c kelia tik\u0117jimo klausim\u0105. Visgi, nereikt\u0173 suklysti ir \u0161iuo atveju imti tapatinti tik\u0117jim\u0105 su religija. K\u016brinys kalba apie tik\u0117jimo kaip tam tikros b\u016bsenos egzistavim\u0105. Nenuostabu, kad prie\u0161 spektakl\u012f projekcijoje i\u0161vystame epigraf\u0105, kuriame teigiama: \u201eleiskite jiems b\u016bti bej\u0117giams kaip vaikams, juk silpnumas \u2013 didis dalykas, o j\u0117ga yra niekas. Kai \u017emogus gimsta, jis silpnas ir lankstus, kai mir\u0161ta \u2013 jis kietas ir bejausmis. Medis auga mink\u0161tas ir liaunas, bet sukiet\u0117j\u0119s ir i\u0161d\u017ei\u016bv\u0119s mir\u0161ta. Kietumas ir j\u0117ga yra mirties palydovai. Nuolankumas ir silpnumas yra gaivaus buvimo i\u0161rai\u0161kos. Sustabar\u0117j\u0119s niekada nelaim\u0117si\u201c (\u201eStalkeris\u201c, A. Tarkovskis). Spektaklio eigoje i\u0161girstame \u0161ok\u0117jus, vardinan\u010dius kuo jie tiki \u2013 nuo savosios \u017emonos miel\u0117s iki tik\u0117jimo vaivoryk\u0161t\u0117mis, e\u017eiukais ir t.t. Taigi, \u0161iuo atveju galime atrasti tik\u0117jim\u0105 kaip apibendrint\u0105 b\u016bt\u012f, jausm\u0105, dvasin\u0119 b\u016bsen\u0105, gal\u0173 gale, k\u016br\u0117j\u0173 patirt\u012f tapatinti su savo vidiniais \u012fsitikinimais. <\/p>\n

\"\"
\nNuotrauk\u0173 autor\u0117: Svetlana Batura<\/p>\n

K\u016br\u0117jai pasivaik\u0161\u010diojimo rojuje metu m\u0117gina leisti ir sau, ir (mums) \u017ei\u016brovams nesuinteresuotai gro\u017e\u0117tis kasdienybe, tuo pat metu j\u0105 apsvarstant per tik\u0117jimo (galb\u016bt net ir tik\u0117jimo savimi) prizm\u0119. Ta\u010diau visa tai, k\u0105 ra\u0161au, t\u0117ra filosofiniai pramanai, kurie tariamai tur\u0117t\u0173 u\u017epildyti balt\u0105j\u012f scenos kvadrat\u0105, naudojam\u0105 kaip vizual\u0173 sprendim\u0105, leid\u017eiant\u012f projekcijoms atsiskleisti savuoju gro\u017eiu. Visgi, plonyt\u0117 riba tarp gilumini\u0173 filosofini\u0173 svarstym\u0173 ir pavir\u0161utini\u0161k\u0173 coelho\u2018i\u0161k\u0173 ties\u0173, ka\u017ein ar buvo i\u0161laikyta \u0161iame k\u016brinyje. Per valandos laikotarp\u012f mes buvome skatinami atrasti naivaus tik\u0117jimo galimybes, susitapatinti su pirminiais geneti\u0161kai u\u017ekoduotais gamtos klodais, pamatyti ir patirti med\u017eio augim\u0105, ma\u017eiausios mus\u0117s zyzim\u0105. Gal\u0173 gale kiekvienas tur\u0117jome imti ir vaiki\u0161kai naiviai, ta\u010diau i\u0161 esm\u0117s suvokti, kuo mes tikime. Spektaklio prad\u017eioje epigrafas pas\u0117jo tik\u0117jimo krisl\u0105, kad \u0161\u012fkart visiems dalyvaujantiems \u0161iame k\u016brybiniame rituale bus leista tapti bej\u0117giais ir tuo pat metu did\u017eiais kaip vaikai. Tur\u0117jome apsispr\u0119sti ir perprasti, kuo gr\u012fstas turimas tik\u0117jimas \u2013 dogmomis, poky\u010diais, stabilumu ir pan. <\/p>\n

\"\"<\/p>\n

Visgi siekimas tabula rasa, nesuinteresuotos tobulyb\u0117s yra tolimas ir sud\u0117tingas kelias, kuriuo pasiry\u017etama eiti; bet \u0161iuo atveju ka\u017ein ar tik vizualizacijos gali pad\u0117ti atrasti pa\u017ead\u0117t\u0105j\u012f roj\u0173. Nor\u0117t\u0173si sakyti, kad genialumas slypi paprastume ir tai b\u016bt\u0173 manasis tik\u0117jimo pagrindas. Tik bevaik\u0161\u010diojant rojuje, to genialaus paprastumo ir pritr\u016bkta. Ne pretenzingo, dirbtinai paprasto, m\u0117ginan\u010dio atrasti kuo daugiau elementari\u0173 frazi\u0173 su \u017eod\u017ei\u0173 junginiu \u201ea\u0161 tikiu\u201c, kur\u012f vis kartojo \u0161ok\u0117jai, ta\u010diau \u201ei\u0161b\u016bto\u201c ir \u201epatirto\u201c tas \u0161e\u0161iasde\u0161imt minu\u010di\u0173 drauge. Galb\u016bt atrasto \u0161ok\u0117j\u0173 tik\u0117jimo, b\u016bnant kartu k\u016brybinio proceso metu. Tokiais atradimais turb\u016bt b\u016bt\u0173 buv\u0119 galima papirkti publik\u0105. Esamuoju momentu po roj\u0173 m\u0117ginome pasivaik\u0161\u010dioti drauge su k\u016brybine komanda, ta\u010diau manasis rojus prasilenk\u0117 su \u201eStalking Paradise\u201c rojumi. <\/p>\n

Jei min\u0117to \u0161okio spektaklio atveju \u017ead\u0117to vaiki\u0161kojo naivumo pritr\u016bko, juo visas kertes u\u017epild\u0117 festivalio r\u0117muose atsirad\u0119s \u201eGravitacijos\u201c spektaklis, skirtas ma\u017eiesiems \u017ei\u016brovams ir, der\u0117t\u0173 prid\u0117ti, ne tik jiems. Choreografas Ofiras Yedelevitchius per ma\u017e\u0173j\u0173 suvokimo prizm\u0119 apsiima \u017eaisti gyvenim\u0105, kuriame atsikleid\u017eia konkurencijos, m\u0117ginimo u\u017esitarnauti aplinkini\u0173 d\u0117mes\u012f tro\u0161kimai. Tas pats \u017eaidimas atskleid\u017eia ir susiskaldymo, nereikalingos konkurencijos beprasmyb\u0119, nes, deja, niekas nesugeba laim\u0117ti kovos prie\u0161 visagal\u0119 gravitacij\u0105. Jai ner\u016bpi \u017emogi\u0161kosios konkurencijos \u017eaidimai, gravitacija nepasiduoda provokacijoms, ji tiesiog yra it nepermaldaujama b\u016btis. <\/p>\n

\"\"<\/p>\n

Verta pamin\u0117ti, jog did\u017eioji dalis ma\u017e\u0173j\u0173 \u017ei\u016brov\u0173 kryk\u0161tavo ir d\u017ei\u016bgavo i\u0161tikti pa\u017einimo d\u017eiaugsmo. Nes \u0161tai tas \u0161ok\u0117jas atrodo it kamuolys, o kitas, m\u0117gindamas konkuruoti, taip kvailai ima ir nuvirsta. Grindys, ant kuri\u0173 \u0161okama, taip pat n\u0117ra paprastos. Pasi\u017ei\u016br\u0117kime, kaip auk\u0161tai gali pakilti \u0161ok\u0117jas, \u0161ok\u010diojantis nuo vienos kojos ant kitos, m\u0117ginantis u\u017esirop\u0161ti kitam \u0161ok\u0117jui ant nugaros arba bent pag\u0105sdinti netik\u0117tai arti atsirandan\u010diu \u0161uoliu. Tad k\u016brybin\u0117 komanda, \u012ftraukdama \u012f sav\u0105j\u012f \u0161ok\u012f akrobatinius triukus, atliko ir edukacin\u0119 misij\u0105, kurios metu vaikai gal\u0117jo perprasti, jog geriausi rezultatai pasiekiami susivienijus, o ne aklai konkuruojant. \u0160iuo atveju naivus tik\u0117jimas ir, b\u016btent, \u201eStalking Paradise\u201c \u017ead\u0117tas vaiki\u0161kas silpnumas atsiskleid\u0117 ne visai \u012fprastu rakursu \u2013 \u017eaid\u017eiant su pa\u010dia gravitacija. <\/p>\n

Ta\u010diau k\u0105 gal\u0117jome atrasti, per\u017eeng\u0119 \u017eaidimo ribas? Man \u0161is klausimas liko neatsakytas. Kadangi spektakl\u012f \u201eGravitacija\u201c taip pat steb\u0117jau su ma\u017euoju kritiku, tik\u0117jausi b\u016bti ap\u0161viesta jo supratimo, bet tik\u0117jimui ne visada lemta materializuotis ir b\u016bti i\u0161pildytam. Scena \u201ei\u0161sikv\u0117p\u0117\u201c, pl\u016bstel\u0117jo aplodismentai ir \u017ei\u016brovai srautu patrauk\u0117 dur\u0173 link, gaubiami gravitacijos, kaip savaime suprantamo rei\u0161kinio. Nes juk kitaip tiesiog neb\u016bna. <\/p>\n

Pa\u017ead\u0117tas vaiki\u0161kas naivumas, \u017eaidimas ir per paprastum\u0105 perprantamos tik\u0117jimo (ir ne tik) tiesos, liko ka\u017ekur spektakli\u0173 para\u0161t\u0117se. Galb\u016bt jei rojuje \u012fkurdintume gravitacij\u0105, jame vaik\u0161\u010dioti b\u016bt\u0173 kur kas linksmiau ir \u012fdomiau? Palikime tai prie neatsakyt\u0173 klausim\u0173 lentynos. <\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.
\n\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Pana\u0161u, jog pastaruoju metu, pasaulyje, kuriame tur\u0117jo b\u016bti sugriauti visi tik\u0117jimo mitai, o \u017emon\u0117s tur\u0117jo b\u016bti u\u017eli\u016bliuoti postmodernisti\u0161kos hipertikrov\u0117s ir …<\/p>\n","protected":false},"author":1,"featured_media":2288,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n(Ne)rimti \u0161oki\u0173 \u017eaidimai - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/10\/18\/nerimti-sokiu-zaidimai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"(Ne)rimti \u0161oki\u0173 \u017eaidimai - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Pana\u0161u, jog pastaruoju metu, pasaulyje, kuriame tur\u0117jo b\u016bti sugriauti visi tik\u0117jimo mitai, o \u017emon\u0117s tur\u0117jo b\u016bti u\u017eli\u016bliuoti postmodernisti\u0161kos hipertikrov\u0117s ir ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2017\/10\/18\/nerimti-sokiu-zaidimai\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2017-10-18T01:24:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2287_Lithuanian_Dance_vizualizacija1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"419\" \/>\n\t<meta property=\"og:image:height\" content=\"525\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/10\/18\/nerimti-sokiu-zaidimai\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2287_Lithuanian_Dance_vizualizacija1.png\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2287_Lithuanian_Dance_vizualizacija1.png\",\"width\":419,\"height\":525},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/10\/18\/nerimti-sokiu-zaidimai\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2017\/10\/18\/nerimti-sokiu-zaidimai\/\",\"name\":\"(Ne)rimti \\u0161oki\\u0173 \\u017eaidimai - 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